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    1. Ambient Co-presence<br /> by [[Maggie Appleton]] @maggieappleton<br /> accessed on 2026-11-14T22:48:35

      as of 2026-11-14 search for "ambient co-presence" primarily brings up this article and little else beyond Mirca Madianou's 2016 paper in Global Networks.

      What is it's relationship to body doubling? https://en.wikipedia.org/wiki/Body_doubling

      I'm reminded of some of Kevin Marks' work on phatic communication on the web here as well as Amber Case's early calm technology work tangential to the IndieWeb.

      I wish I could recall the name of the stand up comedian in the early 2000s (HBO special?) who mentioned that two dudes could sit on a couch together watching sports or a movie and say absolutely nothing to each other and that was considered bonding. It was the presence that mattered far more than any communication. The same comedian noted that the same thing typically didn't apply to women who required explicit verbal communication for bonding with each other.

    2. It’s a soft starting point for layering on more attention-heavy interactions; leaving inline comments, making connections with people who always show up in the same spaces as you, or creating trails for others to follow.

      Appleton uses the idea of "creating trails" which is similar to V. Bush's 1945 work.

      Perhaps social online tracking apparatus could also leave pointers which indicate which article a friend had read either before or after the current one, especially when those articles were related?

      In academia, could one use meshes of links between referenced papers to rank or order more explicit paths through academic literature based on citation weights?

    3. As far as I’m aware, Google Docs was the first to implement this

      I remember commenting, likely around 2016 about the use of Hypothes.is' counter on their bookmarklet to indicate the number of annotations on a particular page. This is a more passive sort of indicator of presence.

      I used to get a little thrill to see people who'd either been there at the same time, or just before me.

      It's also reminiscent of Vannevar Bush's "associative trails" in As We May Think (The Atlantic, 1945).

    4. Our current digital attempt at this is multiplayer cursors and selection. Other people who have access to your file are visible in the interface as small, pointy, colourful cursors or text markers within a document, canvas, or spreadsheet. Sometimes with little names or floating profile pictures next to them to help identify people. As far as I’m aware, Google Docs was the first to implement this
    5. Ambient co-presence is the sensation of sharing a space or context with other people, without directly interacting or continuously communicating with them. You’re all aware of each other through peripheral vision, ambient noise, and embodied sensations but aren’t necessarily doing the same tasks or directing your attention to the same things.
    1. Here are just some of the benefits above and beyond the inherent entertainment and betterment value of books:A study published in the New England Journal of Medicine followed 469 adults over 75 for five years and found that frequent readers were 35% less likely to develop dementia than infrequent ones.A Yale study in Social Science & Medicine followed 3,635 adults over 50 for twelve years and found that those who read more than 3.5 hours a week were 23% less likely to die. Put in pithy terms, a chapter a day keeps death away (for about two extra years).A Rush University study in Neurology followed 294 older adults until death and found that the most mentally active among them, with reading chief among their activities, showed 32% slower cognitive decline than their average peers.A New School study in Science randomly assigned people to read a few pages of literary fiction, popular fiction, nonfiction, or nothing, and found that the literary fiction readers were better at judging emotion from photographs of strangers’ eyes, a standard test of theory of mind and the basis of empathy. (Although this empathy claim is the most debated science of the bunch.)
    2. To see the connection, consider how one practice after another, whether physical or mental, has crossed the chasm from fringe curiosity to mainstream wellness movement over the past two decades.Resistance training. Meditation. Cold plunges. Sauna (Finnish and infrared). Sleep tracking. Zone 2 cardio. VO2 max. Recovery. Ten thousand steps a day. Closing your rings. Standing not sitting. Continuous glucose monitors. Light exposure. Light blocking. Weighted vests. Creatine. Protein. Protein powder (whey post-workout, casein before bed). Nootropics. Neurotransmitters. Nicotine pouches. Breathwork. Talk therapy. Mobility. Fascial release. Mouth tape. Nasal strips.
    1. Audiences keep comedians honest. An audience’s laughter is brutally honest. I can’t think of another art form like it. Is my painting any good? It’s hard to tell. Does my music connect? Maybe . . . Are my jokes funny? Well, did they laugh or not? It’s binary.
    2. When I read an autobiography, my takeaway is always, ‘Wow, this guy talks about himself a lot.’ So I thought we might mix things up a bit. You might be a little interested in me but I’m damn sure you’re a lot more interested in yourself. This book, then, is about both of us.
    3. Now, I’m not a doctor but here’s what I’d do with your panic attack: write a list. Boring, right? But boring can be good. Boring will calm you right down. Write down what you have to do and keep writing. Rene the list, make it ever more specic, until the huge looming disaster becomes a series of manageable bite-sized tasks. Take a breath and then go take care of business. Item number o
    4. Anxiety is the ip side of creativity – it’s a gift. A gut-wrenching, pain-in-the-arse, nightmare gift. But it’s the thought that counts. If you’re suering with anxiety, great news: you’re a creative person. The downside to a creative mind is that it’s always on. Anxiety: it’s your creativity with nothing to do. Give your creative mind something to do or it’ll drive you crazy.
    5. The Sad Clown Paradox is where mental disorder meets comedy. It’s the ‘cyclothymic temperament’ (me neither, thank God for Google), a ceaseless instability of mood, thinking and behaviour. It’s a never- ending cycle where a child takes on additional responsibilities, which evokes a need for acceptance and creates mental health issues, which in turn leads to a need to self-medicate with humour. Rinse and repeat enough times and what you get is a comedian.
    1. The first is my “Expletive List,” which sits at 10 a.m. on my electronic calendar. If these items are not done by the end of the day, I will emit a barnyard epithet. (I try to be ruthless. If a task can be delayed, it should not be on there.) If I have an expletive event in a day to come, I put it at 10 on that day. There is only a handful of these items every day.

      John Dickerson's version of "eat the frog" is called his "expletive list".

    1. Jilly Cooper’s beloved typewriter could fetch £8,000 at auction<br /> by [[Jamie Grierson]] in The Guardian<br /> accessed on 2026-11-12T12:01:01

      Jilly Cooper using "Monica 2" an Olivetti Underwood Lettera 32.

      Did Jilly Cooper call her Lettera 32 "Monica 2" because her other typewriter was an actual Olympia Monica, which the image here seems to be?

      Jilly Cooper appears to enjoy typing "topless" based on these two photos. The article mentions "famously claimed to work topless in the sun", but doesn't make the clear connection to the typewriter not having a hood on it.

    1. Congratulations. You've joined an exclusive club that includes writers like: Edward Abbey John Ashbery, Saul Below, Johnny Carson, Joan Didion, Bernard Kalb, Elia Kazan, Helen Keller, Grace Metalious, Arthur Miller, Carl Reiner, Fred Rogers, Rod Sterling, George Sheehan, and Wallace Stegner.

      I've got over 60 typewriters in my collection and the KMG is my favorite, especially when it's clean and properly adjusted. I've got one each in Royal Elite and Royal Pica typefaces they're so nice.

      KMG controls diagram: https://site.xavier.edu/polt/typewriters/RoyalKMGdiagram.jpg<br /> Richard Polt's site doesn't have a manual (yet) for the KMG (manufactured by Royal from 1949 to 1952), so pull the manual for the Royal KMM instead. It was the model made just before the KMG and should be functionally identical. The Royal HH which followed it was also broadly similar. https://site.xavier.edu/polt/typewriters/tw-manuals.html

      A lot of their design, including the glass tombstone keys, was influenced by Henry Dreyfuss' redesign of the Royal Quiet De Luxe in 1945.

      The spools for the standard Royal typewriters (Ten, H, KH, KHM, KMM, KMG, RP, HH, FP, Empress, 440, 660, etc.) have a custom metal mechanism for their auto-reverse. The spools are known as the T1 (which is the same as General Ribbon part # T1-77B , T1-77BR, and Nu-Kote B64.) If winding on universal 1/2 inch wide ribbon onto them, remove any eyeletes which aren't needed and may interfere with the auto reverse. https://www.youtube.com/watch?v=TMDfGkKqbgE

      Incidentally when browsing YouTube for repair videos, the mechanics of all the Royal standards (listed above) are all incredibly similar if not exactly the same, so search beyond KMG to find solutions.

      For cleaning:<br /> - https://www.youtube.com/watch?v=xjumGF9NFE8&list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS&index=5<br /> - https://boffosocko.com/2024/08/09/on-colloquial-advice-for-degreasing-cleaning-and-oiling-manual-typewriters/ - The tombstone "glass" (acetate) keys are metal rings that hold a piece of acetate over a paper legend (with the key letter printed on it) onto a metal platform. Don't get liquids or water on these as it will seep inside and discolor or damage the paper legends. They're replaceable, but it requires a special tool and/or lots of patience. Incidentally, these were the last US manufactured typewriters with glass keys.

      Use and maintenance: https://boffosocko.com/2025/06/06/typewriter-use-and-maintenance-for-beginning-to-intermediate-typists/

      If it helps, here's a link to all my posts about the purchase, history, use and some restoration pieces I've written about mine (start at the oldest and work your way forward): https://boffosocko.com/tag/royal-kmg/

      Other resources as you may need them: https://boffosocko.com/research/typewriter-collection/

      Good luck!

      reply to u/Saltiend at https://reddit.com/r/typewriters/comments/1rwsfxp/just_bought_a_royal_kmg_any_tips/

    1. on this one because of the film, mineral spirts/wd-40 and a soft brush to start. Then a wax cleaner while always getting a clean 4x4 sq of towel. Use detail swabs in any curved spot. Go slow w a light touch and let the cleaners do the work. If it were a typical machine, a bit of liquid polish mixed in to start the first cut.

      James Groom's polishing regiment for a black lacquer Royal Ten via https://www.facebook.com/groups/TypewriterCollectors/posts/10164437661134678/

    1. reply to u/ValenciaTangerine at https://old.reddit.com/r/Zettelkasten/comments/1xsee6q/luhmann_only_indexed_1_to_4_cards_per_keyword/

      Placing notes into neighborhoods using his alpha-numeric system allows this sort of "sparse indexing". Imagine if he had indexed everything related to it in his system as "sociology", then the keyword "sociology" would have absolutely no meaning because the signal gets swamped in noise.

      Most people in digital contexts don't place their notes into neighborhoods like he did, so to find things they may need to over-index to be able to find them, but they'll need finer-grained search to delve beneath the noise of the dozens, hundreds, or thousands of notes they may accumulate.

    1. Oh you know it is the greatest—the way a Remington Quiet-Riter helps stimulate interest in the young people. Brings out the best in them. <br /> You know something? The minute you get your hands on this wonderful portable, you find yourself with an urge to express yourself! Now that can be mighty important not only in school but in later life too.

    1. Advanced Typing - Shortcuts (1943)

      Advanced Typing: Shortcuts. 16 mm. Vol. MN-1512c. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=JUJfCfqgsX0.

      Correct typing posture: fingers curved<br /> arms sloping up<br /> light fast strokes<br /> steady rhythm

      fast continuous motion of return lever<br /> using backing sheet (aka temping sheet ??)

      Shortcuts:<br /> mise en place for office supplies (she doesn't use this phrasing though) - greater efficiency - cuts down on searching

      tabulators can be helpful. There are two types:<br /> - automatic - handset

      Use tabs for paragraphs, dating letters, columns of numbers, and letter closings.

      To clear all tab stops, put carriage to left, hold tab clear key and move the carriage across. (Usually applies to Royal, Remington, Underwood, and Electromatic).

      On LC Smith and Woodstock machines sometimes have a tab clear lever on the back.

      Decimal tabulator keys help to align a variety of numbers around a decimal point. 09:43

      Always have a few tabs set to prevent a flying carriage which can be hard on the machine.

      When using carbon sheets which are slightly longer than the paper size, cut off a small triangle at the top left hand side. This makes it easier for one to separate the carbons from the copies by holding the top left with one hand and pulling the carbons out from the bottom of the stack.

      To align multiple sheets of paper for carbon copies, use a folded sheet at the top to taco the pages into the machine. Remove the folded sheet once the carbon pack is rolled forward.

      Paper bail rollers should be set to split the pages into thirds (for two rollers).

      Remington noiseless machines have a pressure indicator on the front of the machine (usually above the keyboard) which can be used when using thick carbon packs that may cause the ribbon guide to stick or bind.

      Only erase when the carriage is fully left or right to prevent eraser crumbs from falling into the machine. 15:26

      Use a soft eraser on carbon copies. Use and insert slips of paper behind the carbons and allowing them to stick out the sides, erasing from back sheet to front so as not to allow the eraser to mark your carbon copies. For the front sheet, use a shield and ink eraser and erase with a horizontal motion. After erasing, easily pull out the inserted sheets.

      When typing a correction, tap the key lightly two or three times rather than hard once.

      When in a rush and it's necessary to add a word (on double spacing), underline the last letter of the prior word and type a slash (/). Then move the typing line up and type the insertion above the prior line. This creates an "arrow" of sorts for the inserted word.

      Details for inserting extra letters in misspelled words using half-spacing machines. (Underwoods and Electromatics don't have this function.)

      Light pencil marks at the bottom of the sheet can help to indicate the coming bottom of the sheet.

      Putting up the card holders (fingers) on Underwoods and Royals. They help to hold the card and improve print quality and reduce noise.

      Card holders can cause markings on carbon packs if they're not lowered.

      Trick for quickly writing postcards in succession: Disengage the ratchet using the platen spring release (or variable platen switch) Type the address on the front of the card. When done give the platen a quick practiced spin. The postcard with "jump" up and stop at the paper table and be in position for rolling in the opposite direction to write the message on the back of the card! When done a faster spin of the platen will shoot the card over the back of the typewriter where it can land in a box to collect all the postcards which were written in such a manner. <br /> timestamp 23:22

      Time saving methods for addressing envelopes:

      • Front seat principle. Insert the envelope in the usual way and type out the address. When done, turn the envelope down through the machine with the right hand. With the left hand, place the next envelope between the top of the first envelope and the front of the platen. Feed the first envelope back through the machine (in reverse) and the second will be rolled in to place for typing. Continue in this fashion until finished. All the finished envelopes will stack up in the back at the paper table.

      • Chain feeding. The first envelope is inserted and rolled partway into the machine. A second envelope is inserted between the platen and the second envelope (behind the platen). Turn the first envelope to the writing line and type the address. Take out the first envelope and insert the next the same way as before.

      • Uses paper bail. Do the first envelope in the usual way. Spin it out of the machine up and behind the paper bail into a box behind the typewriter.

      For quickly doing labels or small cards: (27:29) Create a small zig-zag fold into a piece of paper to create a pocket slot which can be scotch taped on either side. This template paper can then be inserted so that the pocket is visible above the writing line, but the paper below it is still in the platen. The label or card can be placed into the pocket and the platen reversed to feed the label or card in backwards to the desired typing line. Using a v-groove or hole in the typing line can create a pencil line to serve as a guide for inserting many labels at the same place so that the typing lines up between labels.

      Some offices had special platens for holding cards like this.

      Pockets like this can also be used to hold the page to add additional lines at the bottom of pages. Deeper pockets may need to be used for doing this with carbon packs whose carbons are longer than the pages.

      Alternately one can do something similar by creating a inverted u-shaped set of slits into an index card. to hold such labels.

      When in the midst of a page and needing to do another piece urgently, roll back the letter until about 2 inches from the top, and then place in the new page and one between each of the carbons. Then roll forward to do the short message as necessary. Turn back to the insertion position to remove the copies and then continue with the first letter where you left off.

      For drawing horizontal lines on typewriter paper, push the carriage to the extreme left and place the pencil or pen at the edge of the card guide and the scale. Then move the carriage to the right to effect the line. For vertical lines, put the carriage at the desired space and place the pencil at the card guide and scale and move the platen up/down as necessary.

  2. Nov 2026
    1. reply to u/ropeynick at https://reddit.com/r/TypewriterRepair/comments/1xk6tkj/olympia_sg3_right_margin_stop/

      The right margin on the Olympia SG3 is a known thing:<br /> - https://typewriter.boardhost.com/viewtopic.php?pid=27528#p27528<br /> - https://typewriter.boardhost.com/viewtopic.php?id=3521

      They say roughly what my experience is with both of my Olympia SG3 right margins: - If you're typing characters, the line lock will engage and require you to hit the margin release to continue. - If you're tabbing, spacing, or using the carriage release you'll blow right through the margin and can keep typing.

      The number of spaces from bell to margin will differ based on the pitch of the machine as will the number of spaces one would need to space past the margin before the line lock disengages and allows you to type in the margin again.

      It was a change in design of how a right margin stop worked in late typewriter manufacture.

    1. https://www.facebook.com/groups/4770669677posts/posts/10164413651119678/

      The Haas Atlas (page 7) would identify the foundry mark as being a Hulse-Typen manufactured Pica face for Smith-Corona: https://archive.org/.../typewriter.../page/n5/mode/2up

      Page 31 of the 1954 Smith-Corona Typewriter Type Styles and Keyboards Catalog would indicate it seems to match up solidly with the Pica Gothic No. 4 typeface: https://typecast.munk.org/.../1954-smith-corona-scm.../ Especially look at the Q, the J, and the 8. The '64 NOMDA guide Mark links is the same, but doesn't have as extensive a typesample.

      Many machines, and especially the American manufactured ones, don't always have foundry marks which line up with the respective catalogs.

    1. We put a good dozen machines through a month, and large amounts of small parts. It's a great machine, but very expensive. Both the unit, the power demand, and the solutions. Not every machine or part can go in either, we still do many machines by hand to avoid damage in the ultrasonic. Quality of work is critical, but so is time. We can do the same level of in depth clean manually, but it takes 2-3 hours and the ultrasonic halves that time. We still do drying, rust removal, bulk grease, and final washes by hand to ensure consistent quality. Can't express enough how amazing the ultrasonic is. Deffinately increased our output. We work with OmegaSomics for machines, parts, and cleaners.

      via Lucas Dul (aka u/Lucasdul2) at https://www.reddit.com/r/typewriters/comments/1xairdl/comment/19rpjcvqm7v9e/?context=1&screen_view_count=2

      Puts about a dozen machines a month through their ultrasonic cleaner. Doesn't rely on it solely due to need for quality control.

    1. reply to u/remy_vega at https://old.reddit.com/r/typewriters/comments/1wxj0js/olympia_sm3_i_think_acquired_now_to_cleaning_and/

      The white material is likely oxidation/corrosion specific to the metal on the piece. I'd guess potentially zinc oxidation. Duane has used lacquer thinner on stuff like this in the past with good results. (See https://www.youtube.com/watch?v=hDpTJ4NQGwk).

      However for the material on the keys, you're likely to damage the plastic on them. For this part you could spot test some vinegar as a means of removing the oxidation without damaging the keytops. Try it out on one key to see how well it works. If it helps, you can remove the keytops individually. (See: https://youtu.be/XRm0VH42y1s?si=P0D1L9bm8uMRSJDC&t=867) I might also try a thin/skinny brass bristle brush either before, or in combination. (See: https://boffosocko.com/2024/12/01/typewriter-tools-upgrade/#Typewriter%20Cleaning%20Tools)

      See another occurrence at https://reddit.com/r/typewriters/comments/1x2drma/olympia_sm2_restoration/ where kizeer reported success at my method by saying:

      Thanks for the links! I started to remove the key caps and soak them in vinegar and brush the rest off which seemed to work fine. Just having some issues to remove the first row of key caps (1,2,3,..). I guess I need to remove the case/housing first.

    1. Glenn Horowitz, a rare-book dealer who is handling the auction for Mr. McCarthy, said: “When I grasped that some of the most complex, almost otherworldly fiction of the postwar era was composed on such a simple, functional, frail-looking machine, it conferred a sort of talismanic quality to Cormac’s typewriter. It’s as if Mount Rushmore was carved with a Swiss Army knife.”
    1. and a stand-alone office with an antique walnut desk, an Art Deco lamp by the modernist Irish architect and designer Eileen Gray and a typewriter — an Olivetti Lettera 32 — that once belonged to the novelist Cormac McCarthy. After years of false starts and a second career as a stock trader, Brolin finally became a movie star with his role as an unsuspecting hunter in the Coen brothers’ film adaptation of McCarthy’s 2005 novel, “No Country for Old Men”; he was with the author this past June the night before he died.

      Josh Brolin has one of Cormac McCarthy's Olivetti Lettera 32 typewriters.

    1. reply to u/Prince_naveen at https://reddit.com/r/math/comments/1xmn4c6/for_those_of_us_postponing_grad_school_and/

      Who says anyone needs to "quit" math anyway?!? If you love it, practice it as a hobby. Work on problems in your spare time. If there are nearby colleges, take courses go to lectures and colloquia. (I've been taking various subjects in the math departments of UCLA, USC, and Caltech near me for over 20 years now. Here's a recent example of one: https://www.reddit.com/r/math/comments/1vnknqu/in_the_los_angeles_area_and_looking_to_expand/) Find conferences via the AMS.

      Even people like novelist Cormac Mccarthy read mathematics throughout their adult lives. A research project has been cataloging his personal library of over 20,000 volumes and a huge number of them were in math. https://cormacmccarthy.lib.utk.edu/home?search_api_fulltext=mathematics Later in life he joined his friend Murray Gell-Man at the Santa Fe Institute for "fun".

      There's lots of math out there, you just have to look a bit to keep it in your life.

    1. Beginning of a holiday gift giving guide for the typewriter enthusiast in your life:

      Repair person:

      Some ideas for typewriter tools: https://boffosocko.com/tag/typewriter-tools/ including:<br /> - Paul at Bremerton Typewriter has reproduction segment picks that make solid stocking stuffers. - Crawford Tools has some great oilers and spring hooks.

      Typewriter repair manuals are great to build up your library: https://www.lulu.com/search?adult_audience_rating=00&contributor=Ted+Munk&page=1&pageSize=50&sortBy=PRODUCT_SALES_90_DAYS

      Shelving that will fit heavy standards is always a true "gift".

      Bulk ribbon from Fine Line Ribbon in Texas is lovely.

      If your rich uncle asks: https://www.safety-kleen.com/services/parts-washers/solvent-parts-washers

    1. reply to u/Fireflystudio at https://old.reddit.com/r/typewriters/comments/1xn596e/remington_identification_help/

      They (the serial number prefix JT) sort of appear at https://typewriterdatabase.com/remington.42.typewriter-serial-number-database but as J, SJ, and EJT.

      You'll find two of them on https://typewriterdatabase.com/Remington.Standard.42.bmys. Your serial number seems to line up with the other Italian made ones, but the database doesn't seem to have any detail about years of manufacture for those serial numbers. Because they're fairly serious collectors who've listed theirs as early 1960s models (196X), yours was probably also early 1960s. The shift from the green keys to the white/gray chicklet design can be seen at the break between 1959 and 1960 for the Remington Quiet-Riter Eleven: https://typewriterdatabase.com/Remington.Quiet-Riter+Eleven.42.bmys

      Presumably the primary prefix model letter for the Remington Standard is "J" and the additional letters either indicate the factory/country of manufacture or other functionality. (Remington often added the letter "T" to some models to indicate tabulator or decimal tabulator, though in this case, as a standard, a simple tabulator would have been implied. Perhaps in your model's case the "T" stands for Torino which is likely the plant it was manufactured in in Italy. See also: https://www.nytimes.com/1951/10/08/archives/remington-rand-to-build-in-italy-company-to-construct-large-plant.html

      The SJ models seem to be from England, FJ models in France and another CJ model, potentially from Canada? Some additional research ought to uncover if this hypothesis holds.

      Torino, Italy

    2. https://www.reddit.com/r/typewriters/comments/1xn596e/remington_identification_help/

      Prior to this in the late 40s and early 50s were the Remington 17 and KMC versions before they switched to the Remington Super-Riter. This one with the push and slide margin controls marks it as a Remington Standard.

      There are only a few models in the database that have this body finish and "chicklet" style keys (Both James Grooms and Richard Polt have them), but perhaps this was a tooling change when they moved manufacture out of the US to Italy some time around 1962?

      These were used by Robby the Robot, Lina Wertmuller, and Grace Kelly. Mel Gibson's character used one in the 1982 movie The Year of Living Dangerously.

      Your machine should have the Fold-A-Matic feature which should help you clean out the internals: https://boffosocko.com/2024/12/06/using-the-fold-a-matic-feature-of-the-remington-standard-to-clean-oil-and-adjust/

      Should you need to replace some of the internal rubber grommets: https://boffosocko.com/2026/02/23/rubber-grommet-repair-on-remington-super-riters-and-standards/

      The manual: https://site.xavier.edu/polt/typewriters/RemingtonSuper-Riter.pdf

      There was a laterRemington 19 which had a plastic body and similar "chicklet" keys that showed up in the early 60s,

    1. Kaffee: [interrupts with game-show buzzer sound] eeehhhhh! I'm sorry, your time's run out! What do we have for the losers, judge? Well, for our defendants, it's a life time at exotic Fort Leavenworth! And, for defense counsel Kaffee, that's right, it's a court martial! Yes, Johnny! After falsely accusing a highly decorated Marine officer of conspiracy and perjury, Lieutenant Kaffee will have a long and prosperous career teaching... typewriter maintenance at the Rocco Globbo School for Women! Thank you for playing "Should we or should we not follow the advice of the galactically stupid!"

      via https://www.imdb.com/title/tt0104257/quotes/

      double-check the quote verbiage

    1. The white correction part is dry white correction material on film. It's supposed to be that way. The black is the part that ought to be wet with ink. I don't think that anyone makes the older bichrome correction ribbon anymore. There's still NOS out there, but I generally don't recommend it as, though it may work, it throws flecks of white into your segment and onto your typebars. It makes a heck of a mess and is a pain to clean up.

      If you need it, you can find old correction tabs out there or correction tape which is far easier (and cleaner) to use.

      Better ribbon can be found here: https://site.xavier.edu/polt/typewriters/tw-faq.html#q1

      Reply to u/OalBlunkont at https://www.reddit.com/r/typewriters/comments/1xkpg95/ribbon_for_brother_charger_11c/

  3. Oct 2026
    1. Likely the right hand margin slider has shattered. I just fixed this same issue on my SG-3 by 3D printing a replacement using a free file available on Thingyverse. My library printed it at no charge. The repair took a little doing— I had to drill out two small brass rivets and replace them with tiny screws, but it is great to have it working again.

      via u/radiant_control at https://www.reddit.com/r/TypewriterRepair/comments/1xk6tkj/olympia_sg3_right_margin_stop/

    1. Saturday, May 23, 1970: “This is a brand new Olivetti typewriter upon which I am writing given to me by Lil and Brook. It is sparkling and very loose compared with the Hermes Baby and it will take me a little more time to bang away on it with the same abandon as I do on the old one which I shall keep anyway out of loyalty for many years of battered service. I shall retire the Baby to the library on the boat or at Gstaad. The machine is fire-engine red and I’ve pasted on it a Welsh dragon. . . “ - Richard Burton, The Richard Burton Diaries

      via https://www.facebook.com/groups/TypewriterCollectors/posts/10164377139549678/

      Check source on the quote.

    1. reply to u/MorsaTamalera at https://old.reddit.com/r/typewriters/comments/1xjo3ly/do_my_type_pieces_seem_ok_or_do_they_need_cleaning/

      During a period when people got their machines serviced regularly, the general advice was to bush out the slugs with a stiff bristle brush (firm toothbrushes make a reasonable tool here) once every eight hours of typing. See: https://youtu.be/ocdxgkxKAKo?si=Qz5PSud60SYGVvH6&t=328

      If you've got some dirtier slugs, a degreaser like mineral spirits in combination with a a brass bristle brush can be used to better effect. Some also use pins, toothpicks, or even dental picks to clean out the harder to clean loops of letters like a, e, b, g, d, etc.

      A variety of solvents can be used if you don't have any mineral spirits on hand including isopropyl alcohol, fingernail polish remover, lighter fluid, or even gasoline and kerosene (though obviously take care that your cigarettes and open flames aren't around). See also: https://boffosocko.com/2024/08/09/on-colloquial-advice-for-degreasing-cleaning-and-oiling-manual-typewriters/#nail-polish%20remover

    1. Quote from Introduction:

      I remember when it was all done in first draft telling Gene Wolfe, who is the wisest writer I know and has written more excellent novels than any man I’ve met, that I thought I had now learned how to write a novel. Gene looked at me, and smiled kindly. “You never learn how to write a novel,” he told me. “You only learn to write the novel you’re on.”

      Gaiman, Neil. 2021. American Gods: A Novel. 10th Anniversary. New York: William Morrow Paperbacks.

    1. Obviously there are well built machines and more cheaply built machines, but at a certain level it’s what you connect with. If you spend three years straight typing on one machine, then it will be comfortable and perform well for you. Back in the day, people may have encountered different typewriters and occasionally tried them, but MOSTLY they picked one out in the store they connected with and used it. After years and years (if they don’t have issues), they will think it’s the best typewriter ever. It’s like buying a car, most modern cars are very reliable. So you do some basic research, look at costs and make a pick. If it has something annoying about it (bad visibility or crappy AC or reliability), you’ll never buy one again. But if it works well and you like it, then you’ll think great. You’re comparing two top brands that took very few shortcuts. It’s like comparing a BMW to a Mercedes - maybe one here or there will have issues - but they are both great cars. That doesn’t stop BMW people from talking shit about Mercedes and the other way around.

      by u/newsINcinci at https://www.reddit.com/r/typewriters/comments/1xf54ra/the_sm9_that_i_almost_passed_up/

    1. Two Years After Cormac McCarthy's Death, Rare Access to His Personal Library Reveals the Man Behind the Myth<br /> by [[Richard Grant]]<br /> accessed on 2026-10-25T14:02:31

    2. She was unable to calculate the total number of books because the cataloging software didn’t account for multi-volume works. McCarthy’s 36-volume history of Utah, for example, registered as a single entry. Nor did the software tally multiple editions of the same book, so McCarthy’s 13 copies of Moby-Dick registered as one entry. The total number of entries was 18,520. Taking into account duplicate copies and multi-volume works, Peebles felt confident that McCarthy’s library contained just over 20,000 books, with 2,170 annotated.
    3. With the exception of Moby-Dick in multiple, gorgeous leather-bound editions, the scholars found hardly any novels until they started cutting open boxes that Dennis retrieved from a storage locker in El Paso. Out came the entire canon of Western literature, from ancient Greece and Rome to the best novelists, poets and essayists of the 1970s, nearly all in cheap, worn, paperback editions. “These are the books that he read in his 20s and 30s and maybe into his 40s, and he was broke that whole time,” said Dennis. “Once he got money, Cormac bought all his books in hardback if possible, and for the last 40 years of his life he read almost no fiction at all.”
    4. I asked John what else his father collected apart from books, cars and kitchenware. “I would say clothes were the other big one. He had hundreds of tweed jackets, hundreds of shirts, hundreds of suits that he’d never worn.” John once spent three days dragging stuff out of a room he wanted to use as a bedroom. “When I was done, I said, ‘You ever think you might be a little bit of a hoarder?’ And he looks at me and he goes, ‘Yeah, probably.’ He attributed it to all those years when he had no money.”

      An example of poverty, scarcity mindset and hoarding as a symptom.

    5. It was John who told me that McCarthy worked in bed—a California king with high-thread-count sheets, the Olivetti on a wooden platform with a leather pillow underneath it, and piles of typed pages, magazines, books and catalogs. Writing, McCarthy once said, was not a conscious process for him. He put a blank piece of paper in the Olivetti, the words arrived, and he typed them down. But that was just the first stage of an extensive rewriting and structuring process, and some of his books took 20 years or more to get right. “Dad didn’t like being interrupted when he was working, or when he was reading,” John said. “‘No, no, no. I’m reading. Go away!’ he would say.
    6. Oprah, knowing it was true, asked if The Road was a love story to his young son John. “In a way, I suppose, that’s kind of embarrassing,” he said. She made slightly better headway on the subject of punctuation. McCarthy didn’t use quotation marks, hated semicolons and kept commas to the barest minimum. “There’s no reason to block the page up with weird little marks,” he said. “If you write properly, you shouldn’t have to punctuate.”
    7. McCarthy often had a pencil when he was reading and would make tiny vertical marks next to sentences that interested him and add comments in the margins in small print handwriting. Sometimes he jotted down thoughts on slips of paper that he left between the pages. Inside The Life of Saint Teresa of Ávila by Herself, first published in 1565, we found him musing philosophically: “There is an intelligence to the universe (of which we are fractal) and that intelligence has a character and that character is benign. Intends well toward all things. How could it not?”
    8. The second major discovery, discernible in his work but confirmed beyond doubt in his library, was that McCarthy was a genius-level intellectual polymath with an insatiable curiosity. His interests ranged from quantum physics, which he taught himself by reading 190 books on the notoriously challenging subject, to whale biology, violins, obscure corners of French history in the early Middle Ages, the highest levels of advanced mathematics and almost any other subject you can name.
    9. I was invited to the house by two McCarthy scholars who were embroiled in a herculean endeavor. Working unpaid, with help from other volunteer scholars and occasional graduate students, they had taken it upon themselves to physically examine and digitally catalog every single book in McCarthy’s enormous and chaotically disorganized personal library. They were guessing it contained upwards of 20,000 volumes. By comparison, Ernest Hemingway, considered a voracious book collector, left behind a personal library of 9,000.

      Cormack McCarthy had a library of approximately 20,000 volumes

      Ernest Hemingway had a personal library of approximately 9,000 volumes.

    1. My SG1 doesn’t handle thick cardstock well. I have some index cards that are thicker than normal index cards and they are the thickest I can feed. Greeting cards or the nice letterhead cardstock my wife got me, do not fit.

      If this is the case, I worry that there may be something poorly adjusted on your machine.

      These standards were designed for offices using thicker carbon packs of 10 or more sheets of paper for carbon copies at the same time. I can easily roll a stack of 13 standard Oxford index cards (approximately a tenth of an inch!) into my SG1 at the same time. It's only when I go over this that problems begin.

      I just tried it as an experiment, but if I'm careful, I can put a piece of corrugated cardboard from a standard Amazon box into my SG1 and type on it. (Hint for those considering it: the corrugation doesn't give the best results from an imprint standpoint. The machine is also going to compress the cardboard and put "wrinkles" into the corrugation as it winds through the platen.)

      If the bigger standards aren't going to handle the thickness of card stock you're attempting to type on the portables and ultraportables are going to be even worse.

    2. I am looking at purchasing a manual typewriter, specifically an ultra-portable or a portable. I mainly want to be typing cards with thicker paper. the world of typewriters is more vast than I thought and I keep going down multiple rabbit holes and can’t come to a conclusion on what would be best. please give me your thoughts! thanks!

      Reply to u/arightler at tk

      As one of the few here who may be typing on a regular basis on index cards, I'd generally recommend standard typewriters (which have larger diameter platens and thus handle thicker cardstock better) which also have either card fingers or Perspex card guides. These latter will help hold the card to the platen for a better imprint and make the process much quieter. Any of the Royal standards (all of which have card fingers) here would be great (KHM, KMM, KMG, HH, FP, etc.) or the Olympia SG1 which has Perspex guides.

      You can get away with portables, but they're not as great for regular card work (smaller diameter platens). I might recommend one of the Smith-Corona Series 4 or 5 machines as long as they've got adjustable card fingers. (In the late 50's typically only the Silent-Super model had card fingers, but earlier models often had them as well.) Most of the Olympia SM series (2-9) will do relatively well as they all have Perspex card guides.

      Ultra-portables, with their miniscule platens and barely extant/broadly useless paper bails, will be the worst possible option. Most don't have fingers or card guides at all. I highly recommend against them for this work. If you insist on using one for it, DON'T every try anything else as you'll discover how bad these are for this work and it will utterly ruin you.

      Grippy platens and paper bail rollers with nice tension along with card fingers/Perspex are usually required for being able to type all the way to the bottom of a card or label cleanly.

      For quickly doing labels or small cards, some of the advanced typing techniques in this video will help: https://youtu.be/JUJfCfqgsX0?si=li5bPyn8NdAr2F69&t=1649

      Create a small zig-zag fold into a piece of paper to create a pocket slot which can be Scotch taped on either side. This template paper can then be inserted so that the pocket is visible above the writing line, but the paper below it is still in the platen. The label or card can be placed into the pocket and the platen reversed to feed the label or card in backwards to the desired typing line. Using a v-groove or hole in the typing line can create a pencil line to serve as a guide for inserting many labels at the same place so that the typing lines up between labels.

      Some offices had special platens for holding cards like this.

      Pockets like this can also be used to hold the page to add additional lines at the bottom of pages. Deeper pockets may need to be used for doing this with carbon packs whose carbons are longer than the pages.

      Alternately one can do something similar by creating a inverted u-shaped set of slits into an index card to hold such labels.

      My usual typewriter recommendations and some information on the market:

    1. Its just a ball bearing. Pull hard and it'll pop out. Might want to keep a finger on it so it doesn't fly into the Abyss and you can use it to attach the new ribbon.

      via u/Koponewt (Pelicram) at https://old.reddit.com/r/typewriters/comments/1x8uddf/is_there_a_way_to_unspool_this_it_seems_pinned_in/

      On removing a ball bearing in a typewriter spool that's being used to friction fit a ribbon into a typewriter spool.