10,000 Matching Annotations
  1. Mar 2025
    1. “When you see important societal actors — be it university presidents, media outlets, C.E.O.s, mayors, governors — changing their behavior in order to avoid the wrath of the government, that’s a sign that we’ve crossed the line into some form of authoritarianism,” said Steven Levitsky, a professor of government at Harvard and the co-author of the influential 2018 book “How Democracies Die.”
    1. the lever for later machines was connected with a different sized pin, which makes finding donor machines challenging as pins from the more common newer machines won’t fit the older ones.
    2. It also interesting to note that loss of the carriage return lever is apparently a common problem on Studio 44 Series Is and Series IIs.
    3. Ole Kehlet of Kehlet Typewriter in Sacramento
    4. Sybil Davis—who put the machine up for auction after receiving it from her mother, Jean Vounder-Davis—shared this with me in e-mail correspondence after the auction: He was not a “touch typist.” He preferred the “hunt and peck” system using only his two index fingers I … observed him using it on a daily basis.

      Raymond Chandler was not a touch typist.

    5. The machine was produced in four different versions: Series I with a beige body and black round keys borrowed from its more portable sister machine, the Olivetti Lettera 22 Series II with beige body and black ergonomic keys intended to conform better to the user’s fingers Series III with light blue body, grey-blue keys and knobs Studio 44 L with body from former competitor Underwood (Olivetti bought a controlling interest in Underwood in 1959, and completed a full merger in 1963)

      variations of the Olivetti Studio 44

    6. The Studio 44 was designed in 1952 by award-winning architect, industrial and graphic designer Marcello Nizzoli in collaboration with engineer Giuseppe Beccio.
    1. Beyond the Type-In by [[Woz Flint]] ​

    2. Matthew also introduced the Type-Away—quiet, dedicated time and space to work on writing projects without distraction. These once-a-month gatherings take place in a library meeting room, as opposed to a coffee shop, to provide an atmosphere for focused writing.
    1. If you're a more serious writer, you're sure to find a smoother and better experience with a standard typewriter, but they're slightly larger and heavier (~30 pounds vs. ~15-22 pounds) than the portables. These are usually the ones I recommend if you're writing for several hours and have a dedicated space for your writing. Standards aren't as popular with most collectors, so they also tend to be less expensive.

      I really love my Royal KMG, HH, and FP and my Remington Standard and Remington 17 which are all serious machines. Here are some of the other more common standards for serious writers: https://www.youtube.com/watch?v=3r3533cSZ38


      Reply to u/RetailThrowAway69 at https://old.reddit.com/r/typewriters/comments/1je4owq/new_typewriter_for_a_keyboard_warrior_of_20_years/

    1. Almost every portable and ultra portable typewriter made from the 1930s onward came with a case that the typewriter locked into. On almost all of these the top of the typewriter case was easily removeable from the base with a spring loaded locking mechanism of some sort. This allowed the user to sit in almost any chair and use the typewriter on their lap. The thin case bottoms prevent dirt and oil from soiling one's clothes.

      Beginning in the late 60s/early 70s some manufacturers began making plastic tops that clipped onto the typewriter bodies, but often these are more brittle and prone to breaking/shattering due to the type and age of the plastic. (I'm looking at you Remington Streamliners...)

      Our cat used to love "hiding" in the wooden case tops of my 1940s and 1950s Smith-Coronas (Clippers, Sterlings, Silents, Silent Supers).

      It's really only the larger and much heavier standard machines that didn't come with cases at all.

    1. Why don't sellers include type samples in their ads? I mean, it's the core function of a typewriter. It's the reason for this machine to exist in the first place. Are these people so ignorant that they only see the decorative aspect of typewriters? I've even seen machines in "perfect working order" for horrendous prices without a type sample. This is so ridiculous. How on earth could I find a machine with a nice typeface? How do I see if a machine is well aligned? And most of these strange people don't even bother to send a type sample on request, because "the ribbon is dry". Dang!

      reply to u/andrebartels1988 at https://reddit.com/r/typewriters/comments/1jcsp6t/rant_over_online_sellers/

      No, they're either ignorant or actively trying to hide the fact that their machine was bought for $5 at a yard sale and they're trying to match the pricing of pro shops that have cleaned, oiled, adjusted and repaired a machine which far exceeds the misery they're selling because they have absolutely no idea what goes into a good machine.

      People doing the work to show type samples and video of their machines are usually far, far more legitimate. These people are also going to give you $2 of new ribbon for free with purchase.

      Without a type sample or video, all but the rarest machines aren't worth more than $20.

    1. I found on etsy: TheModernTypewriter that sells ribbons. Are they any good?

      I've never used them. They're probably alright. Looks like they're specializing in engraved spools more than anything. My guess is that they're buying ribbon in bulk from Baco or Fine Line and passing along the cost and adding some additional profit.

      Here's typical bulk pricing:

      nylon ribbon $0.10 - $0.15/yard silk ribobn $0.33 to $0.40/yard cotton ribbon $0.25/yard If you can get a spool's worth of nylon ribbon (16 yards) for about $1.50 to $3, do you really want to pay $8 or more plus shipping? If I'm going to do this (usually for small quantities of custom colored ribbon), I'm going to buy it from a local shop to help support them and keep them open.

      There are obviously lots of options you can choose from, ultimately you'll do what works best/quickest/cheapest for you.

    1. Type Shop, EP. 20: Ribbon Colors by [[Typewriter Chicago]]

      blue/pink is an excellent color combination as is the blue/green. blue/purple isn't as strong a differentiated color combination as one might hope.

      Typewriter Chicago used to carry orange, but doesn't any longer. Maybe again in the future?

    1. It is the fixed nature of caste that distinguishes it from class,a term to which it is often compared. Class is an altogether sepa-rate measure of one’s standing in a society, marked by level ofeducation, income, and occupation, as well as the attendant char-acteristics, such as accent, taste, and manners, that flow from so-cioeconomic status. These can be acquired through hard work andingenuity or lost through poor decisions or calamity. If you can actyour way out of it, then it is class, not caste. Through the years,wealth and class may have insulated some people born to the sub-ordinate caste in America but not protected them from humiliat-ing attempts to put them in their place or to remind them of theircaste position.
    2. Tied conveniently as it was to what one looked like, member-ship in either the upper or the lowest caste was deemed immuta-ble, primordial, fixed from birth to death, and thus regarded asinescapable. “He may neither earn nor wed his way out,” wrotethe scholars Allison Davis and Burleigh and Mary Gardner in DeepSouth, their seminal 1941 study of caste in America.
    3. Bhimrao Ambedkar came to theUnited States to study economics as a graduate student at Colum-bia, focused on the differences between race, caste, and class.

      Look into Ambedkar's writings on race, caste, and class.

    4. These tenets, as interpreted by those who put themselves onhigh, would become the divine and spiritual foundation for thebelief in a human pyramid willed by God, a Great Chain of Being,that the founders would further sculpt in the centuries to follow,as circumstances required. And so we have what could be calledthe first pillar of caste, Divine Will and the Laws of Nature, thefirst of the organizing principles inherent in any caste system.Wilk_9780593230251_all_3p_r1.indd 104 20/6/5 8:28 AM

      Given Wilkerson's introductory chapters on knowing and understanding history, I'm heavily disappointed this is the singular reference in the book to "The Great Chain of Being". It's not even indexed in the end.

      The underlying idea of the scala naturae across a huge swath of western history is really the thing that gives rise to the problems of American history which she is attempting to bring to life here. Missing this part of the bigger picture is a serious flaw.

      Does she skirt it rhetorically so as not to give fuel to the idea that "this is how things have always been?" arguments?

      see also: https://en.wikipedia.org/wiki/Great_chain_of_being

    5. Wilkerson, Isabel. Caste: The Origins of Our Discontents. 1st ed. 2020. Reprint, New York: Random House, 2023. https://amzn.to/40KnGyB.

    1. Tested 100s of heavy desk typewriters, Here is the top 5 revealed. by [[Mr & Mrs Vintage Typewriters]]

      Top Five Standard Typewriters:<br /> - Imperial 55 - Imperial 70 (after this they went to cheaper plastic parts); removable carriage, swappable typefaces; removeable core - Hermes Ambassador - removable carriage - Underwood Standards, esp. 5 - Royal 10 (carriage shift); (and subsequent incarnations like the KH, KMM, KMG, HH, FP) - Olympia SG1 (the "crown jewel" of desktop typewriters)

      Also rans: - Olivetti Lexicon, Olivetti Graphica - Contintental m40 & m20 - Mercedes

    1. Here is one from page 102: The beauty of a thought is based on an intuitive assessment of its quality. It enables a "golden link" to my Zettelkasten to the entry point "Concepts of beauty". Today I found a beautiful quote that underlines this concept: We may talk about the elegance of an equation, but we forget to find value in the beauty of a thought. — Marilynne Robinson

      related to Eddington quote?

      First quote from p 102 is Sascha Fast's 2nd edition of zettelkasten book


      Reply to Edmund at https://forum.zettelkasten.de/discussion/comment/22841/#Comment_22841

      @Edmund I'm intrigued by your note about beauty with respect to information, about which I've got a small tranche of notes forming. You might appreciate this quote from Arthur Eddington in 1927: https://boffosocko.com/2013/09/26/entropy-beauty-melody/

    1. https://www.reddit.com/r/typewriters/comments/1j7jv3x/things_found_inside_a_typewriter/

      via u/NisKildegaard:

      Bobby pins, staples, safety pins, paper clips ... Postage stamps, coins... Pencils and erasers... Notes, business cards, shopping lists... A dental X-ray -- I think it was a molar. And the other week, a firecracker. One machine I bought for a bargain price, listed as parts/repair, turned out to be nonfunctional because a toothbrush was stuck inside the mechanism. I'm guessing it was originally intended as a cleaning tool, but ended up gumming the works entirely.

    1. Cleaning with Air Compressors (testing portable air compressors) by [[Just My Typewriter]]

      Sarah Everett uses: - Porter Cable portable air compressor (loud, high powered) - Uses smaller USB chargeable one for smaller jobs: PeroBuno mini car vacuum and compressor with attachments

    1. He Gave a Name to What Many Christians Feel by [[Ruth Graham]], [[Madeleine Hordinski]]

    2. “When you look at America,” Mr. Renn said, “the potential we have is unlimited.”

      Especially if those who hold all the power and wealth aren't limited (by societal constructs or governmental regulations meant to prevent damage to the lest among us).

    3. In “negative world,” with the safeguards of “Christian moral norms” out the window, it was too late for liberals to make any coherent critique of Mr. Trump’s open licentiousness.

      Yet, somehow it's the Christian Right that's voting for Trump?! How is this an argument? It's not for the liberals to make a critique of something the Christian Right should be doing better at.

    4. Mr. Renn argues that being a Christian, especially in high-status domains, is now seen as a social negative.

      Why care unless you're only after the power and the religion is a secondary thing?

    5. Nate Fischer is a venture capitalist in Dallas whose current projects include a rural real estate development in Tennessee and Kentucky that he has marketed to conservatives. (Mr. Isker has said he planned to move there.) Mr. Fischer has been reading Mr. Renn’s work since around 2019. He asked Mr. Renn to have a drink with him in Manhattan when Mr. Fischer was there taking a weeklong course in “real world risk” organized by Nassim Nicholas Taleb, a thinker both he and Mr. Renn cite frequently.

      Influence of Taleb on a certain flavor of white guy. in America.

    6. It stands out, then, that many of the people drawn to his work might be better described as occupying the “combative right.”
    7. Mr. Renn’s description of the contours of “negative world” range widely, and include the spread of sports gambling, legalized drug use and even tattoos. But the framework might not have electrified evangelical America if not for the perception on the right of a new secular orthodoxy around sex, gender and race. When you ask someone who embraces the term to discuss their own experiences in “negative world,” the answer is almost always connected with this cluster of issues.
    8. “These guys have cracked the code on reaching young men, and they’re actually giving a lot of practical advice,” Mr. Renn said. “And by the way, some of the things that the church is telling these guys is just wrong.”

      An evangelical saying that what the church is telling guys is "just wrong"?!? This requires some self-reflection on the part of the speaker...

      I'm curious what is the right thing in his framing?

    9. Evangelical churches lamented divorce even as they criticized the same forms of traditional masculinity that the manosphere was instructing him to hone, in order to improve his marriage prospects.
    10. What he does write about with some frequency is the fact that women initiate a distinct majority of divorces.

      I'm curious why he should be doing this? Is he anti-woman? Is he irked that women now have some power and autonomy? He apparently writes a lot about masculinity according to earlier in the article. Is masculinity only defined in contrast with femininity and control over the feminine?

      What about Gods design that women should be equals? Link to Genesis story about not naming the woman until after the trouble.

    11. He sought out a church in Chicago and settled in, following a trajectory described by the 20th-century sociologist E. Digby Baltzell: The typical American is born a Baptist or Methodist, becomes a Presbyterian once he is educated, and then, after ascending to the heights of economic success, “joins a fashionable Episcopal church in order to satisfy his wife’s social ambitions.”
    12. The failure of evangelical culture to develop elites who are deemed worthy of the Supreme Court or top think tanks is another major area of interest.
    13. Perhaps it's the creation of a myth whereby a Christian can break the Golden Rule, but still want the power and respect that their religion previously gave them that is causing the friction that modern Christians might be seeing?

      Can it really be "Christian persecution" if they're not really Christ-ians?

    14. About a decade ago, around the time that the Supreme Court’s ruling in Obergefell v. Hodges made same-sex marriage legal nationwide, Mr. Renn says the United States became “negative world."

      Why can't Renn point to a more specific issue that actually impacts Christianity directly? How someone else chooses to identify and live, particularly people who are frequently Christian, shouldn't effect Christians in the sort of way he's proposing.

      Besides "power over" others, what sort of Christianity is he really espousing? Where is the "love your neighbor?" or "do unto others?" in his religion?

    15. Mr. Renn’s best-known idea: his warning to Christians that America is in an era of distinct hostility to believers like them, and that they must gird themselves to adapt to, as the title of his recent book put it, “Life in the Negative World.”
    1. The names Amaethon and Gofannon literally mean 'farmer' and 'smith', and as sons of the goddess Dôn it's fair to assume that they are deities of arable farming and smithing.
    2. the Monday after Epiphany is Plough Monday
    3. In some places, it was a type of house-visiting tradition when ploughmen would take a plough from house to house threatening to plough up front lawns if they weren't given food/drink/money.

      Similar tradition to Mari Lwyd, though a month later with a plough instead of a horse skull.... potential connection here.

    1. method and madness by [[Alan Jacobs]]

      via In which I describe my writing “methods." by [[Alan Jacobs]]

      reply:

      @ayjay Thanks for sharing this. My method is often very much like yours. Lots of internal distillation, slowly over time. I remember hearing a story that Mozart wrote music "like a cow pees" (in one giant and immediate flood and then done). I feel like large works of writing, composing, etc. springing, as if fully formed from the head of Zeus is more common than is acknowledged. Cory Doctorow hints at a similar sort of method in his own work in The Memex Method. I'm also reminded of bits of what neuroscientist Barbara Oakley calls "diffuse thinking" or a more internalized version of Michael Ondaatje's "thinkering" described in The English Patient.

    1. For those who have an Underwood 5 typewriter as featured in the movie Finding Forrester (Columbia Pictures, 2000), it bears saying that Forrester (Sean Connery) would admonish you to:

      Punch the keys, for God's sake!

    1. reply to u/bethcano at https://reddit.com/r/typewriters/comments/1j3z646/whats_a_fair_price_these_days_for_a_hermes_3000/

      In the US I've been seeing them go for around $250 based only on photos without any additional information about whether they work or other condition.

      Platforms like eBay and ShopGoodwill.com will allow you to search for actual sales (see the advanced settings) and this will give you a much better picture of what the prices are versus people listing them for several hundred more (usually to match the prices of professional shops that are listing theirs in cleaned, oiled, and adjusted condition). (Remember when shopping: Condition is king!)

      See:

      Keep in mind that prices may be dramatically different in your country based on how ubiquitous they were when they were originally manufactured.

      Expect to add $150-200+ for script or rarer typefaces, and another \~$150 if the platen has been recovered.

      $550 would not be uncommon if purchasing a pica or elite Hermes 3000 with a standard typeface in generally good cosmetic shape that's been professionally cleaned, oiled, and adjusted by a shop.

    1. Anne-Laure Le Cunff - How to Design Tiny Experiments Like a Scientist ‪@neuranne‬

      • generation effect
      • definitions of success: did you learn something new as a mode for preventing failure (-10:00)
      • curiosity as motivation (-12:30)
      • George R. R. Martin's essay on "architects and gardeners" (and librarians) (and students (via Tiago Forte)).
      • did they miss the prior versions of gardening?
      • Pareto principle for 80% gardener and 20% architect

      • ME: reading fiction can be used as a means of diffuse thinking in combination with combinatorial creativity

    1. Glycerine, castor oil, and mineral oil are suitable;€.8. 15 per cent arachis (ground nut) oil, 15 per cent sperm oil, 70 per cent mineraloil.
    2. Apps, E. A. “Typewriter Inks.” In Inks for the Minor Printing Processes and Specialised Applications, p218-221 of xix, 295. 1963. Reprint, London: Hill, 1966. http://archive.org/details/typewriter-inks.

    3. T.H. Dixon and Co. Ltd, are one firm making machines for typewriter ribbon€.

      T.H. Dixon & Co. Ltd. manufactured machines for typewriter ribbon processing and had a method for spraying a coating to the edges of ribbons in a special chamber to prevent the edges of the ribbon from fraying. (p219)

    4. A furtherrefinementinmaking two-colourribbonsisthe useofacentreliningmachine, which automatically drawsathininsulatinglineon theribbon.A transparentgumsolutionispumpedbyairpressure througha stainless needle whichpreventsthecolours from running.

      Center lining machines are used to make bichrome typewriter ribbon. It operates by drawing an insulating line on the ribbon and transparent gum solution is pumped through a needle using pneumatic pressure to keep the two colors from running into each other.

    5. Theinkisusually appliedhot, the inktroughsbeing heatedbyhot water,ste,orelectricity;insome machinesoil-jacketedinkductsareused.
    6. The pigmentisfrequentlymadeintoapastewithpetroleumjellyoraheavymineraloil,andanaturalorsyntheticwax;thesolublecolour,dissolvedinoleicacid,being thenmixedwiththepasteandthewholethengroundthoroughlyon«three-rollmill.
    7. Theribbonmaybe:(a)impregnatedthroughout,(b)surfacetreated,(c)inkedonesideonly,or (d)inkedonbothsidessimultaneously.

      Typewriter ribbon can be inked in four different configurations: - impregnated throughout - surface treatment - inked on one side only - inked on both sides, usually simultaneously

    8. Oftentheribbonsarecutfromawiderclothandtheedgesaresealed(topreventfraying) withasuitable lacquer,e.g.glue,nitrocellulose,etc.
    9. Super Nylexnylon ribbonshavethehorizontalstrandswovenflat,buttheverticalstrandsarecrimpedtofacilitateholdingagreateramountofink.
    1. I dissolved some oil paint in machine oil, in my first tries I used universal machine oil but it was too thick, so I tried sewing machine oil that was much thinner. That worked much better but it was still a bit too thick so I was having some trouble “making it run” along the ribbon, so I used lighter fluid as a thinner. It worked great. I eyeballed everything so I can’t give proportions of the ingredients, in a future more serious attempt I plan to take some measurements.
  2. Feb 2025
    1. Late nights at his typewriter turned into blurry mornings, with little to show on paper.
    2. His instructors there weren’t impressed with his writing. One told him, “Mr. Elbow, you continue your steady but far from headlong rise upward.” But he wasn’t dissuaded.
    3. Professor Elbow

      Looks like Peter Elbow used an early IBM Selectric I

    4. “The free-writing principle is the principle of juice, of letting go, of garbage, of finding diamonds among the garbage: all the metaphors you can make about free writing,” he told Writing on the Edge.
    5. As he was writing (or not writing), he jotted notes to himself.“If something happened that struck me, I would write a note — sometimes just on a little scrap of paper — and would slip these pieces of paper into a folder,” he said in the interview. “Especially if I got stuck, I would take another piece of paper and say, ‘You’re stuck on this damn paper, so write about why you got stuck.’”The idea was to just get his thoughts down.
    6. “I made myself a rule: every time a paper was due, I had to have a draft of the same length as the paper done a week before,” he said in a 1992 interview with the academic journal Writing on the Edge. “So then I knew I had a week to play with it.”
    7. “The free-writing principle is the principle of juice, of letting go, of garbage, of finding diamonds among the garbage,” he said.Credit...
    8. Professor Elbow came to his conclusions out of necessity.“What got me interested in writing,” he often said, “was being unable to write.”
    9. Poking his finger in the eye of hidebound pedagogues, Professor Elbow contended that indoctrinating freshmen to think and write in an inflexible, formulaic style — with the teacher as the only audience member — inhibited creativity and confidence at a key moment in their intellectual development.
    10. Rosenwald, Michael S. “Peter Elbow, Professor Who Transformed Freshman Comp, Dies at 89.” The New York Times, February 27, 2025, sec. Education. https://www.nytimes.com/2025/02/27/education/peter-elbow-dead.html.

    1. https://www.google.com/books/edition/System/sjnnAAAAMAAJ?hl=en&gbpv=1&dq=typewriter&pg=PA763&printsec=frontcover

      System, the Magazine of Business, volume XLII, Number 6(?), December 1922, p763 an advertisement for the Memindex

    2. https://www.google.com/books/edition/System/sjnnAAAAMAAJ?hl=en&gbpv=1&dq=typewriter&pg=PA536&printsec=frontcover

      There was no office machinery at all–the typewriter was known but scarcely used. Even telephones were rarities. The card index, the filing cabinet, the loose-leaf ledger were all but unknown. Of course there were no calculating machines.

      System, the Magazine of Business, volume XLII, Number 5, November 1922, p536, "What 55 Years in Business Taught Me About Managing: The first installment of the biography of John H. Patterson, founder of the National Cash Register Company and Lately Chairman of the Board" by Samuel Crowther.

    1. Correcting Bad Typing Habits with the Smith Corona Electric Typewriter 63024 by [[PeriscopeFilm]]

      Motion should happen only at the level of the fingers and not at the wrist or even the arms. Type only with your fingers and not your wrists or arms.

      Allow the carriage to glide to complete the carriage return rather than wasting addition time and energy on pushing it all the way. Let the momentum do the work.

      Use the paper release when removing letters to reduce wear on your rollers and prevent ripping of the paper.

      See also at https://stock.periscopefilm.com/63024-correcting-bad-typing-habits-with-the-smith-corona-electric-typewriter/

      Drop the paper into the top of the platen and against the paper guide to improve alignment can save time.

      Setting the right hand margin will help save huge amounts of time from the transcriptionist looking back and forth to get proper margins otherwise.

      Using correct typing for numerals will speed up typing numbers as well.

      For the top tabulator, use your index fingers alternately instead of hitting it with your entire hand.

      Hugging the keys with your fingers allows you to type faster, much like a drummer keeps the sticks closer to the drumhead when drumming quickly.

    1. For the Electra Series of Smith-Corona typewriters, the Electra 120 and 220 had 12" platens while the Electra 110 and 210 had 10" platens. Similarly the 110 and 120 had manual carriage returns while the 210 and 220 had automatic carriage returns. (00:53)

    2. Jeweled main bearing on the escapement is what Smith-Corona is talking about in their branded "Jeweled escapements". (2:26)

    3. Smith-Corona electric typewriters were designed to be turned on and run all day. As a result, old machines which have v-belts with odd grooves in them from sitting so long will sometimes have a recurring thump sound. This can be remedied by running the machine for several hours at which point the belt will warm up and remove the crease. Naturally, one might also remove the belt, warm it up using other means as a method of removing age-related creasing.

    4. Smith-Corona Electra 220 Typewriter Review by [[Joe Van Cleave]]

      Some details about the internal motor workings of SCM electric typewriters.

    1. Creating on Small Typewriters by [[Joe Van Cleave]]

      Portable typewriters give up a level of professionalism in one's documents for their size and ease of portability.

      In particular, the slug alignments may be slightly off compared to larger machines. Ideally they allow for one to be good enough, especially for first draft documents or journaling.

    1. https://www.biedlers-belts.com/single-v-belts/polyflex-belts/ This is about the only place that I have been able to find the small V-Belts used to drive IBM and Smith Corona electric typewriters (among others). You can find most any belt you need on this site if you know its dimensions.
    1. Back in the day people used custom erasers for erasing. They were much harder than the softer erasers in use now, which is why modern pencil and art erasers don't work as well. For some historical methods, see these videos or here.

      Secretaries also used small eraser shields to target individual letters, words, or lines. They also used larger curved shields for erasing within carbon copy packs.

      Eaton used to make Ko-rec-type tabs which could be inserted for short corrections and it can still be found online as old stock.

      There was also bichrome ribbon with white correction tape, but that tends to fleck off and make a mess in your machine over time. Similarly White Out is still made, but it can spill and make a mess while you wait for it to dry.

      For modern typists, hand-held correction tape is probably the quickest and easiest.


      This could be expanded for the widest range of history on erasing using typewriters with caveats, etc.

      reply to u/Fearless_Camera_1788 at https://old.reddit.com/r/typewriters/comments/1ixmz88/how_to_erase/

    1. Highest price you’d spend

      reply to u/Pope_Shady at https://old.reddit.com/r/typewriters/comments/1iwrlij/highest_price_youd_spend/

      Generally my cap for typewriter purchases is in the $20-35 range. Most of my favorite machines (the standards) were acquired for $5-10 and they're so much better than the portables. At these prices I'm not too worried about the level of work required. I regularly spend 3-4 times more money on a full reel of bulk typewriter ribbon than I do on a typical typewriter.

      A few of my more expensive acquisitions: * I went as high as $100 on a machine (including shipping) to get a Royal Quiet De Luxe with a Vogue typeface that turned out to be in about as stunning a condition as one could hope for. * I went to $130 on an Olympia SM3 in part for it's Congress elite typeface as well as an uncommon set of mathematical characters. I'm sure I could have gotten it for significantly less, but wanted to help out the seller and it was in solid condition except for worn bushings. * I also went to around $150 for an (uncommon in the US) early 30's Orga Privat 5 that was in solid shape. I've yet to run into another Orga in the wild in the US since.

      It also bears saying that I don't mind buying "barn machines" as a large portion of the fun in collecting for me is cleaning, adjusting, and restoring them to full functionality. I've been dissapointed once to have bought a Remington Quiet-Riter once for $10 only to discover it was in near mint condition and didn't need any work at all.

      I am at the point where I'm going to need to start selling machines, work at a local shop, or start my own shop if I'm going to keep up with the "hobby" and maintain a sane spouse simultaneously. If I didn't enjoy wrenching on machines so much, I would definitely be buying them from local shops for significantly more money, and I'd probably have far fewer.

      It's not talked about in great length in some typewriter collector spaces, but I think some of the general pricing "game", beyond just getting a "deal", is the answer to the questions: "What am I into this space for anyway? What makes it fun and interesting?" If you don't have the time, talent, tools, or inclination to do your own cleaning and restoration work, then paying $300-$600 for a nice machine in exceptional clean/restored condition from a shop is a totally valid choice and shouldn't be dismissed. Some are in it for the discussions of typewriters. Some are in it for the bargain hunt. Some just want to write. Some want rare gems. Some want common machines from famous writers. Others just want one "good" machine while others want all the machines. It's a multi-faceted space.

    1. Why Are Some Of Our Most Successful Leaders Mentally Ill? by [[Ian Leslie]]

      suggested by ES

      Fits into an earlier theory about insane leaders... where's the source?

    2. In fact, the crucial attribute shared by Milei, Musk and Trump - along with bottomless energy, idées fixe, and relentless will - is a lack of empathy. (It’s also true, to lesser or greater degrees, of successful leaders from the past, like Thatcher and De Gaulle.) Living in a closed-off mental world is not conducive to good relationships or to happiness, and it’s often a disadvantage in politics (and business). But in certain circumstances, an empathy deficit flips into being a superpower. It turns out that if you don’t care about pleasing people, you can get very popular.
    3. The investor-entrepreneur Peter Thiel - whose own sanity is a topic of some debate - once noted that the disproportionate success of autistic founders in Silicon Valley is no accident. Many good ideas seem crazy until they work. Good listeners tend to be too easily convinced that their potentially transformative idea will never take off. Those impervious to social pressure, for whatever neurological or psychological reason, have the tunnel vision required to blast through mountains of scepticism and inertia.

      direct source for this?

    4. In the 1960s, the psychiatrist R.D. Laing argued that insane individuals were operating according to a hidden rationality, adopting strategies forced upon them by repressive and dishonest families. Society was mad, not them. Psychotic individuals often named uncomfortable truths about their families that others were invested in denying. Laing’s theory is now discredited within psychiatry, but in the symbolic world of politics it still resonates. Only the desequilibrado have the audacity and agency to take on an unhealthy, entrenched status quo.
    1. Where Have I Been? Antinet Updates & Insights From the Analog World by [[Scott P. Scheper]]

      He is definitely not making this much from his book... subsequent to his book perhaps, but it would be a NY Times best seller if it were doing theses sorts of numbers by itself.

    1. Which states get more federal money than they send by [[Alex Fitzpatrick]] for Axios

    2. "States with large defense-contracting sectors and more military bases receive more federal defense spending, while federal wages are disproportionately concentrated within states with a large federal employee presence," the report notes.
    1. reply to u/Sept-27 at https://old.reddit.com/r/Zettelkasten/comments/1itbduv/how_to_begin_storytelling_with_smart_notes/

      Ahrens' book will likely leave you with more questions than answers and really has nothing directly to say on the practice of fictional storytelling. Doto's book does a better job of filling in these pieces but approaches writing in general rather than specifically fiction.

      For fiction writers, I often recommend they don't practice putting Luhmann-artig numbers on their cards, but organize them in a more impromptu manner and allow them to shift more as you write. This allows things to shift more easily during the process and provides for a bit more creativity.

      Some resources and examples for fiction with a ZK:<br /> - Vladimir Nabokov - David Lynch - take particular note of his method taught by Frank Daniel at AFI - Dustin Lance Black - Card index for fiction writing - The Zettelkasten Method for Fiction Writing

      Take the inspiration these suggest, but don't go down the rabbit hole too deeply. You're going to want to evolve something that works best for you and your modes of writing, so trying to imitate someone else's system too closely will be the kiss of death.

    1. EACH NOTE CARD SHOULD BE AS PURE AND SINGULAR AN IDEA AS POSSIBLE, BECAUSE I WANT TO BE ABLE TO MOVE ALL THE PIECES AROUND

      This quote speaks to the general idea of "atomic notes" or note size and why they should be small.

      It also osculates David Lynch's idea of holding onto the essence of an idea within a story. It's almost as if the adage "take care of the pennies and the pounds will take care of themselves" were applied to the fiction writing process. If you're careful with the small pieces, the bigger piece has a stronger chance of having more authenticity.

    1. https://www.ebay.com/itm/276799504311

      Two 3x5 sections of 15 drawers each for a total of 30 along with a section that has 2 writing drawers along with a top and a table leg section listed in December 2024/January 2025 for $3000 with a buy now of $5000.

      Free pick up in Oconee, Illinois

      cost per drawer: $100

      Relistings: - https://www.ebay.com/itm/276808448650 - https://www.ebay.com/itm/276816845128 - https://www.ebay.com/itm/276825363082 - https://www.ebay.com/itm/286289360862 - etc...

    1. https://www.ebay.com/itm/296915539728

      3x5 sectional with legs in dark stain listed in January 2025 for $1500 OBO

      Free pick up in Glendale, AZ

      Cost per drawer: $100

    1. Typewriter Market: It may be better if you didn't get an Olympia SM3 typewriter today.

      I'm not out to shame people for their purchases, just to caution uninitiated typewriter purchasers and budding collectors who aren't carefully watching the market.

      Olympia SM3s are well-touted and excellent typewriters. They've recently been selling on ShopGoodwill in unknown condition for $120-150 based only on photos.

      Earlier today, an Olympia SM3 sold for $334! So what gives? Why did this go for over twice as much as the average? To the uninitiated, the seasoned collector can look at this machine carefully and realize that even without seeing a type sample or a close up photo of the slugs that this machine is quietly hiding a script typeface of some kind. This means that two bidders would have paid an almost $200 premium for a script typeface, and one of them managed to snipe it for $1 with minutes left. Generally I see script machines going for $100-150 over similar machines without script.

      Sadly, the high price on this machine earlier in the day may have suckered others into thinking these machines are significantly more valuable as it seems two other Olympia SM3s right after it both went for:<br /> * $202.03 https://shopgoodwill.com/item/222707079 * $202.03 https://shopgoodwill.com/item/222546519

      And they were bid over 200 by the same two people while the "smarter" money stopped with bids at $137 on both.

      Of course, neither of these later two machines have a script face, but at least two bidders were potentially reeled in by the much higher sales price of the script machine earlier in the day. This means that they've overpayed at least $50 above market for each, possibly thinking that they may have gotten a great deal. Sadly they didn't, they just overpayed the market average. The person who was sniped on both managed to save themselves $100+ today because I imagine they'll be able to get equivalent machines in the coming month for closer to under $150.

      Incidentally another later Olympia portable (usually in the $75-120 range) earlier in the day went for a more reasonable $232 with a stated/photographed cursive typeface: https://shopgoodwill.com/item/222546740 This one was a stronger deal in the current market as they only paid about $110 above average for that machine to get the script typeface. The tough part is that because the description stated "cursive", they didn't have the benefit of possibly picking up a script machine with less competition.

      While this is an interesting microcosm example of the current (overheated?) typewriter market (at least in the US), I hope all the buyers of these machines enjoy their purchases. If they're your first Olympias, and they need some work to get back to fighting shape, I've put together a guide: https://boffosocko.com/2024/07/14/aggregated-resources-and-playlist-for-a-crash-course-on-the-olympia-sm3-portable-typewriter/

      syndication link

    1. Bunny Watson: I associate many things with many things.
    2. Mike Cutler: Bye girls. Always a pleasure to see your freshly scrubbed, smiling faces. Remember our motto: Be on time, do your work, be down in the bar at 5:30.
    3. Peg Costello: I love Legal - it's all men!
    4. Ruthie Saylor: What do you suppose he's doing all that measuring for? Do you think we're being redecorated?Sylvia Blair: Does he look like an interior decorator to you?Peg Costello: No! He looks like one of those men who's just suddenly switched to vodka!
    1. Dreamt of learning Latin? Here’s how you’ll finally do it by [[Thomas V. Mirus]]

      A non-specialist look at his Latin language acquisition with lots of resources around Hans Ørberg's Lingua Latin text.

    2. Some might wonder why I recommend Lingua Latina instead of Fr. William Most’s Latin by the Natural Method series. Though Fr. Most was a friend of Catholic Culture and a brilliant theologian, after having used both books my opinion is that Most’s Latin style is significantly inferior to and less enjoyable than Ørberg’s. For example, Ørberg early on begins to acclimatize the student to the more flexible word order that makes Latin so different from English, exposure to which is essential for true reading fluency. Most’s Latin is, especially at the beginning, clunky and tedious in order to be didactic; the brilliance of Ørberg is that he manages to be didactic for the beginner while also being fluid and clever in his writing. Yet despite his greater didacticism, Fr. Most relies on English explanations of the Latin grammar, whereas Ørberg accomplishes his task entirely in Latin. Ørberg also has illustrations to teach the meaning of words without translation. Fr. Most does not include macrons to indicate vowel length, which is essential to learn correct pronunciation. He does include stress marks, which Ørberg does not, but the rules of stress are more easily learnt without stress marks than syllable length without macrons.

      Thomas V. Mirus' comparison of Fr. William Most's Latin text with Hans Ørberg's.

    3. Ranieri has an incredibly helpful playlist of videos on Latin pronunciation.
    4. Luke Ranieri’s video “Latin by the Ranieri-Dowling Method”.
    5. Ryan Hammill of the Ancient Language Institute, whom I consulted in writing this article, told me that Lingua Latina is best used at college age and above, because of the speed with which it moves through concepts. For younger students, he highly recommends Picta Dicta: its Latin Primer series for older elementary, and its Latin Grammar for middle and high school.
    1. Cleaning Typewriter Type Slugs by [[Joe Van Cleave]]

      JVC recommends 91% isopropyl alcohol (IPA) for cleaning typeslugs.

      Brass bristle brushes from Harbor Freight.

      Sally's Beauty Supply stiff nylon brush for cleaning typeslugs.

      Bergeon Rodico 6033-1 as a cleaning compound (similar to Silly Putty and other older compounds) for typeslugs.