In the West, the primary impact of the idea has been on literature rather than science: "stream of consciousness as a narrative mode" means writing in a way that attempts to portray the moment-to-moment thoughts and experiences of a character. This technique perhaps had its beginnings in the monologues of Shakespeare's plays and reached its fullest development in the novels of James Joyce and Virginia Woolf, although it has also been used by many other noted writers.[184]

From these considerations, I hope the reader will un-derstand that in a way I never " s t a r t " writing on a project;I am writing continuously, either in a more personal vein,in the files, in taking notes after browsing, or in moreguided endeavors

certainly surrounding oneself with acircle of people who will listen and t a l k - - a n d at times theyhave to be imaginary characters--is one of them

கோர்மக் மெக்கார்த்தியின் The Road (2006) நாவலைஆரம்பமாகச் சொல்லலாம். நாவல் ஒரு பிரளய நிகழ்வுக்குப்பின் ஒரு தந்தையும், மகனும் சாம்பல் படிந்த பெரும் பரப்பை கடப்பதைசொல்லுகிறது. அணு ஆயுதங்களையும், உலகப்போர் அழிவுகளையும் எண்ணி அஞ்சிய தலைமுறைக்கும், உருகும் பனிப்பிரதேசத்தையும், பரவும் காட்டுத்தீக்களையும் எண்ணி அஞ்சும் அடுத்த தலைமுறைக்கும், நாவல் களம் பாலமாக அமைகிறது.

One subtle advantage of this approach is that it helps you avoid the “blank page problem,” one of the major drivers of writerly procrastination.

I'm suggesting there should be a way to write lifecycle related code that also responds to changing props, like how useEffect works. I think how React handles this could be a good source of inspiration.

Chiang: There’s a passage in Annie Dillard’s The Writing Life where she’s telling her neighbor that she hates writing and would rather do anything else, and her neighbor says, “That’s like a guy who works in a factory all day, and hates it.” Writing is so difficult for me that I have often wondered whether I’m actually suited for it, and I’ve had experiences with the publishing industry that made me quit writing for years. But I keep coming back to it because, I suppose, writing is an essential part of who I am. As for advice to slow writers, I’d say that writing is not a race. This isn’t a situation where only the most prolific writers get an audience; publish your story when you’re ready, and it will find readers.

After winning the Forward prize, Vuong told the Guardian that he suspected dyslexia runs in his family, but felt it had positively affected his writing: “I think perhaps the disability helped me a bit, because I write very slowly and see words as objects. I’m always trying to look for words inside words. It’s so beautiful to me that the word laughter is inside slaughter.”

Vuong, who now lives in Massachusetts and works as an assistant professor in the MFA Program for Poets and Writers at the University of Massachusetts, Amherst, only gained a taste for poetry in his 20s

Born in Saigon, Vuong spent a year in a refugee camp as a baby and migrated to America when he was two years old, where he was raised by his mother, grandmother and aunt. Two aspects of Vuong’s life – his sexuality and the absence of his father – recur in his work

“You have to realize that people can change in a lot of different ways,” she explained, “especially when they are far away from home and they are asked to make some difficult choices and do hard things.”

When you write something, you never know who it is going to affect, or how it could help someone who’s struggling and feeling alone, or how in a low moment in their life, desperately searching on Google for answers, they will come upon your words when they need them most. And despite what our culture will have us believe—that metrics and stats matter above all else, that the number of clicks tells the whole story—somehow, in some calculation, impacting one human being has got to be worth more than all the unique page views and Shares and Likes in the world.