- Last 7 days
Hemingway Bridge.” He wouldalways end a writing session only when he knew what came next inthe story. Instead of exhausting every last idea and bit of energy, hewould stop when the next plot point became clear. This meant thatthe next time he sat down to work on his story, he knew exactlywhere to start. He built himself a bridge to the next day, using today’senergy and momentum to fuel tomorrow’s writing.
It's easier to write when you know where you're going. As if to underline this Ernest Hemingway would end his writing sessions when he knew where he was going the following day so that it would be easier to pick up the thread of the story and continue on. (sourcing?)
(Why doesn't Forte have a source for this Hemingway anecdote? Where does it come from? He footnotes or annotates far more obscure pieces, why not this?!)
link to - Stephen Covey quote “begin with the end in mind” (did this prefigure the same common advice in narrative circles including Hollywood?)
And the added bonus here is that Devonthink has a wonderful feature where you can take the entire contents of a folder and condense it down into a single text document. So that's how I launch myself into the actual writing of the book. I grab the first chapter folder and export it as a single text document, open it up in my word processor, and start writing. Instead of confronting a terrifying blank page, I'm looking at a document filled with quotes: from letters, from primary sources, from scholarly papers, sometimes even my own notes.
The perfect antidote to Hemingway's White Bull.
- Jun 2022
- May 2022
American journalist, author, and filmmaker Sebastian Junger oncewrote on the subject of “writer’s block”: “It’s not that I’m blocked. It’sthat I don’t have enough research to write with power and knowledgeabout that topic. It always means, not that I can’t find the right words,[but rather] that I don’t have the ammunition.”7
7 Tim Ferriss, Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers (New York: HarperCollins, 2017), 421.
relate this to Eminem's "stacking ammo".
- Apr 2022
Reviewing The Original of Laura, Alexander Theroux describes the cards as a “portable strategy that allowed [Nabokov] to compose in the car while his wife drove the devoted lepidopterist on butterfly expeditions.”
While note cards have a certain portability about them for writing almost anywhere, aren't notebooks just as easily portable? In fact, with a notebook, one doesn't need to worry about spilling and unordering the entire enterprise.
There are, however, other benefits. By using small atomic pieces on note cards, one can be far more focused on the idea and words immediately at hand. It's also far easier in a creative and editorial process to move pieces around experimentally.
Similarly, when facing Hemmingway's White Bull, the size and space of an index card is fall smaller. This may have the effect that Twitter's short status updates have for writers who aren't faced with the seemingly insurmountable burden of writing a long blog post or essay in other software. They can write 280 characters and stop. Of if they feel motivated, they can continue on by adding to the prior parts of a growing thread. Sadly, Twitter doesn't allow either editing or rearrangements, so the endeavor and analogy are lost beyond here.
- Hemingway's White Bull
- The Original of Laura
- combinatorial creativity
- Vladimir Nabokov
- tools for creativity
- card index for writing
- atomic notes
- Feb 2022
One subtle advantage of this approach is that it helps you avoid the “blank page problem,” one of the major drivers of writerly procrastination.
Steven Johnson's "blank page problem" isn't as prosaic as Ernest Hemingway's "white bull", but is an encapsulation of the same problem writers face.
Every intellectual endeavour starts from an already existingpreconception, which then can be transformed during further inquiresand can serve as a starting point for following endeavours. Basically,that is what Hans-Georg Gadamer called the hermeneutic circle
All intellectual endeavors start from a preexisting set of ideas. These can then be built upon to create new concepts which then influence the original starting point and may continue ever expanding with further thought.
Ahrens argues that most writing advice goes against the idea of the hermeneutic circle and pretends as if the writer is starting with a blank page. This can prefigure some of the stress and difficulty Ernest Hemingway spoke of when he compared writing to "facing the white bull which is paper with no words on it."
While it can be convenient to think of the idea of tabula rasa, in practice it really doesn't exist. As a result the zettelkasten more readily shows its value in the writing process.