https://www.rebind.ai/

https://www.redbubble.com/i/t-shirt/SiWC-30-by-SiWC/119314956.0S66D.XYZ

It can be useful to take some mineral spirits, naphtha, or paint thinner and a tooth brush (or, even better, a brass bristle brush) to your typeface every now and then to clean the ink, dirt, paper, bits of ribbon, dust, etc. out of it. Doing it after changing ribbon is always a good idea. If you're really hard pressed, nail polish remover (acetone) or rubbing alcohol and a cotton ball along with a small pin tip for the loops of letters like 'a', 'o', 'p', 'g', etc. can be used.

How well (or not) your typewriter works from a print perspective can also change with the type of paper you're using, what your ribbon is made out of (usually nylon, silk, or cotton), how much ink it's got in it and how old/worn it may be. A good backing sheet behind your typing paper can also be helpful.

reply to u/kirrachristine at https://www.reddit.com/r/typewriters/comments/1dtuksy/one_letter_weirdly_thicksmudged/ RE: one letter weirdly thick/smudged

Tom Hanks Changes the Ribbon on a Typewriter - Secret Talent Theatre - Vanity Fair

Kurutz, Steven. “Now You Can Read the Classics With A.I.-Powered Expert Guides.” The New York Times, June 13, 2024, sec. Style. https://www.nytimes.com/2024/06/13/style/now-you-can-read-the-classics-with-ai-powered-expert-guides.html.

https://munk.org/typecast/2011/04/23/1964-nomda-blue-book-olympia-font-styles/

Olympia SM3 & 9 Comparison by [[Joe Van Cleave]]

Typewriter Basics: End of Page Indicators by [[Joe Van Cleave]]

Handful of methods:<br /> - page gauges (Smith-Corona, some Royals) - paper support arm (adjustable) - notch in paper pan (Hermes & some Silver Seikos) - Platen knobs (requires mod math and adjustable ring) (IBM)

I also don't just mean the script, but I mean every thing. The signatures and text block I'm also printing with my typewriter. Looking online before setting this I couldn't find much info or other people doing the same thing, so I feel like it's quite unique.

It's also insane. And I get why people aren't doing it. My book is a small collection of short stories and won't be too big. I have a friend who's a book binder that will bind the text block into a hardcover book. Very excited! Just wanted to share.

[...]

Oh no but I mean it's uncommon to make signatures and text blocks from typewriters. Like each copy of the book will be made from the typewriter.

https://www.reddit.com/r/typewriters/comments/1dtb8sn/im_two_months_in_to_my_writing_a_book_entirely_on/

Example of someone both writing and publishing a book entirely by typewriter.

Before You Buy a Typewriter … Six Top Things You Need to Know by [[CreateX3]]

Designer Marcelo Nizzoli designed the Lettera 22, 32, and Studio 44.

Considerations for buying a typewriter:

1. Where will you use it? Is weight a consideration? (Standard, portable, ultra portable)
2. What Kind of Work will you do? (Do you need tabs, bichrome?)
3. How does the Typewriter Feel?
4. What type of keyboard will you need? (language, characters, diacritics)
5. What is the typeface? You should like/enjoy it and it should be big enough to be easily readable to you.
6. Do you like the typewriter's look/style?

How to test a typewriter before buying by [[Retrotype]]

https://danallosso.substack.com/p/hypothesis-social-and-private-annotation-053

Fun to see Dan Allosso using Hypothes.is as a more social media-related application instead of just the social annotation tool as many are using this in academia. It requires some additional work, but the discovery functionality is fantastic.

Typically in this sub, when people ask, "Is it worth it?" the presumption is that they're buying it to use for themselves. You left out your context of buying it to sell until later. This means that once you've cleaned things up, and go to try to sell it for something above $40, people are going to show up here and ask that same question. When they do, the answer is going to be that it's far too expensive, especially with shipping which is notoriously tricky, expensive, and risky.

You'll be sitting there with a typewriter that you don't care enough about to have known anything about it or if it had any particular value. This also probably means that you don't know enough about what goes into cleaning and properly adjusting a typewriter either. If someone is a sucker enough to pay the crazy mark up, it means that someone who wants to try out a typewriter will be buying a sub-par machine and have a sub-par experience.

unposted reply to u/DistributionPure6051 at https://www.reddit.com/r/typewriters/comments/1dqr02l/is_this_worth_it/<br /> (Most of context is hiding because of downvoting)

https://www.jotandtittletypewriters.com/serviced-refurbished-restored/

https://www.phillytypewriter.com/restorations.html#/

reply to u/virtualellie at https://www.reddit.com/r/typewriters/comments/1ds1aps/typewriter_suggestions_for_newbie/

aggregated links from prior notes:

I'd generally endorse most of the advice on models you'll find in these sources which are geared specifically toward writers, all three sources have lots experience and reasonable bona fides to make such recommendations.

• https://www.youtube.com/watch?v=h9dXflhDed0
• https://www.youtube.com/watch?v=aKMt-aCHZZk
• https://typewriterreview.com/2020/01/10/top-10-writerly-typewriters/

Obviously, you'll want to steer towards the smaller portables in the lists, but most of what's represented should fit your criteria. You'll notice a lot of overlap but with different positioning, so there's obviously some personal preference at play. If there's a nearby shop to you, it may be worth driving over to try out the touch and feel of some machines to see which you like best. Try https://site.xavier.edu/polt/typewriters/tw-repair.html

There was also some sage advice from u/Thylacine33 about purchasing the other day which may be helpful: https://www.reddit.com/r/typewriters/comments/1drj32h/comment/lawb2h7/

Beyond this Just My Typewriter has a few short videos that'll give you a crash course on Typewriter 101: https://www.youtube.com/playlist?list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS

https://www.pbssocal.org/history-society/a-different-l-a-jesse-and-the-typewriter-shop

Highland Park's Famous Typewriter Repair Shop Has Packed Up and Left Figueroa ~ An Update ~ L.A. TACO by Javier Cabral

Found via https://site.xavier.edu/polt/typewriters/tw-faq.html#q1

Fine Line Ribbon in Ennis, TX, (972) 878-8683,

Ruben Flores likes them for his bulk ribbon

Family Typewriter Repair Business Forced to Relocate After Rent Increase by [[Nic Cha Kim]] for Spectrum News 1 on 2019-04-16

Highland Park repair shop enjoys a typewriter revival by [[The Eastsider]]

Only portable and ultra-portables

List: 1. Hermes 3000 (Switzerland) (pre-1965 curved models; square tops are good, though slightly less solid; later plastic frames aren't durable at all) 2. Olympia SM9, SM8 & Monica (Especially pre-1970s) SM8 has tabs on the back. the SM9 are by the spacebars. Best SM9s are green shift keys and knobs.<br /> 3. Olivetti Lettera 32, Lettera DL (Italian better than Spanish) Mexico, Brazil and other countries are lower quality materials<br /> 4. Olympia SM3, SM4, SM2<br /> 5. Imperial Good Companion Model 1<br /> 6. Smith-Corona Super, Silent Super (Series 5); pre-war flat tops too<br /> 7. Olivetti Lettera 22<br /> 8. Brother De Luxe; Brother 200, 210, 220 (no repeat spacers; prefer metal frames) 9. Olympia Traveller de Luxe S (German; not Eastern Europe which were weaker); Olympia Splendid 33, 66, 99<br /> 10. Adler Tippa; Adler Tippa S; Triumph Tippa

Also rans: <br /> - Underwood 3 bank<br /> - Royal P<br /> - Hermes 2000<br /> - Remington Quiet DeLuxe<br /> - Remington Victor S or T<br /> - Hermes Baby (metal frame)<br /> - Halda and Erika M.

I tested more than 300 typewriter models & here're the TOP 10. by [[Mr & Mrs Vintage Typewriters]]

This typewriter repairman was told computers were king. Twenty years later, he’s still in business by [[Matthew Ormseth]] on 2019-02-06 for Los Angeles Times

some variations of the definition of "Industrial Revolution"

one must naturally be more careful in how one defines, treats, and uses the phrase which can bind together a great many things, particularly in non-technical contexts.

There's an interesting linkage going on here between the industrial revolution (and thus possibly Capitalism) with the creation and even litigation of "the poor" classes in Britain.

Did "the poor" exist in the same way they do today prior to the Industrial Revolution? What are the subtle differences? (Compare with Thompson, E. P. “Time, Work-Discipline, and Industrial Capitalism.” Past & Present, no. 38 (1967): 56–97.)

I can't help but wonder how this is currently working in the deep South with respect to political identity (far right, Trump, MAGA) and religious identity (born again, ultra-nationalist Christians, etc.)

Theatres of Memory (1994) sounds like it's taking lots of examples from a zettelkasten and tying them together.

It's also interesting to note that he published several books posthumously. Was this accomplished in part due to his zettelkasten notes the way others like Ludwig Wittgenstein?

"History Workshop movement" here (https://hypothes.is/a/pzSbkDSWEe-GVmsfDdhvrg) is another good example of the serendipity of autocomplete functionality in Hypothes.is helping to link together disparate examples of ideas which I'd long since forgotten. In this case to a tangential idea I'd read about a year prior (https://hypothes.is/a/bxMX5MKJEe2Wkq_zinG3iw) and been interested in, but completely forgotten about.

Now I've got a link from that to the founder of the movement in 1967.

brief outline of Raphael Samuel's note taking tools and some scant description of the method.

I love the phrase "scholarly prestiditation" to describe the "magic of note taking" along with the idea of combinatorial creativity.

Presumably the quote comes from the Samuel piece quoted in the article.

Historian Raphael Samuel used a zettelkasten-like note taking method which he adopted from Beatrice and Sidney Webb.

Joe Van Cleave makes the interesting observation that while a hobbyist will only take a typewriter apart as much as is necessary to fix the issue at hand, the professional repair person will strip it all down and clean everything out for the coming 50 years to prevent it from coming back to them for something else in the near future thus costing more time, effort, and potential damage to their reputation.

Typewriter Line Lock Repair by [[Joe Van Cleave]]

Repairing Bent Typewriter Key Lever by [[Joe Van Cleave]]

SHOP TALK!! adjusting type alignment for Torpedo portable typewriters by [[Typewriter Justice]]

https://www.att.com/support/article/wireless/KM1041824/

reply to u/Rabbits16 at https://www.reddit.com/r/typewriters/comments/1df7o2t/request_type_writer_suggestion_please/

For that budget range, pick up something cleaned and fully serviced from a nearby shop https://site.xavier.edu/polt/typewriters/tw-repair.html

Too many resellers are pushing overpriced machines that say "works" or "may need servicing" on some online shops like ebay or Etsy for top end pricing when you can get something truly spectacular and ready for the next 50 years from a serious pro that needs the support for the same price.

As for particular machines to look at, I can't find much to fault in Joe's advice here https://youtu.be/aKMt-aCHZZk?si=CGPduwA4A3HPDm3u

https://www.etsy.com/shop/TypewriterDecalShop

Run by Paul Robert

What Obsidian gurus get wrong about Zettelkasten by [[Tony Ramella]]

generally meh... nothing I don't already know

I do like his focus on simplicity.

Too many people fetishize Luhmann and his system. Yes he wrote a lot and yes he was productive, but was he as influential as any of the thousands upon thousands of writers and academics who used broadly similar methods? A lot of Luhmann's productivity boils down to how one chooses to define productivity. As an example: Isaac Newton, John Locke, Taylor Swift, and even Eminem had broadly similar not taking methods and though their note corpuses are dramatically smaller than Luhmann, their influence on art, culture, and humanity dramatically exceeds that of Luhmann.

I would posit that most serious note takers' productivity boils down to their utter simplicity and easy ability to replicate that method for decades. The largest part of Luhmann's productivity was that he not only had a simple system, but that he was privileged to use and practice at full time for the length of his academic career. (He also didn't face the scourge of peer-review that most academics are forced to run today.)

As an example of someone whose methods were very similar to Luhmann's, but who was dramatically more productive (from a generic definition of it), take a look at S. D. Goitein who wrote out about 1/3 the number of slips that Luhmann did, but used them to write almost a 1/3 more articles and books! Luhmann: 90,000 slips, 550 articles, 50 books versus Goitein: 27,000 slips, 669 articles, 69 books. Interestingly Goitein's method of organization was much closer to the topical organization to the vast majority of zettelkasten/card index users (as well as Obsidian users) than to Luhmann's alpha-numeric organizational method. There isn't nearly enough scale in (psychology, cognitive psychology) research to reasonably compare analog versus digital methods, much less enough research to distinguish between methods at the scale of individual people. Everyone will respond differently to different modalities because the breadth of neurodiversity within the population. The psychology research you're citing is painfully, painfully thin and is far from reaching the level of replicability. As a result, the best practicable advice to any individual is to experiment for themselves and choose the method they feel works best for them from a sustainability perspective.

reply to u/Quack_quack_22 at https://www.reddit.com/r/ObsidianMD/comments/1doqgar/why_can_luhmann_manage_information_better_than/

I found that Luhmann's information management system is not more complicated, but it is more effective than the influencers talking about taking notes on Obsidian. Because he took notes by hand:

Studies show that taking notes by hand has a positive impact on many different brain areas. Writing by hand is slower than typing: The slowness of handwriting helps Luhmann consider and select important words to write in literature notes. -> he will remember better the brain is relaxed -> the brain is more creative: when writing literature notes -> he will come up with more ideas so he can write permanent notes. To put it more simply. Luhmann takes notes to find as many ideas as possible to write in permanent notes, then these permanent notes will become a complete essay after Luhmann connects them together. And writing citations, summaries of content and citing sources in literature are just proof that his ideas are correct (ironically, people who make content about obsidian (also Tiago Forte) just encourage copy-paste).

Thus, copying highlights from Kindle to Obsidian becomes useless if you don't understand anything about highlights and don't get any ideas from them. I don't claim that typing makes us stupid, because people who write on computers have a habit of carefully correcting spelling and arguments, which helps them think more deeply = more smart.

Sources: https://www.forbes.com/sites/nancyolson/2016/05/15/three-ways-that-writing-with-a-pen-positively-affects-your-brain/ https://www.psychiatrist.com/news/handwriting-shows-unexpected-benefits-over-typing/

P/s: I think this guy is very precise about the zettelkasten method: he takes notes on paper like Luhmann to get ideas, then he just starts copying them into Obsidian. (https://www.youtube.com/watch?v=FrvKHFIHaeQ&t=0s)

The SM3 and SM4

Subtle differences between the two models.

https://www.youtube.com/playlist?list=PLwMhC_klUByVGdnTTIFP6XmVdLPYwW3mC

Joe Van Cleave typewriter maintenance and repair playlist

https://www.youtube.com/playlist?list=PLJtHauPh529XYHI5QNj5w9PUdi89pOXsS

Typewriter 101

Five Fairly Fun Fixes For Free by [[Joe Van Cleave]]

Advice for typewriter ribbon printing, especially as silk ribbons age and more quickly gunk up the loops or letters like "e" or "a". Nylon ribbon and a thin plastic backing sheet can be helpfu.

Use of bookbinder's glue on fabric of typewriter cases, then layers of shoe polish.

General advice for replacing feet on typewriter cases.

Small incremental improvements to your typewriter can be easier and more sustainable than trying to do everything at once.

Smith-Corona 5-Series Touch Adjustment by [[Joe Van Cleave]]

Royal Model "O" Typewriter Adjust Ribbon Lift for each Type Bar Lever, Works on Quite Deluxe too. by [[Phoenix Typewriter]]

Forming individual type bars, particularly for capital letters to get the tops to print evenly when they're more faint than other similar typefaces.

Royal QDL Quiet Deluxe Typewriter, Left Margin Stop, Alignment Adjustment, Repaired uneven edge by [[Phoenix Typewriter]]

How to adjust the margin stops on a Royal Quiet De Luxe and related portable models.

https://en.wikipedia.org/wiki/Aldwych

Aldwych cognate with Aldrich?

If you've got heavy impressions going to the level of the backing sheet or things like your period cutting holes directly through your paper, then it's not really so much an issue of typing too hard, but your carriage is slightly out of alignment with respect to your type bars.

Your typeface shouldn't actually hit the platen when pressed (or held forward), but should just kiss the ribbon which then places the imprint onto the paper. Holding your typeslug forward against the type guide you should have just enough space to slip a piece of paper between your slug and the platen. If there isn't a tiny bit of space, your typeface will chew up your ribbon and paper over time. The typing thunk sound that typewriters make isn't the slug hitting the platen (aka cylinder), but the typebar hitting the anvil (aka ring).

The proper adjustment for fixing this is thus commonly called a ring and cylinder adjustment and how it's effected depends on whether you have a segment shift or a carriage shift machine. On many machines it requires adjusting two screws on either side of the machine. It changes the distance of platen from typeface and can prevent your making holes in the paper and/or ribbon, which isn't good. Sometimes using a simple backing sheet can remedy a bit of this distance problem, especially on platens which have hardened or shrunk slightly over time. Searching YouTube for your make/model (or similar models) will usually show you the adjustment you'll need to make to remedy these problems.

See also: https://hypothes.is/a/AegRziHnEe-Ud_stVcPQLA

Reply to u/Bitter_Rent_141 at https://www.reddit.com/r/typewriters/comments/1dnnh2n/is_this_normal/

Introduction to the Perkins Brailler - Statewide Vision Resource Centre

https://en.wikipedia.org/wiki/Perkins_Brailler

Based on the 1962 publication date of Pale Fire, it's a leading contender for the project Nabokov might have been working on during his photo session with Carl Mydans for LIFE Magazine in 1958.

Test typing and adjustments

• Ring and Cylinder adjustment (distance of platen from typeface; the type shouldn't touch the platen or you'll find you're imprinting on your paper, making holes in the paper and/or ribbon, which isn't good) [Interestingly Dul doesn't mention this particular adjustment]
• evenness of the letters (on feet)
• alignment between capital and lower case (motion)
• margin consistency
• line scale height
• adjust escapement "so that it's moving the proper distance both up and down to prevent skipping or missing spaces"
• adjust the height of the ribbon, this is done to make sure the entire letter is printed (and presumably so the bichrome is properly usable when available)

How A Rusty 1930s Royal Typewriter Is Professionally Restored | Refurbished | Insider

Done by Lucas Dul. Some particularly interesting portions on adjustments after restoration. He generally touches on the order of adjustments he makes, but in brief rather than completely.

https://oac.cdlib.org/findaid/ark:/13030/kt5779r6dp/entire_text/

Estate of Carl Mydans Photography Collection<br /> Stanford University

https://aspace.wustl.edu/repositories/6/resources/242

Vladimir Nabokov Papers, Washington University Libraries, Department of Special Collections

LIFE Magazine November 20, 1964<br /> Show of Toughness in Moscow

https://site.xavier.edu/polt/typewriters/nabokov.jpeg via https://site.xavier.edu/polt/typewriters/typers.html

This photo, similar to others in the Carl Mydans series for LIFE Magazine is surely from his September 1958 photo series, though I couldn't find an original from the LIFE archive.

Nabokov, reading off of index cards in his zettelkasten, dictates to his wife Vera who is typing on what appears to be a 1949 or 1950 Henry Dreyfuss Royal Quiet De Luxe typewriter.

Notice metal strip on the back of the typewriter with small rectangular blocks. This is the Royal's tabulator set up which distinguishes the Quiet De Luxe model from the Arrow model.

The body styling of this typewriter changed in 1950 from Dreyfuss' original 1948 design. Because it's light gray it has to be from '49 or '50 as the '48 original was a black body with dark gray highlights and didn't have chrome across the front as this one does in an alternate angle.

https://images.google.com/hosted/life/2bff56953d14c9d9.html

Nabokov, reflected in a mirror off camera, dictating his writing from index cards to his wife Vera who is typing on what appears to be a 1949 or 1950 Henry Dreyfuss Royal Quiet De Luxe typewriter.

Notice the chrome on the front of the machine which is sitting in its bottom case shell.

https://images.google.com/hosted/life/c835f121c2b6ce79.html

Nabokov dictating his writing from index cards to his wife Vera who is typing on what appears to be a 1949 or 1950 Henry Dreyfuss Royal Quiet De Luxe typewriter.

https://images.google.com/hosted/life/8d0b2f02ac27973e.html

Nabokov dictating his writing from index cards to his wife Vera who is typing on what appears to be a 1949 or 1950 Henry Dreyfuss Royal Quiet De Luxe typewriter.

https://typewriterchicago.com/

Run by Lucas Dul

Typewriter 101: The ULTIMATE TYPEFACE Guide (ft. Typewriter Chicago) by [[Just My Typewriter]]

featuring Typewriter Chicago's Lucas Dul

https://www.phillytypewriter.com/parts-mfg.html#/

James Norris does 3D printing of replacement parts for typewriter restoration projects.

https://www.phillytypewriter.com/#/

https://typewriters.co.uk/

https://americanhistory.si.edu/collections/nmah_1335701

The typewriter used on Murder, She Wrote, starring Angela Landsbury, was a black Royal standard, probably a 1940s KMM.

https://www.classictypewriter.com/typewriter-manuals

https://www.classictypewriter.com/

The benefits of using a typewriter to write novels and poetry. by [[Classic Typewriter]]

Good Remington Portable Typewriters, Bad Remington Portable Typewriters by [[Robert Messenger]]

The Remington Graduate and Torpedo 900 are (good) variations/rebrandings of the Remington Ten Forty.

Good Remington Ten Fortys weight over 5kg and the bad are 4.6kg.

If Sundberg's first design was for IBM in 1955, how is he influential to Dreyfuss' 1948 typewriter design for Royal?

Carl Sundberg’s European-made Remington Portable Typewriters by [[Robert Messenger]]

https://tsesaraheverett3.wixsite.com/justmytypewriter/team-4

https://www.bullydozer-typewriters.com/en/

Greenwich Land Trust to Host Firefly and Pollinator Pathway Presentation by [[Greenwich Sentinel]]

The other Christopher J. Aldrich lives in/near Greenwich, CT

Typewriter Video Series - Episode 234: Royal QDL Spacing by [[Joe Van Cleave]]

I've always wondered if Luhmann's jokerzettel was inspired by Claude Shannon's Ultimate Machine: https://www.youtube.com/watch?v=G5rJJgt_5mg

Luhmann couldn't have worked in systems theory and information for so long without being intimately familiar with Shannon's work. There's direct evidence that he read at least his seminal work: https://niklas-luhmann-archiv.de/bestand/literatur/item/shannon_weaver_1949_communication

While we're on about the "Cargo Cult of Zettelkasten" and Claude Shannon, his short essay "The Bandwagon" is an infamous article he wrote about the cargo cult of information theory applications in 1956.

Shannon, Claude Elwood. “The Bandwagon.” IEEE Transactions on Information Theory 2, no. 1 (March 1956): 3. https://doi.org/10.1109/TIT.1956.1056774. .pdf copy at https://ieeexplore.ieee.org/stamp/stamp.jsp?arnumber=1056774

Finally, too many Zettelkasten adherents of the Luhmann-artig sort seem to want to forget that Luhmann's system was far from new and that thousands upon thousands had used similar systems for several hundreds of years before him. Many thousands of them also wrote huge amounts of material, many of them producing work far more consequential than anything Luhman wrote.

reply to u/taurusnoises and u/Filion_Alexandrian at I've always wondered if Luhmann's jokerzettel was inspired by Claude Shannon's Ultimate Machine: https://www.youtube.com/watch?v=G5rJJgt_5mg

Luhmann couldn't have worked in systems theory and information for so long without being intimately familiar with Shannon's work. There's direct evidence that he read at least his seminal work: https://niklas-luhmann-archiv.de/bestand/literatur/item/shannon_weaver_1949_communication

While we're on about the "Cargo Cult of Zettelkasten" and Claude Shannon, his short essay "The Bandwagon" is an infamous article he wrote about the cargo cult of information theory applications in 1956.

Shannon, Claude Elwood. “The Bandwagon.” IEEE Transactions on Information Theory 2, no. 1 (March 1956): 3. https://doi.org/10.1109/TIT.1956.1056774. .pdf copy at https://ieeexplore.ieee.org/stamp/stamp.jsp?arnumber=1056774

Finally, too many Zettelkasten adherents of the Luhmann-artig sort seem to want to forget that Luhmann's system was far from new and that thousands upon thousands had used similar systems for several hundreds of years before him. Many thousands of them also wrote huge amounts of material, many of them producing work far more consequential than anything Luhman wrote.

Claude Shannon Ultimate Machine

Could this be the end result of artificial intelligence?

cross reference: - Niklas Luhmann's jokerzettel - War Games (1983) and "Joshua" (WOPR)

https://niklas-luhmann-archiv.de/bestand/literatur/item/shannon_weaver_1949_communication

Overlap of Claude Shannon and Niklas Luhmann

I only have a few very specific memes indexed in my box: https://boffosocko.com/tag/zettelkasten-memes/ and a few more at https://hypothes.is/users/chrisaldrich?q=zettelkasten+meme

Historically, Aby Warburg had a large image-based zettelkasten for his work on art which predated Richard Dawkins' conception of meme, but I think qualifies. See: https://boffosocko.com/tag/aby-warburg/ or his Bilderatlas Mnemosyne project: https://warburg.sas.ac.uk/archive/bilderatlas-mnemosyne

It's digital in nature, but Shawn Gilmore has a large collection of images of string walls, Anacapa charts, walls and floors littered with paperwork by obsessives, etc. for his cultural research. It also includes some popular memes. https://www.vaultofculture.com/nst

replyy to u/a2jc4life at https://www.reddit.com/r/Zettelkasten/comments/1ddhn9n/memes/

Let's turn your question around: What exactly are you hoping to get out of it for yourself? Do you have specific goals for your own use?

You may like the idea of having and using a hammer, but if you don't have a project that requires a hammer, then owning and trying to hammer on random things in an unfocused way is probably not the right tool for your needs.

reply to u/arealnamestakenreal at https://www.reddit.com/r/Zettelkasten/comments/1dko10r/success_histories_4_years_into_zettelkasten_and/

These have been selling at auction sites over the past several months for $45-$75 plus shipping based only on pictures and without any information at all about their working condition, so all-in you probably got a great deal. I'm just finishing up work on cleaning up a 1951 2Y series Skyriter myself, and I really like its typing action. Don't throw away the spools if it came with them as they're non-standard and slightly smaller than the ubiquitous universal spools. This being said you can buy the standard 1/2" ribbon and manually spool new ribbon onto your existing spools. Mine didn't have spools at all, but I found some replacements (with ribbon) at https://www.ribbonsunlimited.com/. Take note that it's not a bichrome machine, so you can buy a single color ribbon.

There are two screws that hold the chassis of these into the bottom of their case. They're hiding just underneath the carriage. Once removed, the typewriter lifts back and up and out of the base. You'll find the serial number on the right hand side of the frame underneath the platen and can use it to date your machine with the database: https://typewriterdatabase.com/smithcorona.86.typewriter-serial-number-database. Based on appearance alone, I'd place it as a 1960 3Y series based on the color, the badging and the white keys. You can look at others' individual models and notes at https://typewriterdatabase.com/Smith+Corona.Skyriter.86.bmys. If I'm right about the date, Richard Polt has online manuals available for the 1960 as well as others at: https://site.xavier.edu/polt/typewriters/tw-manuals.html.

https://www.youtube.com/watch?v=xjumGF9NFE8 is a pretty solid cleaning primer. Searching YouTube will uncover some potential additional advice in addition to what you can find at https://site.xavier.edu/polt/typewriters/tw-restoration.html or in his book. I will say that in cleaning mine, the mineral spirits dissolved the glue holding the felt on underneath the typebars, but it was in terrible shape anyway and needed replacing. The foam strip underneath that felt came out unscathed without much effort on my part to be careful with it.

Most of the mechanics are pretty basic and easy to clean/service. Unless there's something dramatically wrong with it, you could very likely clean and service it yourself. (As an example, I had to re-slot the mechanism for the margin release which was almost too easy.) Even the mid-level repair issues for it can be easily found on YouTube if you're handy with a screwdriver (Joe Van Cleave and Phoenix Typewriter in particular have several model specific videos on the Skyriter). The platen and rollers come out fairly easy with a small screwdriver and removing one half of a spring on the back of the paper tray. This gives you great access to clean the escapement from above as well as to potentially send them off to JJ Short Associates for replacement via https://www.jjshort.com/typewriter-platen-repair.php. If you're less handy, Polt's website has a list of repair shops around the world that could clean/repair it for you.

Good luck with it. I hope you like yours as much as I like mine. They're one of the most solid and sought after ultra-portables out there.

Known fizzled by [[Ben Werdmuller]]

A Tale of Two Toy Typewriters..... by [[Just My Typewriter]]

The Marx Dial Typewriter (and the Trouble with Patents) by Our Own Devices

You can certainly keep them out on shelves and rely on occasional dusting.

If they're in a dustier-than-typical room or you have compounding factors, like the presence of cats or dogs (like my German Shedder, I meant German Shepherd), and don't want to go the route of traditional fabric-like dust covers, you might consider doing a thicker plastic/acrylic cover which will give you a clear plastic layer of protection, but still show off your machines.

I live in Los Angeles and there are half a dozen places that do this sort of custom plastic work all the time for very reasonable rates. Searching for "plastic fabricator memorabilia case" along with variations of plastics (acrylic, lucite, plexiglass) should get you what you want locally. (Here's a few examples I've used in Los Angeles before to give you an idea: https://solterplastics.com/, https://www.plasticfactoryinc.com/, https://www.customacrylicproducts.com/, https://plexidisplays.com/). Search for something similar in your area for easier communication and cheaper pick up/shipping.

If you search around for companies that make plastic displays, particularly for memorabilia (baseball bats, baseball cards, etc.), you can have them design and make a custom sized clear plastic box/enclosure that will keep the dust and dirt out, but still allow you to see the machine inside. If done well it may actually make them appear more precious because you've taken the additional precaution.

Enclosed glass shelving is also a potential solution as well, but requires a larger investment and also requires more work to rotate machines out for regular use.

Most of my machines get daily use, so I'm not really using them for display or presentation purposes (except for one machine which sits on our library card catalog, but even then, it is frequently used as a standing desk, for occasional poetry by everyone in the family, or for guests who want to try their hand). I go through lots of index cards, so I'll usually temporarily protect against dust, dirt, and fur by slipping an index card on top of the hood or slightly into it to protect the segment.

But at the end of the day, as long as you haven't used WD-40 or some other lubricant on your segment and typebars (and what typewriter monster would do such barbaric things?), you should easily be able to go long periods between dustings and still have a highly functional machine. After all, who hasn't bought a machine full of dirt, dust, White Out, and eraser shavings/crumbs that still works like a dream?

It may bear brief mention for those who display their machines and forget, that you might also disengage the paper lock/paper release lever which will release the tension on your rubber rollers against the platen so that they don't go "flat" or become misshapen when not in use for long periods.

Expansion of https://hypothes.is/a/NjoVMA1REe-f47d0T4ZOkg

Reply to u/Styr0foam at https://www.reddit.com/r/typewriters/comments/1djgjv2/how_to_display_typewriters_properly/

also, what impact did these programs in the late 40s and early 50s have on subsequent events in the 60s and 70s as these cohorts continued to age?

Compare this with the ideas of intelligence and eugenics of the time as well as that of class in Isenberg's White Trash.

Presumably this anonymous author would have been seeing things from a more dominant eugenics viewpoint at this time period of 1940.

See also: The Eugenics War (American Experience) https://www.pbs.org/wgbh/americanexperience/films/eugenics-crusade/

I can't help of thinking about the debate on nature vs. nurture here. How might we extend it to the idea of content vs. process with respect to cultural anthropology.

How does a culture vary based on the content they use and produce with respect to the process by which they transmit and use that same content?

In colonialized cultures the process has been bastardized which then leads to changes in the content as well. Ultimately both switch and are changed from their original. How could a culture hold onto their past which makes it the culture that it was?

There's some fun stuff going on at these junctures.

Interesting commentary here on conversion of African-Americans to Catholicism as well as self-help nature of reading for improvement. Analogizes African-Americans without Catholicism to Mortimer J. Adler as a Jew.

Possible tone of colonialism to assimilate African-Americans into Western Culture here? Though still somehow some space for movement and growth.

available at: https://www.unz.com/print/SaturdayRev-1940mar09-00006/

Barzun, Jacques. "Read, Do Not Run" Review of How to Read a Book, by Mortimer J. Adler. The Saturday Review, March 9, 1940.

How does culture tie us all together? Does shared culture necessarily mean a regression to some mean?

Compare this with the cultural pressure of religious identity in America which does seem to press toward a particular way of thinking, living, and being.

An interesting synopsis of the rules of reading from Adler's text.

He didn't have the framework to describe it in behavioral economic terms, but Everett Dean Martin's idea of a liberal education in 1926 was to encourage the use of Kahneman & Tversky's system two over system one. It takes more work, but system two thinking can generally beat out system one gut reactions for building a better life.

Is it possible to be above one's own system of beliefs and ideas? Doesn't the system make them a product of it? Evolving from a base at best?

The idea sounds lovely, but is it possible anthropologically?

Check Fink to see where the seeds of this idea of linking education and democracy sprouted...

TL's references for this:<br /> Leon Fink, Progressive Intellectuals and the Dilemmas of Democratic Commitment (Cambridge: Harvard University Press, 1997), 13–14; Robert B. Fisher, “The People’s Institute of New York City, 1897–1934: Culture, Progressive Democracy, and the People” (Ph.D. diss., New York University, 1974), 1, 9; Hugh S. Moorhead, “The Great Books Movement,” (PhD diss. University of Chicago, 1964), 110–111.

ha!

Contact Schreyer about existence of archived version of Syntopicon...

ref: E. P. Thompson, The Making of the English Working Class (New York: Pantheon Books, 1964), 12.

Lawrence Levine<br /> The Opening of the American Mind (1996)<br /> note the coverage of "how our memory should function"

This would seem to be refuted by the thesis of Poor White Trash in which there was still low brow entertainment which only intensified over time into the social media era.

How, if at all, did the great books idea contribute to the idea of Manufacturing Consent for the 20th century?

the word "dreams" here along with great books and classical education reminds me of Martin Luther King, Jr.'s education on the classics as seen in his zettelkasten.

Surely his cultural up brining along with his religious training and his great books education empowered him to critically eye and change the culture around him.

this nudges me to ask the question: what sort of culture was John Waters creating in the early 1970s onward?

He was juxtaposing queer culture with that of the prurient, the comedic and the ideas of "trash" and counter-culture to subtly shift the cultural milieu in which he was living and participating. His satire and subversiveness made his content more palatable for the masses which also allowed him to make more mainstream material which still pressed the boundaries while allowing him greater access to audience.

note here, again, the idea of culture as "capital":

culture can make you better than other people

great phrasing here:

mere conformity, the perverted twin of democratic equality

definition of agnotology:

Within the sociology of knowledge, agnotology (formerly agnatology) is the study of deliberate, culturally induced ignorance or doubt, typically to sell a product, influence opinion, or win favour, particularly through the publication of inaccurate or misleading scientific data (disinformation). More generally, the term includes the condition where more knowledge of a subject creates greater uncertainty. https://en.wikipedia.org/wiki/Agnotology

some of the cultural democratization at that time presumed free time as well as conscious choice to make the effort... what about those who have patience for neither?

what about the economic choices to participate or not?

compare the dominance forms of education to to guides by the side

ideas of John Taylor Gatto and unschooling...

also indigenous teaching methods which also pass down culture as part of an overall "package"

ref: Charles F. Richardson, The Choice of Books (New York: American Book Exchange, 1881), 6. The publication estimate came from a librarian, F. B. Perkins.

fn: Habermas, Structural, 168.

Are the commons (common good, common sense, and common culture) anathema in an uber-capitalist society where everyone is generally out for themselves and often only "covering" when their needs align with societies' needs?

It's certainly at risk now in part because of lack of both consensus and compromise. Even the arguments aren't broadly accepted by either side.

evidence?

We hear this regularly, and it seems intuitive, but... where is the proof of this...

Just how "informed" ought a person to be? How critical? Everyone is "critical", the internet is full of criticism, but not necessarily in the sense meant here.

He and others are usually talking about some perceived "perfect democracy" which doesn't really exist in actuality.

How is he defining the idea of "democratic" here and throughout the piece?

I find it interesting that in common parlance there's a subtle (hidden?) meaning of "individual ownership over" which ties in with "the commons".

of conformity, or create new forms of class stratification?

Where does Chomsky's Manufactured Consent fit in here?

https://en.wikipedia.org/wiki/Daniel_J._Boorstin

note that the use of "capital" with respect to culture commodifies it and frames it in an economic context here.

How is one to earn and then later spend this capital? How might it be quantified?

Jacques Barzun wrote a review of of the Great Books when they came out in 1952.

Barzun, Jacques. “The Great Books.” The Atlantic, December 1952. https://www.theatlantic.com/magazine/archive/1952/12/the-great-books/642341/.

See notes at: https://hypothes.is/a/8o-z3DHLEe6_PMtDOvwCmg

did the tension inherent in the cultural evolution of the great books idea versus vocational and other forms of education set up the culture wars of the late 1900s/early 2000s?