10,000 Matching Annotations
  1. Last 7 days
    1. if you want the virtue of aman, it is easy to say that a man’s virtue consists of being able to manage publicaffairs and in so doing to benefit his friends and harm his enemies and to becareful that no harm comes to himself;

      Meno's definition of a man's virtue

    1. Platen colors are for Hardness. Here is the complete breakdown of typewriter platen colors, their hardness levels, and how they perform:## Typewriter Platen Color & Hardness Chart| Platen Color | Shore A Hardness | Typing Feel & Characteristics | Best Suited For... ||---|---|---|---|| Light Gray / Off-White | 85 – 87 (Soft) | Highly cushioned, muffled "thup" sound. Very quiet, but text imprint can look slightly less sharp. | Comfort typists, ultra-portable machines, and preventing paper piercing. || Teal / Muted Blue-Gray | 85 – 88 (Soft/Medium) | Iconic historic factory standard (e.g., Swiss Hermes 3000). Smooth, buttery feel with great acoustic dampening. | Vintage European portables and mid-century aesthetic restorations. || Bright Blue | 88 – 90 (Medium) | Modern custom synthetic rubber. Perfect "sweet spot" that yields a crisp print without loud impact noise. | Modern custom restorations, antique portables (like Corona 3 or Remington). || Standard Black | 88 – 92 (Medium/Firm) | Replicates the original factory specification for most classic manual typewriters. Excellent, crisp lettering. | Standard everyday manual typewriters (e.g., Smith-Corona, Underwood, Olympia). || Bright Orange / Red | 93 – 100+ (Hard) | Incredibly dense and solid strike backing. Controls heavy vibration but creates a very loud, sharp snap. | Electromechanical/electric typewriters (like the IBM Selectric) and heavy office machines. || DIY Heat-Shrink Blue/Black | 95 – 100+ (Rock Hard) | Often a cheap cosmetic cover-up over a dead platen. Feels like hard plastic, sounds deafening, and punches holes in paper. | Avoid for regular typing; requires a backing sheet if used. |

      via Mitchell Vassiliou at https://www.facebook.com/groups/TypewriterCollectors/posts/10164208015789678/

    1. This Olympia SM9 typewriter has a carriage lock on it indicated by the #1 in the diagram in the manual at https://site.xavier.edu/polt/typewriters/OlympiaSM9.pdf Engaging the lock will cause two teeth to engage with a set of matching holes in the carriage on the left hand side of the machine that will lock the carriage in the center. (You should be able to physically see this happen by looking straight down from above on the left side of the front of the carriage as you engage the lock.) The Carriage Release lever (#15 in diagram) will allow the carriage to be moved left or right to properly center & lock the carriage into place.

      Please ensure the typewriter is also properly seated into the hardware inside the case and locked so that it can't move and fill in any dead space in the case prior to shipment.

      These two precautions will help ensure safe shipment of the delicate internal mechanisms under the carriage.

      Thanks in advance for your assistance!

    1. When my agency job was outsourced to an LLM in 2024, I felt like it was only a matter of time before AI would permeate everything. I think the worst part of that isn’t the ubiquity, but the ease with which many people have just accepted it and made it part of their lives. Either that, or the tech companies are cramming it into every damned thing. It's hollow. Annoying. Disheartening. Way too distracting. It hurts my brain.
    2. We have a long way to go before this unit is ready to rock and roll again (if it ever will be), but it'll be a lot of fun working on it and finding out.

      The writer is definitely into the repair portion of the typewriter hobby space and despite some of the FUD he's spewing for lack of experience, he seems on the right track. He's discounting his lack of experience in the general space compared to his experience in computers, games, and guitar repair which he's obviously spent time. At least he can rely on this scaffolding to move forward in the typewriter repair space. Most others won't have this experience at all and that makes it even more difficult.

    3. I ended up first getting an antique typewriter for free and then finding myself back at the drawing board when it proved to be more of a “fixer-upper” than I wanted it to be.

      Example of someone getting an old typewriter as a "fixer-upper" and probably wishing they'd gotten one refurbished from a repair shop.

      Longer version of the story appears below the highlighted section.

    4. But, man, they’re a pain in the neck sometimes. They’re not exactly portable. Repairs can be difficult. Parts might be difficult to source. Plastic fatigue can destroy some parts of the machines. Pressing down on the keys can be a bit of a process at times. And if you get a machine where the rubber has turned to sticky sludge? God help you. The machines, while often beautiful, are absolutely not convenient in any way whatsoever. Also, you’d better be into some serious lubrication if you’re going to maintain an older model.

      Most of the FUD here is that people are too cheap to bother having their machines properly serviced anymore and this is compounded by the fact that they don't know how to do most of the basics by themselves.

    5. Some people feel that using a typewriter can enhance creativity. Makes sense. But I think the most obvious tech-related draw of these old machines is that they offer a way to create something genuine and avoid so-called artificial intelligence.

      There's a way to link this to the idea behind Friedrich Nietzsche's discussion about typewriters as tools and how that effects our work.

    6. There’s a reason why screen time, social media, and LLMs have such a massive conversation around them. So, I’d say that avoiding distraction is definitely a reason why people would want to use one right now. Most “typewriter enthusiast” articles and videos online like to use this as a talking point to convince folks to use them.

      Author noticing something I've experienced in typewriter articles.

      Perhaps it's time to aggregate some of the typewriter articles since the pandemic to see which categories they fall into?

      • typewriter nostalgia
      • distraction free writing
      • escape from AI
      • tinfoil hat crowd
    7. And before you say, “Well, why don’t you use an Ethernet cable and buy non-HP ink cartridges?” Well, I did, but that’s not the point. The point is, I bought a friggin’ printer and feel like I should be able to use the darn thing without a subscription or maintenance fee. I’m a firm believer in OWNING WHAT I PAY FOR. I’m not the only one who feels that way (Louis Rossman and the FULU Foundation are big on owning what you buy). I would rather deal with the hassle of typing up several pages on a typewriter than deal with a stupid subscription-based printer. The need to get away from the constant bombardment of ads, subscriptions, and owning nothing is a big part of why physical media is coming back, at least according to Rolling Stone. Streaming sucks, anyway.
    1. In 1919 essayist Christopher Morley published a collection of essays titled “Mince Pie: Adventures on the Sunny Side of Grub Street”. One piece commented satirically on an overwrought style:2 A letter should, if possible, be written on rose or lemon colored paper of a rough and flannely texture, with scalloped edges and initials embossed in gilt. It should be written with great rapidity, containing not less than ten exclamation points per page and three underlined adjectives per paragraph.

      1919 Copyright, Mince Pie: Adventures on the Sunny Side of Grub Street by Christopher Morley, Syntax for Cynics, A Grammar of the Feminine Language, Quote Page 208, George H. Doran Company, New York. (Google Books Full View)

    1. “I type very quickly, very badly, with many errors [ fautes],” Jacques Derrida confessed in a late interview. This paper proposes that the typographical error – usually viewed as a mere “accident” – may in fact be understood as a productive site for deconstructive reading and thought. Drawing on Nietzsche’s suggestion that the typewriter acts as a “collaborator” in thinking, this paper examines Derrida’s use of the typewriter, with particular attention to his typos. Following Derrida’s reading in the Geschlecht series and his own typographical practice, this paper argues that the typo should be thought of as the condition of possibility of every type – and as a defining difference between Derrida and Heidegger.

      Chenoweth, Katie. 2021. “Faute de Frappe: Derrida’s Typos.” Research in Phenomenology 51(1): 61–77. doi:10.1163/15691640-12341464.

    1. https://web.archive.org/web/20070411202436/http://www.jamesnormanhallhome.pf/indexen.html

      From the James Normal Hall home museum. James Norman Hall is an American writer best known for The Bounty Trilogy, a series of historical novels co-authored with Charles Bernard Nordhoff: Mutiny on the Bounty (1932), Men Against the Sea (1934), and Pitcairn's Island (1934).

      This photo appears to show him at a different machine that looks more like a standard:<br />

      It's an early 40's Royal Quiet De Luxe (it appears to have a tabulator key in the top right). Compare with: https://typewriterdatabase.com/Royal.Quiet+De+Luxe.72.bmys Note the rectangular shift keys which didn't start until late 1940.

  2. Oct 2026
    1. These may help: http://www.crisvandevel.de/cst.htm https://www.johnwolff.au/calculators/Tech/TechIndex.htm https://www.jaapsch.net/mechcalc/index.htm http://www.vintagecalculators.com/html/mechanical_calculators.html And another you absolutely must bookmark: http://badonoer.blogspot.com/ Peruse the whole site! Do not just blindly oil things in here. Probably it wants no oil at all, and these sites will have detailed advice.

      via u/ahelper at https://www.reddit.com/r/typewriters/comments/1wxxhpa/i_need_help/

    1. Reply to u/Bonkzzilla at https://reddit.com/r/typewriters/comments/1wx4l50/desk_pickiness/

      You'll be hard-pressed to find a modern desk with heights specifically for typewriters.

      Most mid-century typewriter specific furniture was designed to put the tabletop for a typewriter at 26 inches off of the floor, but the average modern desk is typically at 28 inches.

      Your best bet is either a wooden or metal executive tanker desk with either one or two pedestals. They often have writing drawers which pull out and you can put a typewriter on them to lose an inch or two. Some also had spring-loaded platforms which allowed you to open a door and pulling your typewriter up and out at a better/lower height. Other desks had a rotating desktop to which you could bolt your typewriter and allow you to flip the typewriter upside down for storage underneath the desk. Some also came with a desk return which was attached to the side at a height a few inches lower that had space for a typewriter.

      There are also some small vintage typewriter stands, usually with wheels to allow for some modest mobility. These can be found for about US$50 these days.

      Examples: - https://boffosocko.com/wp-content/uploads/2024/05/wp-17169128054434698029806415884065.jpg<br /> - https://substackcdn.com/image/fetch/w_1456,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F51bda2fe-c049-4b48-a057-87457a49e01a_902x882.png<br /> - https://www.google.com/search?q=typewriter+stand

    1. reply to u/orionis1 at https://reddit.com/r/typewriters/comments/1wxhe3q/bloquer_lavanc%C3%A9e_du_chariot_sur_une_underwood/

      I presume you're going the route in this video https://www.youtube.com/watch?v=1upTPepErTY and miming/pretending all the typing with the carriage stuck at a set point by setting the margins so that the carriage doesn't move at all? The typist is then the tenth chair percussionist who is really only playing a desk bell.

      I think the illusion is best when the bell is hidden from the audience in front of the typewriter and the typist actually only spaces and machine and does (quiet) carriage returns. The typing sound is then done by electronic keyboard and the carriage returns are played by wooden guiro, washboard or something similar.

      You'll notice by watching any dozens of versions of performances of Leroy Anderson's "The Typewriter" that they're ALWAYS CHEATNG on the actual use of a typewriter. As an example, the bell on the typewriter in your video has been disabled/removed and the performer is using a separate bell mounted on the table next to it. It appears that he's finger pecking only two keys and/or only using the spacebar which moves the carriage. Many performances don't even attempt to properly time the carriage returns to the sound. Half of the "performance" is the attempt at comedy in the playing or presentation . You're trying to one up Jerry Lewis in 1963's Who's Minding the Store, which is never easy.

      If you've got a practiced enough percussionist/typist, you can do the typing in reality though you may need to mic it up for volume/projection, but I recommend putting the paper up a few inches and not using the paper bale to get a louder percussion of the slug hitting the paper. If you go this route, I would recommend not using a machine with Perspex card guides, removing/disabling the paper fingers if there are any. It's impossible to get carriage returns done properly via sound as there are a few points at which the carriage hasn't moved enough to go more than a space or two.

    1. I recently got a 1924 Stoewer Elite with this gorgeous wooden case. The veneer survived the past 102 years remarkably well, apart from a small chip on one of the rear corners. The finish, however, was showing its age. The wood looked dull, with a couple of deep scratches and the nickel plated parts had started to rust. It needed some work, so I decided to refinish it. In a few places the veneer had started to lift slightly. I filled a syringe with wood glue and used a hypodermic needle to get the glue underneath it. This worked really well and avoided having to lift the veneer too much and risk breaking it. Luckily, the veneer was also thick enough to carefully use an orbital sander to remove the old finish and stain (low RPM, light pressure). I chose a mahogany stain that was quite close to the original, followed by six coats of shellac to bring out the wood grain. Finally, I buffed it with extra-fine steel wool and applied a coat of beeswax for some protection against moisture. It also smells very pleasant now! I’m really happy with how it turned out. It was a fun project, and the shellac/beeswax combination gave it a beautiful satin sheen.

      https://www.reddit.com/r/typewriters/comments/1wwrsir/refinishing_a_wooden_typewriter_case/

    1. I prefer older, manual typewriters, but I just bought a Smith-Corona Electra 210 from FB Marketplace for $20. I enjoyed typing on it, and the fact that my fingers didn't slip between the keys and the typebars didn't jam. However, using an electric typewriter feels a bit like "cheating" in terms of breaking away from our digital world. It's not strictly analog, so I'm ambivalent about using it. I'm interested in hearing your opinions on the topic.

      reply to u/Proud_Illustrator266 at https://reddit.com/r/typewriters/comments/1wvx18t/manual_vs_electric/

      We can't absolve you of your guilt, but you can choose to use what works best for you.

      Pretty much none of us are offline (look where we're discussing this). No one is really choosing to type with their heating or air conditioning off, or type by candlelight. You have options about where your analog line could be, just choose one and start banging away.

      If you want to talk about guilt, tell us about your 70 typewriters that you're constantly rotating because you feel guilty that they're not all getting enough use.

    1. A thermal typewriter will be the quietest option. As a high school teacher with typewriters in my room, here is my experience: kids are allowed to use them during passing time and if we have some independent time and they are done with their work, but they are too noisy to use for notes or during instruction. If a student wanted to use a regular manual typewriter during class, I would ask them to stop, because it would be too much of a distraction to the class (and me).

      https://www.reddit.com/r/typewriters/comments/1wvrlad/best_typewriters_for_school/

      Advice from a self-identified high school teacher with manual typewriters in their classroom.

    1. Ezra’s slightly mad typewriter-cleaning cocktail! After experimenting with various cleaners, this has become one of my favorites for grimy painted metal and bare metal parts: roughly 75% Simple Green, with the remaining 25% divided between isopropyl alcohol, white vinegar and lemon juice.

      With caveats, this is what Ezra Rosensaft uses for external typewriter cleaning using modest amounts on a clean damp cloth.

      https://www.facebook.com/groups/705152958470148/posts/1386689876983116

    2. The Gramercy mix: 1/3 409, 1/3 ammonia, 1/3 water.Like

      Andy Morris reports that Jay Schweitzer of Grammercy Typewriter uses this cleaning formula for cleaning the exterior of typewriters to be applied to a soft cotton cloth and not directly on the machine.

      Morris further suggests staying away from decals with this.

      Second hand advice, but no reason to doubt it. https://www.facebook.com/groups/705152958470148/posts/1386689876983116

    1. "That's the sound of typing. It's the cadence of creativity. It's the percussion of punctuation. <br /> That sound you'll get lost in it. It becomes a rhythm. It becomes a music that will not only tell you—and the other people in the other room—that you're working, it will also spur you on to other areas of imagination that you will eventually create and record forever on your typewriter."<br /> —Tom Hanks in _Secret Talent Theatre" episode "Tom Hanks Changes the Ribbon on a Typewriter" for Vanity Fair on 2018-02-28 [00:02:16]

    1. Then much of the campus attention moved on.

      College rape culture is too set in stone. There's a way of doing things that doesn't help prevent future incidents and people just "move on" without addressing the systemic problems that allow it to continue. In hundreds of cases the same script plays out both in colleges and in public life.

      Colleges and their surrounding cultures need to dramatically change the script to prevent these incidences. Accountability is the watchword.

    1. Cornell, though, conducted its own investigation.

      Why do Universities conduct their own investigations?

      Is it to help the victim feel "heard" in a "process" which inevitably almost always ends up papering over the harm and the continued issues?

      Is it to make it seem like they're doing something while maintaining the status quo?

      Is it to cover their ass in some sense?

      In this case of the Cornell Seven, the fact that they didn't relay the ultimate harm to the district attorney is highly suspicious.

      Who do university police actually represent? Do they represent the "corporate" University or the community? How do they treat victims as a result?

    1. Reply to u/BigZibby at https://www.reddit.com/r/typewriters/comments/1wuaui0/serial_number_location/

      In fact, I do! You've probably asked the one person who's spent the time delving into the typewriter database to try to puzzle something out on this front.

      I've not seen it in official sources, but the following pattern seems to fit:

      Royal Standard serial numbers are generally of the form [MMM][P,E,S]-XX-YY-#######, where:

      • MMM is the model designator (X, KHM, KMM, KMG, HH, FP, etc.);
      • P is for 10 pitch/Pica, E is for 12 pitch/Elite, and S is for Special (typically special order typefaces);
      • XX is the platen length, when not the standard/default size;
      • YY is for other special features, typically the number of glyphs in the typeface; and
      • ######## is the serial number.

      Yours has a YY=86 which typically indicates that the machine has 86 glyphs on the slugs in the typeface and thus 86/2 = 43 character (typing) keys on the keyboard. There are also examples of other YY numbers like YY=88 with 44 keys and YY=92 or 46 keys versus the standard 42 keys. You may notice under your machine that the keyboard has a metal "comb" which may have some empty slots into which addition keylevers and typebar assemblies could be added. Often the YY designator is either for special order keyboards or keyboards for foreign languages which require additional keys.

      Thus the 86 means that your machine has an extra key (the +/=) not found on their standard issue keyboard at the time.

    1. Typebars are a 2 piece assembly a tipeface made from antimony hardened linotype type metals. And the bar itself. The two parts are soft soldered together. Since the soldering process is difficult to do exactly peening a crushing operation using a peeling pliers. The tool on the left. The tool on the right holds the type bar to prevent twisting. The typebar has a straight section below the typeface to for crushing to mive the typeface in the vertical plane.

      mive = move

      A description from repairman James Yearnd of using peening pliers on and an aligning wrench on a typebar to move the typeface in the vertical plane.

  3. Sep 2026
    1. As I'm delving into the Fourth Turning, I'm piqued by the idea of how their theory overlaps or jives with similar historical cyclic theories like Secular Cycles. Bigger span theories like Ian Morris ought to fit in to some of these, though Morris' data may not be granular enough to show it. Similarly one has to wonder with increasing technology, do these cycles speed up over time?

    1. Just wanted to share my excitement! I've been into typewriters for about 2 years and I started buying and repairing and selling typewriters just short of a year now. I have a small YT channel, an IG account and word of mouth around the village (pop. Aprox 1200 ppl) where a local grandpa asked to fix up his old Triumph, which was a freebie for experience and, not gonna charge grandpa! Last week, someone from across the island reached out to me, asking for assistance. They had recently purchased an Olivetti Letters 31, his first typewriter. We chatted and agreed on a price and a week later, it's now ready for pick-up. New ribbon, general degrease, clean and polish. The client is already excited and happy with the images and will collect it tomorrow. As far as I am aware, there is no "official" repair shop in Mallorca and from searches, I appear to be the only one (correct me if I'm wrong) but, the fact that someone found me and asked for my services, has made me extremely happy and excited and I'm hoping this will open the door to many new typewriters in look of TLC. Just wanted to share and thank all of you who have helped and given advice on repairs and general questions I've had which has led me to this point. Let's hope this is the start of something new and exciting.

      James Wood aka u/Wooden_Underpants has a small typewriter repair service in Mallorca.

      https://www.reddit.com/r/typewriters/comments/1wt5isk/my_first_official_client_and_thank_you/

    1. Reply to Orga A 38 1908 r!!<br /> by Neat_Substance_2084 at https://old.reddit.com/r/typewriters/comments/1wsmhar/orga_a_38_1908_r/

      From what I've seen, your only evidence of your claim are a poorly hand scratched marking and some metallurgic tests.

      You need a lot more evidence than what you're presenting to prove your claim, particularly given the decade and change of the passing of time.

      I can scratch a 1940 date onto my Olympia SM3, but it doesn't mean that it's a prototype from 13 years earlier. Your presumed date is also of the form of an accounting ledger and not one that a mechanic would have scratched in.

      Do you have any provenance on your machine? (Who owned it and when?)

      Do you have any paperwork from the designers? Patents?

      The material tests only show a difference in the metal content, they don't indicate a date of any sort. If they could, you'd need a lot more material research on manufacturing methods and timelines from the historical record to back it up. Typewriter manufacturers were constantly changing their manufacturing lines and designs to make them more efficient and less expensive to improve their bottom lines, so your material science differences would seem par for the course. Can you show similar changes in materials from the companies toy lines over the same period?

      You seem to be only sharing blurry photos of screens rather than direct documentation of your material difference claims. Where are the direct documents and which company did the testing?

      Given the tremendous amount of focus on design changes and patents in early typewriter manufacturing and sales, how does the design of your machine fit into the early aughts from 1900-1910 versus 1920 and on? Typewriter designs had settled down significantly by the early 1920s, so there should be some reasonably significant design differences between a 1908 machine and one from 1923. Where have you documented those?

      What company history physically exists? When did they begin design? When were they producing prototypes in general? 13 years of R&D is a tremendous amount of time to pass in typewriter design in the early 1900s before manufacturing of any sort, even if you discount stoppages for World War I. Are there extant notebooks or corporate papers from the time period you're claiming? They were manufacturing toys for decades prior, so surely they've got some reasonable corporate documentation and correspondence somewhere. Do any of the descendants have papers, receipts, or diaries that could be consulted? What were the market conditions that suggested to them that a move from toys to typewriters was a brilliant idea? Often in a prototype situation, a factor may not have all the manufacturing capabilities in-house or they'd need to make changes to equipment to make a new line. Are there pieces of your typewriter that were outsourced from other factories? Is there evidence that all the parts of the later machines were made in-house?

      Think like an archaeologist. Think like a historian. Bring some more research to bear if you want to convince anyone (experts or otherwise) of your claims. It should seem painfully obvious to you by now that what you're presenting is not nearly enough. No one is attacking you. We're just asking for more if we're going to be convinced.

    1. 1939 "The Gold Royal" Typewriter<br /> by Grant Zahajko for [[Antiques Roadshow]] on PBS<br /> accessed on 2026-09-27T22:28:49

      Presented 1940-09-01 to Vice President M.V. Miller in honor of 10 years of Sales Leadership by The Royal Typewriter Sales Organization.

      Copy of video at https://www.facebook.com/watch/?v=849718491497922

      A gold plated and Cartier engraved Royal KMM typewriter. It was engraved with 1054 names by Warner MacDonald in 1939 at cost of $5,000. It was exhibited at the 1939 Worlds Fair and presented to the owner's grandfather in 1940. He was ultimately the president of the company. Antiques Roadshow appraised it at $30,000 - 40,000.

      There are 2,257 parts in a Royal KMM.

      See newspaper article:<br /> ROYAL TYPEWRITER HONORS SALES HEAD; M.V. Miller Gets Gold Machine for Ten Years' Service - The New York Times<br /> by [[The New York Times]]<br /> accessed on 2026-09-27T22:32:07

    1. In his book 10 Rules of Writing, Elmore Leonard offered a rule about exclamation points. He stated, “You are allowed no more than two or three per 100,000 words of prose.” Leonard was prolific. He wrote more than 40 novels in his career, totaling 3.4 million words. If he had followed his own advice, he would have used only 102 exclamation points in his entire career. In practice, he used 1,651. That’s 16 times as many as he recommended!
    1. Bedale Original & Classic - short, vented rear knitted inner cuffs Beaufort Original & Classic - a little longer, game pocket, velcro inner cuffs Ashby - newer style, trimmer fit Border - for the taller person ends mid-thigh ish waxed cotton sage & navy only Classic Northumbria - exactly as Border but 8oz sylkoil i.e. cotton that is not shaved before being waxed so looks slightly distressed to begin with. All compatible with a range of zip in liners of differing weights and a couple of different hoods. That’s pretty much all you need to know for your first choice.

      advice from u/leathershopgirl at https://old.reddit.com/r/Barbour/comments/1wpzikn/barbour_models_and_differences/

    1. Evelyn Forevermore is that an aesthetic/dreamy “feeling” reply, or serious “has a purpose”? Serious question, as I know zero about this. Were all these fonts just aesthetic choices or are several considered apt for specific purposes and not for others. thanks!

      Reply to Louis Cornelia at https://www.facebook.com/groups/705152958470148/posts/1373494441635993/

      Most of it is marketing in nature. The vast majority of typewriters have a standard courier serifed typeface, but manufacturers sold italic and cursive faces for a more "personal" touch in your correspondence. Italics was particularly marketed toward business executives to the point that many have the name "Executive". Many banks and accounting applications preferred used Gothic or double gothic typefaces for accounting work. Some banks also had custom faces to make it more difficult for people to wash checks.

    1. LABODE: This artifact is a typewriter that belonged to Maya Angelou. She probably had it from the early 1980s until her death. It's an Adler typewriter. It's an electric typewriter that was manufactured in West Germany.

      This tracks with the Adler Meteor 12 from Soboroff's collection which is already documented on Richard Polt's page.

      https://www.npr.org/2026/09/26/nx-s1-5979931/at-the-smithsonian-maya-angelous-typewriter-holds-a-place-of-honor

    1. reply to u/Novembree at https://old.reddit.com/r/typewriters/comments/1hfncyz/had_a_typewriter_for_awhile_could_use_help/

      Welcome to the Royal KMM club! Seems like lots of these have been posted in the last day including one by u/betternatured and another by u/the-other-gusta along with a very similar Royal KMG by u/Jacki-san.

      The serial number puts yours down as a KMM with an 11 inch platen manufactured in 1945. Cross reference: https://typewriterdatabase.com/royal.72.typewriter-serial-number-database

      Manual: https://site.xavier.edu/polt/typewriters/RoyalKMM.pdf

      These were really popular and ubiquitous, standard (large desktop) typewriters in the mid-century that were the workhorse of many offices. Because they were so common and so heavy, they only go for $5-25 in the used market in either unknown or marginal condition. If they're cleaned up and well-serviced they can go for more with a cap of around $300-400 depending on the level of restoration. Some with special features (like special typefaces) or provenance may go for more.

      The Royal KMM was known to have been used by writers including: John Ashberry, Harry Ashmore, Russell Baker, Ray Bradbury, Richard Bratigan, Richard Brooks, Pearl S. Buck, Johnny Carson, Norman Corwin, Frank Herbert, Ken Kesey, G.W. Lee, Harper Lee, Ursula K. LeGuin, David McCullough, Margaret Mead, Grangland Rice, and Dorothy Parker. This was also the model famously used by Angela Landsbury's character on the TV show Murder, She Wrote.

      Spools and Ribbon:<br /> The spools for the standard Royal typewriters (Ten, H, KH, KHM, KMM, KMG, RP, HH, FP, Empress, 440, 660, etc.) have a custom metal mechanism for their auto-reverse. The spools are known as the T1 (which is the same as General Ribbon part # T1-77B , T1-77BR, and Nu-Kote B64.) If winding on universal ribbon onto them, remove the eyelette which isn't needed and may interfere with the auto reverse.

      If you're missing the original spools, Ribbons Unlimited carries them: https://www.ribbonsunlimited.com/6N064-Royal-Standard-Electric-Ribbon-64-p/6n064.htm or you might source an original metal pair from a local repair shop.

      Duane of Phoenix Typewriter has a video about how to change and spool up your Royal standard.

      Collector Sarah Everett can show you most of the functions on her YouTube Channel for Just My Typewriter: https://www.youtube.com/watch?v=v0Zvc1m-8aI.

      Depending on your level of typewriter knowledge try out some of the following short films which will also provide some tips, tricks, and maintenance advice common in the era of your machine:

      Happy Typing!

    1. I am scared by random people writing this and that with compressed air.We learned in typewriter school in the navy.1.remove rubber bumpers platen and feed rolls.2. Mix 1to 1 superagetine and mineral spirits. Stoddard solvent also works.3. Soak overnight.4. Drain and rinse with fresh solvent.5 air dry or bake @95°F.6 .cool and manually re oilNow a day oil only with synthetic 0 weight oil.7 .check and brush typefaces.8. Clean platten.Reinstall and type test, align typefaces. Only permanent align is peening typebars. This is the way I maintained 200 typewriters on an aircraft carrier.This what worked for me.Spring scale at .75 Lbs. For tape tension.Adjust the rail clamps and clean under if required. Carrage should slide with 3 oz or lessLike

      I am scared by random people writing this and that with compressed air.<br /> We learned in typewriter school in the navy.<br /> 1. remove rubber bumpers platen and feed rolls. 2. Mix 1to 1 superagetine and mineral spirits. Stoddard solvent also works.<br /> 3. Soak overnight.<br /> 4. Drain and rinse with fresh solvent.<br /> 5. air dry or bake @95°F.<br /> 6. cool and manually re oil<br /> Now a day oil only with synthetic 0 weight oil.<br /> 7. check and brush typefaces.<br /> 8. Clean platten.

      Reinstall and type test, align typefaces. Only permanent align is peening typebars.<br /> This is the way I maintained 200 typewriters on an aircraft carrier.<br /> This what worked for me.<br /> Spring scale at .75 Lbs. For tape tension.<br /> Adjust the rail clamps and clean under if required. Carrage should slide with 3 oz or less

      via professional Navy repairman James Yearnd at https://www.facebook.com/groups/705152958470148/posts/1382145190770918/

    1. https://www.facebook.com/groups/705152958470148/posts/1381074304211340/

      I was an IM rating in the Navy. As a instrument repairman I was responsible for repairing typewriters of all types regardless of the make or model as well as adding machines and the calculators of the time like the mighty Monroe 1000 gear long division moving carriage machine.<br /> I retained many special tools and books and have knowledge that will go away when I die

    1. Arne Lange10 Mar 2015, 16:23:00Thanks a lot for this article. I am looking forward to part 2! Olympia portables are my favourites.There is some interesting history behind the Colortip rebranding. Those typewriters were primarily sold by agents door by door, resulting in quite some scandals. The company that ended being renamed Colortip was run by Josef Haid, who at times ran a network of more than 4000 agents. Their practice was to sell contracts for typewriter telecourses - only that those contracts had a hidden clause that included the purchase of a typewriter. Different brands were involved over the years (Alpina typewriters also made some sales over this route). If you trust google translate, this German article from that time would be quite interesting: http://www.spiegel.de/spiegel/print/d-45140285.htmlWhat I find especially interesting about the Colortip machines is that there should be some modified later versions of Olympis SMs, that allowed to lock certain keys to make learning to type easier. As far as I know, they have an extra lever, that has three settings: program (lock all keys that are subsequently used), type (only the keys not locked before would budge) and reset. This lever would be unter the spool cover close to the left spool. I have been looking for those, but haven't found one yet. Also there is not much info to find about those....

      https://xoverit.blogspot.com/2015/02/olympia-sm-series-part-1-1948-1964.html?showComment=1426029814779#c1385367975247315702

    1. in making one’s defense, and cross-examine when no one answers.

      Those who maliciously [d] and slanderously persuaded you—who also, when persuaded themselves then persuaded others—all those are most difficult to deal with: one cannot bring one of them into court or refute him; one must simply fight with shadows, as it were,

      Synopsis: Rumor is a difficult thing to fight

    2. It is right for me, gentlemen, to defend myself first against the first lyingaccusations made against me and my first accusers, and then against the lateraccusations and the later accusers.

      Socrates defense will be broken up into two parts:<br /> - lying accusations by the first accusers<br /> - these are of the nature of rumors which he poses as untrue and which received no defense and fell on the ready ears of young and inexperienced people who presumably were indoctrinated unquestioningly<br /> - later accusations by later acusers (Meletus, et al.)

    1. HB Lead Grades Explained + How to Select Right Pencil for Writing & Art<br /> by [[Unnecessary Detail]] on YouTube<br /> accessed on 2026-09-20T23:58:33

      HB is typically the mid-point for most manufacturers <br /> H (hardness) tends to go lighter and scratchier (less graphite, more clay)<br /> B (darkness) tends to go darker and smoother (more graphite, less clay)<br /> F is typically a grade (fine/firm) between H and HB

      For general writing look in the range of H / F / HB / B / 2B

      Charcoal pencils tend to be much darker that clay/graphite pencils.

      In the United States, pencils are often graded from #1 to #5 with the #2 being equivalent to HB.