Writing Bad Day at Black Rock: A Talk with Millard Kaufman<br /> by [[Tod Lippy]]<br /> accessed on 2025-09-07T17:40:08
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www.todlippy.com www.todlippy.com
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When you were under contract at MGM, were you writing longhand and then giving it to a transcriber? Yeah. My secretary. It’s almost as though I swore once I got out of the newspaper business that I’d never look at another goddam typewriter. I like writing with a pen. As a matter of fact, I think the less distance there is between you and a piece of blank paper, the better it works out.
https://www.todlippy.com/writing/interviews/bad-day-black-rock
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oac.cdlib.org oac.cdlib.org
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Millard Kaufman papers, Collection no. 2258, Cinematic Arts Library, USC Libraries, University of Southern California. https://oac.cdlib.org/findaid/ark:%2F13030%2Fc81n87gk
Box 4 contains notecards with notes about the films "Beau Geste," "Raintree County," and "Reprieve," as well as a paperback copy of the novel "Beau Geste." https://oac.cdlib.org/findaid/ark:%2F13030%2Fc81n87gk_aspace_5b86d4b8e8a1ee9992ac6f15f3cefe30
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- Aug 2021
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maggieappleton.com maggieappleton.com
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This might sound scandalous depending on your understanding of creativity. I'm personally a subscriber to the everything is a remix and great artists steal schools of thought.
I remember screenwriter Millard Kaufman gesturing to his large home library and saying that he didn't write anything brilliant himself, but that he borrowed from the best.
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