Students will write a 4-5 page paper that assess the memoir Coming of Age in Mississippiandcontextualizes withinthe larger history of the civil rights movement.Students may use only materials from the class, such as readings, lectures, and primary sources for this paper—no outside sources permitted.Additional information on this assignment will be provided duringthe semester. No extensions are allowed except as permitted by the university’s excused absence policy.

he University of Texas at San Antonio in compliance with the Americans with Disabilities Act and Section 504 of the Rehabilitation Act provides “reasonable accommodations” to students with disabilities. Only students who have officially registered with Student Disability Services and requested accommodations for this course will be eligible for disability accommodations. Instructors must be provided an official notification of accommodation through Student Disability Services. Information regarding diagnostic criteria and policies for obtaining disability-based academic accommodations

Our group opted for Voyant because it is an easy to use visualization tool that presents data in a variety of clear and concise ways.

He knows that this particular construction will evoke in the perception more than mere information of the hour of night.

in their combination and Juxtaposition, shall evoke in the consciousness and feelings of the spectator, reader, or auditor, that same initial general image which orig­inally hovered before the creative artist.

Before the inner vision, before the perception of the creator, hovers a given image, emotionally embodying his theme. The task that confronts him is to transform this image into a few basic partial representations which

Another example that I will cite is quite typical for cinematography, no longer concerned with an individual object, but instead, with an image of a whole phenom­enon-composed, however, in exactly the same way. This example is a certain remarkable "shooting­script." In it, from a cumulative massing of contributory details and pictures, an image palpably arises before us.

are the more pointed and more interesting and, perhaps, the most instructive.

The woman, to return to our first example, is a rep­resentation, the n10urning robe she is wearing is a repre­sentation-that is, both are objectively representable. But "a widow," arising from a juxtaposition of the two representations, is objectively unrepresentable-a new idea, a new conception, a new image

I think it is apparent that the phenomenon we are dis­cussing is more than widespread-it is literally universal.

We are certainly not criticizing all these facts, nor their noteworthiness, nor universality

in Freud:

there is no inconsistency be­tween the method whereby the poet writes, the method whereby the actor forms his creation within hi1nself, the method whereby the same actor acts his role witbin the frame of a single shot, and that method whereby his actions and whole performance, as well as the actions surrounding him, forming his environment ( or the whole material of a film) are made to flash in the hands of the director through the agency of the montage ex­position and construction of the entire film.

in this instance we do not gain a new con­cept, or a new quality

He rejects not merely the exaggerated representation of ac­tuality, but even the representation of actuality in en­tirety! In its place he counsels suggestion. But what is "suggestion" if it not be an element, a detail of actuality, a "close-up" of actuality, which, in juxtaposition with other details, serves as a. determination of the entire frag­ment of actuality?

we must approach its problems simply and afresh.

there is no inconsistency be­tween the method whereby the poet writes, the method whereby the actor forms his creation within hi1nself, the method whereby the same actor acts his role witbin the frame of a single shot, and that method whereby his actions and whole performance, as well as the actions surrounding him, forming his environment ( or the whole material of a film) are made to flash in the hands of the director through the agency of the montage ex­position and construction of the entire film.

An extreme instance of this can be found in that in­ventor of the "portmanteau word,"

he whole effect of this is built upon the circum­stance that the grave and the woman in mourning be­side it lead to the inference, from established conven­tion, that she is a widow mourning her husband, whereas in fact the man for whom she is weeping is her lover.

For example, take a grave, juxtaposed with a woman in mourning weeping beside it, and scar�ely anybody will fail to jump to the con­clusion: a widow.

that two {ihn pieces of any kind, placed together, inevitably combine into a new concept, a new quality, arising out of tbat jux!aposition.

faced with the task of present­ing not only a narrative that is logically connected, but one that contains a maxhnum of e1notion and sthnulating power. Montage is a mighty aid in the resolution of this task.

I consider it opportune at this juncture to recall that montage is just as indispensable a component feature of film production as any other element of film effectiveness

. Wal-Mart, McDon- alds, Snickers, and Bubble Yum bubble gum were all words my stu- dents could see and recognize with excitement. What an important con- nection for the children to make be- tween the letters being learned in school and the way language looks in the world outside of school

We all believe it very important that mothers should know how to direct and govern their children

criminality, which may disgrace your home through the paternal inheritance that you chose for them.

progressive criminalization of“quality of life issues” ’and an increasing tendency to censure legal behaviors (barbequingin public, fixing cars on the street, playing loud music in public)

A major goal of these efforts is to integrate low-income and public housing residentsinto the fabric of the developments and the surrounding (regenerating) community,among higher-income residents, and in contexts of greater stability, safety, opportunityand order