The terms “turnaround” and “tag ending” are generic labels that do not indicate a partic-ular chord sequence; rather, they suggest the specific formal function of these progressions.In jazz, there is a certain subset of harmonic progressions whose names suggest specificchord successions. When jazz musicians use the term “Lady Bird” progression,for instance, it connotes a particular chromatic turnaround from Tadd Dameron’s tuneof the same title recorded in 1947. Figure 13.9 illustrates the chord structure of thatprogression using Model VI of harmonic realization

Turn around progressions

Turnarounds