-et il semble bien que ce soit très souvent le cas-

Vers une architecture (1923) de Le Corbusier

s’interroge sur la fin du livre (« The End of Books », The New York Times, June 21, 1992) en théorisant

un roman ergodique (Composition n°1 de Marc Saporta)

« LA, c’est pour Livres Animés : une collection dans la collection au Centre de l’illustration de la Médiathèque André Malraux de Strasbourg. »

Jacques Fautrier

Escape from the Temple of Laughter (1994), publiée au milieu des années 1990

notamment celle de D Starynkevitch de 1961 et celle de Paul Braffort (1975)

une forme et médium

Alice for the Ipad (2010).

À travers, le terme « text/ures »

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Biographical Note

Khalip, Jacques. Last Things: Disastrous Form from Kant to Hujar. New York: Fordham University Press, 2018. Thacker, Eugene. “Notes on Extinction and Existence.” Configurations, vol. 20, nos. 1-2, Winter-Spring 2012, pp. 137-48.

Jacques Khalip

Thacker

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Universal Magazine of Knowledge and Pleasure. Walford, Edward. Old and New London: A Narrative of its History, its People, and its Places. London, Cassell, Petter and Galpin, 1873-78, 6 vols.

Stuart, James and Nicholas Revett. The Antiquities of Athens. Edited by William Newton, vol. 2, London, John Nichols, 1788. Survey of London: volume 39: The Grosvenor Estate in Mayfair, Part 1: General History. Edited by F.H.W. Sheppard, London, Athalone Press, 1977.

Society of Antiquaries. “Minute Book” London, vol. 10.

Royal Society of Artists of Great Britain. A Catalogue of the Pictures, Sculptures, Models, Designs in Architecture, Drawings, Prints, &c. Exhibited at the Great Room, in Spring-Gardens, Charing-Cross, April the Twenty-Sixth, 1771, by the Royal Incorporated Society of Artists of Great-Britain. London, Royal Society of Artists of Great Britain, 1771. Royal Society of Arts. “Register of Premium Awards 1754-1814.” London. Sayer, Robert. Ruins of Athens with Remains and other valuable Antiquities in Greece. London, Robert Sayer, 1759. Silliman, Benjamin. A Journal of Travels in England, Holland and Scotland, and of two passages over the Atlantic, in the years 1805 and 1806; with considerable additions, principally from the original manuscripts of the author. New Haven, S. Converse, 1820, 3 vols.

Matheson, C.S. “‘A Shilling Well Laid Out’: The Royal Academy’s Early Public.” Art on the Line: The Royal Academy Exhibitions at Somerset House 1780-1836. Edited by David H. Solkin, New Haven, Yale University Press, 2001, pp. 39-54. Morning Chronicle. Morning Herald and Daily Advertiser. Morning Post and Daily Advertiser. Morning Post and Gazetteer.

Lecocq, Françoise. “Les Premières Maquettes de Rome: L”exemple des modèles réduits en liège de Carl et Georg May dans les collections européennes aux XVIIe-XIXe siècles." Roma Illustrata: représentations de la ville. Edited by Philippe Fleury and Olivier Desbordes, Caen, Presses Universitaires de Caen, 2008, pp. 227-260. Leigh, Samuel. Leigh’s New Picture of London: or, A view of the political, religious, medical, literary, municipal, commercial, and moral state of The British Metropolis: presenting a brief and Luminous Guide to the Stranger, on all subjects connected wit [sic] General Information, Business, or Amusement. London, Samuel Leigh, 1818. Le Roy, Julien-David. Les Ruines des plus beaux Monuments de la Grece, vol. 1, Paris, H.L Guerin & L.F. Delatour, 1758. London Metropolitan Archives, “Parish of Saint Pancras register of Baptisms.” P90/PAN1/2.

Kockel, Valentin. “Rom über die Alpen tragen: Korkmodelle antiker Architektur im 18. Und 19. Jahrhundert.” Rom Uber Die Alpen Tragen: Fursten sammeln antike Architektur: Die Aschaffenburger Korkmodell. Edited by Werner Helmberger and Valentin Kockel, Landshut, 1993, pp. 11-31.

Gazetteer and Daily Advertiser. Gazetteer and New Daily Advertiser. General Advertiser and Morning Intelligencer.

Du Bourg, Richard. Mr. Du Bourg’s Exhibition of Large Models cut in Cork, of the Remains of Capital Buildings, in and near Rome and in England, to be seen At the Great Room, Spring Gardens, Late Cox’s Museum. London, Richard Du Bourg, 1785. ---. Mr. Du Bourg’s Exhibition of Large Models cut in Cork, of the Remains of Capital Buildings, in and near Rome and in England. London, Richard Du Bourg, 1805. ---. Descriptive Catalogue of Du Bourg’s Museum. London, Richard Du Bourg, 1808. ---. Descriptive Catalogue of Du Bourg’s Museum, No. 68, Lower Grosvenor-Street. London, Watts & Bridgewater, 1809.

Catholic Family History Society. “St James, Spanish Place, Westminster: Baptisms 1732-1848 and Marriages 1732-1845.” Miscellaneous London District Transcriptions [CD]. London, Catholic Family History Society, 2010, 2 vols.

Burke, Edmund. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. London, R. and J. Dodsley, 1759.

The Ambulator; or the Stranger’s Companion in a Tour Round London. London, J. Bew, 1774.

ecologies

associated

neo-classical

marginalised

principle

much

eternal city

thirteen year old

citizen-merchant

hop-factor

well known

stair-cases

Emphasising

multimedial

scene

some one

red hot

revitalised

overhang

every thing

Stonhenge

characterised

surprized

expence

recognisable

organised

emphasise

capitalised

Sybils

Coloseum

compleat

Baptised

late-eighteenth

was

analysed

curtained off