correspondence between self-reported and logged social media use is far fromperfect (Parry et al., 2021)

Displacement Hypothesis (Neuman, 1988), this is because time previouslydevoted to print reading may just be replaced by time devoted to digital reading.However, from the perspective of the Shallowing Hypothesis (Annisette &Lafreniere, 2017; Carr, 2010), we can expect that the relationship between digitalreading habits and comprehension diminishes across years.

On the other hand, there is evidence suggesting a potential positive relationshipbetween digital reading habits and comprehension.

Two unique factors

often have con-versational traits and are written in informal language

As research on digital reading habits is still emerging, definitions of what con-stitutes such habits vary widely across studies. Definitions tend to emphasize pur-poses, text types, and reading frequency. Regarding purposes, authors tend todistinguish between academic or school and leisure reading habits (Torppa et al.,2019), also referred to as extracurricular (Pfost et al., 2014) or recreational(McGeown et al., 2016). Regarding texts, major types of digital texts distinguishbetween on-screen texts (non-interactive texts presented on digital devices suchas tablets, or computers); and hypertexts and hypermedia (interactive and linkedtexts, which may or not be connected to the Internet; Coiro, 2021). Finally, digitalreading habits are usually measured in terms of temporal frequency via self-reports (e.g., “How often do you read. . .?”). Accordingly, we define leisure digi-tal reading habits as the time spent on digital texts for the purposes of socialcommunication (e.g., instant messaging, online chatting, emailing, checkingsocial media) or informative-linear reading (e.g., looking for information on theInternet; browsing a website, blog or forum; reading e-books, e-magazines, ore-comics; Duncan et al., 2016; McGeown et al., 2016).

A Curated Collection of Tech Tools

Annotation is typically perceived as a means to an end.

He was thinking of the pleasure of the camera and seeing where it led him. And I think that’s true of all creative effort, that’s there a spirit or a flame that leads us somewhere to tell a story. It could be an entire novel, to paint a painting of something extraordinary that’s never been done before. And beyond that is just the feel. That is, the sheer pleasure in creativity, which is energy. And the opposite of that, I think, is being interrupted many times in situations, professional or familial, where one is interrupted and one’s energy is drained off in different directions so that we don’t have the concentration that we need. That is really the great enemy of creativity.

“They’re asking, ‘Why is this happening 21 or 28 days later? I thought we took care of this four weeks ago,’” Slifka said.

marginalia

For one thing, people who work in an office setting typically spend at least 8 hours per day in front of a screen involuntarily, working at a computer.“They obviously can’t cut down on those hours,” says Dr. Carter.

It’s not just your eyes that may eventually feel the strain of too many hours staring at screens.

Publications & Presentations

In a 1915 letter to his publisher, he stipulated, “the insect is not to be drawn. It is not even to be seen from a distance.”

“It seems that many people search or browse digital documents,” he writes, “but when they need to have in-depth reading of some documents, they will print out and then annotate printed documents” (2008: 62)

F or Z

The reason no one’s reading War and Peace is, Shirky asserted, because it’s “too long, and not so interesting.” Instead of mourning the loss of the “cathedral” reading experience offered by a great 19th-century novel, we should be adapting to the “bazaar” culture of the internet.

a number of other methods.

Annotation: 10 Ways