“There is then creative reading as well as creative writing,” Emerson said. “The discerning will read…only the authentic utterances of the oracle—all the rest he rejects.”

Emerson is, “I cannot remember the books I’ve read any more than the meals I have eaten; even so, they have made me.”

Emerson liked to identify four classes of readers: the hourglass, the sponge, the jelly-bag, and the Golconda. The hourglass takes nothing in. The sponge holds on to nothing but a little dirt and sediment. The jelly-bag doesn’t recognize good stuff, but holds on to worthless stuff. And the Golconda (a rich mine) keeps only the pure gems.

Is "Scoping the subject" a counter-Zettelkasten approach?

The Periplus also describes the route from China to India, where silk was shipped by land via Bactria to Barygaza and then via the Ganges River to Limyrike. This passage provides evidence of connections between China and Rome during the first century of the Common Era. The trade links were significant, with many travelers focusing on trade, particularly silk, which formed an important part of the economies of several societies.

The third reading should again be a slow reading,

IN this Chapter I shall try to summarise the main partof this work, so that those who have not the time orthe inclination to go right through it may at any rategrasp the general plan of it, and may be able to referto any particular Chapter or page for further informa-tion on any particular topic.

Very often the text gives no or no clear answer to this question about the otherside of its statement. But then you have to help it on its feet with your ownimagination. Scruples with regard to hermeneutical defensibility or even truthwould be out of place here. First of all, it's just a matter of writing things down,looking for something worth remembering, and learning to read

he problem of reading scientific texts seems to lie in the fact that here one needsnot a short-term memory but a long-term memory in order to gain reference pointsfor distinguishing the essential from the unessential and the new from the merelyrepetitive. But one cannot remember everything. That would be memorization. Inother words, you have to be able to read highly selectively and pull out widelyinterconnected references. One must be able to understand recursions. But howdoes one learn this, if no instructions can be given; or at best aboutconspicuousness (as in the previous sentence for example “recursions”, but not“must”)?Perhaps the best method is to take notes – not excerpts, but condensedreformulations of what has been read. The re-description of what has already beendescribed leads almost automatically to the training of an attention for “frames”,for schemes of observation or even for conditions that lead to the text offeringcertain descriptions and not others. In doing so, it is useful to always consider:What is not meant, what is excluded, when something specific is asserted? Whentalking about “human rights”: What does the author distinguish his statementsfrom? From non-human rights? From human obligations? Or culturallycomparatively or historically from populations that do not know human rights andcan live with them quite well?

Another possibility is read texts on certain topics – liability fordefects in civil law, socialization theory, risk research, etc. – in parallel. Then onegradually develops a feeling for what is already known and knows the “state of theart”. New things then stand out. But you learn something that is mostly veryquickly outdated and then to unlearn again.

Beginners, especially first-year students, initially find themselves confronted with asentence-ordered set of words that they can read sentence by sentence andunderstand according to sentence meaning. But what does it come down to?What is to be “learned”? What is important, what is merely incidental? After a fewpages of reading, one can hardly remember what one has read. Whatrecommendations could be made here?

Beginners' courses or introductory texts are also designed in this way.What one does not or hardly learn, however, are conceptual contexts and, aboveall, problems to which the texts try to give an answer.

When I read a book, forexample, I proceed as follows: I always have a piece of note paper at hand onwhich I write down certain ideas for specific pages. On the back, I write down thebibliographic information. When I have read through the book, I go through thesenotes and think about what can be evaluated for which notes that have alreadybeen written and how. So I always read with an eye to the possibility of writingnotes to the books. Maybe it is simply a collecting instinct I have.

A book is a complete discrete object, cut to fit and shaped for engaging reading, but thousands upon thousands of loose pages in their archival boxes constitute something else: a relay baton handed off to the future.

One large study by Ben D. Woodand Frank N. Freeman in 1932 paved theway for acceptance in elementary schools.The study included 14,947 children ofelementary-school age in an experimenton the effect of the typewriter on class-room performance (3). The children whohad typing instruction actually spent onlyan hour or two a week at the typewriter,yet at the end of the first year they out-performed the nontyping pupils in read-ing.

he two groups making most use of librarieswere “students and housewives” (women users outnumbered men by twoto one), but neither group was well served; and among employed men,6 percent of whites borrowed books, but only 0.1 percent of Black min-ers.18 These were dreadful numbers.

OLDaily exists because of my practice of paraphrasing anything I read

Hello Mr. Hoorn, How great to have a fellow Antinetter. Thank you for your kind greeting. I used the sticky notes because I wanted to be able to show you certain pages that caught my interest when I was pre-reading. After recording my podcast I took them all out. I should have mentioned that. Thank you for pointing that out.

I notice you put sticky markers into the book... Two questions. A) Does this not take too much effort/time for an inspectional read a la Adler? B) What is the purpose of the sticky markers? Warm regards, Mr. Hoorn -- Fellow Antinetter

"Some of the smartest dummies Can't read the language of Egyptian mummies" points to the notion of paradoxes, dualism, where even the most knowledgeable, creative, innovative, intelligent and academic can't interpret or make sense of ancient wisdom, the pun "language of the Egyptian mummies" refers to the language of the spiritual - life after death wisdom. the divine, infinite and eternal.

The song criticizes the tendency to rush into judgment without fully understanding the underlying problems. It also emphasizes the value of research and seeking out the truth from various perspectives.

The Early History of Counting is a great article focusing on how long humanity has been offloading its brain, which makes me feel way less awkward about taking so many notes and using fancy tools like calculators and LLMs. Ancient philosophers like Socrates complained about books making people lazy because of not doing oral memorization anymore, which solved into people complaining about computers. Stone Age cavemen probably complained about people offloading their number sense onto tally sticks.

When I was a teenager, I used to cart an entire duffel bag of books with me whenever I went on vacation. I have a particularly vivid memory of a ski trip with friends in college; one green duffle full of books, and a matching red duffle (borrowed from my parents) full of clothes. I couldn’t imagine going on vacation without books, and for a week away I needed at least twelve.

Someone once said that at least one in five people are writing a novel. I barely know anyone who isn’t. It is still a prestigious form. And so, despite social media – the junk food of communication – literature continues to adapt to the contemporary mood. Where there is digital overload, people are returning to this more relaxed, nutritious analogue mode - reading words on a page.

I like the Penguins just fine, and have to confess to enjoying the look of their matte-blank ranks on a shelf when stood all together. I wish they were still priced at the same as a pack of cigarettes, but I guess Allen Lane couldn't have predicted the sorry state of our world. As far as alternatives go, the Oxford World's Classics imprint offers comparable breadth and (often) superior critical material. They're also willing to print interesting variants; one example of this may be found in their offering of both the widely-known 1831 single-volume edition and the original 1818 edition, which contains significant differences. Two other imprints for which to watch out: The Norton Critical Editions are distinctive in all their colourful, oversized splendour, but they offer some of the best value for money if you're seeking an edition of a classic work that also includes a host of useful supplemental documents, critical writings, timelines, and other things that may be of use to those seeking a wider context. This can admittedly get a bit ridiculous in its scope (though I wouldn't have it any other way; the Norton edition of Joseph Conrad's Heart of Darknessis around 500 pages long, for instance, with maybe a fifth of that being accounted for by the novella itself. Similarly to the above, the Broadview editions (put out by a Canadian company of the same name) tend to have extremely in-depth supplementary materials. They're also known for offering just as serious and useful editions of comparatively obscure works as they are for well-known classics.

Awesome! I will look into Oxford and the New York Review of Books lines. I have a couple Norton Critical books from school, (one of which is Heart of Darkness, as a matter of fact) and they are crazy good if you are looking for a wide slice of criticism and analysis (thus the critical edition moniker, I guess). For me though, it's really too much for a book you just want to read. I like informative introductions and frequent notes on the personal or literary context (these were great for Monte Cristo), but any more than that begins to weigh things down.

In Chicago, one catalyst for that growth—as a kind of public sym-bol and tacit approval from the business community—was “the FatMan’s Class,” which had begun meeting in 1942–1943 at Chicago’sUniversity Club. The moniker derived, according to some, from thegroup’s “affluence rather than the girth of its members.” Membersof this class included Chicago notables such as Harold and CharlesSwift, Marshall Field, Jr., Walter Paepcke, Hermon Dunlap Smith,William Benton, Hughston McBain (president of Marshall Field andCompany), and Laird Bell. This group caught the “fancy” of thepopulace, causing the University of Chicago’s University College topartner with the Chicago Public Library in 1944 to set up great bookscourses around the city.43

An anonymous review in The Atlantic touched on the samesnobbish fear addressed by Barzun:Mr. Adler’s notion that “almost all of the great books in every fieldare within the grasp of all normally intelligent men” seems to usto need a deal of sifting. We do not know what he means by “nor-mally intelligent,” but if he means the average run of intelligencein our population, or in the student body of our schools and col-leges, we believe he is deplorably wrong. So also . . . the book’s sub-title, “The Art of Getting a Liberal Education,” savors strongly ofquackery. 39

Dr. Harry McNeill’s June 1940 assessment in Interracial Review

Knowledge is a web of associations. If kids don’t have enough facts to work with, they can’t grasp what they read.

But consider a new narrative. Imagine instead that books offer us a way to enter into a prolonged conversation across generations. We might even call this the Great Conversation. Imagine instead that authors have generally meant well, and so when they produced difficult works it is because the subject matter is a difficult one. Imagine instead that the past is a kind of mirror for the present, and that history is a guide to the future. New associations are encouraged by this narrative. New works are continuous with old works; both new and old works have something to teach us; difficult works might be more insightful because they engage with the complexity of the world.

And this is what I believe is happening with students and reading, at least in part. They have convinced themselves that they aren’t readers. They have convinced themselves that reading old books, especially difficult old books, is just too arduous, too boring, too pointless. They have convinced themselves that even if the books are good and soul-enriching, there are better things to be doing with their time.

Gatekeeping Ourselves

I sometimes see this in YouTube comments. When I recommend Plato to beginners in philosophy, I am told that I am being irresponsible, because Plato is too difficult for a beginner. It would be better to recommend a comprehensive survey of philosophy explicitly written for beginners, the critics say, so that people don’t get overwhelmed. But then I see other comments, sometimes on YouTube but often elsewhere, from people who had never read any philosophy, stumbled on one of my videos, and read Plato. Sometimes these are high school students, sometimes college graduates who did not study philosophy, sometimes mid-career adults who didn’t bother with college. The message is remarkably similar. They were previously convinced that philosophy would be too difficult to them, and reading Plato helped them see that they were wrong.

Wonderful article by the philosopher Jared Henderson, who I regularly watch on YouTube.

The more inventive and fecund a great mind is, the more it will shape thelanguage it uses to fit its thought. To express a new idea or insight, a new word isinvented or an old word given a novel meaning. Sometimes in the development ofhis own characteristic vocabulary, a great writer uses a new word for an old ideawhich he has appropriated and assimilated to his own thought. Sometimes theopposite occurs; the traditional word is appropriated or borrowed, but the ideawhich it long expressed is replaced either by a totally new, or at least by a variant,conception.

The foregoing examples illustrate various forms topics take according to thedifferent kinds of subjects they propose for discussion. Some deal with the natureof a thing or its definition, some with its qualities or attributes, some with itscauses, and some with its kinds; some deal with distinctions or differences, andsome with comparisons or contrasts; some propose a general theory for considera-tion, some present a problem, and some state an Issue. Some— such as the lastthree above —are difficult to characterize by any formula.

It is easier to say what a topic is not, than what it is or should be. If it mustalways be a less determinate expression than a sentence, and if it must usually be amore complex expression than a single word or pair of words (which are theverbal expression of terms, such as the great ideas), it would seem to follow thatthe proper expression of a topic is a phrase— often, perhaps, a fairly elaboratephrase involving a number of terms and signifying a number of possible relationsbetween them. This general description of the grammatical form of a topic docsnot, however, convey an adequate notion of the extraordinary variety of possi-ble phrasings.

For example, “The ideal of the educated man’"(Education la) is a simple topic; “The right to property: the ownership of themeans of production” (Labor 7b) is a complex topic; and “The use and criticismof the intellectual tradition: the sifting of truth from erroi; the reaction againstthe authority of the past” (Progress 6c) is a more complex topic.

A topic, in short, must have greater amplitude than any other logical form ofstatement. The familiar grammatical forms of the declarative or interrogativesentence, or even the complex sentence w'hich expresses a dilemma, arc there-fore inappropriate for the statement of topics. Since it must be able to includeall these and more, the statement of a topic must be less determinate in verbalstructure.

A topic is essentially a*sub)ect for discussion. The Greek word topos from which**topic^’ is derived literally means a place. Its literal meaning is retained in suchEnglish words as “topography” and “topology,” which signify the study ofphysical or geometrical places. The conception of a topic as a subject for discus’-sion is a metaphorical extension of this root meaning. A topic is a logical place; itis a place where minds meet to consider some common problem or theme.The minds may agree or disagree; they may argue the matter from differentpoints of view; they may contribute to the discussion in a variety of ways — byoffering examples, by proposing definitions or hypotheses, by stating analyses orarguments, by debating what has already been said, or by advancing a new view.But whatever form each contribution takes, it must be relevant, though it neednot be relevant in the same way or to the same degree. The various contributionsare relevant to each other through their relevance to the common theme orproblem, and this gives unity to the variety of things being said.A topic, then, is a place where minds meet through being relevant to a commonsubject of discussion. It is a place at which an intelligible exchange of thought,insight, or opinion can occur.

The topics are the basic units of the Syntopicon. They perform a doublefunction. The Outline of Topics in each chapter is the analysis of a great idea,setting forth its various meanings, its themes and problems; and the individualtopics serve as the immediate headings under w^hich are assembled the referencesto the discussion of each particular subject in the great books. The topics are themajor subdivisions of the discussion in the sphere of each of the great ideas, as theideas are the main divisions of the whole discussion in the great books. As eachidea represents a general field of discourse— a domain of learning and inquiry—covering a variety of related themes and problems, so, under each idea, the varioustopics represent the themes and problems which are the particular subjects ofdiscussion in that field.

The two mfasi^rfs of intrinsic greatness — scope and significance

The reason which operated against such multiplication of chapters was(as already stated) the desire to avoid excessive duplication among topics andreferences.

Both the great books and the great ideas were chosen to represent the unity andcontinuity of the tradition of western thought. The great l^ks are those whichdeal imaginatively or intellectually with the ideas which arc fundamental through-out this whole tradition. Any important work -ancient, mediaeval, or modern-will necessarily be concerned with these ideas in some uay. What distinguishes thegreat books is the originality, the profundity, and the scope of their treatment ofthese ideas. Other books, important in some special field of learning, may havethese qualities with respect to one idea or even to several related ideas, but thegreat books possess them for a considerable range of ideas, covering a variety ofsubject matters or disciplines; and among the great books the greatest arc thosewith the greatest range of imaginative or intellectual content.

The great majority of terms eliminated were those which did not appear to ,receive extensive or elaborate treatment in the great books. They were terms thatdid not seem to have a lively career —a continuous and complex developmentthroughout the three-thousand-year tradition of the great books.The editors usedthe actual content of the great books as the test whereby to separate a small set oftruly great ideas from a much larger number of important concepts or notions.The reader can apply this test himself by comparing the 1800 concepts listed inthe Inventory of Terms, with the 102 ideas that are treated as the principalterms in the Syntopicon.

THE PRINCIPLES AND METHODS OFSYNTOPICAL CONSTRUCTION

Alan Clark Agreed...also; learning = change in behaviour, is another widely held belief.

Perhaps the best method would be to take notes—not excerpts, but condensed reformulations of what has been read. The re-description of what has already been described leads almost automatically to a training of paying attention to “frames,” or schemata of observation, or even to noticing conditions which lead the text to offer some descriptions but not others.

Learning How to Read

Theoretically interested readers should therefore follow the advice of learning as many languages as possible in such a way that they have at least passive mastery of them and thus can read and understand them.

Or, you may say that this business of marking books is going to slow up your reading. It probably will. That's one of the reasons for doing it. Most of us have been taken in by the notion that speed of reading is a measure of our intelligence. There is no such thing as the right speed for intelligent read-ing. Some things should be read quick-ly and effortlessly, and some should be read slowly and even laboriously. The sign of intelligence in reading is the ability to read different things dif-ferently according to their worth.

I use the end-pa-pers at the back of the book to make a personal index of the author's points in the order of their appearance.

1. Underlining: of major points, of important or forceful statements. 2. Vertical lines at the margin: to emphasize a statement already under-lined. 3. Star, asterisk, or other doo-dad at the margin: to be used sparingly, to emphasize the ten or twenty most important statements in the book. (You may want to fold the bottom cor-ner of each page on which you use such marks. It won't hurt the sturdy paper on which most modern books are printed, and you will be able to take the book off the shelf at any time and, by opening it at the folded-corner page, refresh your recollection of the book.) 4. Numbers in the margin: to indi-cate the sequence of points the author makes in developing a single argu-ment. 5. Numbers of other pages in the margin: to indicate where else in the book the author made points relevant to the point marked; to tie up the ideas in a book, which, though they may be separated by many pages, be-long together. 6. Circling of hey words or phrases. 7. Writing in the margin, or at the top or bottom of the page, for the sake of: recording questions (and perhaps answers) which a passage raised in your mind; reducing a complicated dis-cussion to a simple statement; record-

ment, doubt, and inquiry. It's like re-suming an interrupted conversation with the advantage of being able to pick up where you left off. And that is exactly what reading a book should be: a conversation be-tween you and the author. Presumably he knows more about the subject than you do; naturally, you'll have the prop-er humility as you approach him.

To set down your reaction to important words and sen-tences you have read, and the ques-tions they have raised in your mind, is to preserve those reactions and sharp-en those questions.

conscious; I mean wide awake.) In the second place, reading, if it is active, is tliinking, and thinking tends to ex-press itself in words, spoken or writ-ten. The marked book is usually the thought-through book. Finally, writ-ing helps you remember the thoughts you had, or the thoughts the author expressed. Let me develop these three points.

There are two ways in which one can own a book. The first is the prop-erty right you establish by paying for it, just as you pay for clothes and fur-niture. But this act of purchase is only the prelude to possession. Full owner-ship comes only when you have made it a part of yourself, and the best way to make yourself a part of it is by writing in it.

Confusion about what it means to own a book leads people to a false reverence for paper, binding, and type —a respect for the physical thing—the craft of the printer rather than the genius of the author. They forget that it is possible for a man to acquire the idea, to possess the beauty, which a great book contains, without staking his claim by pasting his bookplate in-side the cover. Having a fine library doesn't prove that its owner has a mind enriched by books; it proves nothing more than that he, his father, or his wife, was rich enough to buy them.

So, how do you actually transfer a book with a systematic theory into your ZK/Evergreen notes?

One helpful supplement for this approach is the use of “Events” in the course calendar. Events show in thesyllabus and can enforce non-assignment materials (such as readings or topics)

I began reading it quickly, almost skimming

Full owner-ship comes only when you have madeit a part of yourself, and the best wayto make yourself a part of it is bywriting in it.

Do you annotate your books?

Learners who knew all their letters at the end of grade 1 were on track with their reading by the time they reached grade 4. Learners with very limited letter-sound knowledge at the end of grade 1 were three years behind, only reaching grade 4 reading fluency levels in grade 7.

Reading comprehension is one of the skills that South Africa needs most. It will be in short supply until basic reading skills are taught correctly.

Children are struggling to master the most basic reading skills in their home language in the foundation phase (grades 1-3).

When decoding is a slow, laboured process this places demands on cognitive processes like working memory. By increasing speed and accuracy in reading, cognitive resources are freed and the child can begin to comprehend what they are rea

children can talk long before they can read and write. E

ater lessons are multilingual and focus at the same time on reading for meaning and learning a target language. For most learners, the target language is English. Learners listen to sentences in one language and must reproduce a translation textually. The app currently incl

HOW TO IMPROVE TO MOTHER TONGUE LEARNING
Begin literacy teaching in mother tongueA curriculum, rooted in the child’s known language, cultureand environment, with appropriate and locally-developedreading and curriculum materials, is crucial for earlylearning success. Using the home language in the early stagesof schooling in multilingual contexts supports child-centricpolicies. It starts with what is familiar and builds in newknowledge. It creates a smooth transition between home andschool; it stimulates interest and ensures greaterparticipation and engagement. This prepares children for theacquisition of literacy and encourages fluency andconfidence in both the mother tongue and, later, in otherlanguages, where this is necessary.
Ensure availability of mother-tongue materialsChildren need to be engaged in and excited about readingand learning and this can only be done if the materials areones which they will understand and enjoy. In mostdeveloping countries, the only reading material children seeare school textbooks, which are often in very short supply.Other materials to support learning are hardly everavailable. Without access to good materials, children struggleto become literate and learn. In most low- and middle-income countries, the majority of primary schools have nolibrary, and books are luxuries which families cannot afford.For children from minority language communities, thesituation is even more dismal. Textbooks are rarely availablein local languages.
Provide early childhood education in mother tongueLiteracy development starts early in life, and the homeenvironment is an important factor in children’s learningachievement. It helps build the knowledge and skills childrenneed for learning to read. Where parents and the communityare supporting literacy development, results show a markedimprovement. The earlier children are exposed to stories thebetter their reading is: reading for only 15 minutes a day canexpose children to one million written words in a year,thereby helping them to develop a rich vocabulary. Childrenwith access to materials at home are more likely to developfluency in reading

An interesting new extension of this work is Pretorius and Spaull(2016), who undertook the first large scale analysis of oral reading fluency inEnglish. Regardless of the assessment tool, the majority of South African childrenperform extremely poorly in reading, writing and mathematics in the early phasesof primary education (Fleisch, 2008; Spaull, 2013b, 2010; Taylor and Yu, 2009;van der Berg, 2008). Beyond the low results across the system, it is characterisedby a stark bimodal distribution (Fleisch, 2012; van der Berg, 2008; Taylor and Yu,2009; Spaull, 2013a.) The wealthiest quintile of schools is producing some readingresults, while the remaining schools are strikingly non-productive. The wordbimodal is used to suggest that the current system of public education representstwo distinct universes of schools – a small universe serving 20% of the nation’schildren and a vast universe of schools serving the remaining childre

apitalise on the opportunities that digital reading offers for free reading material distribution. It is however not areplacement for making print reading materials accessibleDBE, NLSA, Civil society, Department ofSports, Arts and Culture, NECT, Nal’ibali,Publishing and reading materialsdistribution industry2 Support digital reading by• Recognising that all forms of reading can co-exist• Encouraging the linkages between reading types• Rolling out public wifi, reducing the cost of data, and zero-rating websites with educational and readingmaterials• Shifting the narrative about people not reading due to social media and digital devices and recognising thatreading to communicate (digitally) can co-exist with and reinforce other forms of reading, such as readinglonger texts in printNLSA, Civil society, Department of Sports,Arts and Culture, NECT, Nal’ibali3 The majority of South Africans read to communicate via social media and WhatsApp. Use these existingcommunication channels to make reading attractive and share information about where to access other readingmaterialsNLSA, Civil society, Department of Sports,Arts and Culture, NECT, Nal’ibali

An exception is a recent study showing that children’s listening comprehension was uniquely related to text reading fluency after accounting for list reading fluency for first graders. However, this unique relation appears to depend on children’s developmental level of word reading proficiency such that listening comprehension was uniquely related to text reading fluency only for skilled word readers but not for average word readers in first grade (Kim et al., 2011). Thus, a certain level of word reading proficiency might be needed for listening comprehension to play a role in text reading fluency. These results lend support to the verbal efficiency theory (Perfetti, 1985, Perfetti, 1992), which posits that children’s word reading proficiency influences the consolidation of fluency component skills. For readers with slow and nonautomatic word reading, word reading will constrain meaning construction processes in text reading fluency and reading comprehension. For children with skilled word reading, cognitive resources are available for meaning construction (i.e., comprehension), thereby allowing listening comprehension to be related to text reading fluency (Kim et al., 2011).

reading prosody is an important aspect of reading fluency

Numerous studies have shown strong correlations between oral reading fluency and reading comprehension

text reading fluency (oral reading fluency and silent reading fluency)

text reading fluency was uniquely related to reading comprehension in Grade 2, but not in Grade 1, after accounting for list reading fluency and listening comprehension.

reading fluency

In this connection it is also usefulsometimes to bear in mind, that the small article does not as-a rule admit of systematic treatment of a given subject, thatperiodical literature is tied to time for its appearance, thatnovelty and notoriety, catering to the masses, i.e. to thealmighty dollar, play a good part in the production of unripeliterature, that some sort of news may be supplied merely tohelp us swallow the ubiquitous advertisement.

The neglect of the book is however not altogether advanta- 78geous.