123 Matching Annotations
  1. Mar 2017
    1. The axe fell with the sharp edge just on the skull and split at one blow all the top of the head. She fell heavily at once.

      It's important to note here that Raskolnikov did not plan to kill Lizaveta. He had a carefully calculated plan to kill the pawnbroker, but her sister was in the wrong place at the wrong time and it cost her her life.

    2. He had not a minute more to lose. He pulled the axe quite out, swung it with both arms, scarcely conscious of himself, and almost without effort, almost mechanically, brought the blunt side down on her head

      The plan has come to fruition.

    3. He was haunted by day-dreams

      Here is where psychology starts to play a major role - think about how our minds operate, think about what kind of influence dreams and thoughts can have over our behavior and actions

    4. *****

      The previous tavern story was a flashback - this indicates to us that we are now back in the present.

    5. What do you think, would not one tiny crime be wiped out by thousands of good deeds?

      Here is where the novel starts to get it's namesake - think about this question, do the ends justify the means? Would killing a bad person to make the world a better place be an acceptable crime?

    6. would be left alone

      Why is this in italics? Breadcrumbs...

    7. She was a single woman of about thirty-five, tall, clumsy, timid, submissive and almost idiotic. She was a complete slave and went in fear and trembling of her sister, who made her work day and night, and even beat her.

      Characterization of Lizaveta.

    8. accursed ... dream of mine

      Is he talking about the horse dream or the plan? Or both?

    9. can it be, can it be, that I shall really take an axe, that I shall strike her on the head, split her skull open ... that I shall tread in the sticky warm blood, break the lock, steal and tremble; hide, all spattered in the blood ... with the axe.... Good God, can it be?

      Remember that plan I told you to keep track of? - Dostoevsky is being very clever here. He wants you to think that this statement is about the horse in Raskolnikov's dream, but it's actually more breadcrumbs to what is going to transpire later on in the story. Start connecting the dots and see where they lead you.

    10. ‘Thank God, that was only a dream,’

      Remember - that entire story was just a dream. The girl in the torn clothes was real, the horse was a dream.

    11. It

      Why is "it" capitalized? What significance does that have in this context?

    12. hen It will be over and everything will begin afresh....

      What do you think he means by this?

    13. He was an exceptionally good-humoured and candid youth, good-natured to the point of simplicity, though both depth and dignity lay concealed under that simplicity.

      Characterization of Razumihin - think about what he must be like if even Raskolnikov is drawn to him and finds him pleasant.

    14. He

      Here, Dostoevsky switches gears on us and doesn't make it clear. Some readers might think the next events are a dream, but they are actually reality. Raskolnikov decides to go on a walk when the following happens. Pay particular attention to how he reacts to the situation.

    15. Anyway he must decide on something, or else ...

      It's all part of the plan...

    16. ‘It shall not be? But what are you going to do to prevent it? You’ll forbid it? And what right have you?

      We know Raskolnikov has been planning and plotting this whole time...what do you think he is going to do to prevent Dounia's marriage?

    17. t’s clear that Rodion Romanovitch Raskolnikov is the central figure in the business, and no one else

      He just made the entire situation about himself - what do you think about that? Is it really about him, or is he being selfish?

    18. to save her life she would not sell herself, but for someone else she is doing i

      Think about this act carefully - does her sacrifice remind you of something else? Could Dounia be considered a 'Christ-like' character for this sentiment?

    19. Yes, there’s no denying, the Svidrigaïlovs are a bitter pill!

      Considering these two scenarios, do you agree with Raskolnikov that would be better for Dounia to stay with Svidrigailov or to marry Luzhin?

    20. But what really matters is not the stinginess, is not the meanness, but the tone of the whole thing

      What is the 'tone' of the whole thing? What do you think Raskolnikov means by this?

    21. How is it that they don’t both see all that, or is it that they don’t want to see?

      This is important - there is an old addage that "love is blind" - do you think that Dounia and her mother are blinded by love or are they turning a blind eye to a larger issue?

    22. One must cut one’s coat according to one’s cloth, but what about you, Mr. Luzhin? She is your bride.... And you must be aware that her mother has to raise money on her pension for the journe

      Basically what Raskolnikov is thinking here is "Dude, this is your future wife and future mother in law; you're supposed to be rich; why aren't you paying for them to travel more comfortably?" - What do you think? Would you allow your future wife/mother in law to fend for themselves?

    23. bride

      'seems' and 'bride' are in italics - why? For what purpose?

    24. His bitterness grew more and more intense, and if he had happened to meet Mr. Luzhin at the moment, he might have murdered him

      Think about how quickly Raskolnikov's mood has changed - when he first finished reading the letter he was crying and sobbing, but now he is so enraged he could murder a man. Does this say something about Raskolnikov's relationship with his family? Does this say something about his psychological stability? What do you think?

    25. Has she a secret conscience-prick at sacrificing her daughter to her so

      Interesting thought...

    26. ‘... But I should like to know why mother has written to me about ‘our most rising generation’? Simply as a descriptive touch, or with the idea of prepossessing me in favour of Mr. Luzhin? Oh, the cunning of them!

      Even Raskolnikov's mother is using language in her favor - think about how Dostoevsky uses his craft to sway the audience and how he could write that into a character as well.

    27. Never such a marriage while I am alive and Mr. Luzhin be damned

      Why do you think he has made this declaration? Does he have any grounds or merit for his dissatisfaction?

    28. He took up his hat and went out, this time without dread of meeting anyone; he had forgotten his drea

      Quite a change in Raskolnikov - this is the effect his mother and sister has on him.

    29. as he could not get on without a secretary, it would be better to be paying a salary to a relation than to a stranger, if only the former were fitted for the duties

      They are trying to position Raskolnikov to be Pytor's secretary - think about the implications that would have on his marriage with Dounia as well as how Rask would feel being the secretary to his sister's husband.

    30. she is ready to put up with a great deal

      This is a huge statement - think about what that says about Dounia's character, but it also foreshadows what their relationship is likely to be.

    31. there is no great love either on his side, or on hers, but Dounia is a clever girl and has the heart of an angel, and will make it her duty to make her husband happy who on his side will make her happiness his care

      Think about this statement very carefully - there is no great love on either side - the two don't love each other but are going to get married anyway. Again, not super uncommon in this era, but think about all the challenges that will present for their relationship.

    32. for he seems a little conceited and likes to be listened to

      Red flag? This will get worse, I promise.

    33. beware of judging him too hastily and severely

      Why would she need to say this? Does Raskolnikov have a habit of judging people too harshly or does his mother have an impression that Raskolnikov won't like Pytor and therefore wants to head off the disapproval?

    34. He is a well-to-do man, to be depended upon, he has two posts in the government and has already made his fortune. It is true that he is forty-five years old, but he is of a fairly prepossessing appearance and might still be thought attractive by women, and he is altogether a very respectable and presentable man, only he seems a little morose and somewhat conceited

      Think very carefully about this character description - does this sound like a man you'd want to marry? Does this seem like the perfect match for Dounia? Hint, she is not 45, she is MUCH younger than he is. That is not uncommon in this era, but does contribute to the dynamic of the relationship.

    35. s distantly related to Marfa Petrovna, who has been very active in bringing the match about

      Conflict of interest? Some underlying motives? Innocent repentance? Think about the connection between these characters - it may be useful later.

    36. Pyotr Petrovitch Luzhin

      This is Dounia's fiancee.

    37. ounia has a suitor and that she has already consented to marry him

      This is important. Remember this.

    38. he laid before Marfa Petrovna a complete and unmistakable proof of Dounia’s innocence, in the form of a letter Dounia had been forced to write and give to him

      Think about what this says about Svidrigailov's character - why repent at this point when you make it out unscathed? What does this say about his feelings for Dounia if he is willing to prove her innocence to his wife?

    39. But at last he lost all control and had the face to make Dounia an open and shameful proposal, promising her all sorts of inducements and offering, besides, to throw up everything and take her to another estate of his, or even abroad

      Offered her the promotion of being his mistress.

    40. Would you believe that the crazy fellow had conceived a passion for Dounia from the beginning, but had concealed it under a show of rudeness and contempt.

      In simple language...He liked Dounia, but did the whole little boy thing where you tease and are mean to the girl you like. (Reminder: this is a married man - she is the house servant)

    41. governess

      Like a maid or house servant.

    42. dare say you would have thrown up everything and have come to us, even if you had to walk all the way, for I know your character and your feelings, and you would not let your sister be insulted.

      Does this sound like the same Raskolnikov to you?

    43. her sufferings are over

      What are these sufferings to which Raskolnikov's mother is referring? Keep a look out for more explanation as we meet these characters later on.

    44. Dounia

      Raskolnikov's sister.

    45. Rodya

      Nickname.

    46. alone

      Why put 'alone' in italics? What do you think Dostoevsky is trying to articulate or emphasize by doing so?

    47. But why, if you are so clever, do you lie here like a sack and have nothing to show for it? One time you used to go out, you say, to teach children. But why is it you do nothing now?

      Notice the change in Raskolnikov's character and personality - the other characters are now noticing he has changed. What does this say about his current psychological state? Do you think Raskolnikov could be suffering from a psychological disorder?

    48. He had got completely away from everyone, like a tortoise in its shell, and even the sight of a servant girl who had to wait upon him and looked sometimes into his room made him writhe with nervous irritation

      This all contributes to his character and his actions throughout the novel.

    49. Raskolnikov had time to put his hand into his pocket, to snatch up the coppers he had received in exchange for his rouble in the tavern and to lay them unnoticed on the window

      Remember this.

    50. Wel

      Fair warning, Marmeladov is about to tell a veryyyyyy long story. Stay with him, it will end (I promise). It is not super important that you know every detail about the story, but he does introduce his family and give some insight about them - that will definitely be important later on!

    51. I ought to be crucified, crucified on a cross

      This is going to be a reoccurring symbol throughout the text. Last year one of my students arguing for one of the characters as a "Christ" figure - think about who you would characterize this way. If you don't know right now, that's okay, just think about it as you go throughout the text.

    52. Come, who will have pity on a man like me, eh? Are you sorry for me, sir, or not? Tell me, sir, are you sorry or not?

      Do you pity Marmeladov? Why or why not?

    53. issing Sonia’s fee

      How does this reaction contradict what we already know about Katerina? Why would she respond this way?

    54. only her little shoulders and her body kept shudderin

      How do you suppose she got the money? What does that kind of sacrifice tell you about Sonia's character and her priorities?

    55. onia, a

      Marmeladov's daughter.

    56. and although she paid him back

      What do you suppose he means by this?

    57. us

      Note the use of the pronoun - who is us? Why use this pronoun at this point?

    58. wretchedness

      Two things happening here:

      1. Raskolnikov is acknowledging his plan.
      2. His plan is causing him psychological distress. These two things are going to be very important as we continue throughout the text.
    59. He asked her as casually as possible

      More breadcrumbs. We know that Raskolnikov does not like social interaction with people, so why is he making small talk with this pawn broker?

    60. Lizaveta’s

      This is the pawn broker's sister.

    61. then

      Italics - referring back to the plan (that we still don't know about yet). Dostoevsky is leaving us a lot of breadcrumbs and we will find out soon what it is he is plotting.

    62. Notice this paragraph was in a single quotation - this is how Dostoevsky indicates both spoken dialogue and what Raskolnikov is thinking. This will happen FREQUENTLY throughout the text. Raskolnikov suffers from psychological trauma, so he spends a lot of time talking to himself - Dostoevsky wanted to illustrate that so he gives us those inner conversations Raskolnikov has with himself. Be sure you keep track of when we are in his head vs. not - that will help with confusion.

    63. ‘And here ... I am again on the same errand,’ Raskolnikov continued, a little disconcerted and surprised at the old woman’s mistrust. ‘Perhaps she is always like that though, only I did not notice it the other time,’ he thought with an uneasy feeling.

      This paragraph is an example of when we have both outward dialogue and an internal conversation - it is important that you read carefully to discern which is which. Dostoevsky will always give you clues to help you, just make sure you are watching for them.

    64. She was a diminutive, withered up old woman of sixty, with sharp malignant eyes and a sharp little nose

      Character description of the pawn broker.

    65. He was, by the way, exceptionally handsome, above the average in height, slim, well-built, with beautiful dark eyes and dark brown hai

      Character description of Raskolnikov - it is important to KNOW this because as you read, this will not be the character you visualize in your head. Think about how Dostoevsky is able to write a character one way, and make you imagine them differently - what are the implications of that?

    66. violent

      "the excitement grew more and more violent" - foreshadowing.

    67. rehearsal

      Think about the way Dostoevsky is using this word (yes, I know we cannot analyze diction) - but think about the connotation around 'rehearsal of his project' - everything Raskolnikov is doing is calculated, you need to remember that as we get deeper into the text.

    68. he had involuntarily come to regard this ‘hideous’ dream as an exploit to be attempted

      Still talking about the plan.

    69. plan

      What is the plan? We don't know...yet, but stay tuned as he will reveal more.

    70. axiom

      Remember this from your "Prince" vocabulary list? Think about what it means in this context.

    71. like that

      Think about why this is in italics - to what is he referring? It is not quite clear yet, but that is part of Dostoevsky's point. Considering all that we know about the main character already, what do you think he could be thinking?

    72. He was hopelessly in debt to his landlady, and was afraid of meeting her

      Very important.

    73. staircase

      This is going to be a significant part of Raskolnikov's personality.

    74. bridge

      Fun fact: though the names of places are abbreviated or left out altogether, you can actually retrace the protagonist's steps in modern Russia - many scholars have done it. Though this is a work of fiction, each of the locations mentioned is real.

    75. He describes the awful agony of the condemned man and insists on the cruelty of inflicting such tortur

      This will be a MAJOR theme in the novel.

    76. arrested

      This is a very important piece of information to remember about Dostoevsky - especially in relation to this text.

    77. sickly and delicate

      Look for this same theme written into the character of Raskolnikov.

    78. work

      Understanding the cultural and contextual considerations of the work is going to be very important in your written assignment!

  2. Jul 2016
    1. Training teachers solely in new techniques and behaviors will not work.

      Then why do we do it? New tech doesn't mean that the old stuff is invalid or useless. When will we learn...

    2. Teachers apply new knowledge and receive feedback, with ongoing data to reflect how teaching practices influence student learning over time.

      Key step - often left out. I feel like PD is a time for admin to throw a bunch of tools or programs or philosophies at you, but they never check in on how implementation is going - there isn't that feedback element or reflection on how it works in the classroom. It feels mostly like an imposition that "should" work.

    3. On the other hand, one-shot, "drive-by," or fragmented, "spray-and-pray" workshops lasting 14 hours or less show no statistically significant effect on student learning

      This feels like a 'duh' to me. Think about anything you do, one-shot never works, why do we expect it to work for teacher training?

    4. should compensate teachers for their expert contributions

      How is this defined?

    5. student learning measured in a variety of ways

      My district is grappling with this. 20% of my evaluation is student achievement, but what exactly does that mean? Test scores? Portfolios? Surveys? Interesting that they outline this as a way to "effectively identify and support quality teaching" I often feel this supports teaching to the test. Something to think about.

    6. Accomplished teachers are most knowledgeable about how students in their school or district learn, and thus they are ideal candidates to lead professional-learning and curriculum development efforts

      Most of my PD sessions are run by a) people who have been removed from the classroom for years or b) people outside of my district. It would be interesting to be in a PD with teachers that have taught my particular kids successfully.

    7. trust

      What is meant by trust? Trust with/in what?

    8. Great leaders focus on developing people's capacities rather than their limitations

      I feel like this goes not just for admin, but for us too. We don't want our evaluators pointing out all of our shortcomings, why do we do this to our students? I feel like this has a trickle down effect, if your admin focuses on teacher ability, teachers may focus more on student ability - both of which are likely to increase student achievement.

    9. Teaching quality has been defined as "instruction that enables a wide range of students to learn" (Darling-Hammond, 2012), and it is the strongest school-related factor that can improve student learning and achievement

      This is huge - if we want to improve our learning environments and achievement for students, we need to spend more time perfecting our craft. We need better PD to make this happen (not more, just better).

    1. Recommen-dations for the future of learning emphasize the impor-tance of being able to creatively move across multiple disciplines, to cross-pollinate ideas between domains

      We also discussed this in our Wicked Problem - why not make common assessments that incorporate several disciplines? For instance, a park project - design the park (math), fill it with vegetation (science), write a proposal asking for money or zoning permits (english), design a playground for kids (PE), etc. - That would be one assessment that can test skills in all domains.

    2. These authors argue that schooling needs to be fundamentally reconfigured to emphasize higher-order cognitive processes, such as critical thinking, creative problem solving, curiosity, and adaptability.

      This is EXACTLY what our wicked problem was about. These are the skills kids need, but we are not providing a framework in which these skills can be taught, learned, assessed and implemented.

    3. From cell phones to Websites, from YouTube videos to multi-player games like World of War craft, technology is funda-mentally changing how we interact with information and with each other.

      Connection: this is something we have discussed at length throughout this course, especially as we see technology permeate various areas of our lives (i.e. Pokemon GO).

    1. When I tag and bookmark a Website, a video, an image, I make my decisions visible to others

      Maybe talk about this a little bit? This happens with Google and Facebook as we click on ads and they learn our habits.

    2. What did not surprise him was the importance of both the know-how and how-to-know that unlock the opportunities afforded by augmentation technology

      YES! Huge idea here.

    3. Yes, it's easy to drift into distraction, fall for misinformation, allow attention to fragment rather than focus, but those mental temptations pose dangers only for the untrained mind

      This is the same thing that has been reiterated by Sara & Rick as well as Piotr & Kristen. Make make reference of this in our presentation.

    4. Digital media and networks can only empower the people who learn how to use them — and pose dangers to those who don't know what they are doing

      I really like this idea - Stephanie & Angela discussed whether digital media is helpful or harmful in the hands of our students and I think this would be a good connection to that.

  3. Jun 2016
    1. Attention is the fundamental literacy

      I had never thought about attention as a literacy before. This is an interesting concept - I'd like to discuss further.

    2. were part of a system that included "humans, language, artifacts, methodology and training

      I think this touches on our discussion from Wednesday morning - we often throw technology around with no training and then wonder why it isn't being used or used effectively.

    3. computers could lead to "increasing the capability of a man to approach a complex problem situation, to gain comprehension to suit his particular needs, and to derive solutions to problems

      A valid use of technology. But what happens when that goes too far and we rely on technology for everything? I just picture Disney & Pixar's Wall-E film here. Technology does so much for us that we can no longer function on our own.

    4. environment

      Thought about our presentation - we could ask students to post something through their various social media mediums as we begin and see how many views it can get by the time we are finished with our presentation to illustrate the implications of our digital presence. Illustrate the dangers of not being cautious with your content online.

    5. Learning the mental discipline to use thinking tools without losing focus is one of the prices I am glad to pay to gain what the Web has to offer.

      I think this can be such a valuable tool for our students, unfortunately, this is a fundamental issue. I have heard that the average person has an attention span of 8 seconds. With all this media and information out there, how can we expect students to stick to one platform for an extended period of time? Too often I want to use tech, but find students on social media or doing other things. Is it possible to train this discipline?

    6. untrained mind

      This is how I currently view much of society - we are so worried about learning how the hardware works that we aren't learning about the cyber aspect of it.

    7. pose dangers to those who don't know what they are doing

      This is something I find myself saying to my students all the time. They don't know the dangers of their ignorance or inexperience in posting content online. I know it is easy to think that we are protecting ourselves our keeping our information private, but with so much data in cyberspace, how safe is our content really? Digital citizenship is going to be essential for the coming generations.

    1. A second major contrast between schools and everyday settings is the heavy use of tools to solve problems in everyday settings, compared with “mental work” in school settings

      I see this as one of the biggest issues in schools preparing students for real life situations. Schools are not equipped to create realistic learning environments because of lack of funds, budget restrictions and other factors. While technology does close this gap for some, there are many schools who do not have this access to technology, or have too little access. Even old fashioned print materials can be scarce for some schools. Unfortunately, some of this won't change until accountability factors (standardized tests) change because teachers often refuse to teach students in a medium different than what they will be tested in (that has both positive and negative consequences). I think if we want to make learning more genuine for students and encourage that transfer outside the classroom, we need to make our classrooms more like the real world scenarios students will face and give them the proper equipment to accomplish their tasks.

    2. Research has indicated that transfer across contexts is especially difficult when a subject is taught only in a single context rather than in multiple contexts

      I understand the need for cross-curricular learning, but I don't think there has been enough buy in. Too often the subjects that team up are math & science, or history & English, which use many of the same skills but fit together logically. I think to encourage far transfer, disciplines that are not logical connections should be paired with one another - the possibilities are endless. Science and physical education, English and foreign languages, science and history, etc.

    3. Students taking regular algebra in a major school system received an average of 65 hours of instruction and homework during the year. In contrast, those taking honors algebra received approximately 250 hours of instruction and homework (John Anderson, personal communication). Clearly, it was recognized that significant learning takes major investments of time

      Homework that is purposeful can have a huge benefit, but the trick is to make it purposeful. The days of sending home practice worksheets is over, we need to find ways to encourage learning outside of the classroom because 250 hours of instruction > 65 hours of instruction. I feel like that is doing a disservice to the kids by asking them to transfer skills they never had the time to master.

    4. By such an account, skills of writing letters of the alphabet are useful to writing words (vertical transfer). The theory posited that transfer from one school task and a highly similar task (near transfer), and from school subjects to nonschool settings (far transfer), could be facilitated by teaching knowledge and skills in school subjects that have elements identical to activities encountered in the transfer context

      I hadn't thought about there being different types of transfer before. I think it is important to understand the distinctions if we are trying to help our students. I can see a lot of vertical and near transfer in my classes, but I think the administration and community wants to see far transfer - that is students apply academic skills to non-academic settings. I think talking more about the different levels of transfer and using those to scaffold could help more people reach the far transfer stage.

    5. Educators hope that students will transfer learning from one problem to another within a course, from one year in school to another, between school and home, and from school to workplace

      I think it is interesting that the author uses the word hope in this sentence. I think hope is exactly what many teachers do - they lay out all the skills and knowledge students need, but don't help them through the transfer stage, they just hope the student figures it out for themselves. I think transfer needs to be more explicitly taught, until students can think through that process on their own.

    6. expertise can sometimes hurt teaching because many experts forget what is easy and what is difficult for students

      I think this is very common, unfortunately.

    7. Sometimes students who have done well on such assignments—and believe that they are learning—are unpleasantly surprised when they take tests in which problems from the entire course are randomly presented so there are no clues about where they appeared in a text

      I see this happen a lot on my campus, especially in math. Students will go through sets of practice problems and will feel like they have a grasp on the content, but the test will then ask them to transfer their skills. They will be given word problems that don't specify or encourage a particular process for solving, so students get very frustrated that "the review was nothing like the test." I think we need to find a better way to bridge this gap, or make it apparent to students why the test seems different from the review, but actually requires the same skills and knowledge.

    8. Many forms of curricula and instruction do not help students conditionalize their knowledge

      How do we change this?

    9. the importance of providing students with learning experiences that specifically enhance their abilities to recognize meaningful patterns of information

      What does this look like in practice? How would I make this happen in my classroom?

    10. When viewing instructional texts, slides, and videotapes, for example, the information noticed by novices can be quite different from what is noticed by experts

      I know as teachers we have all had that moment when we teach a concept that is so basic and logical to us and our students just don't get it. We get so frustrated because we cannot understand how the students are not understanding something so simple, but this touches on that phenomena. We as "experts" in our content can see patters and information that our novice students cannot.

    11. short-term memory is enhanced when people are able to chunk information into familiar patterns

      I feel like this is a common strategy we try to encourage our kids to use, not for learning, but rather for time management. We often encourage students to "chunk" their readings so they can do a little at a time and not get overwhelmed with the amount of information they have to remember - I think we need to stress the idea that this helps with discerning patterns which facilitate thinking and memory formation, and it's not just a time management strategy.

    12. One of the earliest studies of expertise demonstrated that the same stimulus is perceived and understood differently, depending on the knowledge that a person brings to the situation

      This is relevant to the idea that our students all come to us with varying levels of prior knowledge and different understandings of content and concepts that can affect their perceptions and learning.

    13. Are not community centered

      I recently read an article about ways to engage students within the school community and one of their suggestions was to invite parents to professional development sessions. Though I am not yet sure how I feel about that proposal, it is an interesting concept. The article mentioned that this helps parents understand the expectations for their child and ways to support learning at home. It also gives parents insight into the demands placed on the teachers by the school and administration. I would like to get some other's opinions on this and discuss what types of professional development would be beneficial for parents to see and what that might look like in practice.

    14. Research shows that students who think that intelligence is a fixed entity are more likely to be performance oriented than learning oriented—they want to look good rather than risk making mistakes while learning. These students are especially likely to bail out when tasks become difficult. In contrast, students who think that intelligence is malleable are more willing to struggle with challenging tasks

      I see this a lot in my GT classes - some of my GT students are in the latter group; they are willing to struggle to accomplish something personal. My high achievers, on the other hand, are in the former group; they constantly ask me "what do I need to do to get an 'A' on this assignment/project/test?" I would like to foster more students in the latter group as struggling to success is a fundamental value in life.

    15. There is no universal best teaching practice

      I think this is important for teachers to remember. I feel like when these new teaching strategies come out (PBL, Flipped Classroom, Stations, Maker Space, etc) teachers think that you are no longer allowed to lecture because kids do not respond to that. Too often teachers try to implement these new strategies holistically, for every lesson and that is just not reasonable. Sometimes you have to lecture - it may be the most effective way to deliver the content. Sometimes PBL doesn't work for what you want students to gain from the lesson. I think it is important to encourage teachers to use a variety of strategies and not just one - it is also important to note that the newest strategies are not always the best. Lecture style classrooms produced a lot of intelligent people before PBL was created, but I think newer teachers are afraid of it.

    16. Developing strong metacognitive strategies and learning to teach those strategies in a classroom environment should be standard features of the curriculum in schools of education

      How do we make this a standard practice in our schools? How can you train teachers to train students how to recognize their thinking?

    17. A teacher is put in a bind if she or he is asked to teach for deep conceptual understanding, but in doing so produces students who perform more poorly on standardized tests. Unless new assessment tools are aligned with new approaches to teaching, the latter are unlikely to muster support among the schools and their constituent parents

      This is a struggle I have as a teacher in Texas. Students are required to pass 5 state standardized tests in order to graduate (this was cut down from the original requirement of 15). If students pass all their classes, earn all their credits, but don't pass the test, they don't get their diploma. It is difficult for me to not think about the test constantly because I don't want students to fail and miss out on their diploma. I would like to move more toward practical applications of skills and life/workplace skills, but until those are tested, I have to find a way to marry these two approaches. I'm interested in learning how to more effectively help students acquire deep conceptual understanding, while also passing their required tests.

    18. people must learn to recognize when they understand and when they need more information

      How do we encourage this? Many times students think they are "done" with something, but I can quickly glance at it and see huge holes in their work. How do we teach someone to continue gathering information until they have exhausted all their options?

    19. Thorndike argued that rewards (e.g., food) increased the strength of connections between stimuli and responses

      I've had many discussions with colleagues about the use of positive reinforcement. One colleague shared with me that positive reinforcement only works where there is the potential for a negative consequence. In this case, the positive reinforcement (food) is paired with a potentially negative consequence (being stuck in the box) that encourages the cat to escape. I am concerned that using just positive reinforcement will foster an environment of entitlement in which people expect a reward for doing the right thing.

    20. In the early part of the twentieth century, education focused on the acquisition of literacy skills: simple reading, writing, and calculating

      Literacy development is my district's new "problem of practice." I think that over time literacy has changed to include a whole realm of technology literacy and it is essential now, more than ever, that students understand the different types of literacy and how to code switch between them.

    21. Research on learning and transfer has uncovered important principles for structuring learning experiences that enable people to use what they have learned in new settings

      As a high school teacher, I think this is one of the greatest obstacles I face with my students. Too often students think the skills we are teaching them are reserved for classroom use only. I think getting students to understand how to transfer their skills would help people value education more and see their skills as necessary for lifelong success.

    22. Thirty years ago, educators paid little attention to the work of cognitive scientists, and researchers in the nascent field of cognitive science worked far removed from classrooms

      I am very excited to see the relationship develop between these two disciplines. When pursuing a psychology minor, I was often discouraged by my counselor because it was "not a marketable degree." As an educator, I think it is essential that we understand cognitive development when designing and delivering content.