2,476 Matching Annotations
  1. Feb 2019
    1. first he hews off his head and sets it on high, then rends him roughly along the ridge of his back,

      Again, as with the previous prey, we have a detailed description of the processing of the meat.

    2. but he defended himself so fairly no fault it seemed, no evil on either hand, nor did they know aught but bliss.

      No one did anything - "no sin transpiring" as one translation puts it.

    3. do teach me of your wit, while my lord is away.’

      Better translation: Perform for me before / my husband heads for home.

      Can't be any more direct than that.

    4. to a young thing, to yearn to show and teach some tokens of true love’s craft

      She's looking for some "love lessons" but Gawain's not up for teaching them, apparently.

    5. for that I dare not do, lest I were denied; if I were spurned, I’d be wrong, indeed, to have proffered.

      "I dare not kiss in case I am turned down. If refused, I'd be at fault for offering in the first place."

    6. but he had craved a kiss out of courtesy, with some trifling touch at some tale’s end.

      Knights should seek kisses, if even out of politeness or try to sweet talk their way into one "at some tale's end" (once conversation is over).

    7. Though I were loveliest lady,’ so her mind had it, ‘the less is there love in his load’ – for his fate he sought that one,

      In short: he is cold because he is thinking of the green knight and his future beheading.

    8. then should no errant on earth before you be chosen

      She outlines his qualities above - kindness, courtesy, exquisite looks - then this line which should better be translated as: "no person on this earth should be picked before you".

    9. the knight with speeches clear answered her every case.

      This implies he is countering every reason for why she would want to be with him. Why do you think he is resisting?

    10. I yield me swiftly and sue for grace; and that is the best, to my mind, since behoves I must.’

      Better translation: "I'll do whatever you want - which seems the best plan under the circumstances."

    1. By God,’ quoth Gawain the good, ‘I grant it you, and that you lust for to play, like it methinks.’

      Gawain agrees to the terms and appreciates the lord's playfulness.

    2. Dwell until New Year’s Day, and rise and ride on then. You shall be shown the way; it is not two miles hence.’

      The green chapel is only two miles away - so he can still party away at the castle for the time being.

    3. Her body was short and thick, her buttocks big and broad; Much sweeter a sweet to lick the one at her side for sure.

      The "short and thick" one is the "great lady" (also translated as "matriarch" - the older one) but as this short poem-within-a-poem suggests, the knights would prefer to look at the younger one.

    4. Now shall we see show of seemliest manners and the faultless phrases of noble speaking.

      This, presumably, because he comes from Arthur's court - it's a lot to live up to.

    5. This penance now you take

      "Penance" because, though the food is plentiful and delicious, it consists mostly of fish (which is indicative of a fast day).

    6. All clasped in his noble armour to hall they him brought, where a fair fire on a hearth fiercely flamed.

      This must have been nice...he's been freezing cold all this time in the dead of winter and is brought to a hall with a roaring fireplace.

    7. Now he had signed himself times but three, when he was aware in the wood of a wall in a moat,

      He crosses himself three times and is suddenly aware of a wall, a moat and a magnificent castle...

    8. All the Isle of Anglesey on the left hand he held, and fared over the fords by the forelands, over at Holyhead, till he reached the bank in the wilderness of Wirral

      He travels from Camelot to the northern coast of Wales, opposite the islands of Anglesey, where he then turns east across the Dee to the forest of Wirral in Cheshire.

    9. ll that saw the seemly sight sighed in their hearts, and said softly the same thing all to each other, in care of that comely knight: ‘By Christ, ‘tis pity, that you, lord, shall be lost, who art of life noble!

      Everyone thinks he's off to his death.

    10. ll his force in fight he found in the five joys that holy Heaven’s Queen had of her child;

      These "five joys" are the: annunciation, nativity, resurrection, ascension and assumption. These overlap but are not similar to the Five Joyful Mysteries of the Rosary, which were not formally established until the 16th century.

    11. irst he was found faultless in his five senses, and then failed never the knight in his five fingers, and all his trust in the field was in the five wounds that Christ caught on the cross, as the creed tells.

      Why do you think the number five is being emphasized here?

    12. pentangle painted there

      The five pointed star (also called "pentagram") that can be drawn without lifting a pen; referred to as Solomon's sign here as well. A mystical significance has been attributed to it.

    13. Then set they the plate shoes on his strong feet, his legs lapped in steel with lovely greaves, with knee-pieces pinned thereto, polished full clean, about his knees fastened with knots of gold;

      The description here is perhaps meant to remind us of the detailed descriptions of the green knight's clothes.

    14. Yet till All-Hallows with Arthur he lingers, and he made a feast on that day for the knight’s sake,

      We've just fast forwarded in time by about eleven months.

    15. But then the weather of the world with winter it fights, cold shrinks down, clouds are uplifted, shining sheds the rain in showers full warm,

      Nature is a major theme of this work; you will see a lot of imagery and references to the seasons - the green knight is often seen as a metaphor for the harshness and unpredictability of nature which threatens human life.

    16. a year turns full turn, and yields never a like; the form of its finish foretold full seldom.

      Who knows what the year will bring? Starts with a bang but could end in a whimper....(Allegra's more-or-less translation)

    17. his gift of adventure has Arthur thus on the first of the young year

      It was Arthur, remember, who wanted a good story with his meal....well, be careful what you wish for.

    18. Dear dame, today dismay you never; well become us these crafts at Christmas,

      He's trying to calm Queen Guinevere down - telling her that such strange things often happen around Christmas time.

    19. be called recreant it behoves you.’

      He will be considered a coward ("recreant") if he does not seek out the knight at the green chapel in a year's time.

    20. For the head in his hand he holds up even, towards the dearest on dais addresses the face; and it lifted its eyelids, and looked full wide, and made this much with its mouth, as you may now hear;

      He's holding his own head which is about to give the following speech....

    21. his axe he strokes

      Okay...in all seriousness, this translation is getting to the point of those Old English riddles. Better: "he touches the tempered steel".

    22. if I shall tell you truly, when you have tapped me and you me smoothly have smitten, I swiftly you teach, of my house and my home and my own name.

      The green knight will reveal the details (his name, location) after the blow - he is getting impatient (as am I)....

    23. that you shall seek me yourself, where so you think I may be found upon field, and fetch you such wages as you deal me today before this dear company.’

      He's making sure that Gawain - in one year's time - will seek him out and let him deal a similar blow.

    24. Gawain goes to the giant, with weapon in hand, and boldly abides him, never bothered the less.

      They are standing in front of each other; neither is apparently scared by this strange scenario.

    25. and strongly stirs it about, to strike with a thought. The man before him drew himself to full height,

      Arthur heaves the axe above his head, ready to strike and the Green Knight stands taller, waiting for the blow (calm as a cucumber).

    26. Where now your superiority and your conquests, your grinding down and your anger, your great words?

      He's got a point. No one wants to face him from the hall...but, of course, a contender waits in the wings....

    27. ou may be sure by this branch that I bear here that I pass by in peace and no plight seek.

      The holly (rather than the sword) symbolize that he has not come to fight.

    28. He looked as lightning bright, said all that him descried; it seemed that no man might his mighty blows survive.

      Again, a final four line poem that "hooks" into the next chapter; here's a better translation from Simon Armitage: His look was lightning bright / said those who glimpsed its glow / it seemed no man there might / survive his violent blow.

    29. The pendants of his harness, the proud crupper, his bridle and all the metal enamelled was then; the stirrups he stood on stained with the same, and his saddle bows after, and saddle skirts, ever glimmered and glinted all with green stones. The horse he rode on was also of that hue,

      Here are many details of the bridle (headgear used to control a horse) and saddle, skirt, etc. that adorn the hour who is "also of that hue" (the same color).

    30. as a giant were made, and over all deepest green.

      This is why the tale concerns a "green knight" - here is his description. By the way, these last four lines are a poem-within-a-poem of rhyming couplets (which is why the style seems a bit different to the rest of the text).

    31. wild warbles and wide wakened echoes, that many a heart full high heaved at their notes.

      The din/noise makes the heart "float free" - not sure why this is (kettle drums, pipes and "wild warbles" don't seem very melodic...but there it is).

    32. the comeliest to descry glanced there with eyen grey; a seemlier ever to the sight, sooth might no man say.

      Better translation of this: But not one stone outshone the quartz of the queen's eyes; with hand on heart, no one could argue otherwise

    33. Ladies laughed out loud, though they had lost, while he that won was not wrath, that you’ll know.

      The ladies who "lost" now, likely, have to forfeit a kiss to the knights. TL; DR: They're having a great time.

    34. It was Aeneas the noble and his high kin who then subdued provinces, lords they became, well-nigh of all the wealth in the Western Isles: forth rich Romulus to Rome rapidly came,

      Translation: Aeneas and his noble warriors then go out, conquering lands abroad and establish wealthy kingdoms throughout the western world (it was thought that both ancient Rome and Britain had their cultural roots in the destruction of Troy).

    1. But should rough hands part so fond a clasping, the hazel would wither at the root, and the honeysuckle must fail.

      What might the hazel wand symbolize?

    2. I am not of that guild of which you speak

      One common interpretation here that she has accused him of homosexuality and he is denying it in this passage.

    3. He drew apart from the throng, for with him time went heavily, till he might have clasp and greeting of his friend.

      He prefers to think of his own maiden.

    4. The Bretons tell that the knight was ravished by his lady to an island, very dim and very fair, known as Avalon. But none has had speech with Launfal and his faery love since then, and for my part I can tell you no more of the matter.

      How do yo interpret this ending?

    5. But he never craved her in love, however loud his boasting

      Keep in mind here that a knight is meant to be devoted to his "lady" (the Queen who should personify perfect love to him). For more information, see this article.

    6. he Maiden herself showed such as I will tell you. Passing slim was the lady, sweet of bodice and slender of girdle. Her throat was whiter than snow on branch, and her eyes were like flowers in the pallor of her face. She had a witching mouth, a dainty nose, and an open brow. Her eyebrows were brown, and her golden hair parted in two soft waves upon her head. She was clad in a shift of spotless linen, and above her snowy kirtle was set a mantle of royal purple, clasped upon her breast. She carried a hooded falcon upon her glove, and a greyhound followed closely after.

      What do you think of this description/characterization?

    7. Lay

      An anglicized spelling of "lai" a French literary form, defined as: "a medieval type of short tale in French literature that is usually in octosyllabic verse and deals with subjects of Celtic origin often connected with Arthur or the Round Table."

    1. hat she held in her lap a boar’s head which befouled her skirts with blood; then she knew that she would never see her lover again alive.

      The boars-head was symbolic in Beowulf (and Germanic myth) - usually denoting a powerful warrior.

    2. cup well chiselled and worked

      Note how important cup symbolism is in this story. In the interpretation of Tarot cards (these become popular in the late medieval age), cups symbolize emotional issues and love relationships.

    3. but all day long she thought upon her vengeance.

      This second Yseult is proving to be a more round character here - I'd like to hear her version of this story.

    4. was wounded by a poisoned spear

      Note the "bookending" here - Yseult cured him of a poisoned spear once (in the opening chapters)...can she do it again?

    5. Then Tristan went out to find Urgan in his lair, and they fought hard and long, till courage conquered strength, and Tristan, having cut off the giant’s hand, bore it back to the Duke.

      Again, the audience is spared a battle scene here - the entirety of the of confrontation with a giant is summarized in a single sentence. Why do you think this is?

    6. in this wood she lives a slave, and I waste her youth;

      Do you think he wants to "return" her to Mark out of genuine pity or to save himself future trouble?

    7. I have found you wine!” Now she had found not wine — but Passion and Joy most sharp, and Anguish without end, and Death.

      Great line; pretty much sums up the views on love at the time - passion, joy, anguish, death.

    8. or the hoofs that made it had never been shod in her land. Then she came on the dragon, headless, and a dead horse beside him: nor was the horse harnessed in the fashion of Ireland.

      Here we see Yseult putting the clues together....

    9. they saw that Tristan stood on the prow holding a sword in his hand.

      Note that we do not see Tristan in battle - only victorious afterward - why do you think this is?