59 Matching Annotations
  1. Nov 2015
  2. learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com learn-us-east-1-prod-fleet02-xythos.content.blackboardcdn.com
    1. On the hearth were thick tresses —very thick tresses —of grey human hair.

      Why wouldn't you mention that at the beginning??? That is so crazy incredibly important??? Like, obviously it was personal because she wasn't robbed (of valuables at least) and she was literally decapitated, but finding DNA (I kno they didn't really know what DNA was back then because it was discovered in the very late 1860s) of ANYONE who was at the scene is DIREEEEEEEE.

    2. sacre

      bleu

    3. Could not make out what was said, but believed the language to beSpanish.

      Diverse, like cities encouraged!! They encouraged the intermingling of different cultures, which is reflected right here! It'd be immediately strange to hear a different tongue than what you're used to in a small town.

    4. two bags, containingnearly four thousand francs in gold

      interesting.........it wasn't a robbery because they left so much money on the floor......so what was the cause of the muder!??!?!?!

    5. He considers the mode of assorting the cards in each hand

      It's really kind of cool to read this, and realize that cities obviously had a huge impact on the life of people across the world, but also see that cities created so much new culture that didn't exist prior to them, such as the detective story. I would've thought that this genre was muchhhhh older than it actually is, and it's the anonymity of the city that led to this style being established and so prominent in society, today.

    1. This old man," I said at length, "is the type and the genius of deepcrime. He refuses to be alone. [page 228:] He is the man of the crowd.

      This is kinda dope. Usually we think of criminals being good because they can get away from the scene of the crime really fast, but this man was good at what he did because he always made sure he was covered by a blanket of strangers, as to ensure that he's always an unknown and anonymous no matter where he is. One of the benefits of city life: anonymity.

    2. The division of the upper clerks of staunch firms, or of the "steady old fellows," it was notpossible to mistake.

      So far, we can see that Poe is a true realist, describing the events and attire of what is around him, instead of trying to get the reader to conform to his own thoughts

    1. Therefore, Washington Square, of necessity, is a vacuum most of the day and evening.

      From this statement, a park gets a whole new practicality. Instead of them being a nice place to relax or enjoy nature, now, they serve as a way to migrate traffic through cities that would be too crowded to do on regular streets. They're empty space.

    2. Does anything about this physical arrangement of the neighbor-hood affect the park physically? Yes. This mixture of uses of buildings directly produces for the park a mixture of users who enter and leave the park at different times.

      I've never thought about it like this, but what's surrounding the park is directly important, because it affects the traffic flow and who uses the park for what reasons at what times

    3. Moreover, underused parks and their equipment suffer from vandalism, which is quite a different matter from wear.

      It's tru!! And the vandalism of the space provided is very real, as people use these uninhabited parks as places to do some bad things (like Thompskin in the 80s).

    4. More Open Space for what? For muggings? For bleak vac-uums between buildings? Or for ordinary people to use and en-joy?

      This is so tru!!! Like, what is the open space for? Why do we need extra open space? What comfort do we find in having more open space around us, especially in such a tightly knit city like New York? These aren't questions generally asked, because this response is usually just accepted silently.

    1. everyone was for parks.

      It's a little sad that we will never experience the world as it was when it needed parks, because now, even if someone were to look for areas to establish parks, there is literally no territory anymore that's free. Everything has already been taken over.

    2. The North Shore stood impregnable against the importunings of the masses

      I like the way this is worded. It remained "impregnable" because there was no way that people could get in, but I'd never think to describe a location as "pregnable" or not. It's funny and i dig it!! Gives the location a humanizing characteristic, which makes it reflect that a place is created by the people who own it.

    3. The northern tip of Long Island's 9!en Cove peninsula was Morgan's estate

      dis where my gma live

    4. And to keep such intruders away, their township boards had created, on every piece of publicly owned waterfront property that might con-ceivably attract visitors from the city, "parks" whose exclusive use was by statute reserved to township residents.

      I like how this is pretty much the literal origin story for why Long Islanders suck so much. they mad boring & pretentious

    5. F. Scott Fitzgerald would think that "for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity to wonder."

      I really like this historical and geographical context of places outside of city, because it's really cool to read about the inspiration and factual knowledge that led to the development of these places, and even established iconic culture like "The Great Gatsby" and such.

    6. They could let them do the things that they t?emselves h~d done so seldom when they were children.

      There's kind of this recurring trend amongst NYC, especially, where there's always a need for more and to add things to ensure a "better life" for the latter generation.

  3. Oct 2015
  4. apartmentstories2016.files.wordpress.com apartmentstories2016.files.wordpress.com
    1. For another, what is the relation between man and space?

      This has already been solved. The Equivalence Principle in physics shows that light can be bent by gravitational fields. Now, space and time are completely interchangeable, thus it is a necessity to always connect them as so: space-time. Matter and energy are also interchangeable, so we must refer to the two as such: matter-energy. Now, given that man is a carbon based life form built off of the idea and metaphysical structure of matter, we can place him in the category of matter-energy. Now the relationship of matter-energy with space-time is an interesting one, because using the equivalence principle, that means that light can be bent by gravity, meaning that all space, whether visible or not, is actually curved. So for a real life example, let's say you have a perfectly stretched out bed sheet, and you place a rock on it. It would sink in, and if you put a marble into it, it would orbit around the rock. That is exactly what happens with the sun and the planets in our universe, thus the constant bending of space-time is in direct correlation to the amount of matter-energy that exists in it during the present moment. SO this question is whack and outdated

    2. ~um, means a place that is freed for settlement and lodging.

      This makes a lot of sense, because I, too, also feel v settled and lodged whenever i drink a lot of rum.

    3. The bridge is a thing; it gathers the fourfold but in such a ~ay that it allows a site for the fourfold.

      YOOO IM SO LIT I WAS RIGHT BOIIIIIIII

    4. Always and ever differ: ently the bndge tmtiates the lingering and hastening ways of men to and fro, so that they may get to other banks and in the end as m?rtals, to the other side.

      Building may not necessarily be the building of a structure, but rather the connection of the fourfold in an ideological sense

    5. On the contrary: staying with things is the only way in which the fourfold stay within the fourfold is accomplished at any ~me in simple unity.

      The fourfold need some type of material unity that keep them together and hold them accountable for each other's existence. Tbh i feel like I'm tripping out a little bit but this is kinda dope

    6. But "on the earth" already means "under the sky."

      I absolutely 150% disagree with this. When you are on the Earth, the gravitational shift allows you to never feel the Earth's rotation or the actual position of the Earth in a typical 3-dimensional setting. There are no actual directions in the universe, because they are a tiny, insignificant, 3 dimensional idea that only really helps us move around on carbon based planets, thus when taking this into account, we can either be below the sky, horizontal with the sky, or we could actually be on top of the sky, and above the heavens.

    7. To dwell, to be set at peace, means to remain at peace within the free, the preserve, the free sphere that safeguards each thing in its essence.

      I'm not sure how much I agree with this part, only because I do not necessarily think that to dwell means that you're at peace. I think there are many more aspects of humanity and civilization that must be taken into account before making a claim such as this.

    8. To free actually means to spare

      I never thought about it like that, but it's true. When you free something, you spare it of the fate that it has left behind, whatever that may be.

    9. anguage withdraws from man its simple and high speech. But its primal call does not thereby become incapable of speech; it merely falls silent. . Man, thougJi., fails to heed this silence.

      Honestly, how much absinthe was this guy drinking/how high was he?? I'm getting serious deja vu

    10. What then does ich bin mean?

      oh my god, if i wanted a lesson on German i'd go back to my frickin 9th grade vocal technique class and sing frickin German art songs again, thanks!!

    11. Man acts as though he were the shaper and master of language, while in fact language remains the master of man.

      Language doesn't even exist, so technically the only master of man is the universe and it's unrivaled infinity.

    12. The latter, building, has the former, dwelling, as its goal

      I guess I'd mark this as a thesis, because once something is built, no matter what you're definition of "dwell" is, it's ultimate goal is to have people there freely

    13. In poetry we are less disposed to manipulate things or reduce them to our own technical-scientific, quantitative frames of reference; we are encouraged rather to let things be what they are and show their many-sidedness.

      This quote is kinda cool. In poetry, people are more inclined to use symbolism to make things something that they wouldn't normally be. Yet, in the real world, these things don't always carry out the same, abstract meaning as they do in the poet's head.

    1. they also produce a pattern of automatic links and inequalities of power between otherwise unrelated bodies.

      That's true, but honestly, where aren't you going to find a boundary of power, regardless of where you go?

    2. The point-of-view of the female reader/writer of the city is thus split between that of a privileged observer (in terms of class and culture, for example) and that of the object and symbol of the degeneration and contamination of urban life as it has been conventionally written.

      This is just deep. Deep stuff right here. Women are so frequently harassed simply because of their gender, cheating them out of simply being able to observe a city.

    3. People’s gender, class and racial background, and to what degree their bodies conform to conventions of desire, or movement and anatomy, for example, affect their ability to extricate themselves from the spectacle of the city enough to be its observer.

      this is a really interesting perspective that I've never really thought about before. The author is suggesting that some people aren't gifted with anonymity in cities, because of their characteristics, which is actually scarily true and unfortunate, now that I think about it.

    4. the opacity of the body in movement, gesticulating, walking, taking its pleasure, is what indefinitely organises a here in relation to an abroad, a ‘familiarity’ in relation to a ‘foreignness’”

      This is an interesting quote to use, because it kinda reflects Unfathomable City in the sense that it isn't maps that define places, but rather the memories and actions people take in those places that define them.

    5. Place enables an institution to delineate itself and its others and to exercise strategies of power using this distinction

      In this sense, the place is always more distinguishable than a place, because it serves more of a purpose to the people who associate with it.

    6. Walking is framed as an elementary and embodied form of experiencing urban space – a productive, yet relatively unconscious, speaking/writing of the city.

      This is a cool summarization of the ideas presented in the writing. Walking through a city is the best way, but also the worst way, to experience a city. It's interesting how it can kind of turn both ways, because on one hand, the walking embodies what the experience of the city, but it can also make you unaware of what is actually surrounding you.

    1. inally, the creation of a universal and anonymous subject which is the city itself: it graaually becomes possible to attribute to it, as to its political model, Hobbes' State, all the functions and predicates that were previously scattered and assigned to many different real subjects-groups, associati<;>ns, or individuals. "The city," like a proper name, thus provides a way of conceiving and coilstructmg space on the basis of a hmte number of stable, tsolatable, and interconnected properties.

      I really like this paragraph because it sums up the true nature of the city so perfectly. Like, it LITERALLY uses the words "universal" and "anonymous" to describe the same thing, and THAT is what a city is all about. It's literally a huge, ridiculous paradox that's got opposites on every single street corner. It's a really fun paragraph, very true paragraph, and definitely goes hand in hand with the opening of Unfathomable City

    2. Must one finally fall back into the dark s h b k pace w ere crowds ac and forth, crowds that, though visible from on high are them m,ove ~nable to see down below? An Icarian fall

      All this talk about looking down on NYC like a god reminds me of the anonymity of the city that talked about in class. It seems that the only way to escape this persona is to be standing above it all, yet as soon as you step down and reach street level again, you're back to being a nobody

    3. extremes of ambition and degradation, brutal oppositions of races and styles, contrasts between yesterday's buildings, already trans-formed into trash cans, and today's urban irruptions that block out its space.

      This reminds me of how in Mistress America, there is talk of how the city is constantly under construction. The city is so fluid that it changes so much to the point where it is literally undefinable.

  5. Sep 2015
    1. Or we measure and map space andplace, and acquire spatial laws and resource inventories for ourefforts.

      That's true, and I do see his point, but you cannot map space without mapping time, because those two are interconnected, thus the reason that space-time is a word, because one directly has impact on the other, so we have to take into account the laws of the universe (literally) when accessing preconceived ideologies of space.

    2. None of this should be changedby the fact that Hamlet lived here, and yet it is changed completely

      Worddd. Like, a place is a place first and foremost, regardless of who might've lived there. We're all people, and thus putting extra importance on some people and their property can be seen as a little silly. WHy enter a place just because someone lived there, we should be entering them for ourselves.

    3. Place is security, space is freedom

      This is beautiful. Like, I don't even feel like I have to expand upon it, because there's nothing I could say to make this super simple, elegant phrase better. It's perfectly put

  6. gimmeshelter2015.files.wordpress.com gimmeshelter2015.files.wordpress.com
    1. It must be granted that there is some value in mystification, labyrinth, or surprise in the environment.

      Tru, because who wants to live somewhere that they're 150% sure of every single day??? SOunds boringggg

    2. A beautiful and delightful city environment is an oddity, some would say an impossibility.

      I like this line, because it's rather true. You don't move to a city for the beauty for the scenery, you move for the opportunity. As opposed to maybe a small farm town, or something of that sense. You have to know what you're getting into, and what you're trying to achieve

    3. At every instant, there is more than the eye can see, more than the ear can hear, a setting or a view waiting to be explored.

      This can either be a problem for some, who cannot stand the overwhelming fast-paced life of the city, or can be the energy to get people going day after day when living in this enormous metropolis. Interesting how one's downfall can be someone else's muse

    1. The contaminating powers of / the confidence man sprang from his social formlessness, his mar-. ginality, but his youthful victim was also socially formless, Iiminal.

      How he got his powahhhhssssss

    2. The confidence man served as a symbolic expression of the dangers of marginality in a society of placeless men.

      Couldn't have summed up that one line in like 5 pages?? no?? too little work????

    3. In these three portraits in villainy-the youth's urban compan-ion, the demagogue, and the gambler/speculator-the writers .of antebellum advice literature expressed a deep disenchantment with the direction of historical change in early nineteenth-century America.

      Important because it's a theme that's runnin through this paper!!

    4. Gambling w ·1 b · d d h' as ev1 ecause t 1t pro uce not mg:

      Intersting

    5. Rather than have a child of mine seduced by the flatteries and black treachery of these foul destroyers I would se h' l. · h d . • e 1m strugg mg w~t eath-~1s ey~ si1:1king, his breast heaving, his heart throbbu~g-throbbmg with its last pulsations .... I would return from his grave thankful that he rests

      Okay. So. I don't have a son, so i'm not exactly an expert, BUT I think this is a LITTLE extreme maybe.

    6. Popular biographies of self-made men-politicians, businessmen, even artists ~nd int~llectu~ls-proclaimed the faith that, in the boundless American social environ-ment, any man might rise to any position in life

      Like how Rockefeller and Carnegie did. It was the Gilded Age in which nobody had any social moility, yet the prospect of making it still echoed in people's weak, tired hearts.

    7. he decline of parental and employer authority, they feared, had given free rein to what later g~n~r~tions wou!d call peer pressure.

      Important to keep this in mind, because people were scared, as they often are, of losing traditional values.

    8. By nature, the confidence man defied social definition; he was a man of shifting masks and roles, without fixed status or profession.

      He was like a social chameleon

    9. The confidence game was not simply a literary device intended to persuade young men not to consort with gamblers and dandies and pimps. It was a symbolic expression of deeper fears about ~~e direction of American society.

      Very important to note about the fears of these types of men, and why they were so big and looming to the American public.

    10. Themes of doom and decline and vivid rhetorical images of a violent breakdown of social order began to dominate discussions of the state of the republic.«

      All bcs 2 old people died! Amazing!

    11. America was passing through a critical period when its character was not yet formed,

      Important to note that in the history of the confidence man

    12. American Whigs interpreted all events as part of a system-atic plot to corrupt and enslave them.

      kinda like how American Republicans are in this day and age! Amazing!

    13. the confidence man had one ultimate pμrpose: the total enslavement of his victim.

      The ultimate goal at any cost!!!!

    14. Police thus estimated that nearly one out of ten professional criminals in New York in the 1860s was a confi~ence man.'

      a lotta peeps!!