68 Matching Annotations
  1. Nov 2016
    1. Decon-struction can only speak in the language of the thing it criticizes...Theonly things one really deconstructs are things into which one is intimatelymired.’

      解构主义只能在被批判对象的语言系统中进行。人们解构的对象也即是他们深陷其中并与他们关系密切的对象。

    2. ‘Commonwealth literature

      The Commonwealth of Nations, also known as the Commonwealth or the British Commonwealth, has manifested a distinctive literary development, marked by its cultural and historical diversity.

    3. He believes that recent criticism overstates the ‘limitless-ness’ of interpretation because it cuts the connections between text and actuality

      他认为近来的批评中所谓解释的“无限性”被过分夸大了,因为他切断了文本于现实之间的联系

  2. Oct 2016
    1. there is no ‘free’ position ‘outside’ theory, and to vacate the domainof theory on the assumption that there is such a position is at once to be embroiled in the subjectivism of an ‘untheorized politics of personal experi-ence’,
    2. four main reasons

      1)问题出于不应以国家区分,应是以知识和内容。 2)忽视了其它地区的女性主义作家,特别是先进国以外的女性。 3)太过两极化,忽视前后两个运动的多样性。 4)遮掩了两者的相同之处。

    1. Deconstruction show how such oppositions, in order to hold themselves in place, are betrayed into inverting or collapsing themselves, or need to to the text's margins certain niggling details which can be made

      解构主义尝试表现出相对事物为了证明自我存在,时而会背叛与颠覆自我,并在需求下把自我放逐于语言范围内的细琐细节。

    2. Perhaps she as a sign of something in man himself which he needs to repress, beyond his own being, relegate to a securely alien region beyond his definitive limits. Perhaps what is outside is also somehow inside, what also intima

      女性特质并不完全地被排除或不存在于男性身上。男性或许压抑了自身与女性相像的特质,因为这些特质对于男性来说是陌生而不被定义在男性特质里的。

    3. But equally man is what he is only by virtue of ceaselessly shutting this other or opposite, defining himself in antithesis to it, and his· whole is therefore caught up and put at risk in the very gesture by which seeks to assert his unique, autonomous existence.

      男性被认定为“男性”是因为他排除了它的对立面/ 其他,也即“女性”,由此维护“男性”的特殊性与自主性。

    4. This natural language gives us reality 'as it is': it does not -like or Symbolism -distort it into subjective shapes, but repre-world to us as God himself might know

      自然语言把现实很直白的表达出来,它不像浪漫主义和象征主义会把现实扭曲成主观的形态。

    5. he 'healthy' sign, for Barthes, is one which draws attention to arbitrariness -which does not try to palm itself off as 'natural' but in the very moment of conveying a meaning, communicates some-of its own rel

      对巴特而言,'健康‘的号(sign)最引人注意是它的随意性 --不会假冒成“自然”,但在传达意识的时候却带有一些不自然的状态

    1. All d . . ne Sigmfier to another is what "tirluaUy to fill. Hum,;, lang~:;: ;~~~~g; from a la~k, which it strives which signs designate the f: hy such lack. the absence of the of the absence and exclusio~ f ahct t at words have meaning only by o ot ers

      所有欲望源自于补足缺失的倾向。语言的运作也成立于缺失之上,如:标志指定之下缺失的正实物体。事实上,语言可以产生意义正因为它可以排除不是标志以外的物体。

    2. In gaining access to language, the small child unco1nsc:i011~ learns that a sign has meaning only by dint of its difference from other and learns also that a sign presupposes the absence of the object it

      在儿童学习掌握语言的同时,他们无意识地了解到一个标志之所以有意义,那是因为该标志可以区分于其它标志。他们也了解到一个标志的存在可以假定另一个标志的不存在。

    3. ?arapraxes

      A Freudian slip, also called parapraxis, is an error in speech, memory, or physical action that is interpreted as occurring due to the interference of an unconscious subdued wish or internal train of thought.

    4. ~reams allow us on<' ot o few privileged glimpses of it at work. Dreams for Freud are essentia symbolic fulfilments of unconscious wishes; and they are cast in form because if this material were expressed directly then it shocking and disturbing enough to wake us u,V

      梦境是人类窥见脑中潜意识/无意识的管道。对于Freud而言,人类潜意识/无意识欲望将在梦中实现。在梦境里,这些欲望将以符号的形式呈现。这是由于过于直接,而毫不遮掩的画面会使人类感到过度震惊和不安,从而使他们从梦中惊醒。

    5. The child has now developed an ego or individual i<\entity, a particular place in the sexual, familial and social networks; but it can do this only by, so to speak, splitting off its guilty desires, repressing ' them into the unconsciou

      孩子的人格或身份在性取向,家庭与社会中定型。这种定型是孩子把自我欲望压抑在潜意识(unconcious) 的成果。

    6. ~ ego, unable as in neuro~s partly to repress the unconscious desire, actually comes under its sway. If this happens, the link between the ego and the external world is ruptured, and the unconscious begins to build-up an alternative, delusi~mal reatii

      无法镇压潜意识的欲望的时候,自我(尊严)就会受到控制。如果发生这种情况,自我和外界的世界的连接就会遭受破裂而且潜意识也好开始幻想虚假的现实

    7. Wh . ~t> IS that in this period such . ory. at zs perhaps expenences becom · . way as a systematic field of knowled e e constituted m a as psychoanalysis developed b s· g

      在这时期值得关注的一点是这种经验(焦虑,被迫害的恐惧,和社会脱离)被构成系统性的知识。这种知识就是精神分析

    8. superego

      The superego is the ethical component of the personality and provides the moral standards by which the ego operates. The superego's criticisms, prohibitions, and inhibitions form a person's conscience, and its positive aspirations and ideals represent one's idealized self-image, or “ego ideal.

    9. Oedipus complex.

      The complex of emotions aroused in a young child, typically around the age of four, by an unconscious sexual desire for the parent of the opposite sex and wish to exclude the parent of the same sex

  3. Sep 2016
    1. A great work of literature does not give us a properly conceptual understandingof reality but neither does it merely express the ideology of a particular class

      一个好的文学作品不会很直白的告诉我们现实是什么也不会仅仅表达任何阶级的意识

    2. possess a ‘progressive’outlook, glimpsing the developments of the future in the lineaments of thepresent, and giving a sense of the ideal possibilities of social developmentfrom the point of view of the mass of working people

      具有进步性的观点,让我们在现代能瞥见未来和更了解理想中的社会发展

    3. The problem for Marx was to explain how an art andliterature produced in a long-obsolete social organization can still give usaesthetic pleasure and be regarded as ‘a standard and unattainable ideal

      马克思面对的问题是如何去解释那些在老掉牙社会制度被创造的艺术和文学要怎么在现代给我们美观

    4. reader is always aware that the work is notitself reality but rather ‘a special form of reflecting reality

      读者需意识到一部作品是创造再现的人选择某种形式展示其现实性。

    5. Greek tragedy

      古希腊悲剧 -起源于祭祀酒神狄奥尼索斯的庆典活动 -通常是以古希腊神话英雄的悲壮故事为題材 -主要表现崇高壮烈的英雄主义思想 (From Baidu & Wikipedia)

    1. internalization of social norms

      In sociology and other social sciences, internalisation (or internalization) means an individual's acceptance of a set of norms and values (established by others) through socialisation.

    2. 'ca~era's .eye'
      • Ultimate in authorial exclusion. The aim is to transmit, without apparent selection or arrangement.
      • Involve a depersonalisation of a narrator's consciousness
    3. Feminist criticism has been especially interested in the way that Euro-pean and American narratives frequendy posit a male reader: the reader is implicidy addressed as one who shares a masculine view.

      女性主义批评常常指责叙事学无视性属区分,并将其视为是一种父权制的理论。因为,叙事学研究选取的叙事文本基本上是男性作家文本或被当做男性文本对待的文本,也就是说,所有的叙事都男性化了