2 Matching Annotations
- Aug 2024
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en.wikipedia.org en.wikipedia.org
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Their success from a technical aspect was based in part on separating the camera from the sound recording device (David used a Nagra) by accurately controlling the speed of the camera and the tape recorder, allowing the two devices to be moved independently with respect to each other, an impossibility in commercially available equipment at the time. Long takes with ordinary equipment of the era would invariably lose synchronization.
Tags
- fly on the wall
- Hells Angels
- Maysles Brothers
- Altamont Free Concert (1969)
- Gimme Shelter (1970)
- sound synchronization
- cinéma vérité
- technical filmmaking
- read
- Salesman (1969)
- Albert Maysles
- film history
- The Rolling Stones
- Grey Gardens (1975)
- Alan Passaro
- documentaries
- Meredith Hunter
- David Maysles
- direct cinema
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