I have my work cut out for me withHemingway, since he used many type-writers: a gigantic Royal No. 10 desk-top with glass side panels from his earlyKey West days, an Underwood Noise-less that helped him fi nish For Whomthe Bell Tolls and fi le dispatches fromhotel rooms while he was a World WarII correspondent, and black matte Roy-als from the early 1940s—especiallythe Quiet DeLuxe and Arrow—he fa-vored while at Finca Vigía in Cuba.