2 Matching Annotations
  1. Last 7 days
    1. A practical look at how to handle early-stage visual concepting when a team needs quick, varied drafts rather than a single polished asset.

      A common situation for anyone doing early creative work: a small team needs to pitch three ad directions, or a founder needs a rough product mockup for a deck, and there's no time or budget for a full design pass. The bottleneck usually isn't taste, it's speed — you need to see ten mediocre options to find the one worth refining.

      The practical approach here is to separate divergent exploration from convergent polish. In the divergent phase, the goal is volume and variation: different compositions, color moods, framing, and subject placement, judged quickly and discarded fast. Only after narrowing to one or two directions does it make sense to slow down and refine details like lighting consistency, brand color accuracy, or typography.

      This is where prompt-based AI image tools fit as one option among several, alongside sketching, stock photo collage, or hiring a designer for quick roughs. If your workflow involves swapping a reference object into different scenes — say, a product bottle mocked up against several backgrounds, or a storyboard frame reused with variations — a tool built around object-reference workflows can shortcut some of that manual compositing. Nano Banana 2 Lite is one independent, third-party site set up for that kind of rapid visual exploration: prompt-driven generation plus reference-based editing for things like ad concepts, mockups, and early social graphics. It's not affiliated with Google or DeepMind, just a separate tool built for this stage of work.

      The limitation worth naming: none of this replaces a real design or photography pass for anything customer-facing or brand-critical. AI-generated drafts are useful for internal alignment and direction-finding, not for final assets, and results can vary depending on the reference material and prompt clarity. Treat the output as a sketch, not a deliverable, and budget real design time once the direction is chosen.

  2. Jun 2023
    1. Todd Henry in his book The Accidental Creative: How to be Brilliant at a Moment's Notice (Portfolio/Penguin, 2011) uses the acronym FRESH for the elements of "creative rhythm": Focus, Relationships, Energy, Stimuli, Hours. His advice about note taking comes in a small section of the chapter on Stimuli. He recommends using notebooks with indexes, including a Stimuli index. He says, "Whenever you come across stimuli that you think would make good candidates for your Stimulus Queue, record them in the index in the front of your notebook." And "Without regular review, the practice of note taking is fairly useless." And "Over time you will begin to see patterns in your thoughts and preferences, and will likely gain at least a few ideas each week that otherwise would have been overlooked." Since Todd describes essentially the same effect as @Will but without mentioning a ZK, this "magic" or "power" seems to be a general feature of reviewing ideas or stimuli for creative ideation, not specific to a ZK. (@Will acknowledged this when he said, "Using the ZK method is one way of formalizing the continued review of ideas", not the only way.)

      via Andy

      Andy indicates that this review functionality isn't specific to zettelkasten, but it still sits in the framework of note taking. Given this, are there really "other" ways available?