"History Workshop movement" here (https://hypothes.is/a/pzSbkDSWEe-GVmsfDdhvrg) is another good example of the serendipity of autocomplete functionality in Hypothes.is helping to link together disparate examples of ideas which I'd long since forgotten. In this case to a tangential idea I'd read about a year prior (https://hypothes.is/a/bxMX5MKJEe2Wkq_zinG3iw) and been interested in, but completely forgotten about.

Now I've got a link from that to the founder of the movement in 1967.

brief outline of Raphael Samuel's note taking tools and some scant description of the method.

I love the phrase "scholarly prestiditation" to describe the "magic of note taking" along with the idea of combinatorial creativity.

Presumably the quote comes from the Samuel piece quoted in the article.

by u/osservazione at https://www.reddit.com/r/antinet/comments/1anwrez/zauberkasten_work_in_progress/

Another advising to use the analog method for learning even if one is going to switch to a digital zettelkasten.

He uses the word "good" here while others may have potentially used the word "magic", but writing in a space that values critical thinking, he would have been taken to task for having done so. In any case he's not able to put his finger on the inherent value of analog over digital.

Does he actually touch on the idea of "modern magic" explicitly? He talks about modern technology, but does he frame it as "magic"?

via Andy

Andy indicates that this review functionality isn't specific to zettelkasten, but it still sits in the framework of note taking. Given this, are there really "other" ways available?

@Will Thanks for always keeping up with your regular threads and considerations.

I've been keeping examples of people talking about the "magic of note taking" for a bit. I appreciate your perspectives on it. Personally I consider large portions of it to be bound up with the ideas of what Luhmann termed as "second memory", the use of ZK to supplement our memories, and the serendipity of combinatorial creativity. I've traced portions of it back to the practices of Raymond Llull in which he bound up old mnemonic techniques with combinatorial creativity which goes back to at least Seneca.

A web search for "combinatorial creativity" may be useful, but there's a good attempt at what it entails here: https://fs.blog/seneca-on-combinatorial-creativity/

Will Simpson feels that the magic of note taking stems from "the repetition of adding your thoughts to the notes you take and reviewing notes regularly".

I think it sems more from the serendipitous connections and resultant combinatorial creativity.

cross reference: https://hypothes.is/a/QLyD4P6mEe2uC4O7z2QOOQ

quote is from Highsmith's Plotting and Writing Suspense Fiction

I love the concept of "slender ideas" as small, fleeting notes which might accumulate into something if written down. In saying "Close the notebook and think about it for a few days" Patricia Highsmith seems to be suggesting that one engage in diffuse thinking, passive digesting, or mulling rather than active or proactive thinking.

She also invokes the magic word "presto!" (which she exclaims) as if to indicate that magically the difficult work of writing is somehow no longer difficult. Many writers seem to indicate that this is a phenomenon, but never seem to put their finger on the mechanism of why it happens. Some seems to stem from the passive digestion over days with diffuse thinking, with portions may also stem from not starting from a blank page and having some material to work against instead of a vacuum.

From Patricia Highsmith: Her Diaries and Notebooks: 1941-1995 (Swiss Literary Archives)

Somehow building up a critical mass will create "magic"?

No rhyme or reason here, just "magic"... 🤪

google translate:

And yet he never found what he was actually looking for, but something new and surprising.

While you'll only find in your zettelkasten exactly what you placed there, you may be surprised to find more than you expected.

Again note the reference to magic with respect to the artificial intelligence: "the ability to conjure ideas 'out of thin air'".

The engineers behind Wordcraft refer to it "as a 'magic text editor'". This is a cop-out for many versus a more concrete description of what is actually happening under the hood of the machine.

It's also similar, thought subtly different to the idea of the "magic of note taking" by which writers are taking about ideas of emergent creativity and combinatorial creativity which occur in that space.

https://niklas-luhmann-archiv.de/bestand/zettelkasten/zettel/ZK_2_NB_9-8-3_V

I've read and referenced this several times, but never bothered to log it into my notes.

Sasha Fast's translation:

Ghost in the box? Spectators visit. They get to see everything, and nothing but that - like in a porn movie. And the disappointment is correspondingly high.

Klaus Kusanowsky uses the ideas of witchcraft or fascination to describe the sort of magic created by zettelkasten use. [0:09:15]

A side reference here to magic, but he defers what this is... why mention it if you're not going to back it up here?

I'm not a fan of the magic framing here and I'm not really sure that Luhmann consciously designed or built his system to do this. Prior systems had these "magical" features before Luhmann's.

I love that he points this out explicitly.

Some don't see the underlying processes of complexity within note taking methods and as a result ascribe magical properties to what are emergent properties or combinatorial creativity.

See also: The Ghost in the Machine zettel from Luhmann

Somehow there's an odd dichotomy between the boredom of such a simple method and people seeing magic within it at the same time. This is very similar to those who feel that life must be divinely created despite the evidence brought by evolutionary and complexity theory. In this arena, there is a lot more evolved complexity which makes the system harder to see compared to the simpler zettelkasten process.

Except that, seemingly, many historians have written and published about just this very topic!

People often talk about the "magic of note taking", but it's not frequent that they frame the methods as magician's secrets.

The zettelkasten can be a useful educational substrate for thinking in as few as five cards.

link to: https://hypothes.is/a/Iwy7MGlMEeyztTNgvCXUOA

Sounds like magic, n'cest pas? 😜

https://lu.ma/x7zlzv95

NoMa Method (note making method)<br /> JOMO mindset (Joy of Missing Out)<br /> MIMO - Mindfully In, Magically Out

Nick Milo's got WAY too many buzzwords and acronyms. Are we creating a new cult with in groups and out groups using language?

"Notice when you do" --- the root word of notice and note are related...

Stephen Downes describes some of his note taking process for creation here. He doesn't actively reuse his notes (or in this case blog posts, bookmarks, etc.) which number a sizeable 35669, directly, at least in the sort of cut and paste method suggested by Sönke Ahrens. Rather he follows a sort of broad idea, outline creation, and search plan akin to that described by Cory Doctorow in 20 years a blogger

Link to: - https://hyp.is/_XgTCm9GEeyn4Dv6eR9ypw/pluralistic.net/2021/01/13/two-decades/

Downes suggests that the "magic happens in the creation" of his notes. He uses them as "grist for pattern recognition". He doesn't mention words like surprise or serendipity coming from his notes by linking them, though he does use them "intuitively to form overarching themes or concepts not actually contained in the resources themselves." This is closely akin to the broader ideas ensconced in inventio, Llullan Wheels, triangle thinking, ideas have sex, combinatorial creativity, serendipity (Luhmann), insight, etc. which have been described by others.

Note that Downes indicates that his brain creates the links and he doesn't rely on his software to do this. The break is compounded by the fact that he doesn't find value in classifying or categorizing his notes.

I appreciate that Downes uses the word "grist" to describe part of his note taking practice which evokes the idea of grinding up complex ideas (the grain) to sort out the portions of the whole to find simpler ideas (the flour) which one might use later to combine to make new ideas (bread, cake, etc.) Similar analogies might be had in the grain harvesting space including winnowing or threshing.

One can compare this use of a grist mill analogy of thinking with the analogy of the crucible, which implies a chamber or space in which elements are brought together often with work or extreme conditions to create new products by their combination.

Of course these also follow the older classical analogy of imitating the bees (apes).

These always read as hyperbole to me, but it's difficult to explain the surprise and serendipity of re-finding things in one's notes on a regular basis. It's akin to the sort of cognitive dissonance that religious people have when encountering the levels of complexity formed by living systems through evolution. Not having better words for describing the experience, they may resort to descriptions of magic or religion to frame their experiences.

The area of serendipity becomes much more powerful when one has ideas both directly interlinked, ideas categorized with subject headings or tags, or when one can have affordances like auto-complete.

The method Forte suggests and outlines allows for some serendipity, but not as much as other methods with additional refinements. Serendipity in Forte's method isn't as strong as in others.

In this section he's talking about some of the true "magic of note taking" which is discussed by Luhmann and others.

link to:<br /> Luhmann's writings on serendipity and surprise when using his zettelkasten (Communication with the Slipbox...)<br /> Ahrens mentions of this effect

another example of the idea of "magical" experience that comes when taking notes. This one isn't about idea creation or even serendipity though, but relates specifically to being "bulk productive".

There's some magical thinking involved here. While the system has some arbitrary internal branching, the surprises come from the system's perfect memory that the human user doesn't have. This makes it appear that the system creates its own creativity, but it is really the combinatorics of the perfect memory system with use over time.

Link to: serendipity of systems based on auto-complete

Missing from this description is the work that is involved in revisting, re-reading, and interacting with your notes. This is not an easy process, but this paragraph belies the work involved and makes it seem "magical" with the use of the words 'illuminating', 'gravitating', 'cross-pollinating' which are all external processes or forces that don't require work from the individual.

He does build a sense of excitement and magic around the idea of taking notes here, though sadly he's covering up the amount of work that maintaining such a system entails.

Sönke Ahrens apparently missed this bit of advice.

link to the Arthur C. Clarke quote “Any sufficiently advanced technology is indistinguishable from magic." which appeared in his 1962 book “Profiles of the Future: An Inquiry into the Limits of the Possible”.

https://reallifemag.com/rank-and-file/

An interesting example of someone who fell into the trap of thinking that a particular tool or tools would magically make them smarter or help them do a particular line of work without showing any deep evidence of knowing what they were doing. The discussion here flows over a number of mixed note taking domains with no clear thrust for what they were using it pointedly for. The multiple directions and lack of experience likely doomed them to failure here.