3 Matching Annotations
- Sep 2017
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However, hacker and maker spaces are not synonymous with hacker culture at large. As previously discussed, since at least the mid-1990s, hackers have encompassed too wide an array of concerns and histories to safely be referred to as a unified group. Hacker and maker spaces, while a significant movement and informed by a more popular definition of "hacker," hardly define everyone who calls themselves a hacker.
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For these women, the values and practices of everyday life intertwine with technical labor. In the 1970s, theorists like Dick Hebdige, Henri LeFebvre, and Michel DeCertau took up everyday life as a site for radically re-imagining social life. The potency of domesticity and the social status of quotidian craftwork became a key precursor to contemporary Feminist thought. Today, it has reemerged in the work of modern-day hackers.By designing hackerspaces to serve domestic and familial needs, and by surfacing a new emotional style through failure, members of women-operated hackerspaces are
actively negotiating the terms by which they make themselves heard within computer engineering cultures (Fox, etal., 2015; c.f. Suchman, 1995). This “oppositional position-ing” (Haraway, 1988: 586) relieves them of expectations to hack in the same manner as men, women, or mothers. [...] Exposing a politics of difference — destabilizing the cate-gory of hacking — they not only build new material circumstance for the artists, makers, mothers and fathers within these spaces, but also position their work as relevant to the acts of “world-building” just beyond it.
Potente idea de construcción de mundo en el cotidiano.
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Since the rise of early sites of computer hacking like the Chaos Computer Club, a German technology collective founded in the 1980s promoting open information infrastructure, the term hacking has fit aspirational ideals of technical cleverness and creativity perpetuated by engineer-ing cultures. Women-operated hackerspaces have opened an alternate view: enliven-ing connections between hacking and histories of women’s craftwork rooted in a feminist politics of fracture (Barad 2007; Haraway 1988).
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