- Mar 2017
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www.jstor.org.ezproxy.alu.talonline.ca www.jstor.org.ezproxy.alu.talonline.ca
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It is a quasi-sacred object for me, an object with which I have a long personal association. I have carried it from place to place as part of my library. My relation to this object is an example of the way so many readers of my generation and of many generations before mine have participated in a festishism of the book
Fetishisation of the book
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Interesting understanding of the issue of pre-set links:
Nothing, however, prevents using the computer for quite conventional or traditional notions about the relation of a work to its author and to its historical and cultural contexts. ... The apparent freedom for the student to "browse" among various hypertext "links" may hide the imposition of predetermined connections. These may reinfornce powerful ideological assumptions about the causal force of historical context on literary works. It depends on what links have been set up or on the use's inventiveness in setting up new ones.
--Also quite interesting because it is pre-search engine.
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Some of the claims for the revolutionary effect of computers on humanistic study have clearly been exaggerated or wrongly formulated. Seen from a certain point of viewm a computer, even one connected by modem or Ethernet to the Wolrd Wide Web, is, as many people would claim, no more than a glorified typewriter, though one should not underestimate the changes this glorification makes. An example is the new ease of revision, the facility with which things can be added, deleted, or moved from one place to another in a computer files as opposed to a typed manuscript. Such ease gradually encourages the adept in computer composition to think of what he or she writes as never being in quite finished form. Whatever is printed is alsways just one stage in a potentially endless process of revision, deletion, addition, and rearrangement.
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