- Aug 2022
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www.janeausten.pludhlab.org www.janeausten.pludhlab.org
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a dutiful branch, he must be forgiven for having dismembered himself from the paternal tree
This is a hilarious image - all based on the family tree. Mr Elliot is part of the family but Sir Walter is not his father, he is the head of the family estate
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www.janeausten.pludhlab.org www.janeausten.pludhlab.org
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Vanity was the beginning and the end of Sir Walter Elliot’s character; vanity of person and of situation.
Richard E. Grant as Sir Walter Elliot of Kellynch Hall in Persuasion (2022).
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she was only Anne.
We are hearing the echo of Sir Walter and Elizabeth's opinions/words. This is a strange introduction for the main character, she is ignored and secondary. Chapter 1 focuses on Sir Walter and then the family context, Chapters 2 and 3 are a group setting (and people finally speak). A first time reader may not identify Anne as the main character till chapter 4 when the text pivots to focus on her. In chapter 1 we hear of Elizabeth's disappointment with Mr Elliot but the history with Wentworth is hidden till Anne is alone. Modern texts tend to have more active, vibrant main characters (like Lizzy Bennet) who have agency and push the story forward through their choices and actions. Fanny Price in Mansfield Park is another good example of the sort of main character modern readers struggle with.
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- Dec 2018
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gutenberg.net.au gutenberg.net.auSanditon1
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fancy themselves equal
Highlights the slight strife between "old" and "new" money. Lady Denham's words seem reminiscent of Sir Walter Elliot's disdain for those who made their fortune instead of inheriting it in Persuasion.
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