3 Matching Annotations
  1. Apr 2022
    1. The project's structure is idiosyncratic. The convolutes correspond to letters of the alphabet; the individual sections of text— sometimes individual lines, sometimes multi-paragraph analyses —are ordered with square brackets, starting from [A1,1]. This numbering system comes from the pieces of folded paper that Benjamin wrote on, with [A1a,1] denoting the third page of his 'folio.'[3] Additionally, Benjamin included cross-references at the end of some sections. These were denoted by small boxes enclosing the word (e.g., ■ Fashion ■).[4]

      It's worth look looking into the structure of Walter Benjamin's Arcade Project as the numbering system that he used on his zettels is very similar to that of both Niklas Luhmann's zettelkasten as well as the street numbers of 1770 Vienna.

      link to - https://hypothes.is/a/4jtT0FqsEeyXFzP-AuDIAA - https://hypothes.is/a/lvGHJlNHEeyZnV-8psRNrA

  2. Dec 2021
    1. Luhmann, for sure, had little (if any) awareness of this long tradition. His excerpting habits should not be regarded as a result of cultural inheritance. A direct contact with early modern excerpting systems is not demonstrable, and Luhmann himself never once mentioned them in his publications.

      Alberto Cevolini argues that Niklas Luhmann was unaware of the prior tradition of excerpting, however even his complex numbering system shows incredibly high similarity to the numbering system of houses used in 1770 Vienna near the time at which Konrad Gessner delineated his note taking system which also used excerpting.

      cross reference Markus Krajewski in Paper Machines, chapter 3, page 28:

      By 1777, the government of Lower Austria starts a renewed numbering of houses. “ As many new houses were built after the last conscription which have no number yet, this is also an opportunity for the rectification of the house numbers.” New entries are to be treated as follows: “If for instance three new houses are found between numbers 12 and 13, the first is to be 12a, the second 12b, the third 12c.”

      Given this evidence, it's more likely that Luhmann was taught this system, he researched it, or perhaps like the broader ideas, it was floating around so heavily in the culture of his time and place from centuries earlier that it was simply a natural fit. More evidence about the prevalence for street numbering may be needed from his time period to know how common this general numbering system was.

    1. Here, I also briefl y digress and examine two coinciding addressing logics: In the same decade and in the same town, the origin of the card index cooccurs with the invention of the house number. This establishes the possibility of abstract representation of (and controlled access to) both texts and inhabitants.

      Curiously, and possibly coincidently, the idea of the index card and the invention of the house number co-occur in the same decade and the same town. This creates the potential of abstracting the representation of information and people into numbers for easier access and linking.