- Aug 2022
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writing.bobdoto.computer writing.bobdoto.computer
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the aesthetics of wabi-sabi, the Japanese artistic appreciation of blemishes and imperfections, which themselves become the very aspects that define an object's beauty.
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- Jun 2017
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Act I, Scene II
Shakespeare has employed the upper classes’ fear of Caesar (Namely Flavius and Murellus) and Caesar’s overwhelming support with the plebeians to build up Caesar into a deity; An indestructible and perpetual force. However, in the second scene of the play, this image of Caesar is completely reversed, with all of Caesar’s imperfections placed starkly in the spotlight.
When Cassius attempts to convince Brutus of the danger that Julius Caesar poses, he juxtaposes the public image of Caesar with the reality. The truth that Cassius tells is of a Caesar that nearly drowned, and cried to Cassius “Help me, Cassius, or I sink!” Though Cassius may be exaggerating or spinning tales in an attempt to convince Brutus to their cause, this scene still sharply contrasts with the figure of Caesar built up so far in the play.
While Caesar is talking to Antony, he commands him to “Come on my right hand, for this ear is deaf”, indicating that Caesar is deaf in his left ear. Shakespeare goes to extreme lengths to let the audience know of Caesar’s many physical and mental flaws in an attempt to show how even the seemingly most perfect people have their imperfections, and that in the end, everyone is as much of a human as one another, and that no human can ever become a god.
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