https://colourblind-palette-maker.glitch.me/

This appeal would have a greater effect if it weren't itself published in a format that exhibits so much of what was less desirable of the pre-modern Web—fixed layouts that show no concern for how I'm viewing this page and causes horizontal scrollbars, overly stylized MySpace-ish presentation, and a general imposition of the author's preferences and affinity for kitsch above all else—all things that we don't want.

I say this as someone who is not a fan of the trends in the modern Web. Responsive layouts and legible typography are not casualties of the modern Web, however. Rather, they exhibit the best parts of its maturation. If we can move the Web out of adolescence and get rid of the troublesome aspects, we'd be doing pretty good.

on top stacked laying flat on the left side, next to a potted plant on the right two other books to the right of the plant, spines not visible

tools for thought rheingold MIT Press logo concept design: the essence of software jackson designing constructionist futures nathan holbert, matthew berland, and yasmin b. kafai, editors MIT Press logo structure and interpretation of computer programs second edition abelson and sussman MIT Press Indroduction to the theory of computation

top shelf ordinary orientation: books upright, spines facing out tops leaning to the left

toward a theory of instruction bruner belknap / harvard tools for conviviality ivan illich harper & row the human interface raskin addison wesley the design of everyday things don norman basic books changing minds disessa MIT Press logo mindstorms seymour papert unknown logo understanding computers and cognition winograd and flores addison wesley software abstraction jackson revised edition MIT Press logo living with complexity norman MIT Press logo the art of doing science and engineering—learning to learn richard w. hamming stripe press logo the computer boys take over ensmenger recoding gender abbate MIT Press logo weaving the web tim berners-lee harper dealers of lightning: xerox parc and the dawn of the computer age michael a hiltik harper the dream machine m. mitchell waldrop stripe press logo from counterculture to cyberculture fred turner chicago the innovators walter isaacson simon & schuster paperbacks a people's history of computing in the united states joy lisi rankin harvard the media lab stewart brand penguin logo

bottom shelf ordinary orientation: books upright, spines facing out tops leaning to the right

about face: the essentials of interaction design cooper, reimann, cronin, noessel 4th edition wiley the new media reader wardrip, fruin, and montfort, editors designing interactions bill moggridge includes DVD MIT Press logo interactive programming environments barstow, shrobe, sanderwall mcgraw hill visual programming shu software visualization editors: stasko, domingue, brown, price MIT Press logo types and programming languages pierce MIT Press logo smalltalk-80: the interactive programming environment goldberg addison wesley constructing the user... statecharts qa 76.9 .u83 h66 1999 the human use of human beings: cybernetics and society wiener da capo pasteur's quadrant stokes brookings scientific freedom: the elixir of civilization donald w. braben stripe press logo a pattern language alexander, ishikawa, silverstein, jacobson, fiksdahl-king, angel oxford the timeless way of building alexander oxford

Not accessible.