for - comparison - Amazon Prime - Castle Rock - Stephen King - compared to - Michael Levin caterpillar to butterfly metamorphosis - adjacency - universal - vs localized consciousness - empathy - Michael Levin - caterpillar to butterfly

adjacency - between - Stephen King movie "castle rock" - universal consciousness - localized, individual consckousness - empathy - adjacency relationship - Bernardo compares the Stephen King movie series "Castle Rock" with ghostly beings taking over the identify of an existing physical body. - Universal consciousness is in all of us - but we strongly identify with the localized consciousness - In Michael Levin's caterpillar to butterfly process, - the living being has memories of a caterpillar but what happens when it becomes a butterfly? Those memories don't confer any meaning to the butterfly - But beneath both the butterfly and the caterpillar, the universal consciousness is at the ground layer - When we experience others as ourselves, because we have the same universal consciouness, - then we can truly enact empathy as an expression of recognition

Mrs. Samsa is truly a fighter--after all, she was forced to work in order to provide for her family so that they could remain in a decent economic standing, saw her own son turn into an insect, and battled with severe catatonia to a point in which she could hardly speak at all. Despite all of this, she is still seen as the weakest, most lifeless character with the least development in the novella. Why, you ask? Good question. A woman who “suffered from asthma,” having a great deal of strain on her body and constantly “labouring for breath,” should obviously not pick up the load of a healthy young boy who is able to do double her workload. Is this asthma, this condition that is seen as a physical weakness, a metaphor for her breathlessness in attempting to keep the fabric of her family together and everything running smoothly? Her dedication and practically unwavering love for Gregor, seen when she walks into the room in which Gregor lives with her daughter and helps to tidy up the room (although she did not overtly say “I still love you, even though you’re vermin”), shows her pure spirit and good intentions when it comes to being a mother and a human being. Thus, perhaps the money she worked hard to get symbolizes the power of love and the means to which a desperate family member would go to fix a problem they see sitting, or in Gregor’s case, crawling, right in front of them. However, in the same measure, this income, a way to “solve” all of the supposed problems that are brought about by deviations in the span of society, is material and serves as the vessel through which masked corruption flows through sweet pure water that seems spotless on the surface.