- Jan 2022
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What, then, is the work of theory in the age of digital transformation? Digital theory offers us explanations, interpretations, and predictions which enables us to manage the process of technological change and its impact upon our social, cultural, economic, political, and personal lives. Digital theory provides a point of intersection between the languages and practices of science and engineering on the one hand and the arts and humanities on the other. Digital theory embraces the utopian imagination not as a way of predicting the future but as a way of envisioning meaningful change and keeping alive the fluidity which digital media has introduced into many aspects of our social and personal lives. Digital theory identifies historical antecedents for contemporary media developments and at the same time, defamilarizes older media and opens them to re-examination.
Jenkins makes a call for digital theory as offering an intersection between the arts and humanities and science. Digital theory "...offers us explanations, interpretations, and predictions which enables us to manage the process of technological change ant it's impact"
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Similarly, the democratic and participatory ideals associated with "interactive technologies are not the product of the technologies but of our social and cultural interactions with them. Recognizing this distinction reminds us of the need to struggle to define technology’s future directions through social and political actions, not simply through our design principles.
Here Jenkins makes a key distinction in his emphasis that social and cultural interaction with technology is always more important than the technology itself.
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the old paradigms of critical pessimism ultimately lead to political paralysis and fatalism, another way of seeing technological expansion as inevitable and irreversible. Critical pessimism offers us few models of viable change, focusing only on the strength of entrenched power and the failure of all strategies of resistance. At its most reductive, critical pessimism scapegoats the media for all the faults of the current social order rather than recognizing that digital media might offer new technical potentials for responding to the fragmentation of contemporary social life or the domestic isolation of our children, housewives, and the elderly. Digital theory matters politically because of its ability to envision alternatives, to imagine a better future. Cyberspace provides a place to experiment with alternative structures of government, new forms of social relations, which may, at least on the most grassroots of levels, allow us to temporarily escape, if not fully transform, unacceptable social conditions in our everyday lives.
Jenkins suggests that whilst critical pessimism "..serves important functions" in the way it questions the lurid claims of computational culture that it fails to provide us with "...models of viable change". In his argument the technological offers a place to imagine and explore "a better future".
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In a period of prolonged change, digital theory is more than an academic exercise. Digital media impacts all aspects of western society, from education to politics, from business to the arts. Journalists, science fiction writers, ideologues, entrepreneurs, activists, classroom teachers, rock stars, Supreme Court judges, government regulators are both consumers and producers of digital theory. For many, theorizing restores predictability and stability to a world rocked by radical change, while for others, theory fuels change, directing the energies unleashed by the digital revolution towards altering the nature of political life or personal identity. Our fantasies and fears about change shape our theories (including supposedly disinterested academic theories) as much as our theories help master those fears and fulfill those fantasies.
Here Jenkins makes an argument for the practicality of digital theory as a way to make meaning of the rapid changes that have come with "the digital revolution"
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Theory will be understood here as any attempt to make meaningful generalizations for interpreting or evaluating local experiences and practices.
Functional definition of theory
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Man is neither height nor centre of creation. This belief is core to many Indigenous epistemologies. It underpins ways of knowing and speaking that acknowledge kinship networks that extend to animals and plants, wind and rocks, mountains and oceans. Indigenous communities worldwide have retained the languages and protocols that enable us to engage in dialogue with our non-human kin, creating mutually intelligible discourses across differences in material, vibrancy, and genealogy.
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When Marx undertook his critique of the capitalistic mode of production, this mode was in its infancy. Marx directed his efforts in such a way as to give them prognostic value. He went back to the basic conditions underlying capitalistic production and through his presentation showed what could be expected of capitalism in the future. The result was that one could expect it not only to exploit the proletariat with increasing intensity, but ultimately to create conditions which would make it possible to abolish capitalism itself.
The transformation of the superstructure, which takes place far more slowly than that of the substructure, has taken more than half a century to manifest in all areas of culture the change in the conditions of production. Only today can it be indicated what form this has taken.
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"We live in the shadow of clouds."
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