Each glance that we take at the past offers us aclearer view of the future’
SLAY
Each glance that we take at the past offers us aclearer view of the future’
SLAY
And the ability todress the old in perfect beauty is a sacred ability – this is how a nation declares itshighest aims in life’
SLAYYY
he figure of the hero allows the nation to take from the past what it needsto become confident and progressive in the future
SLAYYYY FOR DISSERTATIONN
There’s always a danger in nostalgia, when one invents a romanticized past
Another core point from my "all but" dissertation: these narratives of change often (always?) depend on nostalgia for a something that never really existed, but is retroactively projected backward.
what if, to borrow from Ian Bogost, “progressive education technology” – the work of Seymour Papert, for example – was a historical aberration, an accident between broadcast models, not an ideal that was won then lost?
Ian's point hearkens back to a (not very original) core point from my "all but" dissertation: that there is a pattern where new practices and technologies are first enjoyed in an early "organic" state, where a wide variety of uses happen, but then are often (always?) reshaped by dominant forces (eg, capitalism) to focus on narrower use. A classic example is the cacophonic early days of radio and the subsequent assertion of control over the radio spectrum by government, the military, and commerce.
The church is made up of imperfect pilgrims on a long, difficult journey, and O’Connor described them well
The pilgrim essential to the understanding of O'Connor