The basic concept of animation was already in the air through earlier inventions like the magic lantern and eventually the zoetrope

Shanks stops the war

The star ratings that we dole out for Preview Guide aren't indicative of a show's overall quality, of course; we've only got one or two episodes to go on, after all. Instead, they indicate how good of a job a first episode does at convincing viewers to keep on watching in the coming weeks.

Let's say you want to tell your audience that your character is angry. You could just have them say “I'm angry.” But how often does a person in real life ever plainly announce their anger that way? Have you ever been able to tell someone was angry without them telling you? What if instead of having our character say “I'm angry,” you write them entering their house and slamming the door behind them so hard that picture frames fall off the wall and shatter on the floor. Air hisses out of their mouths as they huff and puff through gritted teeth. That's usually better writing. That's what “show, don't tell” means. But what if I told you that Kare Kano breaks this golden rule of writing, and does so with incredible results?

The sense of wonder and discovery that made all the cruelty of the Abyss worth enduring is gone, replaced with increasingly over-the-top attempts at shock horror that crescendos with a concept so ludicrous it stops being horrifying and starts being embarrassing.

I love the first season of MiA, even more now than I did when it first aired. And on paper I should be down for more of this fascinating, macabre world of wonders and horrors. But somewhere in this second season, the graceful balancing act that made it all so compelling fell apart. Maybe it's that our main trio feel like barely relevant observers of a story largely divorced from them, loading all of Reg's character development into a flashback he doesn't even remember and relegating Nanachi to a half-season-long nap just so we can retread their goodbye to Mitty. Maybe it's the fact that the slow-burn mystery of the titular city feels as hollow as its main residents, ramping up its increasingly aimless body horror to the point that it starts to feel like an Aristocrats joke that's gone on way too long.

Kid writing in: “Dear Anime Answerman, my friend tells me that Inuyasha is a more violent show than Elfen Leid, and I don’t believe them, but I can’t tell them they’re wrong because my Mom won’t let me watch Elfen Leid.” Answerman: “Dear kid, please tell your friend that no one has ever been more wrong in the entire history of time.”

FIDUSPAWN