- Sep 2023
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this is a pilot whale 00:20:12 carrying her dead Young this is week three so grief is an experience that's shared
- for: CLD, Common Life Denominators, Mother whale carrying her dead child
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- Mar 2022
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forum.saysomethingin.com forum.saysomethingin.com
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glas is a very old word, and while the more modern gwyrdd is used for green, glas can in fact be both blue and green, depending on context. The idea behind glas is not so much a colour itself, but the attribute you’d give to plants that are alive. The opposite is llwyd, which is connected to “dead” things like rocks, so naturally you’d translate it as gray, but sometimes it’s used as brown, too. (Again, the Welsh word brown is much newer than llwyd.)
The older Welsh words 'glas' and 'llwyd' designate both colors (green/blue and gray/brown respectively) but also indicate the idea of 'being alive' (like plants) or 'dead' (like rocks).
These words can sometimes be translated differently than the more modern words gwyrdd (green), glas (blue), llwyd (grey), brown (brown).
Irish is somewhat similar, where 'glas' is green, but usually for the less vivid greens of the natural world (seaweed might be called 'glas') versus artificial vivid green (the green on the Irish flag would be 'uaine'). However a 'madra glas' is not a green or blue dog, but a grey one.
Glasgow / Glaschu (the place name) means "green hollow".
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- Oct 2016
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teaching.lfhanley.net teaching.lfhanley.net
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Living nor dead
So far, there seems to be a lot of connections between what we consider the living and dead. Such as the Lilacs(living) and dead land. Dull roots since the word dull seems like a dark, gloomy word compared to roots.Life and dried,etc.
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- Nov 2015
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teaching.lfhanley.net teaching.lfhanley.net
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—Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, 40 Looking into the heart of light, the silence.
Elliot evokes the image of Hyacinth, the tragic divine hero who embodies the death and rebirth of nature. A motif throughout the poem is one of living dead, things that are neither and both. Ovid writes of Hyacinth being immortal, though dead since he rises each year, much like plants in nature. The hyacinth girl, having her "arms full" and "hair wet" are both motifs of life, as we see water is a life force throughout the poem. Elliot juxtaposes an image of a woman full of life against his "I" character who is "neither living nor dead" to show how cruel life is, being so full only to end in death.
If we look at William Carlos Williams' poem, To Elsie, (written a year later) we see that he deals with similar themes of nature being a cruel reminder. Nature exists outside of the human experience, especially with the rise of industry and the suburban landscape. Nature is constantly growing out of the dead; it in fact needs death to thrive.
Ovid took Greek myths and retold them, gave dead stories new life; going back to Elliot's undead motif, we see that he looks to literature in addition to nature to understand this concept of living dead. If we think of the time period, Elliot was grappling with constant change in technology and industrialization. It seems as though he was seeking a sense of permanence or understanding of how the world can constantly remake itself.
Elliot's motif of the undead is almost always paired with nature, as if to show how nature constantly is changing and being reborn. Humans, on the other hand, are in a permanent state of living dead; being alive, but actively dying. "Looking into the heart of light" is Elliot's truth; that humanity is apart from nature. Humanity cannot be immortal in the sense of being literally reborn, but we can find other ways to remain permanent in an impermanent world (The Wasteland).
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