7 Matching Annotations
  1. Aug 2022
  2. www.janeausten.pludhlab.org www.janeausten.pludhlab.org
  3. www.janeausten.pludhlab.org www.janeausten.pludhlab.org
  4. www.janeausten.pludhlab.org www.janeausten.pludhlab.org
  5. www.janeausten.pludhlab.org www.janeausten.pludhlab.org
    1. But I hate to hear you talking so like a fine gentleman, and as if women were all fine ladies, instead of rational creatures. We none of us expect to be in smooth water all our days

      It's unclear if Captain Wentworth honestly thinks women require more care and better accommodations or whether he is avoiding women in general because of Anne. This line of Mrs Croft's is beautiful. There is a modern web series adaptation called Rational Creatures. I think this is an echo of Mary Wollstonecraft, Austen uses the term again when Elizabeth Bennet is rejecting Mr Collins proposal (P&P chapter 19)

  6. www.janeausten.pludhlab.org www.janeausten.pludhlab.org
  7. www.janeausten.pludhlab.org www.janeausten.pludhlab.org
    1. she was only Anne.

      We are hearing the echo of Sir Walter and Elizabeth's opinions/words. This is a strange introduction for the main character, she is ignored and secondary. Chapter 1 focuses on Sir Walter and then the family context, Chapters 2 and 3 are a group setting (and people finally speak). A first time reader may not identify Anne as the main character till chapter 4 when the text pivots to focus on her. In chapter 1 we hear of Elizabeth's disappointment with Mr Elliot but the history with Wentworth is hidden till Anne is alone. Modern texts tend to have more active, vibrant main characters (like Lizzy Bennet) who have agency and push the story forward through their choices and actions. Fanny Price in Mansfield Park is another good example of the sort of main character modern readers struggle with.