Chapter 19 provides an analysis of Charlie Parker’s “Moose the Mooche” and Hank Jones’simprovised solo on the tune. This chapter also proposes a pedagogy of rhythm changesimprovisation.

Sam Charter’s LP anthology on Folkways, The Country Blues. This opened up a rabbit hole that still has no end. The LP was meant as a supplement to Charter’s book of the same name, although I didn’t read the book until much later. I first heard the album cold, with no historical context or biographical information. The music was stunning. ‘Careless Love’ by Lonnie Johnson I played over and over again. To this day I love Lonnie Johnson. There was ‘Fixin’ To Die’ by Bukka White and ‘Statesboro Blues’ by Blind Willie McTell. Masterpieces! These performances knocked my socks off. And Gus Cannon’s ‘Walk Right In’—I remembered that as a radio hit by the Rooftop Singers, only this was a thousand times better. The Country Blues anthology gave me an appetite to hear more of this stuff, and to find out more about these musicians.

I just loved the blues. It was the real thing. I kinda always figured I was the real thing too."

Within the workings of the informal economy bullying and violence is rife. The harshness of these conditions, and the sword of damocles of deportation, is precisely why this labour is so cheap, and so many businesses opt for it. Bullying makes workers subservient, and scares them away from industrial organising (although there are now amazing unions now fighting for workers in these sectors - the IWGB, IWW, and UVW.) It is not just those businesses that do well out of this exploitation. It makes things cheaper for everyone, and oils the cogs of the whole economy. Many people are happy to reap this work’s benefits without ever taking responsibility for the suffering it causes.