"The Gods of Greece" ("Die Götter Griechenlandes") is a 1788 poem by the German writer Friedrich Schiller. It was first published in Wieland's Der Teutsche Merkur, with a second, shorter version (with much of its controversial content removed) published by Schiller himself in 1800. Schiller's poem proved influential in light of German Philhellenism and seems to have influenced later German thinkers' views on history, Paganism and myth, possibly including Georg Wilhelm Friedrich Hegel and Max Weber.

Stuttgart System 1785ff.

Hegel’s slip box in handy luggage format joined him for everyjourney and all seven migrations to Berlin,32 the many square meters of Luhmann’swooden boxes prevent unlimited mobility and thus the possibility of accessing writtenmemory at all times.

WhenNiklas Luhmann decided in 1951, toward the end of his legal studies, to no longergather loose sheets into portfolios, as Goethe once did,9 but rather to take up work ona slip box, just like his implicit benchmark Hegel, the position of the Other becameoccupied by a paper machine.

Somewhere in Stuttgart, 1785: Still in high school, a fifteen-year-old reader begins towrite on loose sheets of paper with order, diligence, and discretion: “In his reading, heapproached works in the following way: everything that seemed noteworthy to him—and what didn’t!—he wrote on a single sheet, which he labeled above with the generalheading under which the particular content should be subsumed. In the middle of theupper edge, he then wrote the keyword of the article in large letters, frequently inFraktur. He organized the sheets themselves again according to the alphabet, and dueto this simple mechanism, he was always ready to use his excerpts at any moment.” 1With each of his alphabetized notes, the young reader established a new address thatwould henceforth constitute the site for the concepts upon which his future activitiesas philosopher and scholar would be based.

Hegel ’s absolute spirit is a hidden slip box.— Friedrich Kittler

In a remarkable essay on precursors to hypertext, Peter Krapp(2006) provides a useful overview of the development of the indexcard and its use by various thinkers, including Locke, Leibniz, Hegel,and Wittgenstein, as well as by those known to Barthes and part of asimilar intellectual milieu, including Michel Leiris, Georges Perec,and Claude Lévi-Strauss (Krapp, 2006: 360-362; Sieburth, 2005).1

. “ It i s . . . t he con-crete universal, self-determining thought, which constitutes the prin-ciple and character of Europeans,” Hegel once wrote. “ God becomes man, r evealing himself.” I n contrast, African people, he said, were “a nation of children” i n the “first stage” of human development: “ The negro is an example of animal man in all his s avagery and lawlessness.” They could be educated, but t hey would never advance on their own. Hegel’s foundational racist idea justified Europe’s ongoing coloniza-tion of Africa. European colonizers would supposedly bring progress to Africa’s residents, j ust as European enslavers had brought progress to Africans i n the Americas.

i n 1807, Hegel had expressed a very antiracist i dea in his classic book Phenomenology of Spirit, condemning “the overhasty judgement formed at first sight about the inner nature and character” of a person.