- Mar 2023
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Local file Local fileZettel2
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Wittgenstein, Ludwig. Zettel. Edited by Gertrude Elizabeth Margaret Anscombe and Georg Henrik von Wright,. Translated by G. E. M. Anscombe. Second California Paperback Printing. 1967. Reprint, Berkeley and Los Angeles, California: University of California Press, 2007.
annotation target: urn:x-pdf:15f4a1e48274f28b55eb6f8411c1ff1c
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WB publish here a collection of fragments made by Wittgensteinhimself and left by him in a box-file
In 1967, G. E. M. Anscombe and G. H. von Wright published a collection of notes from Ludwig Wittgenstein's zettelkasten which they aptly titled Zettel.
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- Feb 2023
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www.amazon.com www.amazon.com
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https://www.amazon.com/Private-Notebooks-1914-1916-Ludwig-Wittgenstein/dp/1324090804
Notes or diaries or a mixture of both?
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- Aug 2022
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Local file Local file
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Wittgenstein makes a similar observation, pointing out that “the aspects ofthings that are most important for us are hidden because of their simplicity andfamiliarity (one is unable to notice something – because it is always beforeone’s eyes).” 3
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Lader756 · 1 day agoFascinating. Thanks for sharing.Given this post may attract others interested in Zettelkasten workflow by esteemed authors, I'll take the opportunity to ask: does anyone know of a description of Wittgenstein's?
I've got a few slips/references to Wittgenstein's practice available here: https://hypothes.is/users/chrisaldrich?q=Wittgenstein
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- Jul 2022
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Famously, Luswig Wittgenstein organized his thoughts this way. Also famously, he never completed his 'big book' - almost all of his books (On Certainty, Philosophical Investigations, Zettel, etc.) were compiled by his students in the years after his death.
I've not looked directly at Wittgenstein's note collection before, but it could be an interesting historical example.
Might be worth collecting examples of what has happened to note collections after author's lives. Some obviously have been influential in scholarship, but generally they're subsumed by the broader category of a person's "papers" which are often archived at libraries, museums, and other institutions.
Examples: - Vincentius Placcius' collection used by his students - Niklas Luhmann's zettelkasten which is being heavily studied by Johannes F.K. Schmidt - Mortimer J. Adler - was his kept? where is it stored?
Posthumously published note card collections - Ludwig Wittgenstein - Walter Benjamin's Arcades Project - Ronald Reagan's collection at his presidential library, though it is more of an commonplace book collection of quotes which was later published - Roland Barthes' Mourning Diary - Vladimir Nabokov's The Original of Laura - others...
Just as note collections serve an autobiographical function, perhaps they may also serve as an intellectual autobiographical function? Wittgenstein never managed to complete his 'big book', but in some sense, doesn't his collection of note cards serve this function for those willing to explore it all?
I'd previously suggested that Scott P. Scheper publish not only his book on note taking, but to actually publish his note cards as a stand-alone zettelkasten example to go with them. What if this sort of publishing practice were more commonplace? The modern day equivalent is more likely a person's blog or their wiki. Not enough people are publicly publishing their notes to see what this practice might look like for future generations.
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- Apr 2022
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docdrop.org docdrop.org
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Such radical compositional approaches arecontemporaneous with the Surrealist use of montage, but predateBurrough’s cut-up-fold-in technique, and ‘put[...] the avant-gardeclaims of hyperfiction to shame’ (Krapp, 2006: 362).
The compositional approaches mentioned here are those of Wittgenstein and Walter Benjamin.
What was Burrough's cut-up-fold-in technique?
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Wittgenstein from his ‘Zettel’, a box containing over 700 textfragments (or ‘scraps’) and other loose pages (Krapp, 2006: 362).
Ludwig Wittgenstein had a box, which he apparently called his 'Zettel' in which he kept over 700 text fragments or scraps and other loose pages.
Double check this reference for a translation error from German as Zettel is the 'slip' and kasten is the 'box', 'crate', or 'container'.
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In the caseof Wittgenstein, he worked with typescripts and would often cut upthe typed text into fragments so he could rearrange the order of theremarks jotted on them (Krapp, 2006: 362; von Wright, 1969).
Wittgenstein worked with typescripts which he would often cut up into fragments so that he could reorder them for his particular needs. He had an unpublished work titled The Big Typescript of 768 pages which he created in this manner.
Link this to: - Kevin Marks' media fragments and fragmentions work - blackout poetry - mid 1900s newspaper publishing workflows
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In a remarkable essay on precursors to hypertext, Peter Krapp(2006) provides a useful overview of the development of the indexcard and its use by various thinkers, including Locke, Leibniz, Hegel,and Wittgenstein, as well as by those known to Barthes and part of asimilar intellectual milieu, including Michel Leiris, Georges Perec,and Claude Lévi-Strauss (Krapp, 2006: 360-362; Sieburth, 2005).1
Peter Krapp created a list of thinkers including Locke, Leibniz, Hegel, Wittgenstein, Barthes, Michel Leiris, Georges Perec, and Lévi-Strauss who used index cards in his essay Hypertext Avant La Lettre on the precursors of hypertext.
see also: Krapp, P. (2006) ‘Hypertext Avant La Lettre’, in W. H. K. Chun & T. Keenan (eds), New Media, Old Theory: A History and Theory Reader. New York: Routledge: 359-373.
Notice that Krapp was the translator of Paper Machines About Cards & Catalogs, 1548 – 1929 (MIT Press, 2011) by Marcus Krajewski. Which was writing about hypertext and index cards first? Or did they simply influence each other?
Tags
- avant-garde
- typescript
- Claude Lévi-Strauss
- Roland Barthes
- orderings
- zettelkasten
- zettel
- Michel Leiris
- Ludwig Wittgenstein
- Georg Hegel
- hypertext
- fragments
- Gottfried Wilhelm von Leibniz
- paper machines
- Georges Perec
- rhetoric
- Peter Krapp
- composition
- cut-up-fold-in technique
- index cards
- Walter Benjamin
- hyperfiction
- Marcus Krajewski
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