Enfoque Archivos Digitales. ¿Quiere decir que en cierta medida estos archivos son estáticos?

Dos enfoques: Archivos Digitales y Herramientas Digitales.

A project of the Roy Rosenzweig Center for History and New Media https://rrchnm.org/portfolio-item/tropy/

https://www.edwinwenink.xyz/about/

The LibNFT Project: Leveraging Blockchain-Based Digital Asset Technology to Sustainably Preserve Distinctive Collections and Archives

CNI Fall 2022 Project Briefings

YouTube recording

K. Matthew Dames, Edward H. Arnold Dean, Hesburgh Libraries and University of Notre Dame Press, University of Notre Dame, President, Association of Research Libraries

Meredith Evans, President, Society of American Archivists

Michael Meth, University Library Dean, San Jose State University

Nearly 12 months ago, celebrities relentlessly touted cryptocurrency during Super Bowl television ads, urging viewers to buy now instead of missing out. Now, digital currency assets like Bitcoin and Ethereum are worth half what they were this time last year. We believe, however, that the broader public attention on cryptocurrency’s volatility obscures the relevance and applicability of non-fungible tokens (NFTs) within the academy. For example, Ingram has announced plans to invest in Book.io, a company that makes e-books available on the blockchain where they can be sold as NFTs. The famed auction house Christie’s launched Christie’s 3.0, a blockchain auction platform that is dedicated to selling NFT-based art, and Washington University in St. Louis and the University of Wyoming have invested in Strike, a digital payment provider built on Bitcoin’s Lightning Network. Seeking to advance innovation in the academy and to find ways to mitigate the costs of digitizing and digitally preserving distinctive collections and archives, the discussants have formed the LibNFT collaboration. The LibNFT project seeks to work with universities to answer a fundamental question: can blockchain technology generally, and NFTs specifically, facilitate the economically sustainable use, storage, long-term preservation, and accessibility of a library’s special collections and archives? Following up on a January 2022 Twitter Spaces conversation on the role of blockchain in the academy, this session will introduce LibNFT, discuss the project’s early institutional partners, and address the risks academic leaders face by ignoring blockchain, digital assets, and the metaverse.

Public Square content on the servers of a private company

This seems a lot like the same longevity questions that the Internet Archive and IndieWeb are working on or the @RJI's Dodging the Memory Hole conference for born digital news.

https://scholarlykitchen.sspnet.org/2021/11/17/guest-post-seeking-feedback-on-a-model-digital-preservation-policy-a-project-of-the-nasig-digital-preservation-committee/

https://www.heise.de/newsticker/meldung/Missing-Link-Luhmanns-Denkmaschine-endlich-im-Netz-4364512.html?seite=all

An interesting overview of Niklas Luhmann's zettelkasten and how it was digitally archived with some potential ideas about how this might be done for other such systems or for ideas for those building and designing their own digital gardens.

"The BBC Domesday Project was a pair of interactive videodiscs made by the BBC in London to celebrate the 900th anniversary of the original Domesday Book and published in November 1986. It was one of the major interactive projects of its time, and it was undertaken on a scale not seen since."

"In 1983, a BBC Television producer named Peter Armstrong wondered if it would be possible to harness the Domesday philosophy to modern Britain. With the large user base of microcomputers in British schools (helped by a government subsidy) it was feasible to ask schools around the UK to survey their areas to produce a database of how Britain looked to the British in 1986."

"...the original Domesday book is still readable after (at the time) 925 years while our 15 year old one is not ... unless you have the original computer/videodisc system and it still works of course."

"The first visible manifestation of a reappearance of the BBC Domesday Project was achieved in a project called CAMiLEON, which was a research project that investigated emulation as a digital preservation strategy and was based at the Universities of Michigan and Leeds. [CAMiLEON web site ... with supreme irony this is now only available via the internet archive]"

Guidelines for publishing GLAM data (galleries, libraries, archives, museums) on GitHub. It applies to publishing any kind of data anywhere.

• Document the schema of the data.
• Make the usage terms and conditions clear.
• Tell people how to report issues.<br> Or, tell them that they're on their own.
• Tell people whether you accept pull requests (user-contributed edits and additions), and how.
• Tell people how often the data will be updated, even if the answer is "sporadically" or "maybe never".

https://en.wikipedia.org/wiki/Open_Knowledge<br> http://openglam.org/faq/

Emulation and Virtualization as Preservation Strategies, David Rosenthal