the language provides the framework for using the patterns as a program to create form.  But he aims for semantics, allegory, and poetics, as well as the aspects of language that generate feelings, emotions, a sense of order — all of which extend beyond the structural, topological and syntactic aspects of his program.

If ever any beauty I did see, Which I desired, and got, ’twas but a dream of thee.

den

The Colonel had been a notorious opium-eater for years past

There is a profound disorientation.

Charity devoid of charity, that Envy who looked like nothing so much as a plate in some medical book, illustrating the compression of the glottis or uvula by a tumour in the tongue, or by the introduction of the operator's instrument, a Justice whose greyish and meanly regular features were the very same as those which adorned the faces of certain good and pious and slightly withered ladies of Combray whom I used to see at mass, many of whom had long been enrolled in the reserve forces of Injustice. But in later years I understood that the arresting strangeness, the special beauty of these frescoes lay in the great part played in each of them by its symbols, while the fact that these were depicted, not as symbols (for the thought symbolised was nowhere expressed), but as real things, actually felt or materially handled, added something more precise and more literal to their meaning, something more concrete and more striking to the lesson they imparted. And even in the case of the poor kitchen-maid, was not our attention incessantly drawn to her belly by the load which filled it; and in the same way, again, are not the thoughts of men and women in the agony of death often turned towards the practical, painful, obscure, internal, intestinal aspect, towards that 'seamy side' of death which is, as it happens, the side that death actually presents to them and forces them to feel, a side which far more closely resembles a crushing burden, a difficulty in breathing, a destroying thirst, than the abstract idea to which we are accustomed to give the name of Death?

I shall call sister-graces, daughters of the same father E.r:perience, who is the progeny of Memory, the first-born and heir of Sense. These daughters £rperie11ce had by differ· ent mothers. The elder is the off spring of Rea.wn, the younger is the child of Fancy.