- Mar 2023
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web.archive.org web.archive.org
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Die schiere Menge sprengt die Möglichkeiten der Buchpublikation, die komplexe, vieldimensionale Struktur einer vernetzten Informationsbasis ist im Druck nicht nachzubilden, und schließlich fügt sich die Dynamik eines stetig wachsenden und auch stetig zu korrigierenden Materials nicht in den starren Rhythmus der Buchproduktion, in der jede erweiterte und korrigierte Neuauflage mit unübersehbarem Aufwand verbunden ist. Eine Buchpublikation könnte stets nur die Momentaufnahme einer solchen Datenbank, reduziert auf eine bestimmte Perspektive, bieten. Auch das kann hin und wieder sehr nützlich sein, aber dadurch wird das Problem der Publikation des Gesamtmaterials nicht gelöst.
link to https://hypothes.is/a/U95jEs0eEe20EUesAtKcuA
Is this phenomenon of "complex narratives" related to misinformation spread within the larger and more complex social network/online network? At small, local scales, people know how to handle data and information which is locally contextualized for them. On larger internet-scale communication social platforms this sort of contextualization breaks down.
For a lack of a better word for this, let's temporarily refer to it as "complex narratives" to get a handle on it.
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- Jun 2022
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www.scientificamerican.com www.scientificamerican.com
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Robin Sloan has pioneered the tap essay for mobile devices.
http://www.robinsloan.com/fish/
I'd seen this before, but never read it as it was iOS only...
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www.reddit.com www.reddit.com
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u/sscheper in writing your book, have you thought about the following alternative publishing idea which I'm transcribing from a random though I put on a card this morning?
I find myself thinking about people publishing books in index card/zettelkasten formats. Perhaps Scott Scheper could do this with his antinet book presented in a traditional linear format, but done in index cards with his numbers, links, etc. as well as his actual cards for his index at the end so that readers could also see the power of the system by holding it in their hands and playing with it?
It could be done roughly like Edward Powys Mathers' Cain's Jawbone or Henry Korn's Pontoon Manifesto? Perhaps numbered consecutively to make it easier to bring back into that format, but also done with your zk numbering so that people could order it and use it that way too? This way you get the book as well as a meta artifact of what the book is about as an example of how to do such a thing for yourself. Maybe even make a contest for a better ordering for the book than the one you published it in ?
Link to: - https://hyp.is/6IBzkPfeEeyo9Suq-ZmCKg/www.scientificamerican.com/article/reading-paper-screens/
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- Mar 2022
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impedagogy.com impedagogy.com
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writing non-fiction
I feel like the process is similar. It's about making connections, right? So, a long walk is instructive. Letting one's mind wander and paying attention to whatever floats in. Then sifting through it all to try and make sense. I feel like the older we get, the more connections we make, as well, because we've read more widely and have experienced more things. This little stream of consciousness vomit reminded me of an exercise of several years ago, a "twisted pair." Taking seemingly unrelated things and finding connections. I think at the end of the day, pretty much everything is connected in some way. In non-fiction, maybe the trick is to identify the strands that you want to focus on in making the connections.
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- Jan 2021
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www.thebookseller.com www.thebookseller.com
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The Readwise are firmly focusing their efforts on capturing "non-fiction power readers." "The vast majority of non-fiction reading is still analog," Doyon explains. "We’ve seen research putting adult nonfiction at 90% print / 10% ebook compared to fiction, which is more like 50% print / 50% ebook. This isn’t because nonfiction simply can’t be digitized; instead, it’ because the dominant players have focused on mass market fiction (e.g., romance and thrillers), neglecting the distinct needs of nonfiction readers."
Interesting statistic on the state of the non-fiction reading market
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- Sep 2019
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www.tenderbuttonspress.com www.tenderbuttonspress.com
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www.maureenstantonwriter.com www.maureenstantonwriter.com
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- Aug 2018
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www.newyorker.com www.newyorker.com
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tossing white hair like a Pentateuchal prophet.
Not only does the hairstyle imply age but his use of Pentateuchal provides a biblical reference to prophets that lived over 100 years.
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vaulting mode.
Imagery of acceleration along with elevation and excitement.
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feeling squeezed in the form
shows how he was forced to write in a certain way at The New Yorker Imagery of discomfort
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eliminating apocrypha
Biblical reference here. Pretty clever
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That is no way to start a writing project, let me tell you. You begin with a subject, gather material, and work your way to structure from there. You pile up volumes of notes and then figure out what you are going to do with them, not the other way around
He uses a personal anecdote about his writing experience to provide personal insight
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the busty Swede they expected turned into a short and bearded man.
The verbiage in this portion also adds to the humor as the use of 'turned into' is unconventional
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the busty Swede
Colloquial and keeps with the humorous writing already prevalent in the intro
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they didn’t give sex.
Spontaneousness adds to the humor and is a creative way to begin to talk about such a subject.
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They massaged everything from college football players to arthritic ancients
The use of everything instead of everyone dehumanizes their patients, both football players and arthritic ancients. Also, it adds humor to the statement in being so unconventional.
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