9 Matching Annotations
  1. Apr 2023
    1. Benefits of sharing permanent notes .t3_12gadut._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/bestlunchtoday at https://www.reddit.com/r/Zettelkasten/comments/12gadut/benefits_of_sharing_permanent_notes/

      I love the diversity of ideas here! So many different ways to do it all and perspectives on the pros/cons. It's all incredibly idiosyncratic, just like our notes.

      I probably default to a far extreme of sharing the vast majority of my notes openly to the public (at least the ones taken digitally which account for probably 95%). You can find them here: https://hypothes.is/users/chrisaldrich.

      Not many people notice or care, but I do know that a small handful follow and occasionally reply to them or email me questions. One or two people actually subscribe to them via RSS, and at least one has said that they know more about me, what I'm reading, what I'm interested in, and who I am by reading these over time. (I also personally follow a handful of people and tags there myself.) Some have remarked at how they appreciate watching my notes over time and then seeing the longer writing pieces they were integrated into. Some novice note takers have mentioned how much they appreciate being able to watch such a process of note taking turned into composition as examples which they might follow. Some just like a particular niche topic and follow it as a tag (so if you were interested in zettelkasten perhaps?) Why should I hide my conversation with the authors I read, or with my own zettelkasten unless it really needed to be private? Couldn't/shouldn't it all be part of "The Great Conversation"? The tougher part may be having means of appropriately focusing on and sharing this conversation without some of the ills and attention economy practices which plague the social space presently.

      There are a few notes here on this post that talk about social media and how this plays a role in making them public or not. I suppose that if I were putting it all on a popular platform like Twitter or Instagram then the use of the notes would be or could be considered more performative. Since mine are on what I would call a very quiet pseudo-social network, but one specifically intended for note taking, they tend to be far less performative in nature and the majority of the focus is solely on what I want to make and use them for. I have the opportunity and ability to make some private and occasionally do so. Perhaps if the traffic and notice of them became more prominent I would change my habits, but generally it has been a net positive to have put my sensemaking out into the public, though I will admit that I have a lot of privilege to be able to do so.

      Of course for those who just want my longer form stuff, there's a website/blog for that, though personally I think all the fun ideas at the bleeding edge are in my notes.

      Since some (u/deafpolygon, u/Magnifico99, and u/thiefspy; cc: u/FastSascha, u/A_Dull_Significance) have mentioned social media, Instagram, and journalists, I'll share a relevant old note with an example, which is also simultaneously an example of the benefit of having public notes to be able to point at, which u/PantsMcFail2 also does here with one of Andy Matuschak's public notes:

      [Prominent] Journalist John Dickerson indicates that he uses Instagram as a commonplace: https://www.instagram.com/jfdlibrary/ here he keeps a collection of photo "cards" with quotes from famous people rather than photos. He also keeps collections there of photos of notes from scraps of paper as well as photos of annotations he makes in books.

      It's reasonably well known that Ronald Reagan shared some of his personal notes and collected quotations with his speechwriting staff while he was President. I would say that this and other similar examples of collaborative zettelkasten or collaborative note taking and their uses would blunt u/deafpolygon's argument that shared notes (online or otherwise) are either just (or only) a wiki. The forms are somewhat similar, but not all exactly the same. I suspect others could add to these examples.

      And of course if you've been following along with all of my links, you'll have found yourself reading not only these words here, but also reading some of a directed conversation with entry points into my own personal zettelkasten, which you can also query as you like. I hope it has helped to increase the depth and level of the conversation, should you choose to enter into it. It's an open enough one that folks can pick and choose their own path through it as their interests dictate.

  2. Feb 2023
    1. If Seneca or Martial were around today, they would probably write sarcastic epigrams about the very public exhibition of reading text messages and in-your-face displays of texting. Digital reading, like the perusing of ancient scrolls, constitutes an important statement about who we are. Like the public readers of Martial’s Rome, the avid readers of text messages and other forms of social media appear to be everywhere. Though in both cases the performers of reading are tirelessly constructing their self-image, the identity they aspire to establish is very different. Young people sitting in a bar checking their phones for texts are not making a statement about their refined literary status. They are signalling that they are connected and – most importantly – that their attention is in constant demand.
  3. Apr 2022
    1. , as a key historical technology ofinvention. I intend this last term in the precise sense in which Derrida(1989) understands it, that is, as an oscillation between theperformative and the constative, with the former working to disruptitself (the performative) and the latter (the constative) – or whatmight be termed the unsettling operation of invention.

      Derrida's definition of invention

  4. Mar 2019
    1. perfornative sentence

      Performs an action affecting particulars in a way that cannot be measured or perceived outside of the moment in which the utterance takes place.

    2. Examples :

      Involve the:

      • creation of relationships
      • creation of dividing lines which, prior to the uttering of the sentence, did not 'exist'; i.e. prior to "I do" they were not married, but afterwards they are; prior to "I name this ship...", it had no name, but afterwards it does; they are historical mile markers of sorts.
      • involves particulars; not all women are my wife; this one is. Not all ships are named; but this one is.
      • must be said aloud or in print, and often needs to be backed by some legal authority to "legitimate" the action; of course, anybody can name something, but the 'officially recognized' name can only come from a certain privileged source / I can marry a random woman just by saying "I do" to her, but the 'marriage' is not recognized, etc'; privileges some constructs over others by a vested authority
      • also denote things that cannot be done for me; I must utter them in order for them to take effect (be true); they require agency (or the appearance of agency)
      • the statements themselves are neither true or false, they just are; ex-post we can decide that a subsequent statement identifying the brother as the legal heir to the watch is 'true' or 'false'; but the original declaration is neither(?)
      • involve the combination of words with some ceremony or ritual that somehow enshrines it (in the case of the bet maybe the ritual is the exchange of money, but not sure if that fits the bill). Almost like incantations of sorts.
  5. Jan 2019
    1. My aim is to contribute to effortsto sharpen the theoretical tool of performativity for science studies andfeminist and queer theory endeavors alike, and to promote their mutualconsideratio

      Summary: Social constructivist theories of knowledge aren't helpful because they get caught up in bouncing ideas around. Performative theories are better and ought to be considered, because they are practice-focused. Barad is offering them for consideration.

  6. Mar 2017
    1. here.

      I mean, yeah, isn't Derrida basically saying that language establishes our reality?

    2. Derrida then criticizes speech-act theory for relying on this exploded notion of context.

      This was actually a major point of contention in our senior seminar class a few weeks back, when we were reading J.L. Austin's speech-act theory in How to Do Things with Words. Particularly when we discussed how the similarity between performative and constative (non-performative) statements begins to increase when evaluating their infelicities (lack of success; failures):

      “In order to explain what can go wrong with statements we cannot just concentrate on the proposition involved (whatever that is) as has been done traditionally. We must consider the total situation in which the utterance is issued—the total speech-act—if we are to see the parallel between constative statements and performative utterances, and how each can go wrong."

      Austin urges us here to seek out context as a way of identifying how both performative and constative statements can go wrong (or become "infelicitous") in distinct ways. Though performative and constative statements may appear similar without proper context, Austin argues that they become clearly different when considering individual situations.

    1. he opposed the aesthetic view of literature as po-etic and contemplative, divorced from the world of action

      This is almost reminiscent of J.L. Austin's "How to Do Things with Words" and his theory surrounding performative utterances v. constative utterances. Language as direct action, or "speech-acts" and not mere nonsense.