Dorothy L. Sayers’ Strong Poison reads in as follows in its entirety: “JB puts this highest among the masterpieces. It has the strongest possible element of suspense—curiosity and the feeling one shares with Wimsey for Harriet Vane. The clues, the enigma, the free-love question, and the order of telling could not be improved upon. As for the somber opening, with the judge’s comments on how to make an omelet, it is sheer genius.”

John Bowers, Elaine Sedenberg, and I have described how that might work, suggesting that libraries can again serve as semi-closed archives of both public and private censorial actions online. We can build what the Germans used to call a giftschrank, a “poison cabinet” containing dangerous works that nonetheless should be preserved and accessible in certain circumstances. (Art imitates life: There is a “restricted section” in Harry Potter’s universe, and an aptly named “poison room” in the television adaptation of The Magicians.)

Aspartame fibrils were also found to induce hemolysis, causing DNA damage resulting in both apoptosis and necrosis-mediated cell death.

the use of sarin gas alone would produce 1 million casualties.

I am contented with the admission that rhetoric is of two sorts; one, which is mere flattery and disgraceful declamation; the other, which is noble and aims at the training and improvement of the souls of the citizens, and strives to say what is best, whether welcome or unwelcome, to the audience