Quotations and Literary Allusions spoken by Willy Wonka in the 1971 film, Willy Wonka and the Chocolate Factory<br /> by Thomas M. Brodhead<br /> https://bmt-systems.com/score/wonka.htm

Archived copy: https://web.archive.org/web/20200111135336/https://bmt-systems.com/score/wonka.htm

Was Coleridge the original source of the idea of suspension of disbelief?

6 Coleridge, S. T. (1819). Character of Sir Thomas Brown as a writer.Blackwood’s Magazine 6(32), 197.

There is definitely an art to writing interesting marginalia however. Perhaps something that requires practice?

Sam Anderson's would be intriguing I'm sure. Dick Macksey's marvelous. Anderson provides the example of people wanting books from [[Samuel Taylor Coleridge]] earlier in the piece.

I can only contrast this with some of the crazy minutiae an pedantry I've seen on Hypothes.is which makes me think that it's surely an art form.

I suspect some of it is that I'm missing the personal context with a particular person---a sense of continuity. Things get even worse when it's a piece annotated by a class which can create a cacophony of annotations. I see far too many "me too" annotations floating around in the margins that don't add anything to the conversation. (Hopefully I'm not guilty of this sin myself, but really, even my public annotations are a conversation between me and a piece and are only for my own benefit.)

Along with reference to Coleridge's "Rime of the Ancient Manner," Victor's hopeless plight reminds us somewhat of William Cowper's (1731-1800) "The Castaway" (1799). Victor, however, does not perish "each alone," but instead in the company of his new friend Walton. The Creature, by contrast, will choose to perish alone.

A tincture of opium, laudanum was popular among some English writers of the Romantic period including, most notably, Samuel Taylor Coleridge and Thomas de Quincey, whose Confessions of an English Opium Eater specifically related his experiences with and addiction to the drug.

This expression is a reference to Samuel Taylor Coleridge's poem "Rime of the Ancient Mariner," in which the Mariner inexplicably slays an albatross. The allusion may imply that Walton will play the role of Coleridge's Wedding Guest instead: he will listen to Victor's long, obsessive story that will ultimately be a confession of guilt, like the Ancient Mariner' tale. Since the poem was not published until September 1798, this reference also places the "17--" date of these letters as the summer of 1799. On the poem's role in the novel, see Beth Lau, "The Rime of the Ancient Mariner and Frankenstein," in Samuel Taylor Coleridge and the Sciences of Life, ed. Nicholas Roe (Oxford: Oxford University Press, 2001): 207-23.

In this addition to the 1831 edition, Shelley explicitly refers to her poetic source, Samuel Taylor Coleridge's "The Rime of the Ancient Mariner." Walton muses wistfully on the "dangerous mysteries" of the ocean, proposing their similarity to poetry like Coleridge's, and citing them as the root of his own profound yearnings for the dangerous and sublime discoveries of exploration.

Captain Delano's initial descriptions of the San Dominick, the initial descriptions of those on board, the ship's stasis in an extended calm (allegedly returning north from a voyage in the extreme southern region of the ocean -- near the South Pole), the alleged death of crew and passengers from lack of water, and the "strange fowl" accompanying the ship, are all reminiscent of passages in Coleridge's Rime of the Ancient Mariner )(1798) - especially Parts 2-4. Rime was first published a year before the setting of Benito Cereno.

Coleridge uses "it" for neutral singular