A few more apps have arrived since this was first published - I thought I would include three I've actually used the most.

• AirScrobble delivers a particularly powerful capability for scrobbling automatically... consecutively... to Last.fm as it identifies tracks playing ambiently. I set it in front of my TV for half of 100 Gecs' recent Boiler Room set and was quite astonished at the result.
• Finale is another Last.fm client which can fundamentally serve as an updated experience from Last.fm's own iOS offering. Its included tools also make pretty collages and can really deliver for those with friends on the service.
• MusicBox is my next favorite of Marcos Tanaka's music apps (behind MusicHarbor.) I've used it in place of the Apple Music API-enabled Siri Shortcuts suite I thought I was going to have to make (and could never figure out.) See Federico Viticci's review for more details.

https://web.archive.org/web/20100821080531/http://www.bbc.co.uk/music/developers

https://www.youtube.com/playlist?list=PLEmb0zMfRdvmSH2bO9UA95DSaHHSapZl2

YouTube playlist of five lessons of music theory using Dean Vaughn's so-called "Vaughn Cube".

https://forum.artofmemory.com/t/anyone-here-who-has-experience-with-the-vaughn-cube/41484

Dean Vaughn has a series of music theory videos from 2007 that utilizes what he calls a Vaughn cube which on first blush appears to be a standard numbered room as used in the method of loci.

cannot mark up text in frames - hence the markup on the referencing toc page

(see notated rhythm)

My (Entirely-Unsolicited) Thoughts on the most Casual Crue™'s 10th:

Ya know, my memory isn't so great anymore, but I remember my then best friend and most respected music authority resting pretty confidently in an argument about this sound, and those who peretuated it: that it was by nature/declaration substanceless, and therefore, those invested in it were either just superficial or.. idek anymore. Ingenuine, maybe?

I don't think I was even placating with him when I mostly went along with it - it did seem important to invest in more abrasive (read: edgy bs) pursuits. I thought I was resisting "nostalgia" and even invested most of my twenties trying to start an online culture/electronic music magazine in direct editorial opposition to regurgitation. Imo, though, any actual exposure to self-described "vaporwave" makes it very plain how utterly useless it is to cry nostalgia because - crucially - whatever form of it that may or may not be an established marker of this voice is completely devoid of the illness that has absolutely pervaded, destructively, throughout all manner of expression and exploitation in the past 10 years.

It is just not a constraining or negative force, here. I would propose, even, that it's been made, here, into the most powerful form of critique there possibly could be.

And the grief!!! and the mania!! In any sort of ... worldly-participatory context, it should not be some gargantuan leap for even the most cynical, repressed, bitter 50-something white music writer army to make the connections, here. Our tears are fucking digital, idiot.

...ANYway, sorry. I don't actually have any business talking about music, but I can express my big, soppy as hell appreciation for the nigh-inconceivable amount of quantitive life force for which this milestone is a handy opportunity to reflect.

!?

https://www.pbs.org/show/my-music-rhiannon-giddens/

2023 Sunday Afternoon Concert - Ojai Music Festival

2023 Sunday Morning Concert - Ojai Music Festival

OMAR'S JOURNEY – World Premiere - Ojai Music Festival

https://www.oberlin.edu/news/rhiannon-giddens-00-wins-2023-pulitzer-prize-music