- Last 7 days
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16:30 "But the only fatwa that has, in fact, said that no images of Mohammed are permitted, and that includes Islamic paintings, not just the cartoons, came out in 2013 in Saudi Arabia by a Salafi cleric whose name is Al-Munajid. And there are other fatwas like Asistani, the Shi'i cleric, who says these images are perfectly fine, as long as they're respectful."
20:00 Fatwas can be issued (like the above) in a vacuum without any real conversation within the Islamic community. Few years back even building a snowman fatwa as haram. Animals are decapitated in Saudi textbooks. People in 20th century having 14th century book that depicts a head, decapitating it (al-ras).
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15:30 The advent of media allowing for more images to be produced of the prophet. This in turn led to more anxiety under the Islamic community. See The Message (and the other movies) as examples of this increase of anxiety.
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05:00 Gruber discusses how the canon should be decolonised (how eurocentrism should be replaced with different centres of interests) and how showing the prophet actually contributes to that purpose (including 14th century Iran that portrays these depictions of Muhammad).
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07:30 Wow, interesting point: The people back then struggled with the question of how to depict prophetic and divine figures. How to do that? Certain anxieties underlying this.
08:30 A week before the incident, Lopez showed art in India and of the Buddha and so on. A whole course on how the divine is presented, and struggled with, in different regions and cultures, other than the West (an Eurocentric view).
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Severe lack of context of the incident, and the historical context of portraying Mohammed, is very evident here. The imam says "that we Muslims don't show images of the prophet" which is partially true, some Muslims don't. An interesting parallel with the general outcry of support for the teacher.
Jaylani Hussein says that most Muslims don't support portraying the prophet, whilst acknowledging that some do. (But portraying the prophet thus is not good). Even says it is Islamophobia at 2:00
"The president of the Muslim student association" Aram Wedetella also in the class speaks up.
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04:30 Question of how these images are now marginalised in the Islamic community. Came from the Ottoman Empire? Safi blames the rise of Salafi and Wahhabi movements. These images seem to portray mainly the mi'raj, ie spiritual and mystical dimensions. And the prophet portrayed in companion with other prophets (ie the universality of Islam).
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"We believe in academic freedom, but it should not and cannot be used to excuse away behavior that harms others." (STATEMENT FROM HAMLINE UNIVERSITY) The above statements shows the struggle that Hamline faced when deciding to fire Erika Lopez Prater. A tension between academic freedom and insulting others.
1:05 A good point by Safi is that the statements of the director was assuming that the freedom of speech was in direct opposition to the feelings of Muslims. This is not the case. A difference between iconical devotion within the Islamic tradition (both Sunni and Shia) and Charlie Hebdo examples.
03:00 Both to respect students and expand their horizons. Not everyone needs to agree with it.
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- Oct 2024
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www.youtube.com www.youtube.com
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NBC News - Muhammad Ali on not going to war
When was this published on NBC News?
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www.youtube.com www.youtube.com
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en.wikipedia.org en.wikipedia.org
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The film begins with Muhammad sending an invitation to accept Islam to the surrounding rulers: Heraclius, the Byzantine Emperor; Muqawqis, the Patriarch of Alexandria; Kisra, the Sasanian Emperor.
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The Message (Arabic: الرسالة, Ar-Risālah; originally known as Mohammad, Messenger of God) is a 1976 epic film directed and produced by Moustapha Akkad that chronicles the life and times of Muhammad, who is never directly depicted.[4]
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en.wikipedia.org en.wikipedia.org
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Bahira (Arabic: بَحِيرَىٰ, Classical Syriac: ܒܚܝܪܐ) is the name in Islamic tradition of a Christian monk who is said to have foretold Muhammad's prophethood when they met while Muhammad was accompanying his uncle Abu Talib on a trading trip.[1][2] There are several versions of the story, with elements that contradict each other.[3] All accounts of Bahira and his meeting with Muhammad have been deemed fictitious by modern historians[4][5][6][7][8][9][10] as well as by some medieval Muslim scholars, such as al-Dhahabi.
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en.wikipedia.org en.wikipedia.org
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The story ends with Muhammad's journey to Syria and encounter with Bahira.[7]
The image of Muhammad presented here seems to be of a prophet/messiah. Someone that is destined to salvage the human race. Interesting parallels with the Twelve Imams?
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Addressing the associated controversies, Majidi said, "The film contains no controversies and no differences between the Shia and the Sunni points of view."[8]
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In the beginning of the film, a message appears that states the film encompasses historical facts as well as free personal impressions about Muhammad. Accordingly, some of the film's events did not actually take place in real life, but are indeed similar to events in Muhammad's biography.[6] Majidi stated that the objective behind presenting these scenes is to show that the whole existence could feel Muhammad's presence as well as his mercy.
Interesting. This is a general problem with historical movies. There is almost no such thing as objectivity. By making a movie, you make choices, you select what makes the cut and what doesn't. and by doing so, you form a certain image of the prophet, in this case. The free personal impressions of Majid are in fact a way to represent a certain image of Muhammad.
From what I have read, Majid is blamed for putting forward a Shi'ite Muhammed forward in the movie. Perhaps his free personal impressions are expressed in this regard?
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By the order of Abraha, King of Habasha, one of his army commanders launches an attack on Mecca in order to destroy the Kaaba. He leads a well-equipped force of thousands of soldiers, horses and elephants. As the army approaches Mecca, the elephants respond to divine order by halting and refusing to continue. Millions of small birds then release a hail of stones onto Abraha's forces and the army is annihilated. A month later, Muhammad is born. The film depicts pre-Islamic Arabia as seen through the eyes of Muhammad from birth to the age of 13.[1]
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The film marks the highest-budget production in Iranian cinema to date.[3]
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Muhammad: The Messenger of God (Persian: محمد رسولالله, romanized: Mohammad Rasulollah) is a 2015 Iranian Islamic epic film directed by Majid Majidi and co-written with Kambuzia Partovi. Set in the sixth century, the plot revolves around the childhood of the Islamic prophet Muhammad.
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- Habesha
- Twelve Imams
- Iranian cinema
- 2015
- Majid Majidi
- Travel to Syria (Muhammad)
- Year of the Elephant
- prophet Muhammad
- Muhammad in film
- Sunni and Shia Islam
- jahiliyya
- Shia Islam
- pre-Islamic Arabia
- prophethood
- Abraha
- Muhammad The Messenger of God (2015)
- historical drama
- memory of Muhammad
- Bahira
- historical accuracy
- common swift (bird)
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sunnah.com sunnah.com
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Narrated An-Nu`man bin Bashir:Allah's Messenger (ﷺ) said, "You see the believers as regards their being merciful among themselves and showing love among themselves and being kind, resembling one body, so that, if any part of the body is not well then the whole body shares the sleeplessness (insomnia) and fever with it." حَدَّثَنَا أَبُو نُعَيْمٍ، حَدَّثَنَا زَكَرِيَّاءُ، عَنْ عَامِرٍ، قَالَ سَمِعْتُهُ يَقُولُ سَمِعْتُ النُّعْمَانَ بْنَ بَشِيرٍ، يَقُولُ قَالَ رَسُولُ اللَّهِ صلى الله عليه وسلم " تَرَى الْمُؤْمِنِينَ فِي تَرَاحُمِهِمْ وَتَوَادِّهِمْ وَتَعَاطُفِهِمْ كَمَثَلِ الْجَسَدِ إِذَا اشْتَكَى عُضْوًا تَدَاعَى لَهُ سَائِرُ جَسَدِهِ بِالسَّهَرِ وَالْحُمَّى ". Reference : Sahih al-Bukhari 6011
Prophet Muhammed in Sahih el-Bukhari how the ummah is like one (human) body. When one part hurts, the whole body hurts.
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- Feb 2024
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en.wikipedia.org en.wikipedia.org
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Banū Hāshim (Arabic: بنو هاشم) is an Arab clan within the Quraysh tribe to which Muhammad belonged, named after Muhammad's great-grandfather Hashim ibn Abd Manaf.
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en.wikipedia.org en.wikipedia.org
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Sirat Rasul Allah (The Life of God's Messenger) is a biography of the Islamic prophet Muhammad. Ibn Hisham published a further revised version of the book, under the same title Al-Sirah al-Nabawiyyah.
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- May 2022
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www.latimes.com www.latimes.com
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- Sep 2021
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Local file Local file
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Neither the Quran nor the hadith (Prophetic traditions) explicitly ban depictions of Muhammad, but the hadith do prohibit images of any living being.
although it is not written in the Qur'an, it is prohibited in the hadiths
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- Apr 2021
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www.cresquesproject.net www.cresquesproject.net
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Mecca. In this city, one finds the arch of Mohamed, the prophet of the Saracens who make a pilgrimage here from all regions.
We read a bit about Mecca in the background of Mansa Musa. He was well known for his pilgrimage to Mecca due to the world becoming aware of his great wealth. Mecca is seen as the holiest city of Islam as it was the birthplace of Muhammad, the Islamic Prophet. As the highlighted section stated, people would make a pilgrimage from all over in order to worship Allah and still do so today.
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