- Jun 2022
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Local file Local file
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Wayne LacsonForte: On My Way To Me
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- Jan 2022
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He majored in French studies at North Carolina Central University and received a master’s from Brown University, where he wrote his thesis on the influence of Black women in Baudelaire and Flaubert, and in the paintings of Delacroix.
Dissertation: North African figures in nineteenth century French painting and prose. Talley, André Leon.
Physical copy available, but not digital: https://bruknow.library.brown.edu/discovery/fulldisplay?docid=alma991040298339706966&context=L&vid=01BU_INST:BROWN&lang=en&search_scope=MyInst_and_CI&adaptor=Local%20Search%20Engine&tab=Everything&query=any,contains,Andr%C3%A9%20Leon%20Talley%20thesis&offset=0
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- Jun 2021
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koblik-arths.com koblik-arths.com
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Then, scale. Pollock's choice of enormous canvases served many purposes, chief of which for our discussion is that his mural-scale paintings ceased to become paintings and became environments.
Pollock wanted to create a world for his audience within an artwork and merge his paintings and audiences, which also makes a kind of separateness when people look at his works, reminding me of Barnett Newman. It is very interesting to learn more about some artists’ concepts, and I also noticed that his unique creation method of "drip painting" is very free and unfettered, which represents his unique artistic style.
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- Feb 2021
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joshdata.me joshdata.me
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- Dec 2019
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frankensteinvariorum.github.io frankensteinvariorum.github.io
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She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and her pale and distorted features half covered by her hair.
Shelley most likely drew this scene from Henry Fuseli's painting The Nightmare. See Anne Mellor, Mary Shelley: Her Life, Her Fiction, Her Monsters (New York: Routledge, 1988), p. 121.
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- Oct 2019
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hypothes.is hypothes.is
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- Dec 2017
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conversations.e-flux.com conversations.e-flux.com
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the painting should not be acceptable to anyone who cares or pretends to care about Black people because it is not acceptable for a white person to transmute Black suffering into profit and fun, though the practice has been normalized for a long time.
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- May 2017
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www.herodot.world www.herodot.worldHerodot1
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Guernica
photo of Pablo Picasso working on Guernica
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- Feb 2017
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idhmcmain.tamu.edu idhmcmain.tamu.edu
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It would be a good subject for the painter
sentimental, narrative painting
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- Jan 2017
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www.tryscribble.com www.tryscribble.com
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My chest, legs, and shoulders have gotten so big that I’ve outgrown all my suits.
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- Dec 2016
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www.tryscribble.com www.tryscribble.com
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you'll look like a Greek statue.
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- RR (Risk Reversal)
- B (Benefit)
- H (The Hook)
- KD (Key Desire/Hot Button)
- ITO (If > Then Opener)
- AO (Addressing Objections)
- PP (Problem or Pain)
- SP (Social Proof)
- WTC (What’s the Catch Addressed)
- S (Scarcity)
- IG (Instant Gratification)
- CE (The Common Enemy)
- F (Feature)
- CTA (Call to Action)
- PAP (Painting a Picture)
- CG (Curiosity Gap)
- ET (Emotional Trigger)
- OL (Open Loop)
- P (Promise)
- MBG (Money Back Guarantee)
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- Aug 2016
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brooklynrail.org brooklynrail.org
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There was a culture then, almost a requirement, that one needed to build platforms and contexts (social or political) to support one’s thesis, and then material practice would follow. These issues were pressing, because by this time I had begun to teach at Cooper Union. I was negotiating between promoting a rigorous painting model and a new context—conversations with students and colleagues about contemporary art issues and institutional critique. So it was a very complicated time for me as an educator, to figure out how to insist on a conversation about painting rigor in relation to contemporary art. I continued to go the way that I needed to with my own work, both protecting it from the institutional framework and furthering my ideas about painting in school and in the studio—it was a tough, amazing time.
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- Jun 2016
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ou-expo.nicklolordo.com ou-expo.nicklolordo.com0_title1
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ok, good! let's tag it--also: this annotation seems to have floated free--you meant to anchor it to the first paragraph of the book, yes?
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- Dec 2015
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52.31.110.75 52.31.110.75MusTag1
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Image trop petite?
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- Jan 2015
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www.uhno.se www.uhno.seUhnoArt1
- Jan 2014
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blog.peerlibrary.org blog.peerlibrary.org
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that’s the strange thing about writing, which makes it truly analogous to painting. The painter’s products stand before us as if they were alive, but if you question them, they maintain a most majestic silence. It is the same with written words; they seem to talk to you as if they were intelligent, but if you ask them anything about what they say, from a desire to be instructed, they go on telling you just the same thing forever.
Writing analogous to painting
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