15 Matching Annotations
  1. Jan 2023
  2. Sep 2022
    1. By the way, Luhmann's system is said to have had 35.000 cards. Jules Verne had 25.000. The sixteenth-century thinker Joachim Jungius is said to have had 150.000, and how many Leibniz had, we do not know, though we do know that he had one of the most ingenious piece of furniture for keeping his copious notes.

      Circa late 2011, he's positing Luhmann had 35,000 cards and not 90,000.

      Jules Verne used index cards. Joachim Jungius is said to have had 150,000 cards.

    2. In writing my dissertation and working on my first book, I used an index card system, characterized by the "one fact, one card" maxim, made popular by Beatrice Webb.

      Manfred Keuhn indicates that Webb popularized the idea of "one fact, one card", (and perhaps she may have helped re-popularize the idea in the 20th century) but Konrad Gessner (Pandectarum sive Partitionum Universalium. Zurich: Christoph Froschauer, 1548) had already advised "A new line should be used for every idea." Since Gessner then says that each line was to be cut up into an individual slip, the ideas are equivalent.

      link to: https://hypothes.is/a/uEboYlOwEeykkotYs594LA

    3. I have found that the "size of a thought" is usually not much larger than 500 words. Nicholson Baker, who has written an essay on "The Size of Thoughts" thinks that "most are about three feet tall, with the level of complexity of a lawnmower engine, or a cigarette lighter, or those tubes of toothpaste that, by mingling several hidden pastes and gels, create a pleasantly striped product." Mine are a lot smaller. It takes between 50 and 500 words for me to express one thought or one idea (or perhaps better a fragment of a thought or an idea, because thoughts and ideas usually are compounds of such fragments). See also Steven Berlin Johnson on his experiences with an electronic outliner, called Devonthink: http://www.stevenberlinjohnson.com/movabletype/archives/000230.html.

      What is the size of a single thought?

      500 words is about the size of a typical blog post. It's also about the size of a minimum recommended post for SEO purposes.

      Nice to see his link to Steven Johnson here as I think this is where I've seen similar thoughts recently myself.

    4. The idea that analysis must precede synthesis is old, of course. Galileo Galilei and René Descartes already thought it was necessary to distinguish between an analytic and a synthetic step in dealing with any problem.

      Langlois/Seignobos talk about this in their text Introduction aux études historiques (1879) as well, focusing especially on the analysis portion to have a solid base of historical information from which to build and create a synthesis.

  3. Jul 2022
    1. Beatrice Webb, the famous sociologist and political activist, reported in 1926: "'Every one agrees nowadays', observe the most noted French writers on the study of history, 'that it is advisable to collect materials on separate cards or slips of paper. . . . The advantages of this artifice are obvious; the detachability of the slips enables us to group them at will in a host of different combinations; if necessary, to change their places; it is easy to bring texts of the same kind together, and to incorporate additions, as they are acquired, in the interior of the groups to which they belong.'" [6]

      footnote:

      Webb 1926, p. 363. The number of scholars who have used the index card method is legion, especially in sociology and anthropology, but also in many other subjects. Claude Lévy-Strauss learned their use from Marcel Mauss and others, Roland Barthes used them, Charles Sanders Peirce relied on them, and William Van Orman Quine wrote his lectures on them, etc.

  4. Aug 2021
    1. http://www.connectedtext.com/manfred.php

      A nice essay about note taking in general, the author's long history using many methods including index cards and a variety of digital versions. Ultimately he settled on a private desktop wiki called ConnectedText.

      He talks about Luhmann's zettelkasten and some of the pros/cons as well as things that can be left out when implemented in a digital version like ConnectedText.

      He's reasonably connected to the tradition of note taking, though doesn't seem to be as steeped in the Renaissance traditions of commonplace books specifically.

    2. By contrast, a systematic ordering, which finds its contemporary equivalent in modern outliners, soon runs into difficulties. The anthropologist Alan MacFarlane noted some time ago that "one danger inherent in paper indexes is the amount of effort they take to add to and maintain. That means that more and more of the worker's energies go into the creation of the tools for research, and the less time there is to actually do the research and the writing." He traced this problem to the hierarchical classification that he thought paper makes necessary and complained that the system broke down at 40.000 cards because the preconceived categories proved inflexible. Luhmann's alternative avoids this problem.
    3. Another theoretician of the index card system, the German sociologist Niklas Luhman, whose so-called "Zettelkasten" (slip-box) has achieved independent fame in Germany, used to talk about this first analytic step as "reduction for the sake of [building] complexity." [9]

      Luhmann used the idea of "one card, one fact" as the first step of "reduction for the sake of [building] complexity."

      Historically reducing things to their smallest essential form or building blocks makes it much easier to build up new complex things from them.

      Examples of this include:

      • Reducing numbers to binary 1 and 0
      • tk

      footnote:

      See Luhmann, Niklas (2000) Short Cuts. Edited by Peter Gente, Heidi Paris, Martin Weinmann. Frankfurt/Main: Zweitausendeins), p. 33.

    4. In writing my dissertation and working on my first book, I used an index card system, characterized by the "one fact, one card" maxim, made popular by Beatrice Webb. [4]

      I've not come across Beatrice Webb before, but I'm curious to see what her system looks like based on this statement.

      From the footnotes:

      She observed in the appendix to her My Apprenticeship of 1926, called The Art of Note-Taking: "It is difficult to persuade the accomplished graduate of Oxford or Cambridge that an indispensable instrument in the technique of sociological enquiry - seeing that without it any of the methods of acquiring facts can seldom be used effectively - is the making of notes" Webb, Beatrice (1926) My Apprenticeship (London: Longmans, Green, and Co.), pp. 426-7.