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  1. Last 7 days
  2. Nov 2024
    1. @chrisaldrich Do you have some results from your online sessions? New insights from reading Doto's book?

      Reply to @Edmund https://forum.zettelkasten.de/discussion/comment/21907/#Comment_21907

      Doto's book is the best and tightest yet for explaining both how to implement a Luhmann-artig zettelkasten as well as why along with the affordances certain elements provide. He does a particularly good job of providing clear and straightforward definitions which have a muddy nature in some of the online spaces, which tends to cause issues for people new to the practice. Sadly, for me, there isn't much new insight due to the amount of experience and research I bring to the enterprise.

      I do like that Doto puts at least some emphasis on why one might want to use alphanumerics even in digital spaces, an idea which has broadly been sidelined in most contexts for lack of experience or concrete affordances for why one might do it.

      The other area he addresses, which most elide and the balance gloss over at best, is that of the discussion of using the zettelkasten for output. Though he touches on some particular methods and scaffolding, most of it is limited to suggestions based on his own experience rather than a broader set of structures and practices. This is probably the biggest area for potential expansion and examples I'd like to see, especially as I'm reading through Eustace Miles' How to Prepare Essays, Lectures, Articles, Books, Speeches and Letters, with Hints on Writing for the Press (London: Rivingtons, 1905).

      I could have had some more material in chapter 3 which has some fascinating, but still evolving work. Ideas like interstitial journaling and some of the related productivity methods are interesting, but Doto only barely scratches the surface on some of these techniques and methods which go beyond the traditional "zettelkasten space", but which certainly fall in his broader framing of "system for writing" promise.

      Doto's "triangle of creativity", a discussion of proximal feedback, has close parallels of Adler and Hutchins' idea of "The Great Conversation" (1952), which many are likely to miss.

      For those who missed out, Dan Allosso has posted video from the sessions at https://lifelonglearn.substack.com/ Sadly missing, unless you're in the book club, are some generally lively side chat discussions as the primary video discussion was proceeding. The sessions had a breadth of experiences from the new to the old hands as well as from students to teachers and everywhere in between.

  3. Oct 2024
    1. Value of knowledge in a zettelkasten as a function of reference(use/look up) frequency; links to other ideas; ease of recall without needing to look up (also a measure of usefulness); others?

      Define terms and create a mathematical equation of stocks and flows around this system of information. Maybe "knowledge complexity" or "information optimization"? see: https://hypothes.is/a/zejn0oscEe-zsjMPhgjL_Q

      takes into account the value of information from the perspective of a particular observer<br /> relative information value

      cross-reference: Umberto Eco on no piece of information is superior: https://hypothes.is/a/jqug2tNlEeyg2JfEczmepw

      Inspired by idea in https://hypothes.is/a/CdoMUJCYEe-VlxtqIFX4qA

    2. Here's my setup: Literature Notes go in the literature folder. Daily Notes serve as fleeting notes. Project-related Notes are organized in their specific project folders within a larger "Projects" folder.

      inspired by, but definitely not take from as not in evidence


      Many people have "daily notes" and "project notes" in what they consider to be their zettelkasten workflow. These can be thought of as subcategories of reference notes (aka literature notes, bibliographic notes). The references in these cases are simply different sorts of material than one would traditionally include in this category. Instead of indexing the ideas within a book or journal article, you're indexing what happened to you on a particular day (daily notes) or indexing ideas or progress on a particular project (project notes). Because they're different enough in type and form, you might keep them in their own "departments" (aka folders) within your system just the same way that with enough material one might break out their reference notes to separate books from newspapers, journal articles, or lectures.

      In general form and function they're all broadly serving the same functionality and acting as a ratchet and pawl on the information that is being collected. They capture context; they serve as reminder. The fact that some may be used less or referred to less frequently doesn't make them necessarily less important

    1. Another reason why it saves time is that here you canimply things instead of having to express them in full,for your Card-System and its Headings need only to beclear to yourself (see p. 67), whereas a complete Essayor Speech must be in Sentences and must be clear toyour readers or hearers as well. In the Cards you canuse all kinds of Abbreviations (p. 70) : these, again,need only be clear to yourself.

      Miles touches on the interplay of knowledge written down on index cards and the knowledge which is kept only in one's mind. Some practitioners in the space from 2013-2024 seem to imply that they're writing almost everything out in far deeper detail than Miles would indicate. In his incarnation, much of the knowledge might be more quickly indicated by a short sentence or heading which the brain can associate to longer explanations.

      This sort of indexing is akin to some of the method potentially seen in Marshall Mathers' zettelkasten.


      I'm creating a tag here for "card index for productivity" to track the idea of productivity in writing which I'm specifically using separately from the tag "card index as productivity system" which is used to describe their use for project tracking systems in systems like GTD, Memindex, etc.

    2. They ensure wonderful rapidity. A whole bookof thirty thousand words I have prepared (though ofcourse only roughly) in two hours, by the Card-System.Such a pace would have been impossible otherwise.This does not include any of the Dictation ; it merelyincludes the Collection and Selection of Ideas, andtheir Arrangement. The System is a wonderful savingof time,

      What work exactly does Miles include in his description of preparation of a 30,000 word book in two hours?

      He specifically excludes dictation. He does include selection of ideas and arrangement. He also says it includes "collection", but I'm supposing that he's taking a larger tranche of cards from a possibly massive collection and collecting only those he needs right now? Certainly the reading, thinking, and collecting work can't be included in this two hours of work.

      Does he have a better definition of what he means by collection?

    3. I generallyuse the Cards of the Library Bureau (Bloomsbury Street, London),or those by Messrs. Evans and Hallewell, 5, Ave Maria Lane,London, E.C. The latter are the cheaper.

      Love that Miles talks about what index cards he uses, where he gets them from and even their relative prices!

    4. I arrived at the Card-System by degrees, and was glad to findthat Prof. Wendell also recommended Cards. I have elaboratedthe System considerably in the last few months,

      Miles doesn't specify how he comes by the practice of a "Card-System" other than "by degrees" as well as elaborating on it in the months before he writes this book.

      (Having something more concrete would be nice though...)

      At some point he read Barrett Wendell's book on composition (1891) to discover that he recommended cards as well.

    5. Connecting Linkbetween twoSentences orParagraphs,

      Miles, 1905 uses an arrow symbol with a hash on it to indicate a "connecting link between two Sentences or Paragraphs, etc."

      It's certainly an early example of what we would now consider a hyperlink. It actively uses a "pointer" in it's incarnation.

      Are there earlier examples of these sorts of idea links in the historical record? Surely there were circles and arrows on a contiguous page, but what about links from one place to separate places (possibly using page numbers?) Indexing methods from 11/12C certainly acted as explicit sorts of pointers.

    6. no false economy r

      He's repeating (and thus emphasizing) the admonition that a card system is not expensive, particularly in relation to the savings in time and effort.

    7. These Cards (if used only once) should be labelledand catalogued very carefully.

      How does he define "labelled" and "catalogued"?

      Presumably he means a version of tagging/categorization and possibly indexing them to be able to easily find them again?

    8. At first, also, it might be thought that the Cardswould be inconvenient to use, but the personal ex-perience of thousands shows that, at any rate forbusiness-purposes, exactly the reverse is true

      Miles' uses the ubiquity of card systems (even at the writing in 1899, prior to publication) within business as evidence for bolstering their use in writing and composition.

      (Recall that he's also writing in the UK.)

    9. You can prepare your Letters any-where, even in the train, and so save a great deal oftime ; and it may be noticed here that the idlenessof people, during that great portion of their lives whichthey spend in travelling and waiting, can easily beavoided in this way.

      Using a card system, particularly while travelling, can help to more efficiently use one's time in preventing idleness while travelling and waiting.

    10. I often noticed that most Candidates inExaminations used to begin to write their Essays atonce. They never realised that their minds were there-by being distracted and divided among many differentprocesses, each of which is particularly hard even whentaken alone. For all at once their minds are being-called upon to Collect Ideas, to Select and decide whichare important, etc., to Arrange the Selected Ideas, andto Express them. To try all this as a single action is" most extraordinarily unscientific, even if a few brilliantgeniuses here and there have succeeded in the attempt.

      One of the major affordances of using a zettelkasten or card index for writing is that it forces the writer to break things down into their constituent parts, thereby making the entire process of writing far easier and less complex. One can separately focus their attention on the smaller steps of collecting, selecting, and arranging the material before beginning to actually write.

    11. Miles, Eustace Hamilton. How to Prepare Essays, Lectures, Articles, Books, Speeches and Letters, with Hints on Writing for the Press. London: Rivingtons, 1905. http://archive.org/details/howtoprepareessa00mileuoft.

    1. English composition: Eight lectures given at the Lowell Institute, New York: Charles Scribner's Sons, 1891.

      evidence of a card system/zettelkasten method in this?


      I found a copy and indeed there is evidence!

    1. Beyond the cards mentioned above, you should also capture any hard-to-classify thoughts, questions, and areas for further inquiry on separate cards. Regularly go through these to make sure that you are covering everything and that you don’t forget something.I consider these insurance cards because they won’t get lost in some notebook or scrap of paper, or email to oneself.

      Julius Reizen in reviewing over Umberto Eco's index card system in How to Write a Thesis, defines his own "insurance card" as one which contains "hard-to-classify thoughts, questions, and areas for further inquiry". These he would keep together so that they don't otherwise get lost in the variety of other locations one might keep them

      These might be akin to Ahrens' "fleeting notes" but are ones which may not easily or even immediately be converted in to "permanent notes" for one's zettelkasten. However, given their mission critical importance, they may be some of the most important cards in one's repository.

      link this to - idea of centralizing one's note taking practice to a single location

      Is this idea in Eco's book and Reizen is the one that gives it a name since some of the other categories have names? (examples: bibliographic index cards, reading index cards (aka literature notes), cards for themes, author index cards, quote index cards, idea index cards, connection cards). Were these "officially" named and categorized by Eco?

      May be worthwhile to create a grid of these naming systems and uses amongst some of the broader note taking methods. Where are they similar, where do they differ?


      Multi-search tools that have full access to multiple trusted data stores (ostensibly personal ones across notebooks, hard drives, social media services, etc.) could potentially solve the problem of needing to remember where you noted something.

      Currently, in the social media space especially, this is not a realized service.

    1. Not that it couldn't be done, but I'll suggest that following the structure/order of a Luhmann-artig zettelkasten may be a bit more limiting or difficult for creating fiction.

      There's a rich history of researching, outlining, and writing with card indexes as part of the creative process. Perhaps looking briefly at some examples particularly focusing on fiction may be helpful? Once you've done this, you can pick and choose the portions and affordances that work best for your preferred way of thinking and working.

      Some quick examples:

      Perhaps querying my digital zettelkasten may be helpful for you? Start with: https://hypothes.is/users/chrisaldrich?q=tag%3A%27card+index+for+writing%27

      Ultimately, you can only spend so much time going down the rabbit hole of how you ought to do this work and taking suggestions or reading about how others have done it. The more difficult but more fruitful portion is to pick a method which seems like it will work for you and experiment with it by actually using or evolving it for yourself. How you start may not necessarily be how you end, but you won't know what's best for you if you don't start. Practice, practice, practice will get you much farther faster.

      reply to u/Atreides_Lion at https://reddit.com/r/Zettelkasten/comments/1ft4r3z/a_very_important_matter_for_me/

  4. Sep 2024
    1. What do you mean with Zettelkasten ratchet? I am too unfamiliar with the word ratchet to really understand the meaning.[9:46 AM] Or if someone else has an idea and can help me out

      The additional "hidden context" is that the rachet/gear seen in many of these diagrams is usually attached to a radial spring (or some other device) which, as it is wound, stores energy which is later used by the bigger device in which the rachet and pawl are encased. Examples include the stem of watches, which when wound, store energy which the watch later uses to run as it counts the seconds. Another example is the mainspring of a typewriter which is attached to a ratchet/pawl set up; when you push the carriage to the right, the spring gets wound up and stores energy which is slowly expended by the escapement a space or a letter at a time as you type. In the zettelkasten analogy, the box and numbered cards placed in it act as the pawl (the wedge that prevents backward movement), as you add more and more information, you're storing/building up "potential energy" in small bits. This "stored energy" can be spent at a later time by allowing you to more easily write an article, paper, book, etc. In some sense, the zettelkasten (as most tools do) allows you a "mechanical advantage" in the writing process over trying to remember everything you've ever read and then relying on your ability to spit it all back out in a well-ordered manner.


      reply to Muhammed Ali at https://discord.com/channels/992400632390615070/992400632776507447/1286577013439594497

      continuation of https://hypothes.is/a/GTPIPnYiEe-GTUu4YcdeAQ

    1. databases are not designed to be browsed.

      Casey Newton makes this blanket statement. Any real evidence for this beyond his "gut"?

      Many "paper machines" like Niklas Luhmann's zettelkasten were almost custom made not just for searching, but for browsing through regularly much like commonplace books.

      Perhaps the question is really, how is your particular database designed?

    1. https://www.google.com/books/edition/Geyer_s_Stationer/Ml7lJzdUNFIC?hl=en&gbpv=0<br /> Geyer's Stationer<br /> Devoted to the Interests of the Stationery, Fancy Goods and Notion Trades · Volume 82<br /> 1926

      page 36 of the 1926 December issue has a "Rapidex" product for the telephone which sounds ostensibly like a Rolodex-type system

  5. Aug 2024
    1. Advanced Typing - Shortcuts (1943)

      Advanced Typing: Shortcuts. 16 mm. Vol. MN-1512c. United States Navy Training Film, 1943. https://www.youtube.com/watch?v=JUJfCfqgsX0.

      Correct typing posture: fingers curved<br /> arms sloping up<br /> light fast strokes<br /> steady rhythm

      fast continuous motion of return lever<br /> using backing sheet (aka temping sheet ??)

      Shortcuts:<br /> mise en place for office supplies (she doesn't use this phrasing though) - greater efficiency - cuts down on searching

      tabulators can be helpful. There are two types:<br /> - automatic - handset

      Use tabs for paragraphs, dating letters, columns of numbers, and letter closings.

      To clear all tab stops, put carriage to left, hold tab clear key and move the carriage across. (Usually applies to Royal, Remington, Underwood, and Electromatic).

      On LC Smith and Woodstock machines sometimes have a tab clear lever on the back.

      Decimal tabulator keys help to align a variety of numbers around a decimal point.

      Always have a few tabs set to prevent a flying carriage which can be hard on the machine.

      When using carbon sheets which are slightly longer than the paper size, cut off a small triangle at the top left hand side. This makes it easier for one to separate the carbons from the copies by holding the top left with one hand and pulling the carbons out from the bottom of the stack.

      To align multiple sheets of paper for carbon copies, use a folded sheet at the top to taco the pages into the machine. Remove the folded sheet once the carbon pack is rolled forward.

      Paper bail rollers should be set to split the pages into thirds (for two rollers).

      Remington noiseless machines have a pressure indicator on the front of the machine (usually above the keyboard) which can be used when using thick carbon packs that may cause the ribbon guide to stick or bind.

      Only erase when the carriage is fully left or right to prevent eraser crumbs from falling into the machine.

      Use a soft eraser on carbon copies. Use and insert slips of paper behind the carbons and allowing them to stick out the sides, erasing from back sheet to front so as not to allow the eraser to mark your carbon copies. For the front sheet, use a shield and ink eraser and erase with a horizontal motion. After erasing, easily pull out the inserted sheets.

      When typing a correction, tap the key lightly two or three times rather than hard once.

      When in a rush and it's necessary to add a word (on double spacing), underline the last letter of the prior word and type a slash (/). Then move the typing line up and type the insertion above the prior line. This creates an "arrow" of sorts for the inserted word.

      Details for inserting extra letters in misspelled words using half-spacing machines. (Underwoods and Electromatics don't have this function.)

      Light pencil marks at the bottom of the sheet can help to indicate the coming bottom of the sheet.

      Putting up the card holders (fingers) on Underwoods and Royals. They help to hold the card and improve print quality and reduce noise.

      Card holders can cause markings on carbon packs if they're not lowered.

      Trick for quickly writing postcards in succession: Disengage the ratchet using the platen spring release (or variable platen switch) Type the address on the front of the card. When done give the platen a quick practiced spin. The postcard with "jump" up and stop at the paper table and be in position for rolling in the opposite direction to write the message on the back of the card! When done a faster spin of the platen will shoot the card over the back of the typewriter where it can land in a box to collect all the postcards which were written in such a manner. <br /> timestamp 23:22

      Time saving methods for addressing envelopes:

      • Front seat principle. Insert the envelope in the usual way and type out the address. When done, turn the envelope down through the machine with the right hand. With the left hand, place the next envelope between the top of the first envelope and the front of the platen. Feed the first envelope back through the machine (in reverse) and the second will be rolled in to place for typing. Continue in this fashion until finished. All the finished envelopes will stack up in the back at the paper table.

      • Chain feeding. The first envelope is inserted and rolled partway into the machine. A second envelope is inserted between the platen and the second envelope (behind the platen). Turn the first envelope to the writing line and type the address. Take out the first envelope and insert the next the same way as before.

      • Uses paper bail. Do the first envelope in the usual way. Spin it out of the machine up and behind the paper bail into a box behind the typewriter.

      For quickly doing labels or small cards:<br /> Create a small zig-zag fold into a piece of paper to create a pocket slot which can be scotch taped on either side. This template paper can then be inserted so that the pocket is visible above the writing line, but the paper below it is still in the platen. The label or card can be placed into the pocket and the platen reversed to feed the label or card in backwards to the desired typing line. Using a v-groove or hole in the typing line can create a pencil line to serve as a guide for inserting many labels at the same place so that the typing lines up between labels.

      Some offices had special platens for holding cards like this.

      Pockets like this can also be used to hold the page to add additional lines at the bottom of pages. Deeper pockets may need to be used for doing this with carbon packs whose carbons are longer than the pages.

      Alternately one can do something similar by creating a inverted u-shaped set of slits into an index card. to hold such labels.

      When in the midst of a page and needing to do another piece urgently, roll back the letter until about 2 inches from the top, and then place in the new page and one between each of the carbons. Then roll forward to do the short message as necessary. Turn back to the insertion position to remove the copies and then continue with the first letter where you left off.

      For drawing horizontal lines on typewriter paper, push the carriage to the extreme left and place the pencil or pen at the edge of the card guide and the scale. Then move the carriage to the right to effect the line. For vertical lines, put the carriage at the desired space and place the pencil at the card guide and scale and move the platen up/down as necessary.

    1. Ugmonk released a limited edition of 100 archive boxes for their Analog productivity cards today at 7AM (Pacific) for $229.00 (including 12 card packs and a metal divider). It sold out within two and a half hours.

      With the inclusion of this archive box it makes the system much more like the original Memindex system.

      https://ugmonk.com/products/analog-archive-box-walnut?variant=43942761562262

  6. Jul 2024
    1. Given my current r/typewriter flair ("typewriters + card index = magic"), I couldn't help but appreciate that Lucas Dul features a 3x5" card index (aka database) of typewriter typefaces in a recent video on the 1896 Williams 3 typewriter: https://youtu.be/T1zzXwB3Xh8?si=K4FeiS-V_aev9_SZ&t=506. Those who have been following along on the typeface front will recognize some of the samples from this small index having been featured in a video on typewriter typefaces at https://www.youtube.com/watch?v=scrguKgDNIY.

      I'm reminded of a similar card index (or Zettelkasten if you speak German) database of type I saw last year via the Letterform Archive article at Schriftenkartei [Typeface Index], 1958–1971 and a related Flickr version of it at https://www.flickr.com/photos/letterformarchive/albums/72177720310834741/

      Lest you think these sorts of analog office pairings are completely obsolete, I feel compelled to mention that I've recently noticed that Pam Beasley's character had both an IBM typewriter and a metal 1970s/80s era two drawer metal card file behind her desk in the TV series The Office (NBC, 2005-2013).

      If typewriters and card indexes are your sort of thing, I've got a small personal collection as well as some research and writing about them which can be found at https://boffosocko.com/research/zettelkasten-commonplace-books-and-note-taking-collection/#Boxes

      If you follow my collections and work, you know I'm not beyond pairing up a nice typewriter with a card index (or two).

      img

      Image of a 1948 Royal and a matching Steelcase card index.

      Syndication link: https://www.reddit.com/r/typewriters/comments/1e5u5z3/era_appropriate_database_for_typewriter_typefaces/

    1. This lovely old file cabinet is 52" high x 14-3/4" wide x 27-1/2" deep. Each drawer is 6-1/8" wide x 4-6/8" high x 18-1/4" deep. It has a few scratches on the side, but nothing that can't be touched up. Otherwise, it's in good condition. In the early 80's, I worked on a TV series called "Cassie & Co." starring Angie Dickinson. This (and another antique file cabinet) was purchased and used as set dressing in Angie/Cassie's office. When the show was canceled, I bought the cabinets and have had them ever since. I don't have specific background info on them.

      https://www.facebook.com/marketplace/item/3801438776811728/

      Sold · Antique 16-Drawer Library Card File Cabinet

      Purchased for $250

      cost per drawer $15.63

  7. May 2024
    1. Nabokov’s working notecards for “Lolita.”

      Nabokov used index cards for his research and writing. In one index card for research on Lolita, he creates a "weight-heigh-age table for girls of school age" to be able to specify Lolita's measurements. He also researched the Colt catalog of 1940 to get gun specifications to make those small points realistic in his writing.

      syndication link

    1. I have run across Jeff Shelton's Analog system (originally via Kickstarter) before. Thanks for the reminder.

      There's also a slew of others, especially for folks looking at commercially preprinted cards (though I tend to think they're overpriced compared to blank cards): - The Hipster PDA (Parietal Disgorgement Aid) https://web.archive.org/web/20040906150523/https://merlin.blogs.com/43folders/2004/09/introducing_the.html - Pile of Index Cards (PoIC) https://www.flickr.com/photos/hawkexpress/albums/72157594200490122/ - Levenger https://www.levenger.com/products/triple-decker-pocket-planner?variant=42485422424213 (among others they carry including pocket briefcases) - Notsu https://notsubrand.com/ - Baronfig / Strategist: https://baronfig.com/products/strategist?variant=39787199529043 - Jeff Shelton's Analog system https://ugmonk.com/ - 3x5 Life https://www.3x5life.com/ - Foglietto https://www.nerosnotes.co.uk/collections/foglietto - Jot & Mark https://amzn.to/3Qs26Je

      Am I missing any significant or influential examples, particularly branded ones?

      Hubnote for 3 x 5" index cards for productivity

  8. Apr 2024
    1. The Varidex is the name given to onemethod-a direct expanding index made inletter , bill and le gal sizes. In this systemthe general plan of tab positions is similarto the direct alphabetic system. It main-tains the fam iliar sectional arrangementfor guide s, individual and )Jliscellaneousfo ld er s.
    1. scihuy 0 points1 point2 points 2 hours ago (1 child)Hi, Can you point out any articles on note-taking in the sciences as opposed to history or social sciences? Any pointers would be very helpful

      reply to u/scihuy at https://www.reddit.com/r/Zettelkasten/comments/1c2b2d6/note_taking_in_the_past/kzcg3qa/

      I posed your question to my own card index:

      Generally scientists haven't spent the time to talk about their methods the way those in the social sciences and humanities are apt to do. This being said, their methods are unsurprisingly all the same.

      If you want to look up examples, you can delve into the nachlass (digitized or not) of most of the famous scientists and mathematicians out there to verify this. Ramon Llull certainly wrote, but broadly memorized all of his work; Newton had his wastebooks; Leibnitz used Thomas Harrison's Ark of Studies cabinet; Carl Linnaeus "invented" index cards for his work (search for the work of Staffan Müller-Wille and Isabelle Charmantier); Erasmus Darwin and Charles Darwin both used commonplace books; physicist Mario Bunge had a significant zettelkasten practice; Richard Feynman used notebooks; engineer Ross Ashby used a combination of notebooks which he indexed using a card index.

      For historical reasons, most used a commonplace book method in which they indexed against keywords rather than Luhmann's variation, but broadly the results are the same either way.

      Computer scientist Gerald Weinberg is one of the few I'm aware of within the sciences who's written a note taking manual, but again, his method is broadly the same as that described by other writers for centuries:

      Weinberg, Gerald M. Weinberg on Writing: The Fieldstone Method. New York, N.Y: Dorset House, 2005.

      I identify as both a mathematician and an engineer, and I have a paper-based zettelkasten for these areas, primarily as I prefer writing out equations versus attempting to write everything out as LaTeX. I'm sure others here could add their experiences as well. I've previously written about zettelkasten from the framing of set theory, topology, dense sets, and have even touched on it with respect to the ideas of equivalence classes and category theory, though I haven't published much in depth here as most don't have the mathematical sophistication to appreciate the structures and analogies.

    1. Michael Macdonald amassed a vast collection of photographs of these texts and launched a digital Safaitic database, with the help of Laïla Nehmé, a French archeologist and one of the world’s leading experts on early Arabic inscriptions. “When we started working, Michael’s corpus was all on index cards,” Nehmé recalled. “With the database, you could search for sequences of words across the whole collection, and you could study them statistically. It worked beautifully.”

      Researcher Michael Macdonald created a card index database of safaitic inscriptions which he and French archaeologist Laïla Nehmé eventually morphed into a digital database which included a collection of photographs of the extant texts.

    1. "I made a great study of theology at one time," said Mr Brooke, as if to explain the insight just manifested. "I know something of all schools. I knewWilberforce in his best days.6Do you know Wilberforce?"Mr Casaubon said, "No.""Well, Wilberforce was perhaps not enough of a thinker; but if I went intoParliament, as I have been asked to do, I should sit on the independent bench,as Wilberforce did, and work at philanthropy."Mr Casaubon bowed, and observed that it was a wide field."Yes," said Mr Brooke, with an easy smile, "but I have documents. I began along while ago to collect documents. They want arranging, but when a question has struck me, I have written to somebody and got an answer. I have documents at my back. But now, how do you arrange your documents?""In pigeon-holes partly," said Mr Casaubon, with rather a startled air of effort."Ah, pigeon-holes will not do. I have tried pigeon-holes, but everything getsmixed in pigeon-holes: I never know whether a paper is in A or Z.""I wish you would let me sort your papers for you, uncle," said Dorothea. "Iwould letter them all, and then make a list of subjects under each letter."Mr Casaubon gravely smiled approval, and said to Mr Brooke, "You have anexcellent secretary at hand, you perceive.""No, no," said Mr Brooke, shaking his head; "I cannot let young ladies meddle with my documents. Young ladies are too flighty."Dorothea felt hurt. Mr Casaubon would think that her uncle had some special reason for delivering this opinion, whereas the remark lay in his mind aslightly as the broken wing of an insect among all the other fragments there, anda chance current had sent it alighting on her.When the two girls were in the drawing-room alone, Celia said —"How very ugly Mr Casaubon is!""Celia! He is one of the most distinguished-looking men I ever saw. He is remarkably like the portrait of Locke. He has the same deep eye-sockets."

      Fascinating that within a section or prose about indexing within MiddleMarch (set in 1829 to 1832 and published in 1871-1872), George Eliot compares a character's distinguished appearance to that of John Locke!

      Mr. Brooke asks for advice about arranging notes as he has tried pigeon holes but has the common issue of multiple storage and can't remember under which letter he's filed his particular note. Mr. Casaubon indicates that he uses pigeon-holes.

      Dorothea Brooke mentions that she knows how to properly index papers so that they might be searched for and found later. She is likely aware of John Locke's indexing method from 1685 (or in English in 1706) and in the same scene compares Mr. Casaubon's appearance to Locke.

    1. [Narrator]: The Cluttered Desk, Index Card,file folders, the in-out basket, the calculator.These are the tools of the office professional's past.Since the dawn of the computer age, better machines have always meant bigger and more powerful.But the software could not accommodate the needs of office professionals who are responsiblefor the look, shape and feel of tomorrow.

      In 1983, at the dawn of the personal computer age, Apple Inc. in promotional film entitled "Lisa Soul Of A New Machine" touted their new computer, a 16-bit dual disk drive "personal office system", as something that would do away with "the cluttered desk, index cards, file folders, the in-out basket, [and] the calculator." (00:01)

      Some of these things moved to the realm of the computer including the messy desk(top) now giving people two messy desks, a real one and a virtual one. The database-like structure of the card index also moved over, but the subjective index and its search power were substituted for a lower level concordance search.


      30 years on, for most people, the value of the database idea behind the humble "index card" has long since disappeared and so it seems here as if it's "just" another piece of cluttery paper.


      Appreciate the rosy framing of the juxtaposition of "past" and "future" jumping over the idea of the here and now which includes the thing they're selling, the Lisa computer. They're selling the idealized and unclear future even though it's really just today.

    1. For the purpose of indexing we shall divide 73our stock of names or terms into those ofconcretes, processes and countries, concretes being the com-modities with which we are concerned, processes indicatingtheir actions, and countries indicating the localities with whichthe concretes are connected (295 et seq.) .

      There are likely other metadata he may be missing here: - in particular dates/times/time periods which may be useful for the historians. - others? - general forms of useful metadata from a database perspective?

    2. You cannot buy a ready-made intelligence departmenton which to run your business.
    3. The subject is treated quite dispassionately,no particular file or cabinet is thrust upon the reader, but the re-quirements of ideal appliances and the state of existing ones aredescribed.

      Further evidence to the claim at https://hypothes.is/a/iQwqzvC4Ee6PrNfzDQurog

    4. Automobile and Carriage Builders' Journal, October 1908. Duringthe last five or six years the carriage builder has been adopting,perhaps slowly, and often unwillingly, the card system in his office.,owing to the extra detail the motor business has brought with it.It will have probably been introduced by a new partner who hasbrought new money into the business, when extra funds were necessaryto cope with the new state of affairs. The motor manufacturer usesit instinctively, for he brings with him,

      as a rule, the law, order, and precision of an engineer's office.

      There's an interesting dichotomy presented here about the tech forwardness of the automobile industry in 1908 versus the tech reticence of the carriage builders in regard to adopting card indexes with respect to their related (though different) industries.

      Me (sarcastically):<br /> "Oh, those backwards carriage builders will get with the 'program' any day now..."

    5. card system are indebted tothese catalogues for their information. But all these publications areprimarily concerned with the particular cabinet or file of the firm inwhose interest they are published.

      Variations of card index systems were published in booklet form by filing cabinet manufacturers as a means of selling not only their cabinets, but their systems for using them was common in the early 1900s. Examples of magazine advertisements in System Magazine back this up. It is also specifically highlighted in a review of J. Kaiser's book "The Card System at the Office" from Ironmonger (1909-10-03) which appreciates a more fully fleshed out version of a card index system in book form without mention of specific manufacturing firms.

    6. o businesses of varied sizes are set forth and their working illustrated."We note with appreciation the author's use of "flags" as indic.itors.Our experience of these handy and ingenious little devices datesfrom their first introduction in the States, and we can endorse all that"he says in their favour.

      When were bookmark-like "flags" introduced in America? (Certainly prior to 1908, based on this reference.)

    7. Yet it is doubtful whether since theintroduction of the typewriter there has been an invention so beneficialto modern business as the card-index system.
    8. So far as we are aware, this is the first adequatebook on the card system which has been published in this country.In the main, information on the subject has only been procurablefrom the catalogues and booklets (many of them excellent andinforming; issued by the manufacturers of the impedimenta of thesystem,

      anecdotal evidence from Ironmonger (1908) that this is the first card index book and prior versions are only of shorter booklet-like forms.

      (Naturally, I don't trust this in the fullest sense.)

    1. To run a system effectively, we must be prepared 355Servant to uphold it ourselves, we must give the examplein effective work, we must be the first to submitto it although we supply the directing energy to run it. If we thinkourselves above our own system, then it has already ceased to exist.We must bear in mind therefore that any rules we may make, anyinstructions we may give, any supervision we may effect, applyto ourselves equally with others. We may be the masters of thesystem, we are also its servants, but for all that we need not beslaves to it.
    2. It is therefore best to prepare a Daily List

      The description here is almost similar to interdepartmental memos or corporate emails which are sent out now instead. This information flows out, but broadly isn't kept or filed in the same sorts of ways.

    3. A four drawer cabinetis as a rule ample for the purposes of the key cabinet.

      Key cabinets are used to control the information found in other card indexes as well as for private business information which should be restricted within a firm.

    4. Business In former years the account ledger representedLedger

      Business Ledger

      This section looks at index cards for communication to/from clients and appropriate follow up with respect to sales management in a manufacturing firm. It broadly represents some examples of how one would do larger scale project management and follow up with index cards.

    5. Chronological registers or directories may beRegisters used for a variety of purposes in almost everyoffice, not only as future reminders^ but alsoas records of past events.

      Broadly this sounds like an indexed corporate diary of sorts, but his use of future reminders (or ticklers in the footnote) certainly points to the use of index cards in a Memindex-like fashion.

      Keep in mind that he's writing in Britain and the Memindex from 1903 was a US-based product, though similar ideas may have been used at the time across the pond.

    6. Summaries*

      examples of specific workflows within Kaiser's card system

  9. Mar 2024
    1. https://www.ebay.com/itm/276403515343 <br /> archived copy

      In 1984, Memindex was selling monthly planning calendars (pocket notebook size with spiral binding and a case) rather than their older small index card sized formats. Their calendar format looks eerily like what Day-Timer, a division of ACCO Brands, has been selling since at least the early 1990s.

      This goes down to even the "cut here" triangles in the lower right corners of pages to help bookmark the current page.

    1. 163

      Early 20th century mail merge using a card index!

    2. It was said (76) that it isimpossible to devise a system wliich could be applied universally,the card registers give a very clear illustration of tliis.

      This is a restatement that a particular system should be customized to its users.

      There is potential that a system could be applied universally, but it requires a very large amount of data and metadata to suit the needs of a greater number of people and use cases. It also requires a reasonable amount of work in practical use to make it operate as expected.

      The Mundaneum was likely close on paper and Google comes close to this, but still isn't perfect.

      quote via ¶76 and 92

    3. Devising Once a proper system has been devised, it requiresCard Systems

      Devising Card Systems

      Many modern-day note takers and knowledge workers might take solace in the broad advice provided by J. Kaiser in 1908. In describing some of the broad categories of uses of card index filing systems for business use he says that each entity "has its individual character and individual requirements, and its individual character" (ie, everyone is different and has different needs), therefore everyone "must devise [their] system in accordance with [their] own requirements" and should "be the best judge as to what these requirements are." He continues on in the rest of the book to outline a variety of suggestions and methods which one might use or adopt, but he doesn't dictate specific methods and leaves those decisions up to the end user.

      When devising their own systems, one certainly ought to heed this advice when looking at a variety of alternative methods like Forte's P.A.R.A., Milo's LYT, or even in mimicking Luhmann's idiosyncratic Zettelkasten set up. Are these methods best for your particular use cases? Are they simple enough for what you want to do, or are they overly structured and complicated? The key is to be able to classify and file things quickly so that they can be easily accessed in the future, all the rest becomes additional details and overhead to support on an ongoing basis.

      (¶76)

    4. Elaborate library classifications were either inapplicable or much 74too complicated and therefore unmanageable. Their applicationto business was out of the question. Something simple, easy toimderstand and easy to handle was required. This was foundin the numerical arrangement. The numerical classification inspite of its arbitrary character will always have this advantagethat it ensures accuracy with the least trouble, and this is stillmore the case where large quantities are handled. It was quitenatural therefore that this should be preferred for business purposes.As there are many sets of things arranged numerically, it isnecessary to distinguish one set from the other, so as to know towhat set a given number refers. This is done by affixing dis-tinguishing initials to the numbers, each class being assigned somecharacteristic initial of its own.

      In describing classification schemes for card index-based business uses, Julius Kaiser indicated in 1908 that "elaborate library classifications were either inapplicable or much too complicated and therefore unmanageable." This is in part because of the standardization of the Dewey Decimal System, which may have provided efficiencies for library systems, but proved too rigid for the idiosyncrasies of a variety of businesses. Instead he describes an alpha-numeric system in which numbers provide simple means of finding while the initial alphabetic codes assign specific office-related classes (correspondence, press cuttings, catalogs, etc.) to the indexed materials.

    5. But by means of the cards, these materials canbe arranged and re-arranged in almost endless variety, we mayclassify them roughly or minutely, we may arrange them by thealphabet, by numbers, trades or professions, territories, we maylimit ourselves to certain trades or territories only
    6. The card system has undoubtedly come to stayand will more and more replace the book system.

      grin

    7. It must not be forgotten that the directaim of the card system is : maximum of work with minimumof labour (60).
    8. It will be seen from the foregoing that care isrequired in the appKcation of the card system,and that neglect must sooner or later lead to failure. There wasindeed a time when it seemed doubtful whether the card systemwould survive the first attempts. It was even tried and abandonedby some. These early failures were in the main due to the absenceof expert labour and to the higher order of accuracy required ascompared with the book system. The systems were not thenplanned out with that care that is bestowed upon them now. Onesystem would be started and presently there would be a decisionto alter it so as to fall in with riper experience. In the absenceof one system consistently adhered to the files soon got into achaotic condition until at last they had to be abandoned, for infact they had become useless.

      This sort of failure is still seen today with people setting up note taking systems in a variety of digital environments.

    9. It is there-fore to be expected that the initial cost of the card system is nota fair criterion of its cost when in working order.

      Setting up and learning a note taking or card index system has a reasonably large up-front cost, but learning it well and being able to rely on it over long periods of time will eventually reap larger and cheaper long-term outcomes and benefits.

      Unless changing systems creates dramatically larger improvements, the cost of change will surely swamp the benefits making the switch useless. This advice given by Kaiser is still as true today as it was in 1908, we tend not to think about the efficiency as much now as he may have then however and fall trap to shiny object syndrome.

    10. Accuracy This is one of the chief claims of the card system. 63To increase accuracy in fUing, the materials arealways arranged numerically. We thereby approach as nearlyas possible to mathematical exactness. The advantages of thecard system become more and more apparejit as the files increasein bulk, and accuracy must remain a constant factor in aU workconnected with it. It will also bring its reward in the smoothworking of the files and the immediate accessibility of anythingrequired. In accuracy might be included consistency, which isindispensable for effective work (356).

      In modern, digital settings, the work of approapriately indexing content is lost in exchange for other forms of organization (tagging, for example), this means one is less reliant on an index for looking up material and more reliant on concordance search of particular words within an ever-growing corpus of collected knowledge.

      Over time and with scale, simple tagging may become overwhelming as a search method for finding the requisite material, even when one knows it exists.

      As a result a repository may do better in the long run with a small handful of carefully applied rules from the start.

    11. Labour saving therefore means systematic application of expertlabour.

      This quote is broadly recognized in economic settings as true, but few in the knowledge management space place emphasis or focus on designing both simple systems which are easy to master and use on a regular, ongoing basis. This allows the knowledge worker the ability to more quickly (almost blindly) handle their indexing and filing operations so that things are precisely where they need them when required for use.

      Poor design will not only decrease the ease of use, but also discourage the user from both efficiently using and benefiting from their systems.

      Even simple and efficient filing systems require familiarity and expertise for them to effect useful gains to their users, and prove their effectiveness over time. If a user can't get to a basic level of functionality in short time, they're likely to give up on it and never see the ultimate benefits.

    12. The development of the card system and itsmore universal adoption within recent years isundoubtedly due in the mail to the development in modernbusiness and factory organisation ; it may be regarded as anoffspring of manufacture in quantities. (Massenfabrikation, Gross-industrie.) The recognised principle in manufacture in quantities ismaximum of output with minimum of labour. The means to attainthis end is specialisation, which in its turn yields greater precisionand accuracy as it^ result. All this is equally applicable to thecard system, and the last factor, greater precision and accuracy,is one of its most conspicuous claims.

      Julius Kaiser contemporaneously posits that mass manufacture and maximizing efficiency (greater output for minimum input) are the primary drivers of card index system use in the early 20th century. These also improve both precision and accuracy in handling information which allow for better company or factory operation, which would have been rising concerns for businesses and manufacturing operations at the rise of scientific management during the time period.

    13. Card Each drawer should be provided with a catchDrawers

      Given this date, he's potentially either giving advice to consumers about what to buy or manufacturers about how to design and improve their systems.

    14. It requires but a moment's reflection to perceivethat even the vertical files with the correspondence binders arebut an imitation of a set of cards, on a larger scale. The set ofcards can fairly be regarded as the basis of the entire system,hence it is properly called the card system.

      He notes the general equivalency of cards and papers in vertical files.

      One of the primary affordances that individual atomic cards have is the ability to more easily re-arrange and reuse them for various purposes in comparison with larger sheets with greater amounts of data on them.

    15. When the card guidesare also used for classification purposes (144) a specially strongguide should be selected, as their replacing entails a great dealof re-writing.
    16. The quality of the cardshould correspond to the performances required of it. Cardsused for permanent registers or indexes should be of good strongquality, for temporary work a cheaper card can usually be employed.

      Index card quality can be important for cards that are repeatedly used.

      This admonition was more frequently attended to with respect to library card catalogs, but potentially less followed in personal use—Niklas Luhmann's self-cut paper slips which wore ragged over time come quickly to mind here.

    17. All screws used on the face of the drawers should be sunk in.Round headed screws are apt to tear the skin of the fingers.
    18. It is best to have the verticalcabinets and the card cabinets entirely separate.

      I've seen some mixed cabinet in the early 1900s, but apparently by 1908, it was common practice to separate vertical filing cabinets and card cabinets.

    19. The text in this book is numbered by paragraphs and where asubject is treated in more than one place, the numbers in bracketsindicate the additional paragraphs bearing on the subject underdiscussion.

      ¶5

      The book is ostensibly in the form of a card index with numbers laid out in running order to create a book. The index is also done keyed to these paragraph numbers rather than by page as has traditionally been done.

      As a result, one could cut up the book (or two copies to get both sides) and turn it back into a card index with very little work.

    20. Volume 2 will be almost entirelydevoted to the work of indexing in the sense of analysing literatureand will go more fully into the question of classification and themanagement of guide cards. The present volume is confined asfar as practicable to the use of plain cards. Tabulated cards,methods of tabulating and the application of tabulated cards topractical business will be dealt with in volume 3, " The CardSystem at the Factory."

      companion volumes treated the topics of "analysing literature" and the application of tabulated cards to practical business "at the Factory".

      see: Kaiser, J. Systematic Indexing. The Card System Series 2. London: Sir Isaac Pitman & Sons, Ltd., 1911. http://archive.org/details/systematicindexi00kaisuoft.

    21. Office Organisation, of which the work here discussed forms part, 2has been considerably modified within recent years, and Avhatis called the " card system " has now come very much into vogue.

      The nebulous, but colloquial "card system" was a common, but now lost moniker for the use of a card index in business settings in the early 1900s.

    1. https://pipdecks.com/

      Also targeting business executives (via YouTube) as a storytelling deck: https://pipdecks.com/pages/storyteller-tactics-card-deck

      Described as "expert knowledge in your back pocket", and sold as a "toolkit" with "practical step-by-step recipes", and "templates."

      They offer 7 decks of tactics for Brand, Team, Storytelling, Innovation, Productivity, Team, Workshop, Strategy.

    1. 'картотек' (card index), to find the relevant section (it's section 51. The fascination with index cards, p.68). This is pretty much the only part of the booklet that discusses index cards, though.

      card index in Russian is 'картотек'

    1. Paul Otlet, another great information visionary, to create a worldwide database for allsubjects.

      Otlet's effort was more than a "database for all subjects", wasn't it? This seems a bit simplistic.

  10. Feb 2024
    1. The authors made one serious mistake, however. Although theyhad taken great pains to be sure that within their massive workevery book and manuscript stored in their building was representedby a three-by-ve page, and often by several pages, describing it,they had forgotten to devote any page, anywhere, to the very book

      that they had themselves been writing all those years.

      Baker describes the library card catalog as a massive book made up of 3 x 5 inch pages describing all the other books. Sadly he laments, they never bothered to catalog this meta-book itself.

    2. Would it bestretching things too much, you suddenly wonder, to call yourRolodex a form of autobiography—a manuscript that you have beenwriting these fteen years, tinkering with, revising?
    1. The smallest collection of card catalogs is near the librarian’s information desk in the Social Science/Philosophy/Religion department on lower level three. It is rarely used and usually only by librarians. It contains hundreds of cards that reflect some of the most commonly asked questions of the department librarians. Most of the departments on the lower levels have similar small collections. Card catalog behind the reference desk on lower level three, photo credit: Tina Lernø

    2. The surname Index for the library’s genealogy includes 315 drawers of about 750 cards each for a total of more than 236,250 cards patrons can use when they visit the History/Map/Travel section, photo credit: Diana Rosen

    1. Francis March also helped with the etymologies inWilliam Dwight Whitney’s Century Dictionary (1889–91) and IsaacFunk’s Standard Dictionary of the English Language (first volume publishedin 1893).
    2. during theyears that Leslie Stephen contributed to the OED, he started his owncrowdsourced project, the Dictionary of National Biography (DNB). Just asMurray’s Dictionary traced the lives of thousands of words, Stephen’sdictionary traced the lives of thousands of people who made a notable impacton British history. Stephen invited 653 people to write 29,120 articles. Sixty-three volumes comprising 29,108 pages were published, the first volume in1885 and the last in 1900. The DNB is still going today, under the aegis ofOxford University Press, and it now covers the lives of 55,000 people.

      Presumably this dictionary also used a card index for collection? (check...)

    3. Readers were asked to choose words they considered ‘rare’ and the choice ofthese words was random – they were not guided by Murray on what wasneeded. This resulted in a dearth of quotations for common words whichultimately had to be found by Murray and his assistants. In the first part of theDictionary alone, ‘nearly the whole quotations for about, after, all, also, and,in Part I, and for any, as, in Part II, have had to be found by myself and myassistants’, he explained to the Philological Society. If he had his time again,he said that he would have directed his Readers differently, with theinstructions, ‘Take out quotations for all words that do not strike you as rare,peculiar, or peculiarly used.’
    4. By the time the OED project commenced, Europe already had majordictionaries under way or completed in German, French, Italian, Russian, andDutch, all of which were taking advantage of the new methodologies ofContinental philology. In Germany, the Brothers Grimm had begun theDeutsches Wörterbuch in 1838. In France, Émile Littré had begun theDictionnaire de la langue française in 1841 (a dictionary of post-1600French). In the Netherlands, Matthias de Vries had begun Woordenboek derNederlandsche Taal in 1852 (a dictionary of post-medieval Dutch).

      Oxford English Dictionary (1857 - )

    5. There was a dramatic wall of vastnumbers of slips, or ‘zettel’, hanging from long nails.

      The Grimmwelt Museum in Kassel, Germany is the home of some of the work of Grimm Brothers work on the Deutsches Wörterbuch which features a large wall of zettel or slips hanging from long nails.

      The slips hanging on nails sounds similar to Thomas Harrison's 1740's wooden cabinet of hanging slips used for excerpts and isn't far off from the organizational structure used by the subsequent Oxford English Dictionary's pigeonhole system of organization for their slip collection.

      see: https://hypothes.is/a/kVW3glq0EeyihQ834uN_Ig

    6. Ogilvie, Sarah. The Dictionary People: The Unsung Heroes Who Created the Oxford English Dictionary. 1st ed. New York: Knopf, 2023. https://amzn.to/3Un0sv9.

      Read from 2023-12-04 to 2024-02-01

      Annotation URL: urn:x-pdf:c95483c701c7fc677e89f2c44f98a30b

    1. https://pages.oup.com/ol/cus/1646173949115570121/submit-words-and-evidence-to-the-oed

      The modern day digital version of an OED contribution slip includes database fields for the following:

      • Submission type (new word or sense of a word; information about origin/etymology; other)
      • the word or phrase itself
      • the part of speech (noun, verb, adjective, other)
      • pronunciation (recording, IPA, rhyming words, etc.)
      • the definition or sense number as defined in the OED
      • quotation evidence with full text, and bibliographical references/links)
      • additional notes

      Only the first two fields are mandatory.

  11. Jan 2024
    1. Chris, I read it some 40 years ago when as a school boy I began with my Zettelkasten journey. It is about the technique as well as the intellectuell framework behind it and was surely pointed to business aspects as well as running the civil service but also outspoken to the worker of the mind, the scientist and philosopher. Filing and indexing is crucial to all of these varied aspects of cultural life. But don't expect hitherto unknown magical practices to be revealed. It was commune practice then and you could find handbooks on indexing and filing in organisations also in America and England at that time. The new found way of personal knowlegde management just doesn't know about its predecessors with pen, ink, typewriter and other unbeliefable tricks.
    1. one of King’s note cards on the Old Testament’s Book of Amos which includes the linesBut let judgment run down as waters, and righteousness as a mighty stream. These lines would feature in many of King’s speeches—including his famous “I Have a Dream Speech,” where King said: …we will not be satisfied until justice rolls down like waters, and righteousness like a mighty stream.

      Some of King's note cards later figured in his speeches including his "I Have a Dream" speech.

    1. each sub-portion has its own topology. The index is decentralized in nature, while the bibliographical section/notes are all somewhat centralized in form.

      I imagine this diversity of structure is what made Luhmann's slipbox so potent. In an ecosystem, neither an arboreal root system nor a mycorrhizal network are enough to stage nutrient flow; they must intertwine with each other.—oxytonic on 2024-01-08

      Luhmann's system wasn't very unique (really only in his filing system) compared with the thousands of others in use at the time or for centuries prior. The more interesting space of intertwining is between the ideas in the box and those held in memory and worked on in coordination with the brain. Too many get wrapped up in his physically visible box and forget the work done by the by the "invisible" brain.

    1. 827Posted byu/Loose_Buy62922 years agoArchivedComments are lockedNeed to dump the Flylady .t3_qgy51n._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #edeeef; --postTitleLink-VisitedLinkColor: #6f7071; --postBodyLink-VisitedLinkColor: #6f7071; } Rant / VentI have always used the Flylady's system, until seeing her video on youtube last night, 'It's Time'. She went full-on Chriatian Nationalist Q whacko conspiracy theorist. I was SHOCKED. Praising Jim Caviesel and comparing him to Jesus, after watching his recent rant that was laced with violence and conspiracy junk. He is crazy, and she was crying over how wonderful he is. Deifying him in an uncomfortable way. It was all terrifying and overwhelming.Is there someone else who has a similar system? I don't want to support her business anymore.

      Wowzers!

    1. X17-Mind-Papers - die Wiederentdeckung der Karteikarte<br /> https://www.youtube.com/watch?v=wxZMia35usc

      Mind Papers has a variety of small leather covers (folders) with binder clips for storing one's note cards. They range from smaller than A7 up to A5 sizes.

      They're broadly reminiscent of smaller versions of the Everbook, though I suspect these came first given the 2014 post date.

    1. https://betterhumans.pub/i-built-my-own-personal-productivity-system-around-a-3-x-5-index-card-147d7a8d83de

      Melange of GTD, card index, and gamification....


      Update 2024-01-04: I knew I had heard/seen this system before, but not delved into it deeply. I hadn't seen anyone either using it or refer to it by name in the wild until yesterday. All the prior mentions were people sharing the URLs as a thing rather than as something they used.

    1. FireKing File Cabinet, 1-Hour Fire Protection, 6-Drawer, Small Document Size, 31" Deep<br /> https://www.filing.com/FireKing-Card-Check-Note-Cabinet-6-Drawer-p/6-2552-c.htm

      A modern index card catalog filing solution with locks and fireproofing offered by FireKing for $6,218.00 with shipment in 2-4 weeks. 6 Drawers with three sections each. Weighs 860 lbs.

      at 0.0072" per average card, with filing space of 25 15/16" per section with 18 sections, this should hold 64,843 index cards.

  12. Dec 2023
    1. Avery Templates for 4 x 6" products:

      • Avery 8386 postcards 2 per sheet (template compatibility 5889)
      • Avery 5292 Shipping Labels 1 per Sheet White (template compatibility 5454, 5614)
      • Avery 5454 Print or Write Multi-Use Labels 6" x 4" 1 per Sheet White (template compatibility 5292, 5614)
      • Avery 5389 Postcards 4" x 6" 2 per Sheet White (template compatibility 15389)
    1. White highlights the ability to easily shuffle and reshuffle cards in a variety of orders (alphabetical, by source type) and this is one of the benefits of using note cards. (p51)

    1. There will be errors in MESON – those I have copied from books, magazines and the card collections I have access to, those I have copied from the other free online databases and those I have perpetrated myself. If you find an error, do contact me about it, quoting the problem ids (PIDs).

      MESON is comprised in part of card index collections of chess problems and puzzles.

    2. http://www.bstephen.me.uk/meson/meson.pl?opt=top MESON Chess Problem Database

      Compiled using a variety of sources including card indexes.

      found via

      As for the Pirnie collection, not counted it, but I am slowly going through it for my online #ChessProblem database: https://t.co/eTDrPnX09b . Also going through several boxes of the White-Hume Collection which I have.

      — Brian Stephenson (@bstephen2) August 5, 2020
      <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
    1. It Took Decades To Create This Chess Puzzle Database (30 Thousand), 2020. https://www.youtube.com/watch?v=Y9craX0M_2A.

      A chess School named after Genrikh Kasparyan (alternately Henrik Kasparian) houses his card index of chess puzzles with over 30,000 cards.

      The cards are stored in stacked wooden trays in a two door cabinet with 4 shelves.

      There are at least 23 small wooden trays of cards pictured in the video, though there are possibly many more. (Possibly as many as about 35 based on the layout of the cabinet and those easily visible.)

      Kasparyan's son Sergei donated the card index to the chess school.

      Each index card in the collection, filed in portrait orientation, begins with the name of the puzzle composer, lists its first publication, has a chess board diagram with the pieces arranges, and beneath that the solution of the puzzle. The cards are arranged alphabetically by the name of the puzzle composer.

      The individual puzzle diagrams appear to have been done with a stamp of the board done in light blue ink with darker blue (or purple?) and red inked stamped pieces arranged on top of it.


      u/ManuelRodriguez331 in r/Zettelkasten - Chess players are memorizing games with index cards

    1. https://www.youtube.com/watch?v=TGGQNqBaFDA<br /> Homekeeping Schedule by FindingKellyAnn<br /> posted Jul 25, 2013

      Example of a user's Sidetracked Home Executives card index.

      Includes a section of notes she took on a book at one time. She used it for a while and reported that it was successful, but she no longer uses it and has a binder method instead.

    1. Wish You Were Here - The “Great Lakes” Edition from Field Notes Brand https://www.youtube.com/watch?v=fFemm4LjJbY

      The Newberry Library in Chicago, IL, maintains a collection of the Curt Teich & Co.'s Art-Colortone postcards from 1898 onward. It's stored in tab divided boxes using an alpha-numeric system generally comprising a series of three letters followed by three numbers. The company sold over a billion of these postcards.

    1. I accomplished a couple of other things on that first day back into reality. First, with an evil Grinch-like smile | uprooted every household management system | had ever tried, and tore up every single 3x5 card in them. Then one by one, | roasted and toasted them in the fireplace until they were gone, gone, gone. Next, with equally fiendish delight, | speared my $35 namebrand notebook organizer with a marshmallow fork, and | roasted it too. It melted into oblivion, all but it’s ugly metal spine. Next, | prayed for my attitude and for help. And finally, | marched myself into Wal-mart and bought my first clear plastic bin, a two pound sack of M&M's, and a loaf of white bread. For better or worse, we have been pretty happy campers at my house ever since. (p6)

    1. Getting over the fear of perfection .t3_188j2xt._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I have so many half-filled notebooks or ones that I abandoned because I disliked my penmanship or because I “ruined” pages. I am the type of person who will tear out a page if I make a mistake or if it looks bad.I really want to start a commonplace book but I feel like I must get over this fear of “messing up” in a notebook. Anyone else struggle with this?

      reply to u/FusRoDaahh at https://www.reddit.com/r/commonplacebook/comments/188j2xt/getting_over_the_fear_of_perfection/

      I had this problem too, but eventually switched to keeping my commonplace entirely on index cards, which also allows me to move them around and re-arrange them as necessary or when useful. (It also fixed some of my indexing problems.)

      The side benefit is that if I botch a single card, no sweat, just pull out a new one and start over! If you like the higher end stationery scene afforded in notebooks, then take a look at Clairfontaine's bristol cards from Exacompta which are lush and come in a variety of sizes, colors, and rulings. (They're roughly equivalent to the cost per square meter of paper you'll find in finer notebooks like Leuchtturm, Hobonichi, Moleskine, etc., though some of the less expensive index cards still do well with many writing instruments.) Most of their card sizes are just about perfect for capturing the sorts of entries that one might wish to commonplace.

      Once you've been at it a while, if you want to keep up with the luxe route that some notebook practices allow, then find yourself a classy looking box to store them all in to make your neighbors jealous. My card indexes bring me more joy than any notebook ever did.

      When penmanship becomes a problem, then you can fix it by printing your cards, or (even better in my opinion), typing them on your vintage Smith-Corona Clipper.

      And of course the first thing one could type out on their first card and file it at the front where you can see it every day:

      "Le mieux est le mortel ennemi du bien" (The better is the mortal enemy of the good).<br /> — Montesquieu, in Pensées, 1726

      aka "Don't let perfection be the enemy of the good."

    1. You need structure. Index cards gave Nabokov a really powerful way to impose this structure because they created small, independent chunks of prose that he could bundle together into groups, like we saw in the box. This let him navigate his novel in progress quickly. He could just flip through those bundles, bundle by bundle, instead of card by card. He could also impose on and modify the structure of his novel just by shuffling those bundles around. So that's why Nabokov loved index cards for writing novels.

      While this supposition may be true, I don't believe that there's direct evidence from Nabokov to support the statement that this is why he "loved index cards for writing novels". It's possible that he may have hated it, but just couldn't come up with anything better.

    1. What is the Cu2+ concentration at 25°C in the cell Zn(s) | Zn2+ (1.0 M) || Cu2+(aq) | Cu(s)? The cell emf is 1.03 V. The standard cell emf is 1.10 V.

      Exercise 19.23 Similar to our last Quiz Question

    2. E0cell=E0cathode+E0anode

      Equation put on index card

    3. The Nernst Equation

      Write equation on index card, will be on exam

    4. Which one can occur at the cathode of an electrochemical cell?

      19.3.4 Cathode is reducing and an anode is oxidating

    5. Electrochemical Cell Notation

      Quiz Question, will be on exam

  13. Nov 2023
    1. Muchrecent scholarship on card indexes and factuality falls into one of two modes: first,scholars have excavated early modern indexes, catalogues, and the pursuit of ‘facts’to demonstrate information overload prior to the contemporary ‘information age’ as wellas the premodern attempts to counteract the firehose of books and other information(Blair, 2010; Krajewski, 2011; Mu ̈ ller-Wille and Scharf, 2009; Poovey, 1998;

      Zedelmaier, 1992). All the same, a range of figures have tracked and critiqued the trajectory of the ‘noble dream’ of historical and scientific ‘objectivity’ (Appleby, Hunt and Jacob, 1994: 241-70; Daston and Galison, 2007; Novick, 1988).

      Lustig categorizes scholarship on card indexes into two modes: understanding of information overload tools and the "trajectory of the 'noble dream' of historical and scientific 'objectivity'".

    2. Moreover, card indexes give further form to Bruno Latour’s meditations on writing: ifLatour described writing as a kind of ‘flattening’ of knowledge, then card indexes, likevertical files, represent information in three dimensions, making ideas simultaneouslyimmutable and highly mobile, and the smallness of ideas and ‘facts’ forced to fit onpaper slips allowed for reordering (Latour, 1986: 19-20).
    1. Live-Roaming: Using Roam to teach students in college

      I'd listened to this whole episode sometime since 2022-04-05, but didn't put it in my notes.

      Mark Robertson delineates how he actively models the use of his note taking practice (using Roam Research) while teaching/lecturing in the classroom. This sort of modeling can be useful for showing students how academics read, gather, and actively use their knowledge. It does miss the portion about using the knowledge to create papers, articles, books, etc., but the use of this mode of reading and notes within a discussion setting isn't terribly different.

      Use of the system for conversation/discussion with the authors of various texts as you read, with your (past) self as you consult your own notes, or your students in classroom lectures/discussion sections is close to creating your own discussion for new audiences (by way of the work your write yourself.)

      https://www.buzzsprout.com/1194506/4875515-mark-robertson-history-socratic-dialogue-live-roaming.mp3

    1. When Jimmy Buffett has an idea for a song — sometimes just a phrase — he writes it down on any available scrap of paper and stuffs it into an old sea chest. When he’s ready to write some new music, he sits down and pulls out all those scribbles, which I imagine must be torn off bar napkins and beer coasters, and sorts through them, one by one. He says many of his most popular songs marinated in his sea chest before emerging as lyrics.

      Source for this?

      Sounds very similar to Eminem's "stacking ammo".

    1. The same information could have been recordedin a notebook or on slips of paper and then heaped togetherhaphazardly, but this would not have accomplished the samething.

      I take issue with this statement from the translators. Do they come about it themselves or does it stem from Eco?

      The general affordances of many modalities are very similar, though the ease of use and speed in arrival at a destination may be slightly different. (That is, cards can be ordered more quickly perhaps, but a similar function can be done using notebooks or slips.)

    1. When Michael Wörgötter, a Munich-based designer and educator, came across his own Schriftenkartei set earlier this year, he understood their value for designers and researchers and wanted to make them as widely accessible as possible. He scanned each card at 1200 DPI, and reprinted them in two bound volumes, along with a handy supplementary guide, written in German and English, that offers historical background. The books are available for purchase directly from Wörgötter.

      Munich-based designer and educator Michael Wörgötter digitally scanned and then printed bound copies of the 638 cards of the Schriftenkartei into two volumes with a supplementary guide for additional historical background. He subsequently donated the Schriftenkartei to the Letterform Archive.

      Digital copies of the cards are available on Flicker (https://www.flickr.com/photos/letterformarchive/albums/72177720310834741) and the Letterform Archive intends to provide digital copies in their online archive.

    2. Coles, Stephen. “This Just In: Schriftenkartei, a Typeface Index.” Letterform Archive, November 3, 2023. https://letterformarchive.org/news/schriftenkartei-german-font-index/.

      Example of a zettelkasten covering the available typefaces produced from 1958 and 1971 in West Germany.

    1. Pam and Peggy young (sisters) published their book Sidetracked Home Executives ... (also known as the S.H.E. system) in 1979, which Marla of FlyLady used as the basis for her system, which in turn is the base for A Slob Comes Clean and several other more modern mentors. Lastly I doubt the Young sisters were the first either.
    1. St. James, Elaine. “Replacing Day Planner With Index Cards.” Los Angeles Times, June 8, 1998, sec. Business. https://www.latimes.com/archives/la-xpm-1998-jun-08-he-57703-story.html.

      Apparently even with growing ubiquity of computers in 1998 and in a pre-internet era, syndicated (Universal Press Syndicate) productivity expert Elaine St. James suggested the use of index cards as a means of simplifying one's life, especially as compared with big and bulky planners and notebooks which predominated the timeperiod.

      Notice that she specifically doesn't suggest "going back" to using index cards in the piece. Apparently the idea of that within the zeitgeist had been lost by this time.

    1. What do you do for a calendar? I'm considering moving from a moleskine GTD system to index cards for reasons you mention (waste paper, can't re-order), but love my 2-year calendar at the front

      reply to verita-servus at https://www.reddit.com/r/gtd/comments/15pfz8o/comment/k7iqjwa/?utm_source=reddit&utm_medium=web2x&context=3

      Last year I had a Field Notes card with the year's calendar on it that I kept with my daily cards when necessary. (I think it came included with their "Ignition" edition.) Many companies give these sorts of calendars away as PR.

      This year I used a Mizushima Perpetual Calendar Stamp to create my own custom card with the coming years' dates. (I also often use this stamp for individual months on other types of cards.) I'm sure you could also find something online to print out or draw your own if you wish. These index card specific templates might give one ideas: https://www.calendarsquick.com/printables/free.html.

      Pretty much any spread one might make in a bullet journal can be recreated in index cards. Some of the biggest full page spreads or double page spreads are still doable, they may just need to be shrunk a bit or broken up. I've also printed things onto larger 8x12" card stock and then folded them down to 4x6" before to use as either larger notes or mini-folders as necessary. Usually I do this for holding the month's receipts.

      This set of calendar cards from Present & Correct which are done in letterpress looked nice if you wanted to go more to the luxe side as well as to the larger side.

      Given the sticker market for Hobonichi and other similar planners, you could also buy some custom decorative stickers which you could attach to cards as well. And there's nothing keeping you from just writing it all out by hand if you wish.

      Options abound.

  14. Oct 2023
    1. Let’s look at some of the attributes of the memex. Your machine is a library not a publication device. You have copies of documents is there that you control directly, that you can annotate, change, add links to, summarize, and this is because the memex is a tool to think with, not a tool to publish with.

      Alan Jacobs argues that the Memex is not a tool to publish with and is thus fundamentally different from the World Wide Web.

      Did Vannevar Bush suggest the Memex for writing or potentially publishing? [Open question to check] Would it have been presumed to have been for publishing if he suggests that it was for annotating, changing, linking and summarizing? Aren't these actions tantamount to publishing, even if they're just for oneself?

      Wouldn't academics have built the one functionality in as a precursor to the other?

    1. Posted byu/practicalSloth2 days agoAnyone use a FiloFax or similar for a commonplace book? .t3_17drtzn._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; } I really like the idea of being able to re-sort pages and was wondering if anyone has tried something like this? I've also considered an "Everbook", but was a bit concerned with all the loose pages of paper flying around everywhere

      u/practicalSloth interested in implementing a commonplace book using a FiloFax!

    2. Anyone use a FiloFax or similar for a commonplace book? .t3_17drtzn._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      reply to u/practicalSloth at https://www.reddit.com/r/commonplacebook/comments/17drtzn/anyone_use_a_filofax_or_similar_for_a_commonplace/

      For centuries, many have kept their commonplace books on index cards or slips of paper) rather than on book/notebook pages just like you're suggesting. They then indexed them against topic words and filed the ideas alphabetically rather than writing them in books and indexing them separately.

      Some popular versions of the practice which are described/viewable online include:

      Others with index card or small slip-based commonplaces include Ronald Reagan, Phyllis Diller (whose commonplaced joke file is now at the Smithsonian), and Joan Rivers.

      In German, this general practice was called zettelkasten (which translates as slip box), there are lots of people doing versions of this in r/Zettelkasten following some of Niklas Luhmann's method. Many more are using digital platforms like Obsidian, Logseq, etc. for this.

      Certainly putting it into a FiloFax is a flexible and doable option.

      I've written a bit about the mistaken identities and differences between Niklas Luhmann's practice which has become popular in English speaking countries over the last decade and index card-based commonplaces: https://boffosocko.com/2022/10/22/the-two-definitions-of-zettelkasten/.

      Perhaps some of the examples will give you some ideas for how to best do your own. Good luck!

    1. ZK system for Project and Task management? .t3_17dp8nl._2FCtq-QzlfuN-SwVMUZMM3 { --postTitle-VisitedLinkColor: #9b9b9b; --postTitleLink-VisitedLinkColor: #9b9b9b; --postBodyLink-VisitedLinkColor: #989898; }

      Reply to u/Hileotech at https://www.reddit.com/r/Zettelkasten/comments/17dp8nl/zk_system_for_project_and_task_management/

      They don't have the same structure as Luhmann's zettelkasten (they don't really need to and may frankly work better without them), but index cards were heavily used in business and project planning settings for decades prior to the popularization of the computer.

      I've documented one productivity method from 1903 called the Memindex which was a precursor to things like the Hipster PDA, the Pile of Index Cards, and 43 folders methods which have been popular since the early 2000s. Details and pointers can be found at The Memindex Method: an early precursor of the Memex, Hipster PDA, 43 Folders, GTD, BaSB, and Bullet Journal systems. Addition details can also be found at A year of Bullet Journaling on Index Cards inspired by the Memindex Methodas well as in the comments.

      Index card-based project management techniques with items broken out by task can be used to create physical Kanban boards or even arranged in Gantt chart-like fashion on walls, bulletin boards, or tables.

    1. https://www.ebay.com/itm/186111284362

      I love this old two drawer card index which has a custom label set into the top that reads, "Index to Plans". The label is done in large lettering across the top, almost the way old school stores would do gold lettering with a nice thick black drop shadow.

    1. Father emptied a card le for Margot and me and lled it withindex cards that are blank on one side. This is to become ourreading le, in which Margot and I are supposed to note down thebooks we’ve read, the author and the date. I’ve learned two newwords: “brothel” and “coquette.” I’ve bought a separate notebookfor new words.

      —Anne Frank (1929-1945), diary entry dated Saturday, February 27, 1943 (age 13)

      Anne Frank was given an empty card file by her father who filled it with index cards that were blank on one side. They were intended to use it as a "reading file" in which she and Margot were "supposed to note down the books we've read, the author and the date."


      In the same entry she mentioned that she'd bought a separate notebook for writing down new words she encountered. Recent words she mentions encountering were "brothel" and "coquette".

    2. Father emptied a card le for Margot and me and lled it withindex cards that are blank on one side. This is to become ourreading le, in which Margot and I are supposed to note down thebooks we’ve read, the author and the date.

      Anne Frank (June 12, 1929-1945)<br /> Niklas Luhmann (December 8, 1927-1998)

      Niklas Luhmann was a year and a half older than Anne Frank who received her first card index file in February 1943 (likely between the 27th, the date of her diary entry mentioning it and the prior diary entry on February 5th), from her father at the age of 13. She was intended to use it as a "reading file" to note down the books she'd read along with the author and the date.

      One can only wonder at how many entries she would have made over the span of her life had it not come to such an abrupt end.

    3. MONDAY, NOVEMBER 2, 1942Dear Kitty,Bep stayed with us Friday evening. It was fun, but she didn’t sleepvery well because she’d drunk some wine. For the rest, there’snothing special to report. I had an awful headache yesterday andwent to bed early. Margot’s being exasperating again.This morning I began sorting out an index card le from theoce, because it’d fallen over and gotten all mixed up. Before long Iwas going nuts. I asked Margot and Peter to help, but they were toolazy, so I put it away. I’m not crazy enough to do it all by myself!Anne Frank

      In a diary entry dated Monday, November 2, 1942, Anne Frank in an entry in which she includes a post script about the "important news that [she's] probably going to get [her] period soon." she mentions spending some time sorting out an index card file. Presumably it had been used for business purposes as she mentions that she got it from the office. Given that it had "fallen over and gotten all mixed up", it presumably didn't use a card rod to hold the cards in. It must have been a fairly big task as she asked for help from two people and not getting it, she abandoned the task because, as she wrote: "I'm not crazy enough to do it all by myself!"

    1. Envisioning the next wave of emergent AI

      Are we stretching too far by saying that AI are currently emergent? Isn't this like saying that card indexes of the early 20th century are computers. In reality they were data storage and the "computing" took place when humans did the actual data processing/thinking to come up with new results.

      Emergence would seem to actually be the point which comes about when the AI takes its own output and continues processing (successfully) on it.

    1. David Lynch's films are a personally structured output of his zettelkasten of ideas comprised of words, sounds, images, music, sound, people, and moods.

    1. LYNCH: Well, for me, ideas—even a fragment—convey everything. In a spark you see images, youhear sounds, you feel a mood. And it becomescomplete, even if it is a fragment. The original ideacomes with a lot of power, and you have to keepchecking back all the way through the process tosee if you are being true to it.
    2. LYNCH: No. The whole thing has to make sense toyou, and it has to feel correct. And—but again, it’sbased on these ideas that have been forming andarranging and finally showing you what it is. Andit’s just focusing on those through the process.And if it makes sense, no matter how abstract asense, again it goes back to intuition rather thanjust pure intellect, and something that can be soeasily translated into words by, you know,everyone. Those are beautiful things to me,abstractions. And life is filled with them, andcinema can do abstractions.
    3. YNCH: No. What happens is, when you getfragments, the whole is not revealed. It’s just thefragments. And then the fragments seem to want toarrange themselves. And a little bit further down theline you begin to see what is forming. And it’s asmuch a surprise to you as to anybody else.
    4. LYNCH: I know we were doing that, but lookingback, it’s a magical process because you can’t tellwhere ideas come from, and it seems like it’s justboth of us focusing on something. And it was acouple of ideas that were fragments, and thosefragments focus you. And it seems that theyrelease a little lock on a door and the door opensand more fragments start coming in—drawn by thefirst fragments. It’s strange, because if any of youhave ever written anything, you know that one dayit’s not there and then a month later or two monthslater it’s there. And it’s two people tuning into thesame place, I think.
    5. LYNCH: Well, I think it’s everyone’s experience thatno matter what, things come to us in fragments.
    6. SCHWARTZ: You’ve said that Frank Daniel at AFIwas one of your first film teachers—he said that inorder to make a feature film you should takeseventy index cards and have a scene for eachindex card, and then you have a feature film.
    1. frank danielle at the 1:29 american film institute 1:30 who was dean of the school uh center for 1:33 advanced film studies 1:34 and he taught a way to do it 1:39 um you get yourself a pack of three by 1:42 five cards 1:44 and you write a scene 1:47 on each card and when you have 70 scenes 1:52 you have uh a feature film 1:56 so on each card you write the heading of 1:58 the scene 1:59 and then the next card the second scene 2:00 the third scene four scenes so you have 2:03 70 cards 2:04 each with the name of the scene then you 2:07 flesh out each of the cards 2:09 and walk away you got a script

      David Lynch described the method from Frank Daniel (1926-1996) of the American Film Institute and Dean of advanced film studies who taught students to plot out their screenplays using 3 x 5" index cards. One would write out a total of 70 cards each with scene headings. Once fleshed out, one would have a complete screenplay.

      via https://www.youtube.com/watch?v=yngWNmouhP0

  15. Sep 2023
    1. https://www.ebay.com/itm/155778259293

      Unbranded four drawer 2x2 desktop card index in oak. See on 2023-09-24 offered for $124.99 plus $92.53 shipping from Hobart, IN. Overall 12" H x 15" W x 15" D, so likely for 4 x 6" cards though the listing says "The inside of the drawers are 3 inches deep, 6 inches wide, and 13 inches long."

      Medium condition.

      Cost per drawer: $31.25

    1. Jeff Sheldon is the founder and designer of Ugmonk, a brand focused on creating high quality, well-designed products. What started as a small side project in 2008 to create and sell simple t-shirts has grown into a full-blown lifestyle brand which Jeff now runs full time.
    1. The skill inspectional reader does more than classify a book in his mental card catalogue, and achieve a superficial knowledge of its contents.

      a second use of "mental card catalogue", though somehow he doesn't seem to realize the inherent value for building knowledge... ?

    1. Anyone thriving with a paper based GTD system?

      I've been using a mixture of methods focused around 4 x 6" index cards for a while after having previously done a traditional bullet journal, Day-Timer, etc. and attempting to something similar in a variety of digital contexts including TiddlyWiki, Obsidian, Logseq, etc. (More details/discussion: https://www.reddit.com/r/bulletjournal/comments/15av66m/a_year_of_bullet_journaling_on_index_cards/) Somehow paper always seems to win out for the tactile nature and the decreased probability of things going lost (being out of sight and thus out of mind which happens for me in digital), or dealing with a never-ending list of overwhelming pop up reminders.

      I've written a bit about the history of some of these methods, which includes links to some of the bigger examples of each if it helps to see some variety about what each system suggests or photos of them at work. One of the oldest methods from which most of the rest seem to stem is the Memindex from circa 1903.

      My current go-to is a Memindex/bullet journal method adapted to index cards rather than a notebook. I've got a card every day for events and to do lists as well as cards for "Future", planned purchases/groceries, etc. I keep a top level card with short lists of what I want to read, watch, listen to, and learn. I also keep a sectioned Eisenhower matrix group of cards for the areas: crisis, productivity, distraction, and low priority. I also have a Projects section with descriptions and lists for each and based on priorities, I'll take individual steps from the project cards and place them onto my daily cards as I go.

      Some of the bigger projects may have a top level card followed by cards which breakdown or outline parts of larger processes. I can then lay them out on a table (Gantt chart style) to determine dependencies and create a pseudo schedule. When I'm done, I'll clip them all together in the most appropriate order and number them. As necessary, I'll take some of these cards out and "schedule" them for individual days by placing them behind or attaching them to the appropriate daily cards with a paper clip. (If you do this, make sure the project name and a potential order number designator is on them, so that you can refile them with the project as necessary.)

      The key is doing weekly and bigger monthly or quarterly reviews of all the major cards and moving/scheduling what you need to do from either old cards or project cards each week. Going through my entire collection of immediate cards is usually incredibly fast. When I'm done with cards, they get archived away in my card index for future consultation if necessary. I'm also usually making further notes on the cards as I go and cross indexing them, so that if I don't have the notes for a particular project in the project section, it's being written on the individual daily cards; at the end of the week I'll update the project cards and write down the dates of those notes into the project file so that if I need them later they're available (but importantly I don't have to copy over all the notes). After doing this it's usually pretty easy to work on planning the next steps for the coming week/month.

      For lower priority projects and to do items, if things sit around too long undone they slowly move down the priority list from crisis to low priority or they slowly move to the back of my projects section where they get reviewed less often.

      For those who prefer some visualization, here are two photos which may help in terms of the physical arrangement I'm using: - https://boffosocko.com/wp-content/uploads/2023/09/wp-1693596706707-scaled.jpg (alt text: Display of two columns of index cards with only the titles on each showing. Column one: Planning Daily, Planning Weekly, Weeks 31-35 August 2023, Sept 02 2023, September 03 2023, Crisis: Urgent/Important, Productivity: Not Urgent/Important, Low Priority: Not Urgent/Not Important, Distraction: Urgent/Not Important, Someday. The second column: Project Priorities Spring 2023, Reading Priorities, Writing Priorities, Learning Priorities, Listening Priorities, Watching Priorities, Purchases Planning, Groceries.) - https://boffosocko.com/wp-content/uploads/2023/09/wp-16935967219588251569559254031730-scaled.jpg (alt text: My card index for productivity featuring sections for an Eisenhower Matrix, Projects, and tabs for the upcoming 12 months and 31 days in the current month.)

      On a day-to-day basis, I keep most of it in an Acrimet card file on my desk, though the longer term storage is in a nearby Singer Card File Cabinet. (I'll often have a full drawer removed from the big cabinet on my desk while I'm working on a particular section.) While travelling about, I store the most important daily use cards in a King Jim Flatty Works case which is about the size of a small notebook or which fits easily into my shoulder bag. If you're all-in on index cards and you need ideas for storage, I've been compiling a relatively comprehensive list of index card storage options.

      Having done notebooks and other paper-based planners (Hobonichi) before, I appreciate that the cards are easily moveable and re-orderable, I don't waste any paper or space if I miss days, I'm not as precious about screwing up a new notebook, and I don't have to carry either multiple notebooks, or worry about recopying project pages from one notebook to the next when I'm done. I also don't have to worry about losing large parts of my planning if I lose a whole notebook. It's always easy to have today's card on me at all times or to take small sections on the road as needed. Additionally cards are very cheap. If you're of the sort of camp that having pre-laid out stationery with finer stock, perhaps try Notsu who pre-prints a variety of productivity cards, though only in 3 x 5 inch sizes. There are a few other smaller companies who still do this, but they tend toward the more expensive side.

      There are many ways to do variations on these, so take a look at some examples of how others use them and then attempt to evolve a practice which works for you. For example, if having an Eisenhower Matrix section doesn't make sense to you, then drop that part and adopt what does work instead.

      For those who are deep into this sort of rabbit hole, I'll also mention that I keep a separate zettelkasten "department" within my collection for notes related to reading/research. (I had to fill that massive Singer card index up with something besides extra wine storage.)

      Syndication link: https://www.reddit.com/r/gtd/comments/15pfz8o/comment/jypt023/?utm_source=reddit&utm_medium=web2x&context=3

    1. GTD on Paper Index Cards. Experimental Encounters, 2023. https://www.youtube.com/watch?v=vww7JLcrJl4.

    2. https://www.youtube.com/watch?v=vww7JLcrJl4

      8:05 - 16:20 GTD - Capture - Clarify - What is it? - Is it actionable? What is the action? - Is it a project? - Batching - Reflect - Review over lists/calendars daily/weekly - Engage


      17:30 They use the phrase "atomic" paper based index cards, so they've been infected by the idea of "atomic notes" from somewhere, though it seems as if he's pitching that he's "invented" his card system as if from scratch.


      19:45 He mentions potentially using both sides of the card, against the usual (long term) advice.

      20:00 Analogizes his cards as ballerinas which work together, but each have their own personalities and function within the ballet

      He's using a leather cover for Moleskine pocket notebook and Manufactum A7 index cards, as well as a box

      Sections of his box: - to erase - inbox - next actions - projects (3 categories of projects) - someday - to delegate - tickler (by month and by day; 12 months and 31 days) - blank cards

      Mentions erasing cards as he finishes them rather than archiving them.

      Inspiration by How to Take Smart Notes by Ahrens

      Recommends one item per card to make things easier and more actionable; also improves focus versus having a longer list. (28:00)

      Portability

      Sustainable (he erases)

      High quality textile experience

      The ability to shift between associative modes and sequential modes seems to work well with such a system.

      They distinguish between atomic notes and "stellar" notes. Stellar being longer lists or more dense notes/outlines/etc.

      Project cards<br /> titles and project numbers (for reference) Project numbers in the top right with a P and/or M below it for<br /> - P for paper<br /> - M for email data<br /> - D for digital files which helps him find reference materials

      Weekly review with all cards out on the table

      Expansion pack includes: - action - calendar - waiting

      Search was quick and easy, but had to carry his box back and forth to work.

      Stopping doing it because he was losing the history (by erasing it). Moving to notebook and he likes fountain pens. He likes the calendar portion in his notebook.

      He tried it out for the sake of experiment.

      In the paper world things are more present and "in your face" versus digital formats where things can disappear.

  16. Aug 2023
    1. https://www.lochby.com/collections/frontpage/products/venture-pouch<br /> Lochby Venture Pouch<br /> $44.00

      Acquired one of these in early 2023 on sale?

      several internal sections including for pens. <br /> will easily fit a handful or so of 4 x 6" index cards for quick travel