10,000 Matching Annotations
  1. Oct 2025
    1. Michael Warner’s theory of publics provides essential grounding for understanding Reddit as more than a collection of posts. Warner argues that “publics have an ongoing life: one doesn’t publish to them once and for all (as one does, say, to a scholarly archive). It’s the way texts circulate, and become the basis for further representations, that convinces us that publics have activity and duration” (2002, 68). A public exists not through singular acts of communication but through continuous circulation; text must move through time and become part of an “intertextual environment of citation and implication” to constitute public discourse (Warner 2002, 68). This circulation principle distinguishes platforms like Reddit, where posts remain searchable and citeable across years, from ephemeral communication channels where discourse vanishes after immediate consumption.

      IMPORTANT: Add a Digital Networks and Public-Sphere Theory section above this paragraph.

    2. Key Revisions from Previous Outline Opening: Now starts with March 2020 crisis moment, not methodological discovery Context Before Method: Institutional context and theory come before explaining data collection Orphan Comments: Moved to Chapter 2 where it makes sense methodologically Evidence Flow: Pre-pandemic baseline consolidated in 1.2.2, referenced elsewhere Narrative Logic: Crisis -> Context -> Theory -> Method -> Preview Implementation Notes Total target: 14,000-15,000 words Each evidence ID appears in ONE primary location Cross-references use section numbers, not repetition Transitions connect sections without redundancy

      Move to the very bottom of the page below the works cited and continuously update based on newly explicit directions/protocol

    3. Critically, this methodology captures participation patterns invisible to standard approaches: the one-time crisis posters who seek help then vanish, the late-night support networks operating when institutions close, the tactical knowledge shared across years that conventional sampling misses entirely.

      This is exemplary in terms of prose style.

    4. (how CUNY’s digital communities responded to systematic institutional crises, how students constructed educational infrastructure through peer networks, how platform architectures shaped crisis resilience)

      WAY too long of a parenthesis. Restructure this sentence so that the examples come after the point.

    5. Sarah Pink et al.’s principle of “non-digital-centric-ness” (2016) reinforces this approach. Their focus on relationships, social worlds, and localities guides the analysis of March 2020 as an event unfolding simultaneously online and on campus. r/CUNY is read as both networked public and local community, with digital traces embedded in material life.

      Fold into the previous paragraph and expand to synthesize.

    6. Persistence: Solutions remain accessible across years. comment_koxv1co (Baruch, score: 51) preserves campus lore from “a few years ago,” comment_mn6abxk (CUNY, score: 135) shares 20-year-old success story of meeting spouse at Hunter, and comment_mcf39dr documents balance persistence from 2020-2024. comment_ksab2yr promotes CUNY Reconnect program for returning students, showing multi-year institutional memory preservation. Replicability: Tactical knowledge designed for copying and adaptation. comment_ewlyuik’s 5-step shopping cart strategy provides explicit reproduction instructions, comment_itwfhhb (3,756 characters) offers comprehensive financial survival guide, comment_ke4h1ml details step-by-step plagiarism defense using Google Docs version history, and comment_krbu6n9 provides multi-step first-generation college guidance, all structured as copy-paste templates. Scalability: Individual experiences reveal systemic patterns. comment_lo92u7q (CUNY, score: 95) “Everyone and their mother wants to major in computer science” makes individual major choice visible as system-wide pattern, comment_m9mqm92 (score: 183) “majority of CUNY cooked” transforms personal SNAP/Pell dependency into recognized collective condition, and comment_mcdyjks “Alot of people do not graduate ‘on time’” normalizes degree completion delays at population scale. Searchability: Students actively use Reddit search to find past solutions. comment_m9u60o2 describes “trying to find out how to join every club,” comment_jb2lv17 recounts “fought for my life trying to find a bathroom,” and multiple posts document discovering tactical knowledge through subreddit search, creating institutional memory accessible when students need it rather than when administrators schedule information sessions.

      Turn these into paragraphs and not bullet-pointed lists and connect the logic across them with a synthesis paragraph that explains the implications and connects it to the project purpose and dissertation research questions and goals.

    7. The CARE Principles (Collective benefit, Authority to control, Responsibility, Ethics) for Indigenous data governance (Carroll et al. 2020), while developed for Indigenous contexts, offer framework for community-centered research ethics. Applied to CUNY Reddit: ensuring research benefits communities studied, recognizing community authority over their narratives, researcher responsibility to accuracy, and ethical representation of vulnerable populations.

      Delete this paragraph. It adds nothing and interrupts the main intervention of this section.

    8. 1.5.2 Dissertation Structure Pre-pandemic “normal” was already crisis (this chapter) Computational patterns reveal systematic inequality (Chapter 2) Lived experiences show survival strategies (Chapter 3) Reddit-participating students create supplementary education networks alongside formal structures 1.5.3 Contributions to Scholarship For platform studies: Architecture shapes crisis response capability For digital humanities: New methods for capturing marginalized voices For higher education: Vernacular infrastructure as functional educational infrastructure: peer tutoring networks (comment_fhdvsyc), resource sharing systems (submission_1my4vi6, score: 585), and 24/7 support mechanisms For public policy: The implications of reduced institutional support patterns

      Turn these into paragraphs with stylistically consistent sentence and paragraph structures to them.

    9. Posts capture disclosure, not experience. Food insecurity threads document those prepared to discuss hunger in public view. Silence does not indicate stability; it reflects only that no one posted. Platform data shows discourse patterns rather than the prevalence of conditions. Text-based archives strip away embodied cues. Facial expression, tone, and immediate physical context disappear. In Geertz’s (1973) terms, the record offers thin description. Timestamps, campus identifiers, and community responses supply partial context, but the situated texture of interactions requires ethnographic supplementation.

      These paragraphs are unusually terse and short. Interweave the logic and make argumentative links between these punchy individual claims so that the paragraphs read more like the ones before and after them.

    1. . My parents tried to talk to my teacher about it, but it was kind of hard. They don’t really speak much English and my teacher wasn’t much of a help either. She cancelled a couple meetings with them and, you know, they were taking time off work to go, so they felt bad, like she wasn’t respecting their time. When they fi nally met she really scared them with stories about teachers being attacked by students and that she didn’t feel safe there. They ended up taking me out of school a couple weeks later.

      This section really stood out to me in a personal way. Growing up, my parents were not involved in my education. Not because they didn't want to, but because they didn't know how. They werent English speakers, they couldn't read the flyers the teachers sent home so they werent aware of what was going on. Not to mention, they were both working countless hours. My teacher knew not to expect anything from my parents. I don't blame my parents because they were working and trying their best to stay afloat. However, I totally relate to how the teacher could of put more effort, maybe even sending home translated papers letting them know school events and discussions.

    1. It’s important to remember that there is no “average user,” and so your choice of defaults will inevitably serve some people better than others. For example, if Google detects that a browser is in the United States, what language should it default too? Some might say English, but that prioritizes English-speaking people over others. But should it be Spanish? Or more dependent on a specific region?Or tied to a browser setting?

      Professor Amy makes a really good point because it talks about how small design choices like default choice can even reinforce inequality. This made me relize that how much bias can be built into everyday interfaces like on the devices we use. Like my own parents; since they only speak vietnamese, a lot of american interfaces are english by default which makes it confuse to look for the language option. This also reminded me that inclusive design isn't just about accessibility for people with disabilities but also about making sure products work for people with different language and cultural.

    2. The gulf of evaluation is the gap between the output and feedback an interface provides and a person’s ability to relate that output to their goal. In our alarm example, if pressing the visible on/off to “on” made the switch visibly move to an “on” state (and perhaps even make a satisfying click sound), that’s the interface bridging the gulf of evaluation, providing feedback to the user to help them understand the effect of pressing the switch.

      I think the idea of the gulf of evaluation makes a lot of sense, especially when you think about how confusing some interfaces can be. I like how the example of the alarm switch shows how simple feedback, like a click or a visual change, can make a huge difference in understanding what’s happening. It made me realize how much we rely on small cues like that to feel confident that something actually worked.

    3. Designers therefore have a responsibility to think carefully about who their serving through a choice of defaults, engaging with communities to understand how they’ll be impacted.

      This is actually a very interesting quote that I somewhat knew in the back of my mind but never had someone talk about. I am really curious how designers are able to think about their choice of defaults as there would be so many. I feel like designers are facing many problems that are open to endless options of answers and no matter what they are designing that is the challenge all of designers probably face in every field.

    4. These are the joys of UI design: trying to find a way to balance simplicity, clarity, and convention.

      I like this way of talking about design and the use of balance. I don't often give much thought to the way my phone alarm clock or my real alarm clock have attempted to balance simplicity, clarity, and convention. It's interesting to compare different designs, such as a phone alarm versus a physical alarm, and see how these things are balanced differently in different contexts.

    5. Throughout these choice of inputs are critical issues of diversity, equity, and inclusion. For example, if Google could only be used with a mouse, it would immediately exclude all people who cannot use a mouse because of a disability such as a motor impairment or blindness.

      I agree with this choice. There is so many factors to consider when accounting for inclusion and accessibility, especially on a webpage. Does the user have a mouse, or do they tab through the page? Are they color-blind or have any other vision impairments? Do they have fine-tune mechanical skill issues that make it harder for them to use a computer? You have to consider all these factors, especially when designing a site.

    6. If we adopt the aesthetic of designs being invisible, a good design would make the inputs, state, and outputs discoverable, clear, and efficient to use

      I really like how this chapter emphasizes that designing interfaces is more than just arranging visuals, it’s about shaping how people think and act through interaction. I found the discussion about gulfs of execution and evaluation especially insightful because it highlights how easily design can confuse users if not thoughtfully constructed. Overall, this reading deepened my understanding that great interface design is about empathy, clarity, and responsibility just as much as it is about aesthetics or functionality.

    7. Let’s define each of them. Input is any kind of data that a user provides to a computer. Most often, these are keystrokes, mouse positions, mouse clicks, taps, and other sequences of low-level inputs. These lower-level inputs are usually aggregated into higher level inputs, such as clicks, taps, text strings, and gestures, which user interfaces then process. Every user interface accepts some range of input, and those inputs each have some structure. Part of a user interface is providing means by which users can express those inputs in valid structures.

      I find this explanation of input really clear and helpful; it breaks down something we often take for granted when using technology. I agree with how the reading shows that input isn’t just about pressing buttons but about how systems interpret and structure those actions. It makes me think more about the design challenges behind making input feel “natural” for users. For example, gestures or voice commands might seem simple to us, but they require careful design to ensure the system understands them correctly. This section made me appreciate how much thought goes into translating human intention into digital interaction.

    1. Designers use prototypes to resolve these uncertainties, iterate on their design based on feedback, and converge toward a design that best addresses the problem.

      This quote stuck out to me as it talks about prototyping as a tool over a step to a final product. Ko talks about prototypes help designers to answer question and reduce uncertainty. This also shifted how I view my projects instead of taking these prototype as steps towards to final, I will now treat it as a tool to to test ideas and get feedback. I wish to also take this mindset towards other things outside of design too.

    2. As you can see, prototyping isn’t strictly about learning to make things, but also learning how to decide what prototype to make and what that prototype would teach you. These are judgements that are highly contextual because they depend on the time and resources you have and the tolerance for risk you have in whatever organization you’re in.

      I really agree with the idea that prototyping isn’t just about making something, it is about figuring out what’s worth making and why. I think that perspective is super useful because it reminds me that not every idea needs a polished version right away and sometimes a quick, rough prototype can teach you more. It also made me realize how much context matters like how your time, resources, or even your team’s comfort with risk can totally change what kind of prototype makes sense.

    3. Each of these design questions demands a different prototype:

      This is something that appears a little surprising to me as this is not something I was aware of. I thought there could be same prototype that consists of multiple design questions but I guess not? But also at the same time, what if there are some prototypes that are able to answer multiple design questions? Would that be possible?

    4. Designers use prototypes to resolve these uncertainties, iterate on their design based on feedback, and converge toward a design that best addresses the problem.

      I agree with this idea because prototyping is a super low-commitment design tool that can offer deep insight into your final design. It can show you if your final project actually will contribute to solving a problem without the time and cost of actually developing the solution. It kinda feels like a 'trial run' of your solution, something to just try out to see if its right for you.

    5. the purpose of a prototype isn’t the making of it, but the knowledge gained from making and testing it. This means that what you make has to be closely tied to how you test it.

      This part really changed my mind. I agree that prototyping isn’t about making something perfect, but about learning through testing. For example, in a project last quarter, I spent hours creating a polished mockup for a class app prototype without testing it with anyone. When I finally received feedback, I realized some of my design assumptions were completely wrong, and much of my work went to waste. Ko’s point makes me see that starting with quick sketches or paper prototypes can be much more effective, even if they look messy. It also reminds me to focus on what questions I want answered before building anything, so I can learn as much as possible from each test. For current group project in class and my future projects, I believe this approach will absolutely save a lot of time and also improve my design decisions,.

    6. Designers use prototypes to resolve these uncertainties, iterate on their design based on feedback, and converge toward a design that best addresses the problem.

      I agree with this idea because it shows how important it is to view design as a process of learning rather than just building. Prototyping encourages creativity and flexibility, allowing designers to adapt based on real feedback instead of assumptions. I think this approach saves time and resources while leading to stronger, more user-centered outcomes. It reminds me that good design isn’t about getting it perfect the first time, it’s about improving through continuous discovery.

    7. Whereas a sketch is just an informal drawing used to facilitate communication, a paper prototype is something you can actually test. Creating one involves creating a precise wireframe for every screen a person might encounter while using a design, including all of the feedback the user interface might provide while someone is using it. This allows you to have someone pretend to use a real interface, but clicking and tapping on paper instead of a screen. If you plan the layout of an interface in advance, then decide which parts of the interface you need to change in order to test the interface with someone, you can build one of these in less than an hour.

      I like how this section highlights the practicality and accessibility of paper prototyping. I agree that being able to “pretend to use a real interface” through paper is such a simple but powerful way to test ideas early without committing to code or visuals. It really changes how I think about design; I used to assume you needed advanced tools to prototype effectively, but this shows how low-tech methods can be just as valuable for gathering feedback. I also appreciate that it emphasizes speed and iteration; being able to build a testable prototype in under an hour encourages experimentation instead of perfectionism.

  2. docdrop.org docdrop.org
    1. itxposure to Native Speake-;;-·-, The maxim "less contact, less learning" succinctly summarizes the argu-ments supporting students' exposure to quality language models and in-struction. 42 fo·lea~n a°qanguage-we'tr,"'orre"'ftrrmflave-st1stained inter~1?t10ns \~t edueated-~ative-speakers--of-Englrnn, as \vellasgooct1angu_a~ i~s~~~l(-tion. Students can only learn the new language in the style to which they are exposed. If an English-language learner lives and talks daily with Eng-lish speakers in a boarding school in London, she will learn a very different kind of English and sound very different than if she had been immersed in a public school in Atlanta, Sidney, or Toronto. Likewise, someone hoping to improve their Spanish-speaking skills will sound very different ,1fter ,in extended study-abroad stay in Madrid, Mexico City, Santo Domingo, or Buenos Aires.

      This paragraph emphasizes the importance of authentic, sustained interaction with native speakers in mastering a new language. It shows that language learning is not only about grammar and vocabulary but also about social immersion and exposure to real-world communication styles. I want to share a funny story about learning English as an international student. Growing up, I always thought I was learning American English because that's the accent commonly used in China. But then I went to study in New Zealand, where they have Australian accents and British culture. At the time, I believed my pronunciation was already set in stone. But when I later came to study in the United States, my friends pointed out that my accent was Australian—similar to BLACKPINK's member ROSÉ. That's when I suddenly realized how profoundly environment and real-life communication shape language.

    2. econd year of the study, we asked students, "What do you think are the main obstacles to getting ahead in the United States?" Fifty-six percent spontaneously responded "•IIIIFlfft'l~Mrl~h"-singling out not knowing English as a greater impediment than even discrimination, lack of re-sources, or not being documented. We then listed a number of obstacles that over the years we have learned are concerns for new immigrants. Fully 90 percent of our participants responded that learning English was a chal-lenge they needed to overcome to get ahead. In the last year of the study, we also asked students what they perceived were obstacles to getting to college. Of those who thought they would go to college, 45 percent responded that their English fluency presented a prob-

      This paragraph highlights how language barriers remain one of the biggest challenges for immigrant students in the U.S. It’s striking that many students viewed learning English as an even greater obstacle than discrimination or lack of resources. This shows how deeply language proficiency is tied to access and opportunity—students feel that without English fluency, they cannot fully participate or advance academically and socially. This reminds me of when I first came abroad to study. My school offered specialized English transition classes for international students. While local students were learning a second foreign language, we were studying English. But this approach actually made it difficult for international students to make local friends, and we still couldn't complete a full second foreign language by graduation.

  3. social-media-ethics-automation.github.io social-media-ethics-automation.github.io
    1. Elon Musk [@elonmusk]. Trashing accounts that you hate will cause our algorithm to show you more of those accounts, as it is keying off of your interactions. Basically saying if you love trashing *that* account, then you will probably also love trashing *this* account. Not actually wrong lol. January 2023. URL: https://twitter.com/elonmusk/status/1615194151737520128 (

      It is neat to see how algorithms work and how some times they can have unintentional errors such as this. While it may seem like a good idea to keep showing users content that they don't agree with, would it eventually make the user not want to use the platform as they are bombarded with content they don't like?

    2. Fair Sentencing Act. May 2023. Page Version ID: 1153436887. URL: https://en.wikipedia.org/w/index.php?title=Fair_Sentencing_Act&oldid=1153436887 (visited on 2023-12-07).

      This article talks about how the Fair Sentencing Act tried to tix unfair drug laws that punished some people much more harshly than others. I didn't know how big the gap used to be. It's shocking that the system allowed that for so long. It reminded me that algorithms can repeat the same kind of bias if they learn form unfair data. Both law and technology show how neutral systems can still treat people unequally.

    1. Similarly, recommendation algorithms are rules set in place that might produce biased, unfair, or unethical outcomes

      In another class I am taking this quarter, we are learning about biases that make their way, whether intentional or unintentional, into algorithms and social media systems. It is interesting to see the connection between the two.

    1. These processes rarely determine causality. Instead, they prepare us - students of history - to generate better answers to "why" questions than we would have had we committed the folly of leaving location out of the story.

      This is one of the reasons I really like studying maps because they can tell strories through the data and the patterns you observe when analyzing it.

    1. Each Works Cited entry has 9 components. You may not use each component in the reference; however, they all form a function to help the reader find the source you have cited.  Note the punctuation after each element: Author. Title of Source. Title of Container, Other Contributors, Version, Number, Publisher, Publication date, Location.

      these are many ways you can site your source

    2. Hyperlinks are very useful for linking to information that will be read immediately. We all use hyperlinks in emails to link to videos, articles, and recipes. These are good uses of hyperlinks because, most likely, the information will still be there. And, you are probably linking to information that is free and available to the public. However, hyperlinks are not very useful for academic papers. Here are some reasons: Links change: The internet changes every day. Websites add and remove articles, on-line magazines and newspapers change their links. If there is only a link to a source and if that link changes, then the reader cannot find the source. Inaccessible Databases: Some of the information you will use will be from CNM databases. The readers of your article may not have access to the same database; therefore, a link is not sufficient. The reader needs to know pertinent information, such as the author’s name, title, etc., to be able to find the source.

      hyperlinks are useful for emails to link videos or other things but they are very useful for paper work

    3. Each entry (i.e, each source) follows a specific format. Formatting Works Cited entries can sometimes be confusing and possibly irritating. It can also seem like a lot of work for something so small and seemingly unimportant. However, following the form for each entry is important. Remember that each Works Cited entry is the key for your reader to find the exact source that you used for information. Following MLA style exactly means that you will include all of the information necessary for your reader to find your original source.

      its important to follow the specific format of MLA fo reworks cited because it would make it easy for readers to find the original source

    4. List each source that you have cited in your paper with an in-text citation in the Works Cited page. Only list sources you have cited in the paper. Do not list sources that you have consulted but not cited.

      list sources that you cited on your text

    5. Start the Works Cited page on a separate page. This should be the last page of your paper. Margins and pagination (last name and page number on the top right) remain the same as the rest of the paper. Title the page Works Cited. Center the title Do not italicize the title Only the title is centered; the rest of the page is left justified The entire Works Cited should be double-spaced. Do not add a space between citations (i.e., do not add an extra double space between citations). Citations should be in alphabetical order.

      format on how to form the works cited page

    1. The assumption behind high-school instruction is that the teacher is the engine of learning. Consequently, a lot of time is spent in direct face-to-face instruction. Homework is for further practice to reinforce material from that day. Teachers will often tell students what each night’s homework assignment is, follow up on missing work, and closely track students’ progress.

      The assumption is that the high school teacher's instruction is face-to-face and involves much time spent preparing the material for the students. Moreover, some teachers will remind the students that the homework is further to practice every day. The teachers are able to assign the student homework if they are missing work and closely track the student's progress.

    2. By the end of high school you probably mastered many of the key conventions of standard academic English such as paragraphing, sentence-level mechanics, and the use of thesis statements. The essay portion of the SAT measures important skills such as organizing evidence within paragraphs that relate to a clear, consistent thesis, and choosing words and sentence structures to effectively convey your meaning. These practices are foundational, and your teachers have given you a wonderful gift in helping you master them.

      By the end of junior year and senior year there are some strandarad and some english and such as english and some of the essay are portation adn the student are nervous and scared.

    3. Most college classes meet only 1-3 times a week for a total of about 3 hours. Consequently, college instructors think of class meetings as an opportunity to prepare you for the heavy-lifting that you’ll be doing on your own. Sometimes that involves direct instruction (how to solve a particular kind of problem or analyze a particular kind of text).

      Most of the class meets only 3-4 times a week, for a total of 3 hours. Moreover, most instructors use that time to prepare before the class starts, when the professor gives instructions. Most of the time students are struggling with heavy-lifting homework and that you will be doing on your own. Some of the professors would give the student instruction and not be clear on the direction and they students can’t understand or are confused about.

    1. custom international law prohibits the use of starvation of the civilian population as a method of warfare.”

      Quoting the ICJ and referencing international law provides some legal weight. It frames the issue as not only political, but a complete violation and neglect for our world. This quote, to me, evokes some sort of responsibility or guilt in me as an American that this is happening on the other side of the world right now.

    2. restore access to the United Nations to deliver food and other basic necessities into the Gaza Strip.

      The word "access" metaphorically treats aid efforts as something blocked or gated.

    3. “Starvation as a Weapon of War”

      This metaphor right away in the headline of the story frames hunger as a deliberate military tactic. It implies that denying food is not only neglect, but it's a sign of aggression, like using guns or bombs.

    1. river courses shift over time

      What are some examples of rivers that have changed courses ? I think I heard of one being diverted in Libya by Gaddafi through aquafers to bring water to arid regions, and that the Euphrates and Tigris rivers would change courses accross history but I would like to know other examples

    1. “In most cases, interregna, fragmentation, and ‘dark ages’ were more common than consolidated, effective rule.” Scott argues that early states were unstable they often fell apart and had long periods of collapse. The idea of a strong, stable state is more the exception than the rule.

    2. “Until the past four hundred years, one-third of the globe was still occupied by hunter-gatherers…”<br /> He’s emphasizing that most humans for most of history lived outside of state control. The modern world where everyone lives under a state is extremely new.

    3. “If you were hunter-gatherers or nomads, however numerous, spreading your biodegradable trash thinly across the landscape, you were likely to vanish entirely from the archaeological record.” Scott points out that groups that didn’t leave big ruins like nomads or foragers, get erased from history, not because they weren’t important, but because they didn’t leave permanent traces.

    4. “A great deal of archaeology and history throughout the world is state-sponsored and often amounts to a narcissistic exercise in self-portraiture.” He’s saying archaeology is biased because it mostly studies big monuments and cities built by states. This makes ancient states seem more dominant than they really were.

    5. "Any inquiry into state formation like this one risks, by defini- tion, giving the state a place of privilege greater than it might otherwise merit" Scott is warning that historians often give the state too much importance. He wants to show that for most of human history, people lived without states, and those nonstate societies matter just as much.

    6. "Thus if you built, monumentally, in stone and left your debris conveniently in a single place, you were likely to be “discovered” and to dominate the pages of ancient history. If, on the other hand, you built with wood, bamboo, or reeds, you were much less"

      History is a skewed record made up of only what is preserved and does not tell the full stories of all ancient civilizations.

    7. “Domestication” changed the genetic makeup and mor- phology of both crops and animals around the domus. The

      assemblage of plants, animals, and humans in agricultural settlements created a new and largely artificial environment in which Darwinian selection pressure worked to promote new adaptations.

    8. All states were surrounded by nonstate peoples, but owing to their dispersal, we know precious little about their coming and going, their shifting relationship to states, and their political structures. When a city is burned to the ground, it is often hard to tell whether it was an accidental

      fire such as plagued all ancient cities built of combustible ma- terials, a civil war or uprising, or a raid from outside.

    9. The author explains homo sapiens have inhabited the earth for 200,000 years in and around Africa first. The first tax collecting society was around 3,100 BCE 4 millennia after the first crop domestication society's.

    10. The author argues that much of early human history, especially aspects that don’t support the idea of states as “civilizing forces”, is missing from traditional historical records. Events like migration, rebellion, or resistance to state control often left few physical traces or were deliberately ignored in written sources.

    11. By comparing the fossil fuel era to the entire span of human history, the author shows how recent industrialization really is. Even though it was a short period, it changed societies and ecosystems greatly.

    12. Scott challenges the assumption that Human Beings naturally progressed toward agriculture, cities, and states. He argues for the opposite, for most of human history, people chose not to live in concentrated and hierarchical societies.

    1. The personality of the East Wing was always calmer and less intense than that of the testosterone-filled West Wing

      The metaphor gives the building human-like traits to describe it. The quote frames the East Wing as gentler and more welcoming. On the other hand, the West Wing seems to be more aggressive.

    2. “The secretive nature of the construction, tied to military purposes, further fueled suspicions,” Stewart McLaurin, the president of the White House Historical Association

      Going to a preservation expert adds some legitimacy to this story.

    3. The East Wing, the entrance to the White House for millions of Americans on official tours, the site of offices for every first lady for nearly a half century and the home of calligraphers who prepared thousands of invitations for White House state dinners, disappeared into a pile of rubble on Thursday.

      The description "pile of rubble" makes the project sound destructive. It's an opinion. It metaphorically frames President Trump and his decision as a cultural wrecking ball, taking down part of a historical building like the White House.

    4. “There was never a day I didn’t catch my breath walking into the East Wing,”

      The quote utilizes emotional appeal to frame the East Wing as sacred to the White House. It has an influence on the story, making it centered around loss. The story guides readers more towards mourning rather than analyzing the situation of the construction.

    1. idk eddie is really cooking here in this situation like. i get it i really get it. He understands he cannot fundamentally change karl so he just offers his opinion and leaves it at that. he recognizes that he is responsible for his own actions but not for others.

      would i take this mindset and expand it to the whole world? Well no. we have to make change somehow or else its every man for himself. maybe its like. Small enough circumstances need not be interfered with but big ones should be. or you can interfere a little bit, just enough that it adds up little by litte, diffused across time or circumstances

    Annotators

    1. Usually, the Works Cited source entry will begin with an author’s last name. If there is no author, then the name of the article is the first information listed.

      use authors name. if there is no author then site the articles name

    2. Usually, the Works Cited source entry will begin with an author’s last name. If there is no author, then the name of the article is the first information listed.

      if there is no author name to site then use the tittle of the article

    3. In both professional and academic settings, the penalties are severe.   If you use someone else’s work, cite it. Give credit where credit is due.

      ALWAYS GIVE CREDIT TO OTHER PEOPLES WORK

    4. If you do not credit the work of other writers –taking credit for their work as if you wrote it—you are committing plagiarism.

      [plagiarism is when you don't give credit

    5. In your paper, when you quote directly from a source in their words, or when you paraphrase someone else’s idea, you need to tell the reader what that source is so the author gets credit for their words and ideas.

      you need to give credit to the person of the source]

    6. When writing, make sure you inform the reader when you are using information from a source, whether that be direct quotations or paraphrasing information. And, it should be equally clear when you are expressing your own ideas.    If someone else wrote it, said it, drew it, demonstrated it, or otherwise expressed it, you need to cite it.

      site information about the source .

    7. The in-text citation is offset with parentheses, clearly calling attention to itself for the reader. The reference to the author or title is like a signal to the reader that information was incorporated from a separate source.

      in text citations will get readers attention.

    8. In-text citations are used throughout your paper to credit your sources of information. In MLA style, the in-text citation in the body of the essay links to the Works Cited page at the end. This way, the reader will know which item in the Works Cited is the source of the information.

      in text citatios are used to credit your sources of information.

    1. critical study of the source

      Critical study of the source means asking when was it made, why was it made, how was in made, what was the context in its creation and what goals did it set out to do. This must all be done to learn as much as you can from the source.

    1. Any cell with two chromosomesets is called a diploid cell and has a diploid number of chro-mosomes, abbreviated 2n.

      n= the number of unique chromosomes in a single set (n=23 for humans)

    2. The two distinct chromosomes referred to as X and Y arean important exception to the general pattern of homolo-gous chromosomes in human somatic cells.

      XX chromosomes are homologous for females, XY chromosomes aren't homologous for males

    3. In asexual reproduction,a single individual is the sole parent and passes copies of all itsgenes to its offspring without the fusion of gametes.

      offspring are genetic copies of parents. mitotic cell division in single-celled eukaryotic organisms is an example of asexual reproduction.

    Annotators

    1. 2.3.2 N-gram Analysis Distinctive linguistic fingerprints CUNY-Specific Trigrams “the financial aid office”: 892 occurrences “constant issues with CUNYfirst”: 147 “take the shuttle then”: 73 “if the express is”: 89 Comparative Trigrams “direct all questions”: 48 (NYU/Columbia) “the admissions office”: 127 (private schools) “feel free to PM”: 89 (leisure for consultation)

      For this to keep, it would need to be rendered after the initial framing paragraph for the section where findings from the study are disclosed and analyzed, higher up in Chapter 2.

    2. Schedule validation

      Extremely weak language to formulate the subject of the final paragraph here. Revise to keep with the stylistic markers of the previous paragraphs and interweaves them and distills value through the revision of this final paragraph's topic sentence and phrasing in the beginning of the second sentence.

    1. Known historical users of the Royal KMM:<br /> - John Ashbery<br /> - Russell Baker - Ray Bradbury - Richard Brautigan - Richard Brooks - Pearl S. Buck<br /> - Johnny Carson (or possibly KMG) - Norman Corwin<br /> - Frank Herbert<br /> - Helen Keller<br /> - Murray Kempton<br /> - Ken Kesey<br /> - George Washington Lee - Harper Lee<br /> - Ursula K. LeGuin - David McCullough<br /> - Margaret Mead<br /> - Dorothy Paraker<br /> - Grantland Rice<br /> - Georges Simenon<br /> - Christina Stead<br /> - Tom Wolfe

    1. In the hands of a gifted filmmaker, these subtle adjustments work together to create a coherent whole that communicates effectively (and invisibly). In the hands of not so gifted filmmakers, these choices can feel haphazard, unmotivated, or perhaps worse, “showy” – all style and no substance – creating a dissonant, ineffective cinematic experience.

      Just like many other things in life, some people are made to just visualize things differently than us, allowing some crazy things to be captured.

    2. We can say the same about transitions from shot to shot. Think of them as conjunctions in grammar, words meant to connect ideas seamlessly. The more obvious examples, like fade-ins and fade-outs or long dissolves, are still drawn from our experience. Think of a slow fade-out, where the screen drifts into blackness, as an echo of our experience of falling asleep, drifting out of consciousness. In fact, fade-outs are most often used in cinema to indicate the close of an act or segment of story, much like the end of a long day. And dissolves are not unlike the way we remember events from our own experience, one moment bleeding into and overlapping with another in our memory.

      Transitions are one of my favorite things when it comes to filmmaking, or any type of video format. It's such a subtle and nice way of moving to the next scene.

    3. The same applies to cinematic language. The way cinema communicates is the product of many different tools and techniques, from production design to narrative structure to lighting, camera movement, sound design, performance and editing. But all of these are employed to manipulate the viewer without us ever noticing. In fact, that’s kind of the point. The tools and techniques – the mechanics of the form – are invisible. There may be a thousand different elements flashing before our eyes – a subtle dolly-in here, a rack focus there, a bit of color in the set design that echoes in the wardrobe of the protagonist, a music cue that signals the emotional state of a character, a cut on an action that matches an identical action in the next scene, and on and on and on – but all we see is one continuous moving picture. A trick. An illusion.

      I don't like the term manipulate in this context; more so, I'd say it's a matter of engaging the audience with the movie.

    1. Our next question deals with love of neighbor. It is not uncommon for persons to ask whether charity as love of neighbor is destructive of human friendship. Friendship requires a benevolent love that goes out to the person as a value in himself, but love of neighbor as imperated by charity seems to “use” the person as a means or instrument for loving God. Is not this in reality loving a person as a good ordained for someone else, and is it not therefore a love-of-desire (amor concupiscentiae) rather than a love-of-friendship (amor amicitiae)?

      Cont. Here

    1. That independent spirit in American cinema also created space for women and people of color to have a voice in the art form. A quick scan of the history above and you’ll notice there are not a lot of women’s names. And almost all of the men are white. But filmmakers like Shirley Clarke, Julie Dash and Allison Anders didn’t wait around for Hollywood to give them permission to make great cinema. Nor did the filmmakers of the early so-called Blaxploitation movement (though their success was eventually and sadly co-opted by white filmmakers).

      I think one of the greatest factors leading to the Women's Suffrage Amendment. Especially with Olivia de Havilland suing Warner Bros in 1939.

    2. JAWS (1975) cost $9 million to make (three times more than Universal budgeted) and took 159 days to shoot (three times longer the Universal had hoped), but it grossed more than $120 million in its first theatrical run. It hit Hollywood like a tidal wave. A simple genre movie with clear heroes and just enough eye-popping special effects to wow the audience. Best of all, there was no need for an expensive, star-studded cast or a well-known, temperamental director. The concept was the star. It was a formula the studios understood and knew they could replicate. Two years later, 20th Century Fox released Star Wars (1977). Its success dwarfed that of JAWS. Hollywood would never be the same.

      Again, two movies that are so recognizable by their success. Truly changed the direction of cinema and the amount of success each one can create.

    3. The Exorcist (1973) broke every accepted norm of cinematography, sound design, narrative structure, editing, performance and even distribution models. And in the process broke every box office record.

      One of the most popular films throughout time. Many who have not even seen the movie will still recognize the name of the movie.

    4. And rather than control costs to maximize profits, studios allowed the freelance artists they employed to experiment with the form and take creative risks. In fact, more and more filmmakers were smart enough to shoot on location rather than on the studio backlot where executives might micromanage their productions.

      I like how this was the start of the more creative risk in the industry. Matches how society was during the 1960s-80s, wild and unpredictable.

    5. Whatever the reason, Warner Bros. bankrolled Bonnie and Clyde (1967), tried to bury it on release, but ultimately had to admit they had a huge hit on their hands. It was as bold, unpredictable, and transgressive (for its time) as Beatty had hoped. And audiences, especially younger audiences, loved it.

      I didn't even know that Warner Bros made the original Bonnie and Clyde. So if they did bury it, I probably would have never found this out

    6. Olivia de Havilland, a young actress known for her role as Melanie in Gone with the Wind (1939), sued Warner Bros. for adding six months to her contract, the amount of time she had been suspended by the studio for refusing to take roles she didn’t want. She wasn’t the first Hollywood actor to sue a studio over their stifling contracts. But she was the first to win her case.

      Glad to see the actors got what was deserved. No one should get their time and work treated unfairly.

    7. It was an ingenious (and diabolical) system that meant studios could keep their production costs incredibly low.

      Sad to see that this has been the motive; it seems like in every industry, early on. Capitalism has sucked the humanity out of so many things.

    8. Spoiler alert: It was a HUGE success. Unfortunately, Sam Warner didn’t live to see it. He died of a brain infection on October 5th, the day before the premiere.

      Ironic and tragic at the same time.

    9. Warner Bros. was a family-owned studio run by five brothers and smaller than some of the other larger companies like Universal and MGM. But one of those brothers, Sam, had a vision. Or rather, an ear. Up to that point, cinema was still a silent medium. But Sam was convinced that sound, and more specifically, sound that was synchronized to the image, was the future. And almost everyone thought he was crazy.

      Funny to think about people just sitting there in silence prior. Now it's so rare to get any silence at all, and when so it's concerning

    10. Not surprisingly, a lot of would-be filmmakers bristled at Edison’s control over the industry. And since patent law was difficult to enforce across state lines at the time, many of them saw California as an ideal place to start a career in filmmaking. Sure, the weather was nice. But it was also as far away from the northeast as you could possibly get within the continental United States, and a lot harder for Edison to sue for patent violations.

      People are funny; we always find ways to get around to what we want.

    11. Thomas Edison. Edison owned the patent for capturing and projecting motion pictures, essentially cornering the market on the new technology (R.I.P. Louis Le Prince). If you wanted to make a movie in the 1900s or 1910s, you had to pay Edison for the privilege

      I've heard of this vaguely before. Interesting to get the known details.

    12. In 1895, Woodville Latham, a chemist and Confederate veteran of the Civil War, lured away a couple of Edison’s employees and perfected the technique of motion picture projection. In that same year, over in France, Auguste and Louis Lumiere invented the cinematographe which could perform the same modern miracle. The Lumiere brothers would receive the lion’s share of the credit, but Latham and the Lumieres essentially tied for first place in the invention of cinema as we know it.

      In less than 100 years, the conceptualization of cinema or the projection of images was formed, very impressive for the amount of progression early on in a short time frame historically.

    13. There was just one problem: the only way to view Edison’s films was through a kinetoscope, a machine that allowed a single viewer to peer into a viewfinder and crank through the images. The ability to project the images to a paying audience would take another couple of years.

      Imagining a world where a projection of videos or photos is limited to one person is crazy.

    14. Six years later, after narrowly avoiding a murder conviction (but that’s another story), Muybridge perfected a technique of photographing a horse in motion with a series of 12 cameras triggered in sequence. One of the photos clearly showed that all four of the horse’s hooves left the ground at full gallop. Stanford won the bet and went on to found Stanford University. Muybridge pocketed the $25,000 and became famous for the invention of series photography, a critical first step toward motion pictures.

      I find it interesting and funny at the same time that we got the invention of series photography from a bet.

    1. Anothersimilar study in this area could be valuable in order to shed light on the relation between adolescent learners’motivation and the SLA process in elementary schools in Brazil.

      Future studies should include longitudinal designs and mixed methods to capture motivation’s dynamic nature more accurately.

    2. LIMITATIONS OF THE STUDY

      The study’s main limitations include: 1.Motivation changes over time, making cross-sectional data limited. 2.Self-report questionnaires may contain bias or socially desirable answers. 3.L2 motivation research requires interdisciplinary expertise in linguistics, psychology, and education.

    3. ny teachers believe that by sticking to the language materials and trying to discipline theirstudents, they will manage to create a classroom environment that will be conducive to learning.

      Teachers must adapt teaching methods to match students’ motivation types and social realities. Building interactive, inclusive, and student-centered lessons fosters sustained motivation.

    4. t should besufficiently elastic to permit students to explore learning and socialization in a manner consistent with their needs.Fulfilling the needs of the students will keep them motivated and interested in learning, as they make theirtransition from elementary school to high school

      Motivation is affected by physical, emotional, and social changes.

    5. The economic differences found between the students from the private school and the students fromthe public school were also confirmed by the coordinators of both schools.

      Socioeconomic background, teacher enthusiasm, and classroom discipline significantly influence motivation levels.

    6. chool 1 (theprivate one) have extrinsic motivation/instrumental orientation in learning English, while the ones from School 2(the public one) have intrinsic motivation/integrative orientation.

      Private school students (School 1) show extrinsic motivation—focused on future success and career goals.

      Public school students (School 2) show intrinsic motivation—driven by enjoyment and cultural interest.

    7. The motivated students affirmed that they enjoy their English classes because they are usually fun,dynamic, and interesting, but they also associate those good moments to the teacher’s ability in running the classesin a smoothly way, always being happy, devoting great care to her work and helping them in clarifying theirdoubts with patience and dedication

      Motivation is strongly tied to the teacher’s attitude, while demotivation often stems from external factors like fatigue or home issues.

    8. The vast majority of participating students (88.33%) stated that they like to study English, mainlybecause they admire the language, finding it "cool", interesting, fun, exciting and "beautiful" and also because it isa universal language.

      Most students (88%) like English because they find it enjoyable and culturally enriching. Only a small percentage focus on career benefits.

    9. Research Question 5: What makes the investigated students feel motivated in class and what dotheir teachers believe motivates them the most?

      Games, songs, group work, translation, and creative tasks are most motivating. Traditional grammar activities are less engaging.

    10. Research Question 4: How do the investigated teachers perceive their adolescent students inclass?

      The teacher believes students are generally motivated and shows it through active participation.

    11. Research Question 3: Do the adolescent students investigated feel motivated or not in their EFLclasses?

      About 61% feel motivated, while 30% fluctuate due to tiredness, sadness, or difficulty with content.

    12. Research Question 2: What is motivation for the adolescent students` English teachersinvestigated?

      Motivation is an inner drive leading to participation and enthusiasm. The teacher highlights that liking English makes learning easier.

    13. Research Question 1: What is motivation for the adolescent students investigated?

      Students see motivation as the desire to learn, often influenced by having dynamic, fun, and caring teachers. They value English for communication, culture, and understanding media.

    14. The students who do not like their English classes (the minority of them) argued that school classesare very easy if compared to classes of languages courses they attend, and that the content seen in the regularclasses at school are a repetition of contents already learned in extra-curricular courses

      Demotivation arises from repetitive content, poor discipline, and lack of classroom control. Students taking private English lessons tend to find school lessons less engaging.

    15. Most of the students (almost 70% of them) like their English classes. They state that they do not havedifficulties in learning the language and that they feel motivated in doing so.

      Most students (70%) enjoy English and find it easy, linking motivation to future opportunities and entertainment-related exposure to English.

    16. Research Question 5: What makes the investigated students feel motivated in class and what dotheir teachers believe motivates them the most?

      Students are most motivated by interactive activities like games, songs, films, and multimedia lessons. Teachers agree, noting younger students prefer games, while older ones enjoy music and movies.

    17. Research Question 4: How do the investigated teachers perceive their adolescent students in class– motivated or not?

      Teachers observe fluctuating motivation, higher during games and activities, lower during grammar-focused lessons.

    18. Research Question 3: Do the adolescent students investigated feel motivated or not in their EFLclasses?

      Around 70% feel motivated, but 9th graders report lower motivation due to discipline issues and repetitive lessons.

    19. Research Question 2: What is motivation for the adolescent students` English teachersinvestigated?

      Teachers describe motivation as an inner drive visible through participation, enthusiasm, and positive body language.

    20. Research Question 1: What is motivation for the adolescent students investigated?

      Students view motivation as a stimulus that encourages them to learn. Most enjoy English classes, associating them with future success, travel, and career opportunities. Activities involving videos, music, and games are seen as highly motivating.

    21. he purpose of this chapter is to present the results of the analysis of the data collected, which camefrom students’ questionnaires,

      This chapter presents findings from student questionnaires, teacher and coordinator interviews to understand adolescent students’ motivation toward English learning. The discussion follows the five research questions guiding the study.

    22. Procedure – analyses and interpretations of the questionnaires and the interviews

      Results were analyzed quantitatively (percentages) and qualitatively (student quotes and teacher comments) to illustrate motivational patterns and support interpretations.

    23. Procedure – students’ questionnaires

      Administered during class time, the questionnaires were completed voluntarily and anonymously. The process took about 15–20 minutes, with the researcher available for clarification.

    24. In the present investigation, two types of instruments were used: a questionnaire, administered to thestudents, and semi-structured interviews with the teachers and coordinators.

      Two main instruments were used: student questionnaires and semi-structured interviews with teachers and coordinators.

      The questionnaires assessed attitudes and motivation using both open- and closed-ended questions, tailored to each school context. Interviews provided qualitative insights into teaching experiences and school realities.

    25. The coordinators

      Two coordinators (C1, C2) provided insights into each school’s social and cultural environment, helping contextualize the findings. Both had education-related degrees and over five years of experience.

    26. The English teachers

      Four teachers participated (T1–T4), all with degrees in Portuguese-English Language and postgraduate training. Their teaching experience ranged from 2 to 10 years.

    27. The students

      Students ranged from 6th to 9th grade, aged 10–16, with a nearly equal gender balance. Both groups had two English classes weekly.

    28. THE PARTICIPANTS

      Participants included 2 coordinators, 4 English teachers, and 237 adolescent students (117 from the private school and 120 from the public one).

    29. THE CLASSROOM CONTEXT

      The study was conducted in two schools in Joinville, Brazil, one private (School 1) and one public (School 2). Both schools offer English classes twice a week to adolescents, but differ in socioeconomic background, resources, and teaching materials.

    30. Therefore, the methodology employed on this study is based on qualitative methods.

      The study uses a qualitative approach, which better captures the complex social, cultural, and psychological dynamics of learner motivation than quantitative methods.

    31. human beings have to be considered active, reflective, critical and creative agents ofwhat surrounds them and of the information that they receive from others.

      It reflects both internal drives and external social interactions, with learners seen as active, reflective agents shaped, but not determined, by their environment.

    32. a socio-constructive approach can provide a framework forunderstanding motivation as a social process negotiated by the participants involved in an interaction event.

      Motivation is viewed as a socially negotiated process influenced by both individual and contextual factors. The socio-constructivist approach links cognitive, social, and cultural dimensions, emphasizing that motivation emerges through interaction and engagement.

    33. ornyei (2001b) discussed social motivation and the microcontext of learning, such as the school andthe class groups

      Within classroom contexts, Dörnyei (2001b) identifies four principal socio-cultural factors influencing motivation: parental influence, teacher influence, group motivation, and school environment.

    34. Bastidas Arteaga (2006), “socio-constructivism is not just one theory, but a group oftheories that refers to human cognitive development and students’ learning in the classroom.

      Bastidas Arteaga (2006) elaborates that socio-constructivism encompasses a range of theories rooted in Vygotsky’s (1978) ideas about social learning.

    35. Breen

      Breen (1998, as cited in Larsen-Freeman, 2000) also observes that mainstream SLA tends to reduce learning to a cognitive process between learner and linguistic input, thereby ignoring the broader social environment in which learning occurs.

    36. Larsen-Freeman (2000) criticizes SLA research for not considering social reality or for beingdecontextualized.

      Larsen-Freeman (2000) critiques traditional SLA research for overlooking this social dimension, arguing that studies often decontextualize language learning and fail to account for the real-world interactions and power dynamics that shape learner experiences.

    37. Adolescents’ auditory comprehension appears to us significantly better than children’s and adults’,and their memory is able to save a greater number of words, which according to Krashen’s research (Basso, 2008),confirms that this phase is the turning point in the ability to learn languages

      According to Basso (2008), puberty marks the point at which learners become capable of “working only with ideas, without the involvement of concrete references,” meaning they can reason abstractly and understand linguistic concepts beyond surface-level memorization.

    38. he psychologist Luziriaga (as cited in Basso, 2008) explains that adolescents have moments of totaldisconnection, separation, rejection of the proposed content, generated by the qualitative change in cognition, sointense and profound that forces them to retreat, unconsciously

      Luzuriaga (as cited in Basso, 2008) further explains that adolescents may temporarily reject or withdraw from learning content as a protective mechanism. The intensity of cognitive and emotional transformation during this stage can overwhelm the individual, forcing moments of retreat to maintain psychological balance.

    39. Chamber’s study also pointed out theimportance of communication and cooperation with the students. According to him, “teachers must listen to theirstudents” (p. 150).

      Chambers (1993, as cited in Dörnyei, 2001b) found that some learners’ demotivation originated from home environments or previous negative language-learning experiences.

    40. Gorham and Christophel (1992, as cited in Dornyei, 2001b, p.145)presented a rank order of the frequency of the various demotives mentioned by learners

      Gorham and Christophel (1992, as cited in Dörnyei, 2001b, p. 145) identified the most common demotivators reported by students, including dissatisfaction with grading and assignments, the teacher being perceived as boring or unprepared, a general dislike for the subject, poor organization of teaching materials, and teachers being unapproachable or biased.

    41. rather salient in learning environments and that teachers have a considerable responsibility inthis respec

      language-learning failure is a “salient phenomenon,” and the study of its causes is often directly related to demotivation.

    42. demotivation

      Although motivation has long been recognized as one of the key determinants of successful language learning, demotivation, its counterpart, remains an equally important yet understudied phenomenon in second language acquisition (SLA).

    43. Thereis no doubt that teacher motivation is an important factor in understanding the affective basis of instructed SLA,since “the teacher’s motivation has significant bearings on the students’ motivational disposition and, moregenerally, on their learning achievement”

      Motivation in language learning is multifaceted, shaped by personal goals, self-perceptions, and the social environment. Rather than being a fixed trait, it evolves continually as learners interact with their teachers, peers, and cultural surroundings.

      Teacher motivation also plays a key role, as a teacher’s enthusiasm, feedback, and cultural sensitivity directly influence students’ engagement and persistence in language learning.

    44. The language level refers to such aspects of L2 culture and community, and their“intellectual and pragmatic values and benefits” for the learner (Dornyei, 2001a, p. 19

      Dörnyei (2001b) emphasized the teacher’s central role, suggesting that motivation can be actively developed through strategies such as building rapport, setting achievable goals, and providing relevant feedback. He viewed motivation as dynamic and context-dependent, fluctuating based on classroom atmosphere and learner experiences.

    45. Finochiaro`s (1989) opinion is that motivationis not either extrinsic or intrinsic; or instrumental or integrative; and it does not depend solely on the learner’saptitude, personality, or learning strategies.

      Finnochiaro (1989) critiqued the earlier models for oversimplifying motivation into dual categories. He argued that motivation is not purely intrinsic or extrinsic but emerges from a blend of personal, social, and classroom-related factors, especially from positive teacher–student relationships and supportive learning environments.

    46. . Brown (1994) also defines the classification in extrinsic and intrinsic motivation as the “mostpowerful dimension of the whole motivation construct” (p. 155).

      Brown (1994, 2001), refined these ideas by distinguishing intrinsic and extrinsic motivation, emphasizing that they differ from integrative and instrumental orientations.

    47. Some Cognitive Definitions

      Cognitive approaches, in contrast, emphasize internal drives and decision-making processes. Theories such as Maslow’s (1970) hierarchy of needs and Hunt’s (1971) self-control theory highlight the importance of autonomy, goal-setting, and self-fulfillment in sustaining motivation. These models suggest that motivation is strongest when learners have control over their actions and perceive learning as personally meaningful.

    48. A Behavioristic Definition: a behavioristic psychologist would stress the role of rewards (andperhaps punishments) in motivating behavio

      In SLA, intrinsic motivation refers to enjoyment of learning itself, while extrinsic motivation is linked to external rewards.

    49. the construct of motivatio

      Motivation has been defined behavioristically (reward-driven), cognitively (goal- and self-driven), and humanistically (as a hierarchy of needs).

    50. In the area of second language education, motivational concerns occupy much of teachers’ attention,for example, when encouraging lazy students to work harder, making language classes more inspiring,supplementing dull teaching materials, analyzing the effects tests and exams have, and trying to find out howdifferent rewards and incentives wor

      Gardner and Lambert’s socio-educational model became foundational, emphasizing that learners’ attitudes toward the target language and its speakers shape their motivation and outcomes.

    51. ocus on the individual and their minor concern for the role of the social context in the learning andmotivational processes.

      Overall, while cognitive theories highlighted internal processes, they were later criticized for overlooking social and environmental influences.

    52. raditionally, motivation was viewed in terms of volition, will, instinct, drive, or need, whichrepresented a rationalist tendency of looking at psychological processes. The advent of behaviorist psychologyproduced a decline of theories that linked motivation with some inner force and linked motivation to some outerforce, instead

      Early theories viewed motivation as driven by instincts or needs, but behaviorism shifted the focus to external reinforcement. Later, cognitive psychology emphasized internal processes, such as beliefs, expectations, and goals, as key to motivation.

    53. concerns the direction and magnitude ofhuman behavior, that is the choice of a particular action, the persistence with it, and the effort expended on it

      Defines motivation as the direction and intensity of human behavior, determining choice, persistence, and effort in learning.

    54. Given that individual motives rise andfall over time, motivation can be conceptualized as a motive which gives behavior its energy and direction

      Motivation is dynamic and can be enhanced through teacher intervention, underscoring the teacher’s role in shaping student engagement and identity formation in language learning.

    55. Affective And Cognitive Factors and the Individual Differences

      Examines motivation, empathy, anxiety, and self-esteem as critical affective variables shaping SLA outcomes.

    56. L2 learnerswhose exposure to the L2 begins in adolescence/early adulthood are considered more efficient and successful thanyounger learners

      Contrasts early learners’ long-term proficiency with adolescents’ faster short-term progress.

    57. ven in L1 acquisition there is aso called ‘critical period’ for language development, which is a “limited phase in development of an organismduring which a particular activity or competency must be acquired if it is to be incorporated into the behavior of

      Refers to the Critical Period Hypothesis, which suggests that learning after puberty becomes more challenging, but argues adolescents can still succeed due to cognitive maturity.

    58. adolescent students are usually insecure and vulnerabledue to the physical, social, and affective changes they are undergoing

      Adolescents’ affective instability and insecurity are noted as potential barriers to engagement if not addressed by teachers.

    59. The author emphasizes the ones that “lie inside the learner” (p. 525), theaffective and the cognitive factors, considering the role of individual differences

      Emphasizes individual differences—especially age—and their impact on learning success.

    60. , present aspects related to motivation and to variablesassociated to learners’ individual differences, aspects which are crucial in the process of second languageacquisition.

      Motivation and learner attitude are presented as central to success in acquiring a second language.

    61. Behaviorism, the first theory that accounted for SLA, is a theory of animal and human behavior,which “attempts to explain behavior without reference to mental events or internal processes

      Reviews foundational SLA theories, Behaviorism and Krashen’s Monitor Theory, highlighting how affective and environmental factors (like anxiety, comfort, and feedback) influence learning outcomes.

    1. Investigating the human past in this way is not a matter of searching for utopia, but of freeing us to think about the true possibilities of human existence

      His closing message: studying history isn’t just about the past it’s about expanding our imagination for how people can live freely today and in the future.

    2. Until surprisingly recent times, spaces of human freedom existed across large parts of our planet.

      This is the essay’s main takeaway. Wengrow says humans have always experimented with different ways of living empire is not inevitable. Recognizing this gives us hope for future alternatives.

    3. It is easy, encouraged by works such as the Atlas, to imagine ancient history as a chequerboard of kingdoms and empires.

      He argues that this picture is false. The world wasn’t just divided into empires many people lived freely in flexible, self governing societies that don’t fit our modern political categories.

    4. Guinnane finds the Atlas guilty of sometimes reporting population estimates with no apparent supporting evidence

      Wengrow uses this to show that many historians rely on outdated or unreliable data. He calls them zombie statistics numbers that keep getting repeated even though they’re basically guesses.

    5. evidence for a prosperous urban civilisation with no discernible signs of rulership or central authority

      He gives examples like Jenne-jeno and Liangzhu to prove that complex societies existed without hierarchical rule. This challenges the idea that “civilization” must mean centralized power.

    6. Over the past few decades, geographical spaces once written off as blanks on the map, or dismissed as ‘an unchanging palaeolithic backwater’ (as our 1978 Atlas puts it, for Aboriginal Australia), have been flooded with new data.

      This marks a turning point. Wengrow explains how modern archaeology is rewriting what we thought we knew, revealing advanced, organized societies that existed without kings or empires.

    7. It is from such sources that we get, not just our notion of empire as handmaiden to civilisation, but also our contemporary image of life before and beyond empire as being small-scale, chaotic and largely unproductive. In short, everything that is still implied by the word ‘tribal’

      Wengrow says historians like Gibbon helped create the stereotype that tribal societies were primitive or childlike compared to “civilized” empires. He’s challenging this bias — showing how empire has shaped how we define civilization and freedom.

    8. For some scholars today, the claims prove that empires are obvious and natural structures for human beings to inhabit

      Here, Wengrow is summarizing a common belief — that humans naturally organize into empires. He’s setting up a critique: he’ll argue later that this view ignores other ways people have lived freely, outside of imperial control.

    9. ontemporary historians tell us that, by the start of the Common Era, approximately three-quarters of the world’s population were living in just four empires

      Wengrow is questioning the idea that most people have always lived under empires. He wants readers to pause and consider how this assumption influences our perception of history, that an empire might seem normal, even though that may not be the case.

    10. were organised not as empires or even kingdoms, but fiercely autonomous republics, long before the Spanish conquest

      Different cultural views of "civilization"

    11. Today it seems very possible that another 2,000 years of world governance by ‘powerful extractive elites’ could lead to the destruction of most life on Earth.

      Empires only benefit those in leadership roles or those with wealth.

    12. What ‘advantages’, we might ask, accrued to a girl captured by Cilician pirates, and sold in the slave markets of Roman-era Delos, over one living freely in the Nuba Hills of southern Kordofan?

      Broad looks of the history of societies and cultures ignore and erase the individuals who experienced life at that time.

    13. Why, then, beat such a hasty retreat to the state of knowledge as it existed in 1978, and miss out on all this new information?

      I have found that there is something about older information that makes it feel more trustworthy or just a "better" source than a more recent one. I found myself, when working on the mysteries paper, subconsciously choosing older studies. I find this to be incredibly interesting as, like Wengrow states, this deprives us of new, hopefully less biased, information.

    14. described as ‘scattered people’, ‘head-bangers’ or simply ‘enemies’. In the early centuries BCE, emissaries of the Han Empire wrote in similar ways about the rebellious marsh-dwellers of the tropical coastlands to their south. Historians now see these ancient inhabitants of Guangdong and Fujian through Han eyes, as the ‘Bai-yue’ (‘Hundred Yue’), who were said to shave their heads, cover their bodies in tattoos, and sacrifice live humans to their savage gods.

      Groups that did not fit into the empire's ideals of life were demonized and othered to justify their conquering and the violence brought against them.

    15. Gibbon’s barbarian is an inveterate idler: free, yes, but only to live in scattered homesteads, wearing skins for clothes, or following his ‘monstrous herds of cattle’. ‘Their poverty,’ wrote Gibbon of the ancient Germans, ‘secured their freedom.’

      "free" equates to "not being civilized"

    16. mpires have always created vivid and disturbingly violent images of tribal life on their frontiers, placing in a different, paternalistic light the violence at the heart of their own political projects.

      He says that empires justified their violence because they made others look like savages.

    17. Now, it is surely true that in any period of human history, there will always be those who feel most comfortable in ranks and orders. As Étienne de La Boétie had already pointed out in the 16th century, the source of ‘voluntary servitude’ is arguably the most important political question of them all.

      Archaeology shows that many societies that experimented with freedom, fluid leadership, and non-coercive systems. People were not forced into hierarchy by a law of progress, but they rather made choices.

    18. ‘The hypotheses of the historical demographer are not, in the current state of the art, testable and consequently the idea of their being reliable in the statistician’s sense is out of the question.’

      This shows how unknown and uncertain people were about early population estimates. Wengrow uses this to show that most of our information about empires are just guesses instead of facts.

    1. “accidentally built the Death Star.”

      This technology will have a tremendous snowball effect. If you can "punish" people that have taken a abortion pill what else can you do with it, how far can this possibly go.

    2. Legal experts who specialize in abortion noted that wastewater testing technology could

      using the waste water to potentially track down someone that took these abortion medication brings up the question of legality.

      women recieving the pills may not hold up in court since theres no specific instances of the women receiving the pills.

    3. which women usually take at home in the first 10 weeks of pregnancy — has inspired many anti-abortion activists to push for new approaches to curtail their use.

      the purpose is to reduce the amount of women taking these pills

    4. Environmental Protection Agency

      This is a department within the US Federal Bureacracy. Known as EPA.

      The purpose of the EPA is to protect human health and enviornment by enforcing enviornmental laws. They conduct scientific research, provide grants and technical assistance, and work with both the state and local governments.

    1. Whether written into the margins of texts, integratedinto the print, or digitally superimposed, in what contexts have you encoun-tered annotations written by another person? In what ways have you sharedyour annotations with other readers?

      My friends have sometimes lent me books to read that they themselves have wrote in to annotate. I appreciated the extra insight and leaving my thoughts was also fun.

    1. After everyone had gone, my mother said to me, "You want to be the same as American girls onthe outside."

      What does her mother mean by “on the outside”? Does she think Amy can never truly be “American,” or is she reminding her that being Chinese is something to value internally?

    2. My relatives licked the ends of their chopsticks and reachedacross the table, dipping them into the dozen or so plates of food

      I can sense Amy’s discomfort, and somewhat relate to it because being Indian, our culture is somewhat related to the Chinese culture. what’s normal for her family suddenly feels shameful when viewed through the minister and their sons eyes. This moment highlights her inner conflict about cultural identity.

    3. I cried. What would Robert think of our shabby Chinese Christmas? What would he think of our noisyChinese relatives who lacked proper American manners? What terrible disappoint-ment would he feelupon seeing not a roasted turkey and sweet potatoes but Chinese food?

      This moment introduces the main conflict of how Amy is embarrassed about her Chinese culture. The dinner invitation makes her face her American crush and Chinese heritage at the same time.

    1. The academic strand of business ethics began in the 1970s. The term "businessethics" was modeled after the term ';medical ethics"-an area that began as anacademic area of study a decade earlier. Have philosophers engaged in the studyof ethics in business added anything to the academic area? A separate but relatedquestion is whether they have in fact changed business, business practices, andbusiness people. I believe that the answer in both cases is: yes. They have doneso in part because of their knowledge of the history of philosophy and the historyof ethics, because of their original analyses of moral issues in business and of thepresuppositions of particular economic systems, and because they took the lead inraising and attempting to answer normative questions in business.Before philosophers entered upon the scene in the 1970s, there was no academicfield of business ethics. The field developed precisely because of a felt need forwhat philosophers had to offer that was not provided by teachers of social issuesin management courses, by corporate critics, and by the conventional ethics-in-business approach. In this sense, to ask whether philosophers had anything to addto the field is almost a meaningless question because they formed the field. More-over, the field did not and does not consist of questions for philosophers or whata Wittgensteinian might consider pseudo-questions. What differentiated businessethics as a Eleld from social issues in management was the fact that business ethicssought to provide an explicitly ethical framework within which to evaluate busi-ness, and especially corporate, activities. What philosophers brought to the tablethat others had not was a systematic inquiry into our individual and collective moral* . s .experlence ln ouslness.

      In this piece of the article De George affirms that philosophers were the primary founders and builders of academic business ethics. This is technically a historical claim that can be evaluated. The argument has a very logical structure because technically if philosophers initiated curricula, journals, societies, and research agendas, then they can be credited with founding the field, but the soundness of this argument requires a citation or supporting evidence like dates, founding figures, institutional histories. Because these citations are missing, the claim is risking falling in generalization because other figures like lawyers, scientists, teachers and activists have also contributed to the growth of philosophy. To make this argument stronger he should present more specific examples and evidence to substantiate causation other than the apparented correlation.

    2. e takes "philosophy" globally, andso abstractly. He takes contemporary philosophy to mean analytic philosophy, andclaims that metaphysics and epistemology are "no more relevant to applied ethicsthan is astrophysics or neurophysiology

      De George goes on to contend Rorty's account is way too narrow because it basically makes philosophy be equal to just the analytic core. The structure is in fact valid because the premise that Rorty is treating philosophy in a very narrow way can support the conclussion that his dismissal of philosophy's relevance is mistaken. I personally think ths soundness of the claim depends pretty much on whether Rorty did in fact intend to give it such a short meaning. De George provides textual evidence but sometimes attributes an extreme thesis to Rorty without showing that Rorty consistently uses that narrow definition. I think ther is a risk of Strawman happening here if De George overgeneralizes Rorty’s position. I think a more careful and detailed analysis/approach would quote Rorty’s key passages and show precisely where De George’s counterexamples undermine them.

    1. Some recommendation algorithms can be simple such as reverse chronological order, meaning it shows users the latest posts (like how blogs work, or Twitter’s “See latest tweets” option). They can also be very complicated taking into account many factors, such as: Time since posting (e.g., show newer posts, or remind me of posts that were made 5 years ago today) Whether the post was made or liked by my friends or people I’m following How much this post has been liked, interacted with, or hovered over Which other posts I’ve been liking, interacting with, or hovering over What people connected to me or similar to me have been liking, interacting with, or hovering over What people near you have been liking, interacting with, or hovering over (they can find your approximate location, like your city, from your internet IP address, and they may know even more precisely) This perhaps explains why sometimes when you talk about something out loud it gets recommended to you (because someone around you then searched for it). Or maybe they are actually recording what you are saying and recommending based on that. Phone numbers or email addresses (sometimes collected deceptively [k1]) can be used to suggest friends or contacts. And probably many more factors as well!

      I never realized how many things go into deciding what shows up on my feed. It's little scary to think that apps might use my friends' searches or my location to guess what I want. Sometimes the recommendations are really accurate, but other times they feel creepy, like the app knows too much about me. It makes me wonder how much of what I see online is actually my choice.