- Jan 2023
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eveharms.itch.io eveharms.itch.io
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https://eveharms.itch.io/stimuwrite<br /> StimuWrite by Eve Harms
Make writing as addictive as social media
<small><cite class='h-cite via'>ᔥ <span class='p-author h-card'>Kieryn Darkwater :vtrain:</span> in "omg so I remembered seeing a #writing app for #ADHD a long time ago that is actually stimulating instead of a massive white space, and I found it again today. I thought I'd try it out and I've been able to get 1600 words done with less pain than starting at a blank google doc. The hearts and stuff as I type is all the serotonins I need for this. It's worth paying for.https://eveharms.itch.io/stimuwrite " - towns.gay on Jan 11, 2023, 04:12 (<time class='dt-published'>01/24/2023 12:35:14</time>)</cite></small>
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- Dec 2022
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www.newyorker.com www.newyorker.com
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In the liner notes of “Ambient 1: Music for Airports” (1978), Eno wrote, “Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.”
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In 1978, he started to use the term “ambient music”: the concept stretched back to describe “Discreet Music” and the work of earlier composers, like Satie, who coined the term “furniture music,” for compositions that would be more functional than expressive.
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Eno is widely known for coining the term “ambient music,”
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- Nov 2022
- Aug 2022
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www.w3.org www.w3.org
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- Apr 2022
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ar5iv.labs.arxiv.org ar5iv.labs.arxiv.org
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www.xda-developers.com www.xda-developers.com
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- Jan 2021
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bandcamp.com bandcamp.com
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Terrifying in its bleakness, Elegy is a record dedicated to its portrayal of loneliness, telling a story with firm roots in tension contextualised by the title’s disheartening implications.
A dedicated sponge in the blank countenance of empty space and flat time, I'd say.
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- Jan 2019
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static1.squarespace.com static1.squarespace.com
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material forms.
Placing rhetorics in a realm beyond the typical verbal/written/oral/aural.
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static1.squarespace.com static1.squarespace.com
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home being another, larger kind of pouch or bag, a con-tainer for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred,
These places, these larger containers, have their own purposes and functions, and, according to Rickert's Ambient Rhetoric, they also have a rhetoric of their own. They speak to us in various ways. For Le Guin, these containers speak of her status as human, enable her to feel part of humankind.
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- Jul 2017
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www.musikexpress.de www.musikexpress.de
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- Apr 2017
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static1.squarespace.com static1.squarespace.com
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ambience
Related to my other note on violence/parasitic imagery, it's so interesting that ambient music is his metaphor. I think language/rhetoric/rhetorical situations have for the most part been associated with ruptures, conflicts, lava. Now we have ambient music which doesn't really have major musical shifts or discordant sounds and seems completely different.
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Ambient1:MusicforAirportsandMusicforFilms
Is it just me, or do these albums seem like very different projects, and yet that's not really addressed? I mean, I suppose I can imagine a need for ambient music in background scenes for films, but soundtracks are so often used for overt emotional manipulation that I imagine relying on ambient music of this sort would actually lead to a sort of "uncanny"/discomforting experience for the audience. Barring a weird indy film where that is the goal, I can't imagine what market there would be for a film soundtrack from "the guy who brought you Ambient I: Music for Airports."
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