16 Matching Annotations
  1. Jul 2024
    1. Adjustment screw for the Olympia SM3 on feet shift set up is just to the side of the ribbon spool/cup. Gerren indicates that he's never been able to do this adjustment properly with the typewriter body on, so it's much easier to do with it off.

      The bottom adjustment point (through the side of the frame) allows one to set the base line for the on foot for the lower case letters while the top one sets the upper case.


      Gerren credits Phoenix Typewriter for most of the material he's learned in terms of fixing typewriters.

      Bill at Philly Typewriter has an apprentice program, but there aren't many shops that do this. (Gerren makes a joke that it's free (child) labor.)


      Trip point adjustments

      The trip point is the point at which the typebar trips the movement of the escapement.

      The adjustment point for it is reachable by removing the small protecting plate on the bottom at the back of the machine. The escapement trigger is just underneath it.

      The lower one (top if the machine is upside down) is for the lower case; the top one is for the upper case.

      Screwing the screw in will cause the trip to occur sooner.


      Spacebar adjustment mechanisms [13:00]

      There are two, one set in the front of the bottom of the typewriter and two screws in the back, right near the escapement.

      If the spacebar is hit too many times while cleaning and repairing, the spacebar won't work properly and will need some minor adjustment when the body is put back on.


      He shows at the end how to remove the keytops of the individual keys.


      The final check is the shift lock mechanism to make sure its aligned properly.

  2. Jun 2024
    1. I’ve currently only fixed the platen and reconnected the space bar. Issue I’m having is the letters are really faint and cut off almost half way through.

      Often after you resurface a platen, it slightly changes the configuration of the platen with respect to the typeface. As a result one usually may need to do three adjustments in a specific order to get things to align properly again. These can definitely be done at home with some patience.

      Usually the order for tweaking is: * Ring and Cylinder adjustment (distance of platen from typeface; the type shouldn't touch the platen or you'll find you're imprinting on your paper, making holes in the paper and/or ribbon, which isn't good). Sometimes using a simple backing sheet can remedy a bit of this distance problem, especially on platens which have hardened or shrunk slightly over time. * On Feet adjustment (vertical adjustment so that letters are bright and clear and neither top or bottom of characters are too light/faint) * Motion adjustment (the lower and upper case letters are at the same level with respect to each other) You can search YouTube videos for your model (or related models) and these words which may uncover someone doing a similar repair, so you have a better idea of what you're doing and where to make the adjustments.

      Here's Joe Van Cleave describing some of it in one of his early videos: https://www.youtube.com/watch?v=C0AozF2Jfo0 The general principles for most typewriters are roughly the same with slight variations depending on whether your machine is a segment shift or a carriage shift. You should roughly be able to puzzle out which screws to adjust on your particular model to get the general outcome you want.

      Related blogposts: * https://munk.org/typecast/2022/01/23/adjusting-ring-cylinder-on-a-brother-jp-1/<br /> * https://munk.org/typecast/2013/07/30/typewriter-repair-101-adjusting-vertical-typeface-alignment-segmentbasket-shift-typewriters/

      You might find a related repair manual for your machine with more detail and diagrams for these adjustments via the Typewriter Database or on Richard Polt's typewriter site.

      For those not mechanically inclined you may be better off taking it onto a repair shop for a quick adjustment. https://site.xavier.edu/polt/typewriters/tw-repair.html 

      Reply to u/Acethease at https://www.reddit.com/r/typewriters/comments/1d76ygx/got_a_as_a_gift_corona_3_recentlyish_and_i_need/

  3. May 2024
    1. One of the first thing I noticed was the rubber on this foot was sticking. This is the resting spot for the basket shift. Moving it up or down will adjust where the lower case letters strike the platen. I removed the old sticky rubber. There are two adjustments here, you can’t see the other one, but it’s looks the same. One is for lower case letters the other is for upper case. This is called the “on feet” adjustment. If you ever have the top of an upper case letter not imprinting or not level with the lower case letters, look at this adjustment. A good way to tell is to type HhHh, and see if the bottoms of the letters line up.
  4. Apr 2024
    1. If you plan on setting on your desk, unscrew the bottom plate and scrape off the hardened rubber feet and super glue some new ones on. I get the clear rubber kind from Ace Hardware (Part No. 5182381).

      Hermes Rocket feet repair advice.

  5. Mar 2024
  6. Jan 2024
  7. Sep 2022
    1. the thing is about vision, same with the ear, you can only see a few at a time in detail, but you can be aware of 100 things at once. So one of the things we're really bad about is, because of our eyes, you can't get the visual point of view we want. Our eyes have a visual point of view of like 160 degrees. But what I've got here is about 25, and on a cellphone it's pathetic. So this is completely wrong. 100% wrong. Wrong in a really big way. If you look at the first description that Engelbart ever wrote about what he wanted, it was a display that was three feet on its side, built into a desk, because what is it that you design on? If anybody's ever looked at a drafting table, which they may not have for a long time, you need room to design, because there's all this bullshit that you do wrong, right?

      !- insight for : user interface design - 3 feet field of view is critical - 160 degrees - VR and AR is able to meet this requirement

  8. Sep 2021
    1. A Congolese leader, toldof the Portuguese legal codes, asked a Portuguese once, teasingly: “What is the

      penalty in Portugal for anyone who puts his feet on the ground?”

      Was this truly a joke or is there more cultural subtlety here than provided?

      Compare this with Welsh mythology from the fourth branch of the Mabinogi and a tale from Cpt. James Cooks' travels

      The Fourth Branch pivots upon the towering figure of Math, Lord of Gwynedd, son of Mathonwy. Math was almost certainly of divine origin. His story is distinctive in Welsh mythology because it may reflect a pre-Christian myth of Creation and Fall. A condition of Math’s power – and indeed his life – was that, unless he was away fighting his enemies, he must stay at home and, bizarrely, sit with his feet in the lap of a maiden: the girl’s virginity was imperative. The name of Math’s foot-holder was Goewin. This strange prohibition on Math’s rule can best be explained if his origins lay in the pagan mythic tradition of sacral kingship so prevalent in Irish myths, wherein the mortal king ‘married’ the land in the form of the goddess of sovereignty. In a Welsh twist, the virgin status of the ‘goddess’ appears to reflect the perceived power of undissipated female sexuality, whose concentrated potency was necessary for the land to remain prosperous.

      But the connection between royal feet and the land may have even more complex roots. When Captain Cook explored Tahiti in the mid-18th century, he came across a tradition in which a Polynesian chieftain journeying outside his own lands had to be carried because any territory on which he set foot automatically became his, thus risking war between him and neighbouring chiefdoms. Clearly it would be outrageous to suppose direct connections between early medieval Wales and 18th-century Polynesia. But Cook’s observations inspire us to look for deeper ways of interpreting Math’s situation. via chapter 4 of Aldhouse-Green, Miranda. The Celtic Myths: A Guide to the Ancient Gods and Legends. (Thames and Hudson, 2015)

  9. Jun 2020
  10. Jun 2019