79 Matching Annotations
  1. Nov 2025
    1. Any conservator who would prefer not to work on racist materials that are needed for research, exhibit, or digitization will be given the option to pass the treatment on to a colleague. If nobody feels comfortable working on an item, we will look into hiring an outside party to do the work or other negotiated solutions.

      Totally fair--BUT, should a religious extremist have the same right, re: wedding cakes and Plan B prescriptions?

    2. staff

      In my experience, folks with roles outside of curation might have more focused (sometimes narrow?) takes on collections. How can we make selecting democratic and representative when we can't necessarily come to consensus and/or staff may have wildly different politics?

    3. reservation staff have regular conversations as a department about identifying and responding to racist or otherwise harmful content in their collections

      Yes--all staff should get to discuss curation

    4. we must take care not to employ this argument to advocate for the cultural heritage of the oppressor only

      Ugh, are people doing that? Is that how the Wisconsin Historical Society's materials are perceived? Are there times when the benefit outweighs the risk of materials being used for evil?

    5. his discrepancy in staffing has historically been reproduced and magnified in the selection of items that conservators treat, study, and write about

      true

    6. the curator’s priorities for treatment may change after learning of our observations

      Could be a discussion about whose decision-making is prioritized: the curator's, the person doing the labor? There are class issues. Should a conservator be allowed to say no to treat an object that troubles or harms them?

    7. We don’t always know how the materials that we treat in the lab will be used, or in what context they will be presented to students, researchers, and library visitors. As conservators, we must identify racist content when we see it and ask questions.

      Wow--should that matter? But I guess it does because people can use the materials to create (more) harm

  2. Aug 2025
    1. the buffalo is regarded as the most dangerous animal to pursue in Africa, let alone the world

      Asher Watkins must have been shocked that the animal he was trying to murder was scary and mad

  3. Jul 2022
  4. Aug 2020
  5. Jul 2020
    1. People judge the black person who achieved these goals as being a “good” black person, someone who did something right.

      performed whiteness

  6. Oct 2018
    1. Written while Owens was a digital archivist at the Library of Congress, this tutorial introduces the idea of glitching—intentionally corrupting a digital artifact—as a kind of playful deformance. Such intrusive digital interventions can serve a forensics purpose by exposing underlying metadata, but they can also defamiliarize the digital media in question. Owens walks through the glitching of music and image files. This process could be easily expanded to include other media types, including audiobooks, PDFs, and EPUBs, all very much of interest in a literature classroom.

      definitely deformative

    2. play is defined by six key elements: play is voluntary, separate from other aspects of life, uncertain, unproductive, governed by rules, and simultaneously more or less dependent upon make-believe (9-10). When any one of these elements is violated, play is no longer play. It is work.

      Note to self: think about in the context of zines. They are voluntary and uncertain. They are not separate, productive, governed by rules, dependent on make believe. But the spirit of this definition feels right.

  7. allred720fa18.commons.gc.cuny.edu allred720fa18.commons.gc.cuny.edu
    1. spectacle of fidelity

      Upon revisiting the text, it seems that there are clues that Delano should or somewhere inside himself did pick up on what was going on. Or perhaps the idea of a liberated slave ship was too ludicrous to take seriously. Delia Steverson shines the lens of the Haitian revolution on the novella,

      Immediately recognizing the ship as a slave vessel, Delano reads the unfettered slaves as simply having a trusting master who allows them relative free range on the ship. Delano meets the captain of the San Dominick, Don Benito Cereno, who is in constant companionship with a slave named Babo. Captain Delano cannot make sense of the many strange occurrences aboard the ship, including why the slaves seem to have so much freedom, why Benito Cereno seems to possess the “involuntary victim of mental disorder,” and why Benito Cereno’s crew was so small (Melville 44). It is not until he is attacked by the mutineers that Delano realizes Benito Cereno was not a gracious slave master, but rather a helpless hostage being held captive aboard his own ship.

      It's like a turn on The Emperor Has No Clothes. It should be completely obvious that Babo has all the clothes, and yet white colonial ignorance cannot imagine or see the possibility.

      Steverson, Delia. “‘Everything Gray’: Polygenism and Racial Perception in Herman Melville’s ‘Benito Cereno.’” The Journal of American Culture; Malden, vol. 40, no. 2, June 2017, pp. 169–77.

    2. lethargic, somnambulistic character

      This description got me curious about Melville's relationship to gothic literature, so I did a search in my (other) library's federated search and found that < melville benito cereno gothic > yielded 583 results.

      Citing Sara Mills, Justin D. Edwards draws attention to the us vs. them narrative in Benito Cereno.

      "For Melville, I suggest, the coupling of the two forms was possible because they were both filtered through a racialized lens. For instance, the structures of difference that are central to nineteenthcentury travel narratives— the narrative necessity of providing a gap between 'us' and 'them'— can also be found at the heart of Benito Cereno (Sara Mills 23)." Edwards, Justin D.. Gothic Passages : Racial Ambiguity and the American Gothic, University of Iowa Press, 2005. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/columbia/detail.action?docID=837041. Created from columbia on 2018-10-06 15:39:04.

      He goes on to discuss violence, ignorance, and revolt in the power dynamic between Babo and Delano. That's not strictly gothic, but the elements are not far removed.

    3. splenetic disrelish

      The juicy phrase "splenetic disrelish" also appears in

      an 1815 sermon Family Lectures: Or, a Copious Collection of Sermons on Faith and Practice, Etc. F. C. and J. Rivington, 1815.

      a poetry chapbook “NOTHWITHSTANDING Shoring, FLUMMOX by Emily Abendroth.” Issuu, https://issuu.com/dawnpendergast/docs/abendroth-issuu. Accessed 6 Oct. 2018.

      a page of baffling nefarity Astrophysics Research Creatine Express Loading Product Results Reviews. http://votacymu.awardspace.com/astrophysics-research.html. Accessed 6 Oct. 2018.

      A political blog from South Africa Mazibuko: W(h)Ither the Truth? | Thought Leader. https://thoughtleader.co.za/tracyhumby/2014/05/19/mazibuko-whither-the-truth/. Accessed 6 Oct. 2018.

    4. By his side stood a black of small stature, in whose rude face, as occasionally, like a shepherd’s dog, he mutely turned it up into the Spaniard’s, sorrow and affection were equally blended.

      Delano's reading of the "small black" man's "equal" "sorrow and affection" is suspect as Delano himself in the next paragraph blunders over with sympathy and the desire to help.

    5. Chili

      I was curious about Melville's spelling of Chili (vs. Chile), so I endeavored to find out if that was a 19th century spelling. Finding articles about the country vs. the pepper proved difficult, until I remembered my Boolean logic. < (chile AND chili) NOT pepper*) >. That didn't help much either, at least not in Oxford Reference. The OED was a fail, too. I tried to trick Google into Booleaning for me: < (chile | chili) -pepper >, but it wasn't having it, so I ended up back where I started: Wikipedia, where the first subheading is Etymology. I find their description plausible and reliably cited:

      There are various theories about the origin of the word Chile. According to 17th-century Spanish chronicler Diego de Rosales,[15] the Incas called the valley of the Aconcagua "Chili" by corruption of the name of a Picunche tribal chief ("cacique") called Tili, who ruled the area at the time of the Incan conquest in the 15th century.[16][17] Another theory points to the similarity of the valley of the Aconcagua with that of the Casma Valley in Peru, where there was a town and valley named Chili.[17]

      15 "Chile.com.La Incógnita Sobre el Origen de la Palabra Chile". Chile.com. 15 June 2000. Archived from the original on 15 April 2009. Retrieved 17 December 2009 16 Encyclopædia Britannica. "Picunche (people) – Britannica Online Encyclopedia". Britannica.com. Retrieved 17 December 2009. 17 Encina, Francisco A., and Leopoldo Castedo (1961). Resumen de la Historia de Chile. 4th ed. Santiago. I. Zig-Zag. p. 44

      Today's version of the Wikipedia entry https://en.wikipedia.org/w/index.php?title=Chile&oldid=862682987

  8. Sep 2018
    1. build community, empower students to speak, and underscore the inherently collective nature of creativity and interpretation

      I'll be interested to see how true this is. Or will it just be the same in-class loudmouths (myself included), who are aggressive annotators. Maybe even more aggressive because we're not as conscious of taking up other students' space and time.

    1. in the interests of a new object and a new language neither of which has a place in the field of the sciences that were to be brought peacefully together, this unease in classification being precisely the point from which it is possible to diagnose a certain mutation.

      The word "classification" jolted my fashion. Seems like this sentence should be in my wheelhouse because classification is decidedly a determination of my jam, but dear dog, I can't. Can I get a translation of the translation please?