1,251 Matching Annotations
  1. Sep 2015
  2. newclasses.nyu.edu newclasses.nyu.edu
    1. nli.e less expert women tended to repeat the words and follow the direc-ons of others. They had less of an overview of romantic relationships; hey had to work harder to come up with responses to romantic situ-1 ations. Not surprisingly, those who were less identified with the world of romance, and for whom it was less salient, also were less expert in / JP.anaging relationships.

      This follows the structure of the AA story in chapter 4 - less experienced members first needed to hear others' stories and come to identify with the AA narrative before they could coherently tell their own story.

    2. Talk about men, focus on men, and orientation toward romantic relationships correlated positively with how much the women talked about and treated themselves as ac-tors in the world of romance.

      A nice summary of how these cases show a figured world influencing the actions of the actors in the world.

    3. Knowledgeability about the types of men and the ways relationships worked was more or less assumed. Further-level of competence in the conduct of relationships was presumed.

      But actually, it's something that has to be learned, and that learning directs how one behaves towards others.

    4. Both "getting the upper hand" and "keeping ·one man up front" were strategies for achieving the valued outcomes of romantic involvements while avoiding the bad.

      Ways of negotiating power dynamics. Especially "getting the upper hand" -- and the social constructed power dynamics of beauty.

    5. This suggests that involvement-the salience of and identification with the cultural system of romance-codeveloped with expertise.

      Identity (and saliency of identity) is developed with expertise in a field. There are varying degrees of identity saliency - within multiple and simultaneous figured worlds.

    6. Those who ap-peared to be less knowledgeable or less expert closely copied and took direction from others, attended to relatively circumscribed aspects of relationships, and had difficulty generating possible responses to roman-tic situations.

      Participatory learning through observations (romance as an apprenticeship) - this identity as something that evolves

    7. Even though the women were bombarded with images of themselves in the world of romance, and even though many of their peers seemed to have sorted through these various interpretations and arrived at fairly stable views of themselves as actors in the romantic world, some of the women did not identify themselves as such. They had no clear idea of a "romantic" self-either a self to avoid or a self to realize.

      Compared to previous examples, romantic relationships are interesting because they are informed by upbringing, past, culture, self image, etc. AA members were shaped by a story telling model and reinterpretation with very defined goals, likewise for midwives, sailors and tailors. Identity formation in an area with a spectrum of available identities is confusing.

    8. uch romantic attach-ments became markedly less salient for her, and her identity as an attrac-tive woman in the world of romance, as culturally construed, became unimportant.

      Did romance become unimportant or did she choose to engage in a relationship that was validating? Does the figured world you want to belong to shape your identity or does your identity shape your choice of worlds you partake in?

    9. American culture does not generally treat romantic relationships as an area of expertise. q./J -}:f. romantic relationships as something orirrexpert:I.:ove about fatalistically, as somethiilg .• successful relationships were more to_ch'!mft<:.rJiaws, b,Jck, or mismatches of interesiStllanto a lack of skill or savoir Nonetheless, upoii-quesi!Oii.5';)(;,xpertlseaiia

      Is LPP possible when it comes to relationships?

  3. brightspace.nyu.edu brightspace.nyu.edu
    1. I personal storie , oldtimers in AA tell their own life stories or partcll them-=Their drinking histories-and how they came to be involved in I AA. These stories contribute to cultural production and reproduction in three ways. First, they objectify many cultural elements-the beliefs, propositions, and interpretations-that new or potential AA members learn through listening. Second, by virtue of their" narrative forms, the stories realize a model of what alcoholism is and what it means to be an alcoholic. This model, in the absence of a well-defined, well-elaborated model shared by the wider culture, provides a basis for potential mem­bers to identify themselves as alcoholics, through comparing their lives to those in the stories. The storyline also provides a basis for labeling others, as others compare the lives of suspected alcoholics to the AA lives. Third, the AA story is a tool of subjectivity, a �p.ediat:ing-.de¥-iG€ for s�standing: As the AA member learns the AA story model, by listening to and telling stories, and comes to place the events and experi­ences of his own··· life into the model, he learns to understand his own�l.ife1 as an AA life, and himself as an AA alcoholic. The .l'ersonal_st"l}'_!s_a cultural vehicle for identity formation.

      Storytelling is among the oldest traditions we have to pass on cultural norms - here AA is using that format to encourage members and prospects to identify with each other and see their own lives in each other's stories.

    2. AA mem­bers knew that I was attending meetings as part of my research, what was said at those meetings was intended for other members, not for the anthropologist, and much was sensitive in nature and private.

      Element of safety and security that can be found in developing identities and entering certain figured worlds

    3. This is why, as members often say, "AA is for those who want it, not for those who need it." AA members must agree to become tellers, as well as listeners, of AA stories.

      Entering into the AA figured world as a "non drinking alcoholic" must be an intentional choice.

      I'm curious though what the authors would say about close family and friends of "non drinking alcoholics" - do you need to form an identity as such to enter (struggling with word choice here) a specific figured world?

    4. There are therefore two aspects important to membership in AA: qualification as an alcoholic, based on ones past, and continued non-drinking behavior, or effort at not drinking, which is a . ne ation of the behavior that first qualified one for membership.J

      Self-Identification, can't form identity based off other people's experiences, realities (hitting rock bottom and becoming motivated versus family/friends requesting person to join AA).

      for "non drinking alcoholics) - the identity is formed as a response, it's reactionary

    5. The drinker must apply them to his own life, and this application must be demonstrated

      To be a part of this figured world the identity must change. Knowing about it isn't enough, there must be evidence. This is different than the witchcraft example from the previous chapter. Maybe an AA outsider might think someone belongs to AA if they overhear that person talking about alcoholism, but if the AA figured world members don't consider the person a member, then they don't truly belong. But this seems to contradict what was stated about the witchcraft example.

    6. What happens when an AA member fails to compose this new under­standing of himself and of his life?

      What happens when a person is forced into a figured world they do not want to be in...a Holocaust victim, a prisoner? Does their identity reflect their reality, thier former lives, or their aspirations?

    7. He does not figure his life in AP!s terms. He views AA as a measure to take when things get really bad. He does not share the set of values and distinctions that unites other AA members. The identity of "alcoholic" does not affect his actions, or his perceptions of self, beyond his drinking behavior.

      Andrew seems conflicted by his figured worlds. Though he acknowledges his alcoholism it is not how he identifies. For Hank, AA became a surrogate family (by way of his descri[tions of "Who am I?"). Andrew, though lonely, does not allow AA to serve that purpose for him. Is it a self fulfilling prophecy of lonliness that he is holding on to? An identity he wants to cling to?

    1. Coach J engagedconversations that fostered social relationships to sustain their effort in a difficultmoment As relationships were built, runners repeated important aspects of thepractice that allow them to gain competence.

      Fostering social relationships similar to the storytelling in the AA narratives. By creating a figured world, then they are able to gain an understanding.

    1. lt. Discourse (or discursive) theory emphasizes many of the aspects of cultural resources that we discu

      Cultural artifacts don't need to be material - pronouns as artifacts (example of ta/you). I'm thinking more about pronouns as artifacts, I'm curious what the authors would have to say about communities creating their own gender neutral pronouns in response to the gender binary (examples: ne, ve, ze, xe). Imagining and creating artifacts into being, learned within social interaction

    2. Why is it confusing to ask if the Pope is a bachelor? After all, a bachelor is an unmarried man and the Pope is an unmarried man. Yet there is something peculiar about referring to the Pope as a bachelor. The problem is that "'bachelor' frames ...

      The possibility for multiple, simultaneous figured worlds. Figured worlds as a frame of understanding

    3. Asking if the Pope is a bachelor is akin to trying to redeem one's poker chips for money at an AA meeting. The questioner and the would-be redeemer have both mistaken the relevant figured world.

      This comparison seems that strong to me- though I agree that referring to the Pope as a bachelor is an example of culturally figured worlds, a poker player redeeming chips at an AA meeting seems like a misinterpretation of a physical object rather than the meaning behind that object.

    4. They come to name themselves, and often to see theruselves, as "alcoholics" and not just drinkers. All these elements of AA are meaningful in, relevant to, and valued not) in relation to a frame of meaning, a virtual world, a world that has been figured.

      So the figured world that has been created informs the identity of the person...they begin to include "alcoholics" within their identity, since this fits within the figured world they belong to

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      When practices become widespread in a society, it stops being seen as a figured world, but as reality. Though beauty is a social construct, it becomes a realistic determinant of attraction in a society that is inundated with that message.

  4. Aug 2015

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  5. Feb 2014
    1. The testimony makes it manifest that he was a special police officer to some extent identified with the work of the prosecutor's office, and that position, upon well-settled grounds of public policy, required him to assist, at least, in the prosecution of offenders against the law. The services he rendered, in this instance, must be presumed to have been rendered in pursuance of that public duty, and for its performance he was not entitled to receive a special quid pro quo.
      • Court finds sufficient evidence to characterize this fellow as a public official.

      • His interaction with the prosecutor's office weighed in as a factor in suggesting he had a legal duty.

      • Since he is characterized within the rule as a public official, he cannot, as a matter of law, receive a reward for the performance of his duties.

  6. Jan 2014
    1. The results of the subsequent mathematical analysis can often be exported as additional rows and columns into an updated version of the atlas and then explored by the biologist using the visualization tool.

      Blending mathematical and visual analysis

  7. Nov 2013
    1. Like any other discipline, the theory of invention and arrangement must be practiced in two ways: first, in order that by its means we should through external examples learn common sense from argument, judgment from the manner of conclusion, and complete prudence from the method of arrangement and order; secondly, that by means of the same art we should devise similar examples in speech and writing.

      Learn rhetoric through analyzing others and practicing what you've learned.